Kio Shimoku Twitter Highlights July 2026

This month, Kio visits the Afternoon exhibit and gives thoughts about the new Ghost in the Shell anime.

Kio dreads (correctly) the chances of Japan getting through the World Cup when their potential path includes Brazil, Morocco, and France.

Genderswap character art for Kio’s Star Wars parody, Sister Wars. Luke Skywalker was raised as a boy (father is Padmé, mother is Anakin), Han is basically Han, and Leia is an otoko no ko.

Kio explains that Sister Wars is not necessarily a “genderswap” alternate universe but one where only girls are allowed to become Jedi, and to defy that, some hide their gender.

Kio watched the new Ghost in the Shell and was grinning all the way through.

“If we say it’s all technically Ghost in the Shell, can we adapt all of Masamune Shirow’s works?”

Wishing fellow manga artist Kusada a happy birthday. (Kio interacts with Kusada pretty often.)

Kio likes the Dodge Danko anime.

Kio is impressed by Asano Inio’s 3D modeling of a room and shows his own attempt at 3D modeling he gave up on.

The official account for the mascot of anime store Fantasista reposts Kio’s drawing of her. She recommends everyone read Hashikko Ensemble.

Kio excited about the television airing schedule for Patlabor EZY File 2.

After the World Cup finals, Kio gives his thoughts. He’s impressed by Messi as always. He also finds it interesting that what ultimately overcame Argentina was not the power, technique, and speed of France, but rather the way Spain evaded and made Argentina crumble. He also jokes that defeating Argentina meant engaging in duels rather than playing a game.

Showing off the photo spot for the Genshiken exhibit at the Afternoon 40th Anniversary exhibit. According to Kio, it’s the color spread from a particular chapter.

Some ads for the exhibit, featuring Genshiken and Big Wind-Up.

Kio at the exhibit!

The 2026 Ghost in the Shell adapts the manga chapters “Revolt of the Robots” and “The Making of a Cyborg” in a pretty direct manner, which is pretty surprising to Kio. He thinks they worked well adapting to anime, and he likes the conversation between Batou and the Fuchikoma.

Kio finds the use of Ohtsuka Akio (the original voice of Batou) here interesting in a funny way.

Cooked Like Hot Dogs: Ogiue Maniax Status Update for July 2026

This month, I feel incredibly fortunate to have a good life, and I wish to have a country that could provide good fortune to others, now more than ever. I don’t know how long it would take, but I hope we can someday live in a place where all the xenophobia, sexism, racism, and continuous trampling of the poor are no longer systemically baked into everything. I want people to love and thrive and not be so punished for things beyond their control.

Thank you to my Patreon members below for their generosity!

General:

Ko Ransom

Diogo Prado

Alex

Dsy

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Blog Highlights from June

Competitive Pokémon used to be one of my biggest loves in life, so revisiting it through Pokémon Champions has been a time.

My review of the second Gundam Hathaway movie. My review title is a little tongue-in-cheek, but I promise that it’s not a big joke.

Happy Birthday to Dooby.

Kio Shimoku

Kio hits some interesting topics this month…

Closing

There are a lot of VTuber concerts this month, including from hololive, so I get the feeling I’m going to be writing a lot about them. I don’t intend to make July nothing but those, but no guarantees!

Also, I watched the first episode of F.D Signifier’s Goon World, which is about the sheer unavoidable volume of pornographic material that people encounter these days, and the myriad complexities that come out of living in that world. It’s a topic I’ve been thinking a lot about myself in recent years (especially with how the internet encourages parasocial interactions), and I’m glad someone like F.D is tackling such a difficult topic.

Kio Shimoku Twitter Highlights June 2026

This month, Kio comments a bunch on his titles for the Monthly Afternoon 40th Anniversary exhibit. 

Also, it turns out that he drew a short comic about how he became a fan of futanari.

Manga author panpanya drew the final web bonus for Rakuen, which involves exploring a store based on all the different Rakuen titles. Kio comments “Heh-heh-heh, what a suspicious store this. How wonderful…”

The Afternoon 40th Anniversary exhibit has Genshiken acrylic panels for sale, featuring panels from the original manga.

