The Fujoshi Files 183: Mapi Mapi’s Friend

Name: N/A
Alias: Mapi Mapi’s Friend (まぴまぴの友達)
Relationship Status: N/A
Origin: Happy Fujoshi: Watashi no Tomodachi

This fujoshi is a friend of the manga’s author Mapi Mapi, and goes shopping with her for otaku and non-otaku goods. Once, she tried to make friends with an unseen stranger she heard doing anime karaoke, but forgot to put away her graphic doujinshi first.

She is also a fan of Prince of Tennis, including the Prince of Tennis musical.

Fujoshi Level:
When asked if inserting herself into a doujinshi is okay, she mentions that it’s a big no-no because the character in question should be gay and would never marry a girl.

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Hands-On Experience: Hashikko Ensemble, Chapter 12

Kurata Shion’s history with piano and some lewd humor make up Chapter 12 of Hashikko Ensemble.

Summary

The chapter begins with Mimi-sensei recalling her past. Growing up shy due to her large chest, she was inspired by a high school teacher to go into teaching herself. Unfortunately, her students treat her more like a friend than an authority figure, leaving her unconfident.

Shion tells the classroom about her own history. Encouraged to learn the piano from a young age by her mom, she eventually developed a form of tendonitis. When she suggested to her mom that she wanted to quit, her mother’s response was that Shion has no ability otherwise—if she stops playing, she’ll have nothing left.

Jin figures out that Shion was taught poor form—a byproduct of being coached by her inexperienced mom. This lines up with everything else we know about Shion: she uses too much force for everything, whether it’s sawing or playing piano. The conversation gets heated, especially because Shion discusses quitting the school due to her seeming inability to learn how to let up on her grip.

Oumi-sensei steps in to try and convey to Shion that there’s more to Hashimoto Tech than just learning trade skills, that it’s about having new human experiences. Mimi-sensei feels the spirit of her old teacher inspiring her, so she offers herself as an open ear. Shion immediately squanders this good faith by asking for a smartphone, to which Mimi responds, “Why don’t you ask your mom?”

Shion leaves, childishly frustrated at Mimi’s response, but accidentally trips and lands with her hands on Mimi’s chest. However, squeezing them and alternating her grip strength helps her figure out what it means to have a gentle touch. Excitedly, she runs to the woodshop classroom to demonstrate her suddenly improved sawing technique. Jin then asks her to try and play piano, and using that chesty eureka moment, Shion applies her new lighter touch to the ivory as well. The Chorus Club has their pianist now.

Poor Mimi-chan

I feel for Mimi, especially how she doesn’t seem to be treated seriously as an adult. Even her heartfelt recollection of how she became a teacher was a setup for a boob joke.However, I like how this chapter revealed that she actually has a tiny bit of an edge when Shion asks her about getting a smartphone. The way the page is framed, with each of them equally prominent in separate panels, makes Mimi’s response feel immediate and somewhat terse while still conveying her generally gentle demeanor.

The Road to Hell

Shion’s past is yet another instance of conflict between parent and child, but unlike Orihara’s situation of neglect, it involves a mom with good intentions. Shion’s case is when a general approach to life (work harder!) fails to take into account the particular needs or feelings of an individual. The fact that her mom actually suggests that Shion has nothing without piano is an all-too-real sentiment from a loving but perhaps overbearing parent, and on some level I can empathize with Shion’s situation more than any other character so far. It also makes me wonder if Kio Shimoku is laying a general criticism towards parents in Japan and the different ways they can negatively impact their children’s lives. As a father himself, perhaps he’s also warning himself—like a reminder to never forget what it was like to be that age.

Because Hashimoto Tech is a vocational school, it brings to the foreground the notion that these are kids on the cusp of becoming adults. For Shion, there’s also the question of what happens when one’s passion or hobby is tied to one’s career. At one point, she reveals that she always assumed a dislike of piano meant a dislike of music in general, and it’s a window into how all the different elements involved with her starting and giving up playing are jumbled together. Decoupling them is one of the outcomes of this chapter.

