Running for Time: Ogiue Maniax Status Update for June 2026

This past month was lighter on anime and manga–specific content for that reason, which I hope to rectify.

My mind feels like it’s in a whirl. There are a lot of things I want to write about anime-wise, but I find myself unable to get everything out there in a timely fashion. On a personal level, I think I’m struggling with writing well and putting out insightful commentary. I’m shooting from the hip pretty often, for better or for worse.

June is actually a month I look forward to, though, as it’s an important time for me. I have many plans, and I look forward to some memorable experiences.

Thank you to my Patreon members below for their generosity!

General:

Ko Ransom

Diogo Prado

Alex

Dsy

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Blog Highlights from May

It was a great time, and I hope they come back for a second year

The hololive Gen concert I’d been waiting for.

The first of multiple planned reviews of curry restaurants in Japan, based on a trip from earlier this year.

Kio Shimoku

Kio gives his thoughts on Patlabor EZY, Ghost in the Shell, and more.

Closing

It’s also been a hell of a time as a VTuber fan, between a Haachama anniversary message that’s trying to bring hope after some serious turmoil, two graduations from V4Mirai, and more. Since Saturday, I find myself listening to the final cover from Komo Dokueki (the Mahoromatic opening) and Serina Maiko’s cover of “Secret Base.”

Kio Shimoku Twitter Highlights May 2026

Kio read the first volume of Kuroda Iou’s new manga, Sendou Yasugorou, and loved the realism and sense of tension. (Incidentally, Kuroda is one of my favorite manga artists stylistically, so I gotta check it out!)

Kio also loves Kuroda’s manga Nasu: Summer in Andalusia, as well as the film based on it. (I didn’t realize the movie was based on a work by Kuroda Iou!)

I’m including some replies to this that I haven’t translated or summarized so I can go back to them once I have proper context.

The sound of Kio’s tortoise walking around is distracting him as he tries to work on a manuscript.

Kio drew supportive fanart for the series Prince Sun Wanna Be a Wife, which is an otoko no ko/femboy series.

A quote tweet of someone who’s correcting a mistaken assumption about an old Animage cover featuring Kiki from Kiki’s Delivery Service. The erroneous belief is that the cover depicts Kiki three years after the events of the film, but it’s actually supposed to be how she looks and dresses before the events of the film.

Kio recalls reading this issue in middle school, and that it showed how Kiki looks when riding a broom in this outfit.

Kio watched The Sheep Detectives after getting a good impression from the previews. Apparently it’s quite the emotional rollercoaster.

Kio tried Blender for the first time in a long while, and his brain is exhausted.

He watched the new Patlabor EZY File 01, and felt that it was very much a modern-day Yuki Masami series and very Patlabor. Cognizant of the old OVAs, Kio is anticipating some major storylines to develop.

Kio’s tortoise was showing some bravery by stepping outside their home, but quickly came back because it was too cold.

In a Twitter discussion about works people expect might never get a real ending, one title that popped up is Pandora in the Crimson Shell by Shirow Masamune and Koshi Rikudo, which was expected to never conclude but then suddenly came back with a proper conclusion.

In response to the initial tweet, another person talks about how those who criticize Shirow’s works for not having endings do not understand the world of Shirow and the entertainment his manga provide. Kio in turn says that when it comes to incomplete Shirow stuff, he mainly thinks of Appleseed rather than Ghost in the Shell, but that he’s grateful for getting a complete series in the form of Pandora in the Crimson Shell.

Kio makes a pun here, basically saying he feels grateful with all his “ghost,” playing off of the Japanese zenshin zenrei (with all my body and soul) and the idea of the “ghost” as one’s soul/consciousness from Ghost in the Shell.

Kio upgraded to Clip Studio Paint 5.0. He’s normally not so comfortable with new features, but he thinks he might be able to make good use of Smart Shape.

He wants to play Forza Horizon 6.

A Turbulent Course Across Generations: Reflecting on “A boy with GUNDAM”

To celebrate the upcoming 50th anniversary of Gundam in 2029, an animated music video featuring virtually every series in the franchise was released. It follows three different generations—father, son, and granddaughter—discovering and growing up with Gundam in different ways over the decades. 

