Kio Shimoku Twitter Highlights December 2021

Every month, I collect highlights from Genshiken author, Kio Shimoku’s, tweets. This month’s provide some interesting insight into Kio’s work history beyond the manga he’s known for!

Professional Work

Kio started filling this bookshelf back when Rakuen: Le Paradis (home of Spotted Flower) began, and now it’ll be full in two years.

Later, he remarks (while promoting a half-off sale) that he only does three chapters a year, but somehow it’s reached the point of having so many.

Kio doesn’t know how to use the Stream Lines tool [for making Speed Lines] in the art program Clip Studio Paint.

Color proofs of all the covers from the Genshiken Shinsouban Edition!

The announcement that next month’s Hashikko Ensemble is the final chapter. “I hope you’ll all stick around to the end.”

Other Work

Kio quotes a tweet about a special one-shot manga in Monthly Afternoon by Samura Hiroaki (Blade of the Immortal, Wave, Listen to Me!) about the life of the renowned second chief editor of Afternoon, Yuri Kouichi—a man who, prior to Afternoon, was responsible for bringing hits like Akira and Ghost in the Shell to publication. In the manga, Samura mentions his interactions with the famous manga artist Takano Fumiko, and Kio says in his quote tweet that he once worked as an assistant for Takano. He only did screentones for her, but she smiled and said to him, “I don’t care whether you’re a rookie who’s yet to debut—you did a good job.” The moment stuck with Kio.

3 out of 4 of the CDs for his 2010 doujinshi work seems to not be working. While he has the original 350-page paper manuscript somewhere (for a Star Wars parody called Sister Wars Episode I), he doesn’t know where it is. A fan mentions wanting to buy it, but Kio’s not sure what format he should sell it in. He also feels a desire to make Episode II. He’s had plenty of ideas for it, but he feels like he’s been forgetting them lately, so he probably needs to get it done sooner than later.

(Kio mentioned Sister Wars in his interview with the Vtuber Luis Cammy. You can read my summary of that interview here.) 

Interactions

Oguro Yuuichirou, the chief editor at Anime Style, gives high praise to Hashikko Ensemble and its characters, story, and visual presentation of music. Kio tweets being happy about it, to which Oguro re-expresses how genuinely good he thinks the manga is. Kio gives a thank you.

December featured an online extra for Spotted Flower that focuses on the editor character Endou. Kio responds to fan feedback, including from a fellow Ogiue lover and Twitter mutual of mine!

Kio is done with the last rough drawing, whose expression he changed around four times. A fan (who’s a huge Jin from Hashikko Ensemble fan) asks which character it is, to which Kio responds “the ostensible protagonist, Fujiyoshi,” and then reacts to the fan’s Jin profile picture.

Kio gets excited over fellow artist Ikuhana Niro making good on his word and getting a new car.

Other Media

Kio got his copy of Pompo the Cinephile (you can read my review of the movie).

Kio bought another Motorhead figure from Five Star Stories.

Ikuhana Niro mentions that a new doujinshi of theirs is out, and Kio comments that he remembers how “that doujinshi” is under a different pen name.

Miscellaneous

Kio makes a cryptic tweet about not being able to ride the turbulent waves, and says, “See you tomorrow.”

We’ll come to know what “fogged glasses” looks like in the winter. I think this refers to Spotted Flower, but I’m not certain.

He took some kind of online quiz, I think, and the result it gave him was that he lives life on “hard mode.” Kio responds with “What the?” The test also apparently says that someone like him wants a life where they love and are loved. He thinks this might be fitting for a manga artist.

Kio got a back-support corset for when he has to do heavy lifting, like taking out tons of garbage.

Kio retweets Kotobuki Tsukasa (character designer for Saber Marionette J, Gundam: The Origin) talking about turning 50, and realizes he himself turns 50 next year.

Next month is going to be the end of Hashikko Ensemble, so I suspect there is going to be lots of reminiscing on Kio’s timeline. Here’s hoping!

Prelude to the End: Hashikko Ensemble, Chapter 47

Jin has a breakthrough and Kozue reveals another side of herself in Hashikko Ensemble, Chapter 47. 

Summary

Kozue catches up to Jin, who has left the clubroom because he’s lost the music inside of him. As the two walk and talk, Kozue helps Jin put words to what’s been bothering him: He’s frustrated over what he hasn’t been able to do, and it’s eating him up inside. In particular, Jin is frustrated over Akira being putting on such powerful performances despite being so inexperienced, and over Akira being recognized by Jin’s mom before Jin himself. 

As Kozue leaves, however, she nonchalantly gives Jin a romantic (as opposed to platonic) Valentine’s chocolate before walking off with a flushed face and singing “Haru yo, Koi.” The lyrics seem to trigger something in Jin, but rather than it being a realization about his potential romantic feelings, it helps him clarify why exactly he’s so frustrated when it comes to Akira. He both wants to acknowledge and deny Akira’s accomplishments—a contradiction has stopped his heart from moving and by extension, stopped the music within Jin. 