Talent vs. Hard Work

The question of whether hard work can compete with talent comes up while the class is discussing Shion’s situation. We know Shion’s opinion on this—that hard work can’t compete. Jin disagrees, but what’s especially curious is that Jin doesn’t see himself as talented. The question is if his incredible vocal skills is indeed a product of constant striving, or if he’s comparing himself to some kind of titan. The fact that Jin expresses empathy with Shion growing up with an overbearing mom might say it all.

Songs

Once again, “Kanade” by Sukima Switch. It’s the song Shion plays.

Final Thoughts

When Shion accidentally trips and is about to fall, Hasegawa (the judo girl) rushes to save her but then accidentally bumps into Akira. If you look closely, Hasegawa was behind the teacher’s lectern a moment before. Either this was a mistake, or she actually slid over the lectern to get there in time.

Also, she likes puns.

Basically, Hasegawa’s awesome.

They’re all awesome.

Dreams Before Harems: Why I Like “We Never Learn”

We Never Learn is a popular harem manga currently running in Weekly Shonen Jump, and one I actually like a good deal. With the anime debuting next season, I’ve been thinking about why I’m fond of this particular series over other similar works, and I realized something. While We Never Learn is indeed a harem series, and thus shipping is ostensibly an important factor for enjoying the series, I find that I don’t actually care about pairings at all, and this makes the series better for me.

Because the anime is coming out this season, I’m going to make this post as spoiler-free as possible. Actually, I don’t even think I need spoilers to explain my point, so it works out.

The basic plot of We Never Learn has high school boy Yuiga Nariyuki tasked with tutoring two of the smartest girls in school. However, while Furuhashi Fumino is a genius of literature and the arts, and Ogata Rizu is a math and science wizard, their respective dreams are to go to college in their worst subjects instead. Along the way, other girls join the cast, and the close calls with Nariyuki never stop, in typical harem fashion.

One thing clear from the start is that each character has their own goals they want to reach. Sparks fly and fanservice abounds, but their attractiveness doesn’t define who they are as people. Moreover, they’re all supportive of one another, and this makes it a refreshing experience.

Nariyuki could end up with anyone, or no one. Any of the girls could end up with each other. Perhaps they might all marry random, unrelated characters. To me, none of it truly matters, because I want all of them to succeed in ways beyond relationship success. While the girls and their cuteness is a major part of We Never Learn, you want to see these girls achieve their dreams as they try to overcome genius with hard work in a Rock Lee-esque way. The fact that the geniuses they’re to beat are themselves makes it all the greater.

Help Me! Why is “S&M” Lingo So Common in Anime and Manga?

Out of the many tropes and trends to come out of anime and manga, there’s one I find especially curious: the casual use of “sadist” and “masochist” to describe characters. It’d be more understandable if it was limited to more sexually charged series, or to describe villains as “sadistic bastards,” but it occurs in just about everything—romances, kids’ shows, sports/competition series, and so-on. You see the letters “S” and “M” thrown around by characters as if it’s the most normal thing to say in a conversation.

In series like Prison School, “S&M” is used conventionally to refer to kinks and fetishes. In other cases, like Chihayafuru, the phrase is more removed from an explicitly sexual context, and could potentially be seen as simply referring to a non-sexual pleasure derived from inflicting or receiving pain. Or perhaps that layer of sexual tension and mild eroticism that permeates many anime and manga also trickle down into the ones that aren’t like that. The same could perhaps be extended to phrases like “siscon,” though many recent anime have gone out of their way to make that particular phrase anything but innocent.

I’m not against this trend of using “S&M” terminology, or at least find no need to take umbrage with it, but it really makes me wonder where the heck it all comes from. Is it a few famous titles? Could it be from some visual novels that got big among otaku? Or maybe it’s from something more mainstream, like classic Japanese literature. Yet, try as I might, any attempts at cursory research turn up fruitless. I get the feeling that there’s no straightforward answer, and that it might be bits and pieces of both Japanese domestic and foreign imported culture mixed together into a complex stew.