One thing I find noteworthy about this animation is that it implies the father, a fan of the original series, does not really “keep up” with Gundam for a chunk of his life. He watches everything in the Universal Century timeline up to Char’s Counterattack religiously, but then falls out of touch with it as he gets married and starts a family. It isn’t until a few years later, while discovering G Gundam with his young son, that he dips his toe back in.

However, there’s something of a generational divide depicted. While the son is enraptured by the martial arts fury of Domon and Master Asia, the father is stunned. And as they go through the other alternate universe series up to Turn A, you can see him actually getting overwhelmed by these unfamiliar worlds. 

That’s when the two go back to check out older titles in F91 and Victory, which acts as a middle ground and bonding experience. These scenes highlight what a drastic change G Gundam was “supposed” to be, and I find the dad’s rocky acceptance of them surprisingly refreshing. While I’ve always been fond of the AUs, I understand that they can be a far cry from what made many people fall in love with Gundam, and I appreciate that the music video acknowledges this gap.

This video is an idyllic and glamorized rendition of Gundam fandom, and differs from my own life in many ways. Even so, it makes me reflect on the wonderful memories I’ve had with Gundam across most of my life at this point. Whether it was discussing favorite characters and mobile suits in high school or being there to see my own wife watch G Gundam for the first time many years later, it’s been an indelible past of my own history.

A Completely Real One Piece Theory: The True TRUE Identity of Imu Revealed!!!!!!

I present to you a very real and thoroughly researched theory that will shake the foundation of One Piece and its lore: I have figured out the true identity of Imu.

No, I don’t mean that he is the secret centuries-old ruler of the world. Nor am I talking about his recent face reveal. Rather, I am certain that Imu is actually the reincarnation of Jack Dawson (as played by Leonardo DiCaprio) from the film Titanic.

Evidence 1

Imu is king of the world in One Piece. Jack famously says the aspirational phrase, “I’m king of the world!” He has found a way to fulfill his desire in his new life.

Evidence 2

Imu has some kind of negative relationship with his ocean-covered world and is antagonistic towards its nautical culture and the pirates who inhabit it. Jack died after having to escape the Titanic, and I believe this grudge against water and boats has carried on.

Evidence 3

Imu also has a grudge against the giants in One Piece. In other words, he is the antagonistic towards a titanic race of people.

Evidence 4

Imu has some kind of connection with a woman from his past: Nefeltari D. Lily. James fell in love with Rose Dewitt Bukater. Both women have flowers in their names (Lily, Rose). Imu is also obsessed with the clan of D, and Rose was a D(ewitt).

Evidence 5

The first chapter of One Piece is titled “Romance Dawn.” James’s last name is DAWsoN.

Looking Ahead

I am absolutely confident that as the story further unfolds, more proof for my theory will surface in the pages of One Piece

(In all seriousness, I plan to write a real post about Imu, but that’ll have to be for another time.)

Reflecting on My Nadesico Nostalgia: RIP Sato Tatsuo

I was saddened to learn about the recent death of Sato Tatsuo, director and writer of Martian Successor Nadesico. It was an anime I first watched in my high school days, and it was very formative to me as a young otaku. I remember just rewinding VHS tapes to watch my favorite scenes over and over, and finally getting the whole series on DVD was a dream come true.

The series is a riff on the mecha genre and a genuinely good science-fiction drama, as well as an insightful commentary on the way human beings view and interpret media, warts and all. The pale, blue-haired Hoshino Ruri was also one of the most popular characters of the period, playing off the Ayanami Rei trope and giving her a bit more of a biting edge. If I were to describe her using more recent characters, she was like Ram and Rem from Re:ZERO fused together, a mix of gentle and sardonic. 

Though I’ve never looked into this, I get the sense that Nadesico might have even been an introduction to 1970s giant robot aesthetics for many newer anime fans through the show within a show, Gekiganger 3. I remember finding it really hilariously hokey back then, but I could feel myself become more fond of it as I shed my immature perception of super robots. 