Jin rushes past Kozue while loudly declaring that he needs to “tell everyone,” which Kozue assumes is about her confession. Beet-red, she chases after Jin to stop him, only for the thing he wants to tell everyone about is his desire to put on that Whie Day concert in response to the girls’ Valentine’s Day performance. In addition, Jin has a special request for Akira.

The story skips ahead to White Day, where all the guys put on a show while dressed in bright and shiny tuxedos. However, the real event is a special “exhibition match” between Akira and Jin—the request Jin wanted. As Jin prepares to unleash his full singing might for the first time, the chapter ends…and reveals that the next chapter will be the end of Hashikko Ensemble!

Wait. Really?

So here we are at what turns out to be the penultimate chapter. I knew that the story was getting to a major point, but I didn’t expect it to be leading to the finale! Thematically, the story has come full circle with Jin going from recruiting Akira to competing against him, but I thought they’d overcome this and then move on to the next challenge. If this is really it, though (and there’s no sequel being announced), I think the manga is ending with at least some closure.

Got a Feeling So Complicated

Jin’s mix of pride in Akira and jealousy towards him is profound. They’re both such powerful feelings, and the dimensions they add to Jin turn him from a fascinatingly eccentric character to a truly human one. This is all the more the case because it’s kind of unsurprising given where the story has been going over the past six months or so. Jin wants to both love and hate Akira, but he can’t bring himself to do either. 

It makes sense that Jin has never gone all-out when singing. He chafes at the idea of competition and comparison that his mother, Reika, values so much, and he has rebelled in his own way by eschewing such notions. But perhaps this is also why Jin has never been verbally acknowledged by her, even though we know she thinks he has talent. To be able to not just cooperate but also fight could be the difference. The capacity to do both (and to know which is the right choice) might be even more valuable.

I don’t think this friendship will end on bad terms, but I think there are a few more twists and turns left.

To All the Boys I’ve Loved Before

One thing I’ve enjoyed in this series is that characters are attracted to multiple people. It’s often the case in manga that only major characters (or harem leads) have feelings towards more than one character at a time. Here, though, you can see all these potential connections abound. Kozue previously showed at least a small interest in that judo club boy, but she also expresses a crush on Jin here. At the same time, Kozue is not the only one who likes Jin, seeing as Yumerun just confessed in the last chapter—and Kozue also feels at odds with herself knowing that. I just keep thinking about how affection can be a spectrum.

They’re the kind of romances that one is more likely to see in an actual high school (and probably beyond), and the fact that it’s a significant but not major part of the story also lends itself to this sense of authenticity. Multiply this across the whole cast, and you get Hashikko Ensemble. I love seeing the dramady of these singing fools, and even if none of these relationships actually resolve.

Just Gorgeous

Hashikko Ensemble always looks good, but there’s just something about this chapter’s artwork and paneling that’s downright amazing. Kio’s just an ace at portraying cascades of emotions, and the simultaneous sense of heaviness and humorous frivolity that comes from his artwork and composition really puts his talents on display. In the pages above, Kozue’s rollercoaster of emotions jumps right off the page, and the way Jin takes her for a ride with this earnest denseness makes me feel a kind yet pained smile form on my face. 

And when Jin shows that he’s going to get serious for his “exhibition match” with Akira, the way the panels build up to such sheer intensity actually startled me a bit. Kio has never really done a competitive manga—in fact, Hashikko Ensemble is the closest he’s ever gotten—but it makes me genuinely wonder what he could pull off if he decided to do a sports or fighting manga.

If this is what Kio has pulled off before the conclusion, I can’t wait to see what he’s got up his sleeve for the final chapter.

Songs

“Haru yo, Koi” (“Come, Spring”) by Matsutouya Yumi. This is one of the songs the girls sang in the last chapter.

“Yakusoku” (Promise) from The iDOLM@STER. This was one of the songs performed by the otaku group during the big competition.

“Kanade” by Sukima Switch. This song is what brought Akira and Jin together all the way back in Chapter 1!

Final Thoughts

I still feel that there’s so much more story that could be told. They haven’t even entered another M-Con yet! I don’t know if the story was made to end early or if Kio thinks this is the right time, but I could keep reading about these characters living their lives for a long time. To Kio’s credit, that’s part of his magic as a manga creator.

As for predictions, the safe bet is that they’ll finally become an official club. I’m also still rooting for an Akira x Mai ending. 

And who knows? Maybe we’ll see their doppelgangers show up in Spotted Flower

Kio Shimoku Twitter Highlights November 2021

Another month of Kio Shimoku tweets. The real highlight this month is his opinion on ero manga artists.

