New Lives, New Faces: Virtual Vacation 2025

VTubing has been an unpredictable space for the past year, to say the least. Talents have been debuting, leaving, and even re-emerging in different forms to such a degree that it feels like a decade has passed. Among those making big waves have been indie creators Dooby3D and Nimi Nightmare, who quickly grew into top names due to implied prior experiences.

So when the two announced a few months ago that they would be doing a concert in July, I knew I had to try for a ticket, especially as a big fan of Dooby. The creativity they both possess and the positive energy they exude are things I’ve experienced before in a live setting, and I wanted to support this venture of theirs.

Virtual Vacation 2025 was held on July 5 at the United Theater on Broadway in Los Angeles. Joining Dooby and Nimi were a couple other indie VTubers, Ashton Marten and Hyuni. While the latter two aren’t as well known, they each added their own unique flair. Ashton is a self-described retro roller rodent race queen, and she literally performed a song while on skates; that’s something I feel you need a lot of confidence to pull off as well as she did. Hyuni I felt had the most inherently “idol” energy and the best singing, but those more orthodox elements stood out against the other oddballs.

While neither Dooby nor Nimi are powerhouses on the stage, they still made a great impression. Seeing Dooby come out to “God knows…” wearing an outfit reminiscent of Suzumiya Haruhi’s bunny girl costume was magical. Watching her skanking on stage also brought back good memories. Nimi debuted her own idol outfit and sang one of her karaoke mainstays, “Lovefool” by the Cardigans, and her cover of “Ride on Time” keeps replaying in my head because of her dance that was somehow both cutely awkward and gracefully cool. Ever since ex-hololive member Gawr Gura sang the famous Yamashita Tatsuro song during her debut, it’s been a kind of anthem for VTubing, and hearing it from Nimi was really special in an indie event taking place after some real tumultuous months.

That wasn’t the only oblique reference towards hololive as a precedent either. While Ashton was teaching Nimi to roller skate, the latter likened herself to a newborn giraffe (kirin in Japanese). Later, Dooby sang “Magic Ways,” another Yamashita Tatsuro number. Right before the song began, Dooby encouraged everyone to turn their penlights blue “like the ocean,” and minutes into the performance came a familiar voice in the backing vocals that I suspected was the recently debuted yet familiar-sounding Sameko Saba. My hunch was later confirmed by Dooby and Saba themselves, the latter of whom was also the announcer at the start of the concert.

To top it all off, the encore was “Ochame Kinou,” an unofficial anthem that’s kind of a rite of passage for hololive talent. The choice felt to me like a deliberate connection between past, present, and future, and the reminder that this is something of a new age. It’s also interesting to compare with last year’s Fantôme Thief’s Revenge concert, where the callbacks included “Last Cup of Coffee,” and the encore was “Thanks for the Sex.” Truly, it was a contrast.

Speaking of Dokibird and Mint, the two appeared for a single song at Virtual Vacation not as full 3D models but as models made to look like stuffed dolls. Dooby showed up at Fantôme Thief’s Revenge, so this came across as a nice bit of reciprocation and fanservice. Speaking of fanservice, the antics among all the ladies had the crowd eating out of their hands. Perhaps most noteworthy was a moment where Nimi pantomimed giving Dooby CPR.

The overall presentation was quite professional, and I have no major complaints about OshiSpark and their approach. The United Theater itself has an art nouveau feel similar to the King’s Theater in Brooklyn, giving a sense of class to all us sweaty nerds. The viewing was typical of live VTuber fare, with a flat screen on stage, CG backgrounds that help to create the illusion of depth, and a couple other vertical screens for close-ups. The graphics used during the songs, especially the times when the main lyrics of a song displayed on the screen, had a nice summery feel that I enjoyed. One issue that did arise is that there was some conflicting information about when the concert was supposed to start, and it ended up kicking off at 845pm. 

So I indeed went to a concert headlined by two VTubers not particularly known for their singing or dancing. That’s missing the point, though. What’s wonderful about stuff like this is that the fans can meet the talents where they are and bask in a shared moment. Having Ashton and Hyuni on board also gave those smaller fanbases an opportunity to gather in one spot and perhaps even add to their numbers. One of the things I really enjoy about the big hololive concerts is that exposure to talents you might not be familiar with, and this is the same idea on a smaller scale.

But I would be remiss to deny the progress that Dooby and Nimi have made as performers. Their improvement is noticeable and lovely to see, and I enjoy seeing them grow regardless of any specific adherence to the “idol journey.” I find that there’s happiness in seeing them just enjoy themselves more and more through song and dance, and it kind of makes me want to embrace a more theatrical side as well.

PS: Congratulations to Nimi on her marriage announcement!

One thought on “New Lives, New Faces: Virtual Vacation 2025

  1. Pingback: Fallen Angel’s (and Ascended Devil’s) Thesis: Ogiue Maniax Status Update for August 2025 | OGIUE MANIAX

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