The Afternoon exhibit highlights Kio’s Yonensei, to which Kio responds that he can feel his blood pressure rising.

To celebrate the 500th issue of Young Comic, the magazine interviewed various creators about their fetishes, and Kio drew a short informational comic about his fondness for futanari. Kio comments that the preview thumbnail makes it look like he’s calling himself a futanari

(I’ll probably write a summary of Kio’s entry and post it to the blog in the near future.)

Anniversary exhibit entries for Genshiken Nidaime and Hashikko Ensemble. Kio thinks the color is strange on the Hashikko Ensemble cover.

Kimi Rito (author of The History of Hentai) comments that Kio’s love of futanari was conveyed quite yell, to which Kio responds with hearts.

Kio comments further that it was supposed to be futanari but he wandered off topic some. Nevertheless, it was a fun gig.

Exhibit entry for Gonensei.

Kio went to the exhibit for Parasyte. He still finds it to be a most bizarre and interesting work.

Having watched the World Cup match between Japan and the Netherlands, Kio says that getting a tie score demonstrates that the Japan team isn’t just for show, and that they have what it takes to win.

Watching Ueda Ayase play is also apparently quite the rollercoaster.

Kio started trying out “hard light layers” for color illustrations, and it’s working surprisingly well.

Running for Time: Ogiue Maniax Status Update for June 2026

This past month was lighter on anime and manga–specific content for that reason, which I hope to rectify.

My mind feels like it’s in a whirl. There are a lot of things I want to write about anime-wise, but I find myself unable to get everything out there in a timely fashion. On a personal level, I think I’m struggling with writing well and putting out insightful commentary. I’m shooting from the hip pretty often, for better or for worse.

June is actually a month I look forward to, though, as it’s an important time for me. I have many plans, and I look forward to some memorable experiences.

Thank you to my Patreon members below for their generosity!

General:

Ko Ransom

Diogo Prado

Alex

Dsy

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Blog Highlights from May

It was a great time, and I hope they come back for a second year

The hololive Gen concert I’d been waiting for.

The first of multiple planned reviews of curry restaurants in Japan, based on a trip from earlier this year.

Kio Shimoku

Kio gives his thoughts on Patlabor EZY, Ghost in the Shell, and more.

Closing

It’s also been a hell of a time as a VTuber fan, between a Haachama anniversary message that’s trying to bring hope after some serious turmoil, two graduations from V4Mirai, and more. Since Saturday, I find myself listening to the final cover from Komo Dokueki (the Mahoromatic opening) and Serina Maiko’s cover of “Secret Base.”

Kio Shimoku Twitter Highlights May 2026

Kio read the first volume of Kuroda Iou’s new manga, Sendou Yasugorou, and loved the realism and sense of tension. (Incidentally, Kuroda is one of my favorite manga artists stylistically, so I gotta check it out!)

Kio also loves Kuroda’s manga Nasu: Summer in Andalusia, as well as the film based on it. (I didn’t realize the movie was based on a work by Kuroda Iou!)

I’m including some replies to this that I haven’t translated or summarized so I can go back to them once I have proper context.

The sound of Kio’s tortoise walking around is distracting him as he tries to work on a manuscript.

Kio drew supportive fanart for the series Prince Sun Wanna Be a Wife, which is an otoko no ko/femboy series.

A quote tweet of someone who’s correcting a mistaken assumption about an old Animage cover featuring Kiki from Kiki’s Delivery Service. The erroneous belief is that the cover depicts Kiki three years after the events of the film, but it’s actually supposed to be how she looks and dresses before the events of the film.

Kio recalls reading this issue in middle school, and that it showed how Kiki looks when riding a broom in this outfit.

Kio watched The Sheep Detectives after getting a good impression from the previews. Apparently it’s quite the emotional rollercoaster.

Kio tried Blender for the first time in a long while, and his brain is exhausted.

He watched the new Patlabor EZY File 01, and felt that it was very much a modern-day Yuki Masami series and very Patlabor. Cognizant of the old OVAs, Kio is anticipating some major storylines to develop.