Hashikko Ensemble

Kio promoting Hashikko Ensemble Chapter 46. He doesn’t like how Kurotaki Maki is cut off here, so he retweeted his old drawing of her as a bunny girl. Kio also remarks how he’s noticed that all the girls are pretty stacked (with one exception).

Here are the specific chorus/glee club versions of the songs from this month’s Hashikko Ensemble.

Anime and Manga Impressions

Kio saw the anime film Sing a Bit of Harmony. As the creator of a manga about singing, he noticed the realism with which the main character of the film, Aya, breathes while performing.

He didn’t know a Zombieland Saga movie was on the way.

Kio thinks the Zombieland Saga first ending theme sounds like a graduation song.

Kio drunk-reviewing the latest chapter of Five Star Stories. He doesn’t remember lines or story details, but it made an impression on him—particularly the character  Auxo’s expressions.

Hobbies and Model Kits

There are official water-based Gundam model kit paints now, and Kio comments that he’s had cases of the paint going all over the place using water-based acrylics. It was still fun, though. He’s painted a Juaggu and a Z’Gok that way.

Some old Gundam model kits that Kio built.

Kio finally managed to store a ton of manga in boxes. At least some of the boxes are from 20 years ago, and there are about 25 boxes with 30 books each. 

Health

Lately, Kio’s knees have been hurting after walking.

He used a saw for the first time in a long while, and now his arm aches.

Kio drinks the Japanese energy drink Lipovitan D Super to start working on a new manga manuscript. He also decided to take an outdoor bath because it’s not that cold outside, and finds it’s actually good for work.

Thoughts on Ero Manga Artists

Kio has much respect for ero manga artists because of how much they have to master: poses, anatomy, camera angles, etc. Apparently, one thing people say is “If you want to get good at drawing, do porn.” But Kio also respects those porn artists who aren’t trying to make a career and just want to draw horny things. He actually drew some in middle school, but he stopped because he was afraid of his family finding out.

What Is Love?: Hashikko Ensemble, Chapter 46

Jin is on one heck of an emotional arc in Hashikko Ensemble, Chapter 46.

Summary

The girls of the Chorus Appreciation Society (plus Yukina and Yumerun) start on their Valentine’s Day mini-concert—Kozue’s idea for bringing Jin out of his musical funk. But within himself, all he can seem to hear are their flaws. Still, while they’re lacking either skill, group coordination, or both, they seem to have the very music in them that he’s lost.

Right before they can start their encore, however, Shion brings out her Valentine’s chocolate for Kousei and makes another confession. Kousei deflects by asking Jin if she has any hope of getting into a music college and having a career (the chances are rough. Kousei further comments that Shion’s not that good with the technical work needed for their high school either—as if to imply that Shion wouldn’t be prepared for the hardship of dating him. 

At that point, Yukina cuts in and remarks that Kousei is underestimating Shion, and promises to help Shion with her schoolwork. Yukina actually only has a month until she graduates, which prompts the two girls to leave the concert and get started practicing. Losing its alto in Yukina and its accompaniment in Shion, the concert comes to an impromptu end, to Kozue’s chagrin.

Yumerun tries to brighten the mood by delivering an intense confession of her own to Jin (“Please go out with me with the intent of marriage!”). While she says her feelings for him were likely always obvious, Jin (ever oblivious) mentions that he never even noticed. When Jin asks what kind of feeling “love” even is, Yumerun replies that it’s to treasure someone—while also thinking inside that it’s about wanting to have someone all to yourself—Jin curtly replies, “I don’t think I’m worth that much,” and leaves. Akira immediately gets up to chase, but Kozue stops him, saying that he shouldn’t be the one, and goes off after Jin herself.

The Details of Drama

The above summary is a lot wordier than I would typically prefer, but I felt that the contours of this chapter are important this month—especially because of how serious Hashikko Ensemble is getting. The drama has ramped up in many ways even if there’s still a dose of levity, with the Jin-Yumerun interaction emphasizing that contrast. In some ways, it reminds me of the Karuizawa story in Genshiken (where Ogiue finally pours her turbulent heart out to Sasahara), but the difference is that Ogiue started out full of pain, and Jin’s recent turn is more drastic compared to how we first meet him back in Chapter 1.

Jin and Love

Jin is the main focus throughout here, and I love what they’re doing with his character. The conflict that’s broiling inside him feels so real. Jin’s impressions of the girls’ performance come after Akira’s, and their differences in this moment really drive home how out-of-sorts Jin feels. Akira’s perspective comes from a less experienced place: He can tell how strong Yumerun is, that Kanon sings like it’s karaoke, and how Kozue is uncharacteristically not that great at it.  Jin’s analysis, on the other hands, is very cynical and clinical, which feels so unlike what we expect of him. It’s like he’s turned a harsher ear on others as a consequence of becoming harsher on himself.