Many years later, there were murmurs of a potential sequel to Nadesico after The Prince of Darkness and the games, and I recall Sato mentioned that something happened that prevented it from getting off the ground. I can’t seem to find the old news articles about it, though, so my memory might be off.

It’s also unfortunate that Sato died this year, when multiple figures of Ruri have been coming out and 90s nostalgia is riding high. Goodsmile even made a retro website for their release! It could have been the opportunity to revel in and celebrate his most famous work. In the meantime, I’m going to sign off with one of my favorite anime songs of all time, from The Prince of Darkness.

May the 1st Be with You, Everyone: Ogiue Maniax Status Update for May 2026

April somehow felt both much too fast and far too slow, but here I am on the other side. I haven’t had quite as much time to watch anime as I’d like, but I have been enjoying the hell out of Witch Hat Atelier.

I’m still worried about the fate of our world, but what else is new. Seeing people’s voting rights taken away as the war and violence rob people of their humanity makes me feel helpless at times, but I also always know I can do more. Life is good for me at the moment, and I should use that for the benefit of others.

Thank you this month to my Patreon members, and the following cool folks.

General:

Ko Ransom

Diogo Prado

Alex

Dsy

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Blog Highlights from April

Some thoughts on the Soul of Chogokin Shinkalion E5 Hayabusa.

My review and report of the hololive Drawn to Dawn concert featuring Takanashi Kiara and Ninomae Ina’nis

One of my favorite manga authors got a new anime! Do you like…Kamen Rider?

Kio Shimoku

I wrote two very important posts related to Kio Shimoku this month, so I hope you’ll check them out! While it’s more a mindset than anything else, Ogiue Maniax was close to being 50% Ogi this month.

Closing

Congratulations to VTuber REM Kanashibari for her 100,000 subscriber celebration! She’s been one of my faves for a while, so it was great seeing her hit such a major milestone.

Kio Shimoku Twitter Highlights April 2026

The web-exclusive Spotted Flower Chapter 51.5 is currently available.

The first two to three pages of a manuscript are always the hardest to work on, and Kio worries that this might never change.

Kio wishing Happy Birthday to the artist Tamaoki Benkyoo

Cherry blossom photos!

Kio would like to see the cherry blossoms from Yoshinoyama, but that’s easier said than done.

He did see the cherry blossoms around Tochigi Prefecture, though.

Kio says the boobs of the main heroine in Dekapai Kishi Makari Tooru! (The Big-Boobed Knight Goes Unpunished) are so distracting that it might just be hiding a panty reveal.

It’s raining off and on.

Kio’s been so busy lately that he almost forgot about the release of the 4th Girls und Panzer film short. He feels that he’s gotta see it!

Kio believes he owns this kit for the Auge Arusqul from The Five Star Stories. He hasn’t actually built it. Though.

Kio realizes there are music videos for the Vocaloid song covers in the movie Cosmic Princess Kaguya.

A picture of the fan booklet that came with the fourth Girls und Panzer Motto Love Love Sakusen Desu! movie. Kio finally saw it and wants to watch it again.

Kio is grateful that you can still buy physical paper copies of Dokaben volumes even today. (Dokaben is a famous and extremely long-running baseball manga that notably uses real baseball teams.)

A Spotted Flower drawing that’s also a reference to How Do You Like Wednesday?

Kio is very excited for the Five Star Stories model kit Magnapalace Knight of Gold by the brand Our Treasure.

Re-posting some old drawings, like this one of Madarame and Jin. (I previously covered this, but it’s been enough years that this is probably worth showing again.)

Kio is surprised at the announcement of the Neo Geo AES+. He feels like he might have brought it into existence by drawing a Neo Geo in Spotted Flower.

Another old Hashikko Ensemble drawing, this time of Kurotaki Mai.

Kio thanks a foreign fan of Zenbu Sensei no Sei. and also hopes to see it made into an anime.