Kio’s tortoise was showing some bravery by stepping outside their home, but quickly came back because it was too cold.

In a Twitter discussion about works people expect might never get a real ending, one title that popped up is Pandora in the Crimson Shell by Shirow Masamune and Koshi Rikudo, which was expected to never conclude but then suddenly came back with a proper conclusion.

In response to the initial tweet, another person talks about how those who criticize Shirow’s works for not having endings do not understand the world of Shirow and the entertainment his manga provide. Kio in turn says that when it comes to incomplete Shirow stuff, he mainly thinks of Appleseed rather than Ghost in the Shell, but that he’s grateful for getting a complete series in the form of Pandora in the Crimson Shell.

Kio makes a pun here, basically saying he feels grateful with all his “ghost,” playing off of the Japanese zenshin zenrei (with all my body and soul) and the idea of the “ghost” as one’s soul/consciousness from Ghost in the Shell.

Kio upgraded to Clip Studio Paint 5.0. He’s normally not so comfortable with new features, but he thinks he might be able to make good use of Smart Shape.

He wants to play Forza Horizon 6.

A Completely Real One Piece Theory: The True TRUE Identity of Imu Revealed!!!!!!

I present to you a very real and thoroughly researched theory that will shake the foundation of One Piece and its lore: I have figured out the true identity of Imu.

No, I don’t mean that he is the secret centuries-old ruler of the world. Nor am I talking about his recent face reveal. Rather, I am certain that Imu is actually the reincarnation of Jack Dawson (as played by Leonardo DiCaprio) from the film Titanic.

Evidence 1

Imu is king of the world in One Piece. Jack famously says the aspirational phrase, “I’m king of the world!” He has found a way to fulfill his desire in his new life.

Evidence 2

Imu has some kind of negative relationship with his ocean-covered world and is antagonistic towards its nautical culture and the pirates who inhabit it. Jack died after having to escape the Titanic, and I believe this grudge against water and boats has carried on.

Evidence 3

Imu also has a grudge against the giants in One Piece. In other words, he is the antagonistic towards a titanic race of people.

Evidence 4

Imu has some kind of connection with a woman from his past: Nefeltari D. Lily. James fell in love with Rose Dewitt Bukater. Both women have flowers in their names (Lily, Rose). Imu is also obsessed with the clan of D, and Rose was a D(ewitt).

Evidence 5

The first chapter of One Piece is titled “Romance Dawn.” James’s last name is DAWsoN.

Looking Ahead

I am absolutely confident that as the story further unfolds, more proof for my theory will surface in the pages of One Piece

(In all seriousness, I plan to write a real post about Imu, but that’ll have to be for another time.)

May the 1st Be with You, Everyone: Ogiue Maniax Status Update for May 2026

April somehow felt both much too fast and far too slow, but here I am on the other side. I haven’t had quite as much time to watch anime as I’d like, but I have been enjoying the hell out of Witch Hat Atelier.

I’m still worried about the fate of our world, but what else is new. Seeing people’s voting rights taken away as the war and violence rob people of their humanity makes me feel helpless at times, but I also always know I can do more. Life is good for me at the moment, and I should use that for the benefit of others.

Thank you this month to my Patreon members, and the following cool folks.

General:

Ko Ransom

Diogo Prado

Alex

Dsy

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Blog Highlights from April

Some thoughts on the Soul of Chogokin Shinkalion E5 Hayabusa.

My review and report of the hololive Drawn to Dawn concert featuring Takanashi Kiara and Ninomae Ina’nis

One of my favorite manga authors got a new anime! Do you like…Kamen Rider?

Kio Shimoku

I wrote two very important posts related to Kio Shimoku this month, so I hope you’ll check them out! While it’s more a mindset than anything else, Ogiue Maniax was close to being 50% Ogi this month.

Closing

Congratulations to VTuber REM Kanashibari for her 100,000 subscriber celebration! She’s been one of my faves for a while, so it was great seeing her hit such a major milestone.

Kio Shimoku Twitter Highlights April 2026

The web-exclusive Spotted Flower Chapter 51.5 is currently available.