Then, when he’s asking Yumerun what it means to “love,” I get the impression that he’s not just talking about people. I suspect that he’s doubting whether he truly ever understood what it means to love music. Perhaps he feels that he’s been confusing his highly dedicated study and time poured into singing with genuine passion. When he says he isn’t worth that much, I think it might be because he seems himself as something of a fraud.

Master Yukina

Kousei continues to resist his interest in Shion, but one fun development out of this is Yukina and Shion’s friendship! I’m a fan of how Yukina and Shion quickly lose track of what they were talking about in the first place—It’s like watching a real and genuine friendship grow. Shion starts to call Yukina Shisou (“Master”), and I hope we get more of this in the future.

Jin, Kozue, Yumerun

Given the tiny bit of blushing, I can’t help but wonder if Kozue feels something for Jin beyond his surprisingly muscular body. The fact that she has a thing for that childhood friend of hers already means she’s potentially into multiple guys—a nice change of pace from so many other manga. The story seems to be going towards forging a bond between Jin and Kozue, and I think maybe it’s precisely because Kozue can’t sing all that well that she’s the right person to talk to Jin. Akira might very well drive Jin further down the hole, while Kozue’s lack of skill means that “having the music inside yourself” isn’t necessarily tied to one’s ability.

The fact that Jin was entirely unaware of Yumerun’s love for him is completely unsurprising, and I still wonder if he might be somewhere on the spectrum. Yumerun’s near-yandere romantic emotions are equally unsurprising. If there is some kind of love triangle at work here, I don’t know which I would cheer for. All possibilities are excellent, even the less orthodox ones.

Songs

“Haru yo, Koi” (“Come, Spring”) by Matsutouya Yumi.

“Mugi no Uta” (“Song of Wheat”) by Nakajima Miyuki. The lyrics of this song in particular feel like they’re talking to Jin and his current problems. “Even if the wheat loses its wings, songs have their wings.”

Final Thoughts

Akira refers to Yumerun as “Yumeru” in this chapter, and I can’t entirely tell if that’s actually her name or if Akira is just misremembering it. If it’s the latter, it’s a reminder that they barely met each other.

Kio Shimoku Twitter Highlights October 2021

Kio Shimoku claims at the beginning of October that there won’t be as much tweeting, but that turns out not to be so much the case. This month also features (?) Kio drunk tweeting for the first time!

Work-Related

Kio felt he did a good job with the linework in this “pencil” layer for some extra art for Spotted Flower Volume 5, but laments that he inevitably has to cover it with ink lines.

Kio explains that he had all this energy doing collaborative illustrations and tweeting a bunch because of the double-release, and apologizes that it won’t be the same once September is over.

Kio thanks readers of Spotted Flower, and mentions that he has no idea where the story will go.

Working on a choir-themed manga, Kio is extremely grateful to all the talented musical composers involved.

Kio talks about how he used a technical high school as reference for Hashikko Ensemble, and that he basically drew it in Volume 2.

Kio links to a couple of songs that have shown up in Hashikko Ensemble. In turn, the composer of those songs retweeted him and expresses how happy she is about them appearing in Hashikko Ensemble, which Kio finds to be a good thing.

After all the endless work from doing two collected releases and more, Kio finally relaxes at a nice spa and massage place. But when he went to take a nap in the nap room, there was an old man snoring there. Though, overall, it was the first time in a long while that he had no trouble waking up early.

Hashikko Ensemble vs. Spotted Flower

Kozue: “A forced growth spurt?!”

Kio struggles all night to work on the final page of his manuscript for the recent chapter of Hashikko Ensemble, while at the same time being aware that he’s probably going to make corrections to it in the morning anyway.

People could win Spotted Flower stickers!

Hobby-Related

Kio wonders if they still make ekranoplans, and finds himself wanting one when he thinks about them.

Kio is tempted to get a small apartment very close to Akihabara.

“I escaped from reality.” Whether this is related to the previous tweet is unclear.

Kio buys Five Star Stories Volume 16, as well as a Newtype Magazine with Five Star Stories on the cover. He also has a model of the VOLKS Arsculs, but hasn’t built it yet because the binders are pretty daunting. (At this point, it’s pretty clear he’s a huge fan.)

Kio looks at his Speed Mirage Five Star Stories kit. It took him ten years to finish it.

Kio retweets a model kit site’s tweet featuring the Kettengrad, the namesake (?) of Ritsuko from Kujibiki Unbalance.

Kio and Drinking

Kio worries about the fact that he likes himself best when he’s drunk, to which others reply. Artist Ikuhana Niro says “Yep, I like you!” to which Kio says, “Thanks!” Another individual mentions that communication skills get stronger after drinking, which Kio agrees with.

Kio drunk tweeting. It’s mostly about him heading home, having trouble getting through his door, and asking if people like Drunk Kio. Ikuhana inevitably replies with a yes, but asks him to take care of himself.

Kio later thinks he drank a hangover supplement on the way back, but can’t actually remember it.