Kio is excited to have gotten the DVD of How Do You Like Wednesday? special on Iriomote Island.

The Afternoon 40th anniversary exhibition released its key visual, featuring Genshiken among numerous other works. The follow-up tweet lists all the authors and titles.

Large Friends, Bigger Comrades: Tojima Tanzaburo Wants to Be a Kamen Rider

When the anime for Tojima Tanzaburo Wants to Be a Kamen Rider was announced, I didn’t realize it was based on a manga by one of my favorite authors, Shibata Yokusaru. Previously known for works like the martial arts battle series Air Master!! and the bizarrely wonderful shogi title 81 Diver, Shibata is a master of mixing absurd comedy with excitement and tension. So even though I’m not a particularly big tokusatsu head, I had every reason to check out this show. 

The story: Ever since childhood, Tojima Tanzaburo has carried a burning passion for the original Kamen Rider, and he’s dedicated his entire life to becoming as strong as its titular hero. But while he’s built up his strength and martial prowess to an almost superhuman degree, Tojima is profoundly saddened by the fact that he can never use it to fight Shocker—the villainous organization from the TV series. However, when a string of robberies occur by thieves dressed like Shocker’s minions, this might finally be his chance to make his dream home true. Only, he’s not alone, and it turns out there are other Kamen Rider super fans who have decided to emulate their favorite heroes.

One of the beautiful things about Tojima Wants to Be a Kamen Rider is the juxtaposition between fandom as a catalyst for achieving greatness and fandom as a delusion that weighs people down like an anchor. Tojima really is “training to beat Goku,” so to speak, and the result is a guy who manifested the highly choreographed and predictable fighting style of Hongo Takeshi into reality. All he does is throw the same punch over and over, but he is the embodiment of the classic Bruce Lee line, “I fear not the man who has practiced 10,000 kicks once, but I fear the man who has practiced one kick 10,000 times.” 

However, he also encounters Kamen Rider fans who have actually trained in real martial arts, and the difference in technical skill becomes a point of friendly yet intense competition. In other words, Sometimes being the biggest dork is the greatest superpower, and sometimes it just isn’t. The characters are essentially doing the most deadly serious LARP ever—one they’re convinced is as real as their own flesh and blood. Over the course of the series, this belief spreads out to more and more characters, developing in unexpected ways.

There’s one curious thing that immediately stands out with this anime adaptation: The characters and artwork are generally good, and that is totally not what Shibata’s art normally looks like. He has a very off-kilter sense of perspective and human proportions to the point of looking beyond amateurish, and the anime makes a firm decision to mostly hew away from that. I could understand the desire to make this change, but I did worry that it would lose some of the heta-uma magic that I so adore in Shibata’s manga. The solution is that the Shibata style comes out in certain moments, such as in characters’ exaggerated expressions or for the sake of comedy. It’s a decent compromise.

One last note: Tojima Tanzaburo Wants to Be a Kamen Rider makes a brief reference to Air Master. If we get more anime, I’m hoping to see 81 Diver get some love too.

Loose Connections: Soul of Chogokin Shinkalion E5 Hayabusa

I have a hard time believing that Shinkalion is over a decade old. It feels like just yesterday that I first saw a live suit actor performing as a train robot at an event as a precursor to the anime. But last year, the Soul of Chogokin toyline released its version of the Shinkalion E5 Hayabusa to commemorate the franchise’s 10th anniversary, so there’s indeed proof. And now I have this physical manifestation of train marketing for myself.

Only 10 years to get a Soul of Chogokin rendition is remarkably fast for any mecha series; some have needed 40 or 50, if not more. While Shinkansen Henkei Robo Shinkalion isn’t the most amazing anime ever, it’s fun and tries to bring together viewers young and old. Also, the design is pretty cool overall, and I’m glad they tackled a relatively modern mecha. That said, one of my criticisms of Shinkalion has always been that nearly all the robots across multiple series transform in much the same way and look largely similar, so it can get a bit repetitive. Just one SoC is enough, I believe.