The first two to three pages of a manuscript are always the hardest to work on, and Kio worries that this might never change.

Kio wishing Happy Birthday to the artist Tamaoki Benkyoo

Cherry blossom photos!

Kio would like to see the cherry blossoms from Yoshinoyama, but that’s easier said than done.

He did see the cherry blossoms around Tochigi Prefecture, though.

Kio says the boobs of the main heroine in Dekapai Kishi Makari Tooru! (The Big-Boobed Knight Goes Unpunished) are so distracting that it might just be hiding a panty reveal.

It’s raining off and on.

Kio’s been so busy lately that he almost forgot about the release of the 4th Girls und Panzer film short. He feels that he’s gotta see it!

Kio believes he owns this kit for the Auge Arusqul from The Five Star Stories. He hasn’t actually built it. Though.

Kio realizes there are music videos for the Vocaloid song covers in the movie Cosmic Princess Kaguya.

A picture of the fan booklet that came with the fourth Girls und Panzer Motto Love Love Sakusen Desu! movie. Kio finally saw it and wants to watch it again.

Kio is grateful that you can still buy physical paper copies of Dokaben volumes even today. (Dokaben is a famous and extremely long-running baseball manga that notably uses real baseball teams.)

A Spotted Flower drawing that’s also a reference to How Do You Like Wednesday?

Kio is very excited for the Five Star Stories model kit Magnapalace Knight of Gold by the brand Our Treasure.

Re-posting some old drawings, like this one of Madarame and Jin. (I previously covered this, but it’s been enough years that this is probably worth showing again.)

Kio is surprised at the announcement of the Neo Geo AES+. He feels like he might have brought it into existence by drawing a Neo Geo in Spotted Flower.

Another old Hashikko Ensemble drawing, this time of Kurotaki Mai.

Kio thanks a foreign fan of Zenbu Sensei no Sei. and also hopes to see it made into an anime.

Kio is excited to have gotten the DVD of How Do You Like Wednesday? special on Iriomote Island.

The Afternoon 40th anniversary exhibition released its key visual, featuring Genshiken among numerous other works. The follow-up tweet lists all the authors and titles.

Libido Limbo: The Climax of Spotted Flower

For nearly seventeen years, Kio Shimoku’s Spotted Flower has been a uniquely thrilling and terrifying rollercoaster of a manga. The series defies easy categorization: It’s very much a drama featuring otaku, but even more an exploration of varying sexual dynamics and relationship types. While cheating becomes a major plot point in the series, it’s not the fetishized NTR kind, albeit the series does delve into plenty of fetishes in general. What began as a tongue-in-cheek, off-brand Genshiken romantic what-if proceeded to transform over time into an increasingly complex and sprawling web of a relationship chart that ensnared and entangled its characters.

Now, Spotted Flower has ended—or at least the physical magazine in which it was serialized has come to an end. There seem to be some vague rumblings about its future, but there’s no word yet. And I am going to spoil the final (?) two chapters 50 and 51 immediately, because 1) I bet anyone who’s read it over the years is curious, whether morbidly or otherwise, and 2) it acts as an important preface for the rest of what I want to discuss.

The Finale

When last we left off in Chapter 49, everything seemed to come home to roost for its protagonist, the Husband (i.e. Not-Madarame). His Wife (Not-Kasukabe), fully aware of his act of infidelity, gives him an ultimatum: Get hard or get out. It’s also important to note that despite his getting railed by their genderqueer friend Asaka-sensei (Not-Hato) in the past, the Husband remained flaccid during that act, which is one of the reasons the Wife has even given him a chance to redeem himself. 

Chapter 50 focuses entirely on a conversation between the Husband and the Wife. She recalls in the present the events that first truly brought them together: a discussion over drinks where she brought up the time he was confessed to by a bunch of the girls (just like in Genshiken Nidaime). She admitted to feeling relieved that he didn’t choose anyone, and from there convinced him to get a hotel room. In the present, the Husband expresses his frustration that he honestly wants badly to get an erection, but it just doesn’t seem to be happening. The Wife, rather than getting fed up, tells him they have plenty of time, and goes to sit down. 