Miscellaneous

Kio successfully makes a phone call, and then reminisces about when he was a kid. He hated talking on the phone, sometimes to the point of tears.

The weather’s getting colder, so Kio is bringing his pet tortoise back indoors.

Kio dons the belly warmer for the coming months.

All Eyes On: Hashikko Ensemble, Chapter 45

Akira asks everyone whether they think a beginner can get into music college.

So much of what I’ve been wanting and anticipating has finally hit in what is one of the most impactful chapters of Hashikko Ensemble yet.

Summary

At a meeting, Akira openly asks the Chorus Appreciation Society members if they think he has what it takes to get into a music college. While Tsuyama gets mad at him for bringing that up among students at a vocation-focused technical high school, Jin points to Akira’s many impressive qualities as a singer. However, while Jin’s words are filled with praise, his demeanor barely hides his conflicted emotions. But even though Jin doesn’t understand what exactly he’s feeling, it has a real effect on him physically and psychologically—Upon attempting a rehearsal, his voice cuts out, and he finds himself unable to sing. To everyone’s surprise, Jin takes a break from chorus activities.

Without Jin, the society’s general mood turns sour, and as Valentine’s Day approaches, Kozue gets an idea: Hold a private Valentine’s Day performance in their meeting room, with all the girls—even the normally non-participatory Kanon and Mimi-sensei—as the singers. The girls give the guys their chocolate (including certain romantic hopefuls trying their luck), but the “concert” itself has a couple twists. First, as per Japanese tradition, this Valentine’s Day event is to be reciprocated by the guys via a White Day performance. Second, a couple of guests are included among the girls: Hashimoto Tech’s resident arm wrestling champion,Yukina, and Jin’s childhood friend and ace soprano, Yumerun. As the performance begins, the chapter ends.

Jin Reaches the Breaking Point

Jin starts to sing but then suddenly stops, and it almost looks like his entire being is shattering from around the throat area.

Jin’s spiral was more a matter of “when” than “if,” and it signals a crucial moment in Hashikko Ensemble. Up to this point, the friendship between him and Akira has been the lynchpin of both the manga and the Chorus Appreciation Society within. To see a serious metaphorical fracture is the most direct drama we’ve seen as of yet.

Jin’s inner conflict seems clear to me: His mind and his heart are at odds with each other. On the one hand, he intellectually understands on a deep level everything about Akira’s talents and continuous improvement, and even wants him to succeed as both a friend and a person undeniably passionate about music. On the other hand, seeing Akira accomplish so much more in such a short period (even earning praise from Jin’s infamously blunt mother) must fill him with an envy that’s hard to isolate from his other emotions. As Jin states in his thoughts, he feels proud that he’s the one who discovered Akira and who first recognized his potential, but for the master to have been surpassed by the student so soon is itself a blow to Jin’s pride in himself that he achieved through hard work. It’s like Jin wants Akira to both succeed and fail, and this has compromised his ability to approach music itself.

I live for this kind of complex emotional richness in manga.

The Girls Do Their Thing

Kozue announces Yumerun as the special guest.

I’ve been hoping to see the girls do their own thing. It’s not just for some arbitrary requirement to fulfill, but simply that there are so many excellent female characters that I feel they could use a spotlight that’s founded in the very gimmick of Hashikko Ensemble: music. I did not expect Yukina or Yumerun to show up, but their presence is welcome.

I suspect that the reason Yumerun is part of the performance is because this is, in part, Kozue’s plan to get Jin out of his funk, and she’s been in regular contact with Yumerun ever since M-Con. The way Jin instantly beams upon seeing Yumerun shows a connection that’s different from what he has with everyone in the main group, including Akira, and I think Kozue recognizes that bond. The deal about the guys having to return the favor on White Day only adds to the idea of this performance being a way to encourage Jin to find back.

Speaking of Yumerun, I love the reaction to her from Mai. While Hashikko Ensemble is full of eccentric personalities, there’s something about Yumerun that exudes “odd duck” vibes. It’s not just the fancy dress either, as her mere presence—especially that “anxious confidence” look she always has on her face—kind of feels like a disco ball in human form.

Mai, Yukina, Kanon, Kozue, Yumerun, and Mimi-sensei singing.

I also love this image of all the girls singing together because you can really see their personalities shining through. Kanon is nervous and unsure of herself. Kozue is earnest but also in an unfamiliar situation. Yumerun is, well, Extremely Extra.

Songs

“III. Blue” from “The Wings of Mind”

“Haru yo, Koi” (“Come, Spring”) by Matsutouya Yumi. This is the song the girls start performing at the end of the chapter.

Final Thoughts

Volume 7 of the manga is on sale in Japan and worth checking out. There’s a picture of Mai and Yumerun together in swimsuits, and the fact that it came out before this chapter (which is their official first meeting) is interesting. 