The figure comes in shinkansen mode as two separate trains, which are then bent and contorted to become the upper and lower halves of the Shinkalion’s body. The end product makes quite a striking impression, though I need to mention that transforming it is both a figurative and somewhat) literal pain.

Upon looking at the instructions, one thing stands out: the amount of warnings about notches, pegs, and slots that can easily break off or get worn down if you’re not careful. There are also many areas that have to join together in just the right way, or else things just start falling off or risk snapping. And because the design of the Shinkalion is so spindly, there are pointy edges everywhere, and I could feel them stabbing into my thighs when I was trying to get two pieces to connect. Now that I have it as a complete robot, I probably won’t ever change it back to train mode.

I don’t own and have never touched the higher-quality figures from the original Shinkalion toyline, so I can’t make a firsthand comparison, but based on the videos I’ve watched, the SoC figure sacrifices a good deal of the playability in terms of transforming it back and forth in favor of getting closer to how the E5 Hayabusa looks in the anime. For example, the double-layered pauldrons recreate how the shoulders come together in the show’s transformation sequence, but this also means the arms have to be attached to the body in a more finicky way. Even posing it can be tricky, as pushing too hard in one direction or another can easily make a limb fall off. A delicate touch seems necessary.

However, I can’t deny that the end result looks both really sleek in a way that should be familiar to Shinkalion fans. It’s just an aesthetically pleasing robot, at least from the front. The rear view shows a lot less detail, but that’s just part of the mecha itself from its source material. I find that goofy and charming in its own way. 

I also enjoy how the lower half is mostly just one hefty piece filled with diecast metal, especially in the hip joints, as it makes for a stable and poseable figure overall. The large pieces that attach to the legs help give the figure a more pleasing silhouette.

I do have one other small criticism, which is that the instruction manual is unusually sparse. All of its space is dedicated to teaching how to transform the Shinkalion, whereas other SoC figures’ booklets will have things like a history of the original show, early drafts of the mecha design, older toys, etc. While Shinkalion is a relatively young franchise, there should still be some kind of material worth including. I’m left to wonder if this has anything to do with either the length of the instructions provided, or perhaps some kind of copyright issue.

When I look at the SoC Shinkalion E5 Hayabusa, one thing I think about is the fact that there were kids who grew up with Shinkalion, who came to it because of a love of trains or even learned to love trains because of Shinkalion. Perhaps this figure is a test of their maturity 10 years down the road—can they handle this figure now that they’re teenagers and adults? Well, provided that they have the money to buy it, of course. This thing is still a premium figure at the end of the day, and we might need another few years for those kids to have the disposable income to make a purchase like this. 

You Are Fool!: Ogiue Maniax Status Update for April 2026

April means the spring anime season is upon us once more, and this year’s lineup has some of the heaviest hitters in recent memory. If it wasn’t enough to have the highly anticipated Witch Hat Atelier, we even have Akane-Banashi and a slew of other shows with tons of potential. While many of these are indeed manga adaptations, a lot of them have some sturdy legs underneath them, and I wouldn’t be surprised to see something like Daemons of the Shadow Realm (from the creator of Fullmetal Alchemist), Scenes from Awajima, or even I Made Friends with the 2nd Prettiest Girl in My Class get some real traction.

I do find it funny that Rooster Fighter is out in the same season as the Fist of the North Star remake.

Thank you to the following Patreon members, and may spring be a time of renewal for you and all other weebs:

General:

Ko Ransom

Diogo Prado

Alex

Dsy

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Blog Highlights from March

My thoughts on 7th fes from hololive!

A tribute to the voice one of my favorite characters of all time.

I visited an amazing store in Japan that I probably wouldn’t think was real if I hadn’t gone there myself.

Kio Shimoku

March wasn’t a big month for tweets, but there are some interesting ones in there.

Closing

I know this blog isn‘t as Kio and Genshiken-tacular as it was at the very beginning, but I plan on having more than one related post this month. After all, the digital edition of Rakuen Volume 50 is out, and with it likely the last physical serialization of Spotted Flower. And I’m saying this now to make me actually write these dang things!