However, when she goes to sit down, the moonlight hits her hair in such a way that it reminds him of her younger self (back when she dyed her hair), and something sparks inside the Husband. He even goes as far as having her roll up a fake cigarette, and this image of the past she’s inadvertently presenting gets him to talk about just how much he used to masturbate to her, and that he started since the very first day they met. While the Wife is not a fan of how very detailed the Husband is about describing his past fantasies, the results can’t be denied, and she notices that he’s downright throbbing down there. 

Chapter 51 then winds up being 33 pages of explicit scene of the two going at it hot and heavy, interspersed with scenes of the rest of the old club discussing whether or not they were basically a “sex club” in practice (probably not, but it’s difficult to discuss over the moans of the other two), and then the boys all getting together to play fighting games. I would very much like to share even a single page from this chapter, as the images of sex juxtaposed with dudes having some (actually) innocent nerd fun is quite striking, but I would end up having my Patreon age-restricted. 

Thoughts (and Many of Them)

The Husband has rediscovered his libido and deep lust for his Wife. What began as a pseudo spin-off about a horny pregnant woman trying to get her man hard became a story about feelings of male inadequacy, only to loop back to the original premise. All’s well that ends well, right?

And yet, the journey to get here was so tumultuous that some readers (according to online comments) jumped ship partway through. It became too difficult to continue reading Spotted Flower, as the darkness and betrayal began to ruin Genshiken for them in the process, despite it being “non-canon.” Madarame and Kasukabe was a popular fan pairing that didn’t pan out in Genshiken (Madarame ends up with Sue), at least among Genshiken diehards, and it was like their consolation prize was a poison pill. The fact that Kio kept introducing more character analogues only served to create a sense of doubt about the intentions of the story: What if this is the actual Genshiken canon, and we were all played for fools?

I also believe that there’s another factor compounding all this: We increasingly live in a time when feelings about NTR/cuckolding/cheating in general have become more extreme. I personally don’t prefer it as a genre, nor do I think it should be outlawed or anything, but what I have also seen is that a complicated mix of emotions related to fetishes, fear of emasculation, and moral panic has left us in a state where things like “girl dates one guy over the other” is incorrectly described as “cucking.” While I highly doubt that most of the people obsessed with these labels were reading a manga as obscure as Spotted Flower, and the series literally came out over 15 years ago in a rather different period culturally, it is certainly a manga that doesn’t consider vanilla monogamy to be a sacred cow. 

But as it turns out, Spotted Flower isn’t just a series that inflicts pain, either in a malicious or sadomasochistic NTR sort of way. Instead, it is a disorganized world of adults who all have their own types of relationships where some are monogamous, others sleep around, and others are engaged in some form of polyamory or another. And here’s another messy outcome, where the Husband disastrously cheats on his spouse out of a sense of inadequacy, only to end up rediscovering his lust for her amid social pressure from friends and acquaintances. The Wife, meanwhile, has to actually forgive him and give him this chance in the first place. We see not a defense of cheating or an encouragement of it, but ultimately a marriage that has been rocky. I won’t necessarily say it’s “realistic,” but it’s the kind of relationship you rarely see in manga. 

(And if you want that kind of hurt, read Kio’s Gonensei instead.)

That all said, I understand that most series that bring up cheating—and have it actually happen—don’t finish on a happy note. One can even argue that both Genshiken and Spotted Flower “copped out” by giving Madarame and his doppelganger a relationship at the end, but I don’t see it that way.

Not every plot thread is fully resolved, but I’m satisfied by where they leave off. The Wife’s Ex-Boyfriend (Not-Kohsaka) still seems to have some unrequited feelings for the Editor. Yet, it almost seems like what he was really missing in his life (and what he was trying to find with all his philandering) was that friendship and camaraderie from the old days, given that he was the one who kicked off the fighting game session. Most of the other couples seem happy where they are.