Kio Shimoku Twitter Highlights September 2021

Much of Kio’s tweeting this month has had to do with the fact that Hashikko Ensemble Volume 7 went on sale on the 22nd, and Spotted Flower Volume 5 is out on the 30th…on top of Chapter 44 of Hashikko! There are lots of inevitable scheduling woes, but he’s actually also been responding to and retweeting readers in a concerted fashion for the first time.

Even I got a retweet!

Hashikko Ensemble and Spotted Flower Releases

Hashikko Ensemble Volume 7 cover check. Kio seems fine with it.

All Spotted Flower volumes have a plastic cover jacket with characters in clothes that obscures a second paper cover jacket with the characters in underwear. Kio gives a sneak peek here.

Kio mentions that there are store-exclusive extras for Spotted Flower.

Kurotaki Mai in a bunny outfit, as a late celebration of Bunny Day, but also to promote the new release.

The next chapter of Hashikko Ensemble has a ridiculous amount of lyrics and musical effects, but while the work seemed to never end, it’s finally almost over.

With the work on both upcoming volume releases more or less over, Kio decides to do some cleaning.

Kio discusses with 18+ manga artist Ikuhana Niro (who also publishes in Rakuen: Le Paradis) about ways to abbreviate Hashikko Ensemble and Spotted Flower in Japanese. Ikuhana uses HashiAn and SupoHana, while Kio originally uses Hashikko and SupoFura, but also Spotted in hiragana or katakana. Supote is brought up, with the idea that it sounds like Ponite (ponytail).

The Rakuen: Le Paradis Twitter account chimes in that Supote is one sale 9/30.

Kio responds with thanks to those who tweeted about supporting the release of Hashikko Ensemble, Volume 7. He doesn’t quote tweet readers all that much, so it feels special. 

A fan mentions that they’ve always liked Genshiken and stuff, but only recently got into Hashikko Ensemble and wish they did so sooner. Kio tells them to enjoy it at their own pace.

Kio mentions that there are store-exclusive bonuses for Volume 5 of Spotted Flower. (I’ll be getting the Ogino-sensei ones from Melonbooks and Animate.)

A drawing used for promotional store displays for Volume 5.

Kio talks about how intense the Basso Masters from Hashikko Ensemble are.

Kio talks about how he couldn’t find any footage of a three-girl group singing “Zenryoku Shounen.”

Showing his drawing of the Chorus Appreciation Society performing “Etupirka” versus an actual performance.

Other Works

In response to a TSUTAYA bookstore showing its display bookshelf for manga artist panpanya, Kio responds that it’s sandwiched in one hell of a place, given the shelves on each side (Blue Lock, Demon Slayer).

Kio up until recently still was not a fan of Kurita Kan’ichi as the voice of Lupin III ever since he took over the role in the 1990s. However, he’s noticed that rather than sounding like an imitation, Kurita’s performances now have a weight and seriousness that has allowed Kio to finally accept his Lupin.

Fanart of Isako from Dennou Coil. (WATCH DENNOU COIL!)

Kio sees Five Star Stories models and reminisces about when he built his first resin-kit Akatsuki from that series.

Kio retweets an article talking about a journey with toy soldiers that began from a panpanya manga.

Unknown

Kio talks about the good work an “Akio-san” did on photos. What it means is still unclear.

Looking Ahead

This was a pretty tweet-heavy month for all the reasons above. I get the feeling we’ll be seeing less for October, but you never know.
I also posted these highlights right before the 9/30 release date of Spotted Flower Volume 5, so I’m sure I’ll be covering a lot just from that!

Orihara Kousei Has a Posse: Hashikko Ensemble, Chapter 44

All the members of the Chorus Appreciation Society singing together intensely.

Summary

The Christmas-themed concert at Kousei’s orphanage continues, with the two sides (Christmas crew vs. Namahage Tsuyamers) joining together to sing a couple of songs as one. Kozue (still dressed as God) announces them as the Hashimoto High Chorus Appreciation Society, or “Hashi-kou Ensemble” for short.

The kids in the audience enjoy their performance, while Rikurou (the delinquent kid) is especially surprised by Kousei’s impressive singing. The orphanage’s assistant director thinks back to when a young Kousei first listened to a chorus concert himself. Later, Kousei has a heart-to-heart with Rikurou, where he talks about his dream: to buy a relatively inexpensive plot of land in a rural area, and use the architecture skills he’s learning in high school to build a house of his own where he can invite people over to listen to music.

During the concert, Jin notices Akira’s continued improvement in his singing—even in relatively higher notes, as opposed to the low notes that are Akira’s especially. Afterward, Akira casually mentions wanting to study music, which takes Jin by surprise. The caption at the end wonders how Jin will handle Akira potentially doing what Jin felt he never could.

They Said the Thing

Kozue, dressed as God, announces the group as the "Hashi-kou Ensemble"(Hashi High Ensemble).