As for Ogino-sensei (Not-Ogiue) and her two spouses, a supplemental chapter released online continues teasing at the possibility of a real threesome—this time by having Ogino suggest that if both her and her Assistant fiancee (Not-Sue) have kids with her Editor fiancee (Not-Sasahara), the two girls can share a connection by having their children be related. Sure, why not.

Closing Comments

A part of me can’t believe that I started writing about Spotted Flower almost two decades ago, and we’re only finally seeing it ride off into the sunset. Sure, a lot of that is due to the very slow release schedule, but so much has happened in my life since that first chapter came out. I literally moved to Europe and back, had multiple jobs, got married, and went through a hopefully once-in-a-lifetime pandemic (during which Kio himself started posting on social media). In a way, I’m more attuned to the maturity of the series than ever before, even if I can’t relate to the specific circumstances of the characters. 

It’s been a wild ride, everyone. Hope to see you for the next nerd life milestones.

Seeing the Influence of Tsuge Yoshiharu and Nejishiki

I first learned about the influential manga artist Tsuge Yoshiharu thanks to that seminal book on Japanese comics, Manga! Manga! by Fred Schodt. In his goal of showing how diverse manga can be, Fred includes images of Tsuge’s most famous work, Nejishiki, also known as “Screw Style.” Now, thanks to Drawn & Quarterly, I’ve gotten the chance to read it in English, as well as other works by Tsuge. 

I had originally written this review with plans to eventually publish it when the time felt right, but then news came that Tsuge had died at the age of 88 on March 3. So here it is.

Tsuge’s work is hard to describe. It’s never straightforward, and each story seems to exist in the space where rationality ends and passion begins. His characters aren’t “characters” in the traditional sense, but rather agents of deep-seated desires. They’re dark and succumb to their (often sexual) vices, and feel like people who are meant to be relatable, though far from admirable. Originally published in Garo, Nejishiki has become practically the go-to example of experimental comics-making in Japan. It’s not surprising to see why Tsuge’s comics would make an impact back in the 1960s and 70s. 

What is perhaps surprising is that they can still shock today. In a sense, the changing morals and ethics of society over the past few decades make the questionable decisions all the more eyebrow-raising, as well as thought-provoking. Even putting aside the sex, violence, and sexual violence (none of which are portrayed with excessive detail, yet feel more visceral), the seeming density is haunting and reminds me more of something like the ambient moments in Serial Experiments Lain or Evangelion.

Reading Nejishiki also puts another creator in a new light for me: Panpanya. It’s clear now that the author of Invitation from a Crab and Guyabano Holiday draws from Tsuge in a big way, whether directly or otherwise. The simplistic character design juxtaposed with the detailed backgrounds, the surreal and seemingly non-sequitur stories—the big differences are just that Panpanya’s “avatar” is cuter (one might say kawaii) and that the narratives are relatively clearer. 

There’s a long essay by Ryan Holmberg in the back that I’ve been slowly working through. In it, he gives the friendship and working relationship between Tsuge and Mizuki Shigeru (author of Kitaro) a lot of attention, describing how the two mutually benefited from each other. Tsuge worked as an assistant to Mizuki, used some of Mizuki’s other assistants for his own work, and exchanged ideas. What I think is fascinating about this connection is that Tsuge is basically the patron saint of unorthodox manga, whereas Mizuki has been a household name for over half a century. While the comparison I’m about to make isn’t quite the same, it reminds me of how the two directors of the Sailor Moon anime ended up on two unique paths, one highly experimental (Ikuhara) and the other conventional yet still profound (Sato). 

Drawn & Quarterly also published a picture diary by Tsuge’s wife, Fujiwara Maki, which details their life together with their young son. In contrast to the image of her husband as this legendary figure of Japanese comics, Fujiwara’s portrayal often paints him in a less glowing light, especially when it came to his abusive misogyny towards her. Fujiwara, who passed away in 1999, was an avant-garde actor herself before having to abandon that career to be a housewife. Tsuge himself even said that Fujiwara meeting him was probably ultimately to her detriment.

Still, Nejishiki is worth at least knowing, but even beyond the historical significance, it holds up in its own way. Tsuge’s manga result in art that can be challenging to approach, and the act of grappling with it can be its own reward.