This is the first time that the title of the series is (more or less) mentioned by the characters themselves, and it feels like a real milestone. What I think about is the sheer size of the group at this point, going from just Akira and Jin to around a dozen members. They’re on the verge of transitioning from appreciation society to full-fledged club, and I get a real sense of growth looking back at what’s transpired. 

At this point, there’s only one girl among the actual singers, and I see that changing as the story progresses. 

A Dream of a Home

Rikurou and Minori, kids at orihara's orpanage, being impressed by the singing.

Kousei is a character with a lot of layers, and I really love the reveal as to what he’s been working towards all this time. It’s strong and sweet, and encapsulates both the pain and healing that Kousei has been through. 

There’s potentially a conversation about toxic masculinity to be had here, though I don’t know if it’s necessarily limited to perceptions of manhood. What I do see is Rikurou’s previous anger towards Kousei for doing something decidedly uncool and unmanly in his eyes, and then how Kousei manages to change Rikurou’s mind about everything. Kousei’s masculinity is complex, and even though he’s quick to get into a fight, he’s also kind and caring in his own way, and even a bit vulnerable—like his bashfulness over Shion. During his talk with Rikurou, asks if Shion is his girlfriend, which Kousei strongly denies. We know, though, that he’s held back by the belief that he’s from a world too different from hers.

Songs

“My Neighbor Totoro” from the Studio Ghibli film

“Let It Go” (Japanese) from Frozen

Niji” (“Rainbow”) from “Itsu kara No ni Tatsute” (“Standing in the Field, Lost in Time”)

Kamome” composed by Kinoshita Makiko

As always, I have an ever-growing Youtube playlist of most of the songs featured in Hashikko Ensemble.

Final Thoughts

This was a good spotlight on Kousei, though I think the manga’s going to focus on other characters after this.

The series keeps building to some kind of confrontation between Akira and Jin, and I have to wonder when things will come to a head. 

Kio Shimoku Twitter Highlights August 2021

Not a ton of tweets this month, but if you’re interested in Kio’s thoughts about Rebuild of Evangelion (as well as his bout with work exhaustion and illness), here they are!

Works-Related

During a sale on the Kujibiki Unbalance manga, Kio talks about how this came before Jigopuri and Nidaime. “In a sense, it’s an original work closest to being a Genshiken spinoff.”

Kio has two volumes coming out in September (Spotted Flower v5 and Hashikko Ensemble v7), and he expressed that the amount of work he needs to put in to draw all the extra stuff was a challenge. However, he eventually managed to finish more recently.

Kio planned to take a 20-minute nap that turned into an hour. However, because his hands were feeling great, he called it a win.

Hase-san’s eyes quickly draw you in. (I think this is referring to Hasegawa Kozue from Hashikko Ensemble, but I’m not 100%.)

Kio makes a joke about his LCD tablet being really “hot,” except he means literally high-temperature. He realizes that he’s always used the tablet in air-conditioned environments, so he never really noticed it until now. He then decides the next day to use the AC after all.

Sick Kio

Kio was all prepared to hold a “lavish party” (which might just be “getting more work done”), but between his schedule and the side effects of this medicine (vaccine side effects?), he wanted to cancel. As he went back and forth between at least trying to work, he realized it wasn’t possible.

Evangelion, etc.

Last month, I left this tweet untranslated because I hadn’t seen Evangelion 3.01+1.01 yet. Now I have, and it’s time to delve into it. WARNING: SPOILERS

Kio was apparently a fan of the theory that Asuka and the other characters in Evangelion 3.33 were all from the old The End of Evangelion timeline, and the Rebuild characters were all imprisoned.  He also came into the final film ready to not be surprising by anything, but it was the gentleness of the movie that got to him.

Kio was too busy to go see Evangelion 3.0+1.01 in theaters again, so he listened to the soundtrack while working, and mentally recalled scenes from the film.

Kio commiserates with someone else about needing to pee partway through Evangelion 3.0+1.01—the nature of a movie that’s two-and-a-half hours long

Kio reacting to this month’s Five Star Stories. According to him, the designs can be disappointing in some ways, but the contents of the story are so rich. He seems to really feel the Shinnomaru and the Akatsuki. He had originally gotten some of Volks’s “Mighty Series” model kits, but didn’t build them. When someone he knew gave him the Akatsuki, though, he ended up finishing that one.

Music

A recounting of his experiences at the Secondary Culture Choir Festival, previously mentioned in the July tweet roundup. He’s not super knowledgeable about music still, but he enjoyed the sense of freedom with which they sang, and is grateful for the experience. He was announced as a “manga creator,” which he’s flattered by.

Kio has listened to this chorus before, but thinks they probably sound even more impressive in person.

…And that’s all for now. See you next month!

It’s the ’Hara Knock Life: Hashikko Ensemble, Chapter 43

Akira, Jin, and Mai singing “Rudolph the Red-Nosed Reindeer” to little kids

We get a glimpse of Kousei’s home life (and a Christmas concert!) in Hashikko Ensemble, Chapter 43.

Summary

The Chorus Appreciation Society is visiting the orphanage where Kousei’s been raised, and they plan to hold a Christmas concert for the kids there. ItThere, Akira and the others meet three people in particular: Zenba Yoshimi, the assistant director of the orphanage; Hayase Minori, a 6th grader; and Sawamura Rikurou, a middle school delinquent. Rikurou clearly looks up to Kousei, and he doesn’t understand why Kousei would hang out with the Chorus Appreciation Society or take up singing.

The day of the concert, members of the Appreciation Society are dressed for the occasion, with Kousei taking on the role of Santa Claus himself. The Tsuyamers then come in as namahage (New Year’s demons) to “scare” the children, only for a fight between Santa Kousei and Hage Tsuyama to be interrupted by Kozue dressed as God. Though part of the show, the tension between Kousei and Tsuyama is all too real. 

God Kozue proposes a singing competition instead. Tsuyamers go with “My Neighbor Totoro,” while Akira’s group sings “Let It Go.”

Happy Holidays

Kozue, dressed as God, declares a sing-off between Santa Kousei and Namahage Tsuyama

I appreciate the particular blend of cultures we see around Christmas and New Year’s in Japan, between the Santa stuff, the namahage, and Kozue as the Judeo-Christian God with stereotypical white beard and all. The fact that they didn’t go with Jesus probably says a lot.

Imagination Station

I find it noteworthy how this chapter is how it starts, which is right at the orphanage. There was no scene in the previous chapter showing Kousei explaining his past to the other characters, nor was there any discussion regarding singing at his orphanage. And yet, because the characters have such strong and rich portrayals, it’s easy to imagine how this ended up happening. In particular, because Kousei has opened up over time, one gets the sense that he barely okayed this because he’s easily embarrassed but would like to give back to the place where he grew up. 

It’s also through the new characters we meet that we can get a glimpse of what Kousei’s life has been like since he was rescued from his abusive mother. 

The People in Kousei’s Life

Yoshimi, the assistant director of the orphanage, mentions that Kousei used to cry into her chest at night

Yoshimi, Minori, and Rikurou each make quite strong first impressions, and it’s easy to see how they’ve affected and been affected by having Kousei in their lives. 

At the start of the chapter, Kozue asks Yoshimi what Kousei was like as a kid, and despite Kousei angrily telling Yoshimi to keep shut, she nonchalantly mentions him often crying at night. She seems like a tough lady who takes no shit from anyone, and someone who’s accustomed to handling children like Kousei and Rikurou. I can also easily see her attitude rubbing off on Kousei. The orphanage itself also seems well run.

Minori tries to act mature, explaining that she’s not like the other little kids there. Yoshimi explains to the group that she’s smart, but she’s also in a hurry to grow up. From the little we see of her, she does come across as actively trying to have a good head on her shoulders, even dispensing advice to the older Rikurou. Minori is the one who points out that Kousei established the rule about not hitting anyone younger than you at the orphanage, and calls out Rikurou’s anger as jealousy over possibly losing Kousei.

Rikurou is the closest in demeanor to Kousei, to the point that much of it is probably him trying to emulate his role model. The kid clearly thinks the world of Kousei, and he’s threatened by the Chorus Appreciation Society the way an only child might feel about a new sibling. There’s fear and pain there, and Rikurou likely tries to compensate for it with his tough-guy persona. 

Speaking of Jealousy…

There are a few moments concerning the ever-so-slightly icier relationship between Jin and Akira. Jin mentally notes how much Akira has improved, while Akira realizes he kind of likes the change in attitude from Jin towards him. While not explained why Akira sees an upside to this, it’s probably because Jin has always been this larger-than-life figure when it comes to singing. For Jin to look at Akira with any kind of envy is, in a certain sense, a sign of Akira’s own progress.

Songs

Because they’re singing for an orphanage, all the tunes this month are for kids.

(Note that Youtube doesn’t let you add children-oriented videos to playlists, so many of these won’t be included on the big Hashikko Ensemble playlist).

“Rudolph the Red-Nosed Reindeer” (Japanese)

“Awatenbou no Santa Claus” (Hasty Santa Claus) is a Christmas song of Japanese origins.

“Jingle Bells (Japanese)”

“My Neighbor Totoro” from the Studio Ghibli film

“Let It Go” (or “Ari no Mama de” in Japanese) from Frozen

Final Thoughts

It’s interesting that the three characters we meet at the orphanage are all different age groups compared to Kousei. Their interactions show less of a peer dynamic and more of a somewhat intergenerational one. Because these three aren’t high school age, I don’t think we’ll be seeing a whole lot of them, but I’m sure they’re going to pop up from time to time even after this specific story ends.