If anyone has any expertise on this matter, or knows any potential resources that could point me in the right direction, I’d love to know. This is one mystery that I really want to solve.

 

Mystic Eyes: Ogiue Maniax Status Update for January 2019

2019! It’s time to look back briefly at all the resolutions I failed to keep (like getting literate in Dutch), and then ignore them to keep myself looking ahead. When it comes to Ogiue Maniax, I don’t recall making any blog-specific resolutions, but maybe I should…

As we go into the new year, I’d like to express my gratitude towards my supporters on Patreon and ko-fi.

General:

Johnny Trovato

Ko Ransom

Diogo Prado

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

A special shout-out to Johnny Trovato, who actually went as far as to send me a holiday card. Thank you!

My favorite posts from December:

The Dynamics of Hugtto! Precure’s Gay Couple

Hugtto! Precure has a lot of strengths, and its semi-under-the-radar same-sex couple says a lot about the show.

Gattai Girls 9: “Mobile Police Patlabor” OVA 1 and Izumi Noa [Anime Secret Santa]

For the second year in a row, it’s a dual-purpose Gattai Girls + Secret Santa review! Incidentally, my very first Anime Secret Santa was actually the first Patlabor movie.

Best Anime Characters of 2018

My picks for the best characters of the year. Who were your faves?

Hashikko Ensemble

Chapter 11 focuses on the girls we’ve seen, and it’s one of my favorite chapters yet.

Patreon-Sponsored

Aikatsu Friends! Knows How to Celebrate Christmas

I hope Aikatsu! never loses what makes it so fun.

Closing

So for New Years’ Resolutions, I think I’ll challenge myself. Hopefully I’ll remember to check back on this in January 2020.

1) Have more overall visitors to the blog compared to 2018.

2) Be more topical, though without trying to chase the latest popular trend. Try to maintain that balance where I’m still writing for myself, but I give my take on the things anime fans care about.

3) Increase my overall Patreon sponsors by the end of the year, even by one!

To quote a great president, “We must move forward, not backward. Upward, not forward. And always twirling, twirling, twirling towards freedom.”

Tree Skills vs. Skill Trees: Hashikko Ensemble, Chapter 11

The path to a full Chorus Club is revealed, and the super-intense Kurata Shion gets center stage in this month’s chapter of Hashikko Ensemble.

Summary

Orihara is now a part of the Chorus Club, and Jin needs just one more member and a faculty advisor to get formal “Appreciation Society” status. If he can, he wants someone who plays piano.

Meanwhile, Kurata is getting advice from Oumi-sensei (the gray-haired one), who suggests that she join the woodworking club to improve her skills and to relax a little. However, the over-serious Kurata (who’s also revealed to be quite the spaz) refuses, seeing it as frivolous fun that gets in the way of Hashimoto Technical’s purpose as a vocational school. Both shy towards her fellow female classmates and frustrated at her lack of talent, she runs away, only to accidentally bump into Akira and the Chorus Club. Curiously, instead of making a typical startled noise, she lets out an F♯2 note.

In judo class (apparently a staple of Hashimoto Technical), Kurata is participating along with Hasegawa and her friend. Hasegawa, it turns out, is actually the daughter of a prominent judo family, and tosses around both one of the school’s judo club members and Orihara effortlessly (while also simultaneously ogling the latter). Kurata and Hasegawa’s friend are practicing against each other, but when a sudden pain in Kurata’s hand causes her to fall over, she reveals that her tendonitis is flaring up—as a result of her piano-playing!

Kurata’s Situation

Kurata doesn’t know how to crack eggs, and can’t seem to even run on a school racetrack without going off-course. If there’s any character she reminds me of, it’s Mio from Nichijou, who can’t seem to follow rules of any kind when it comes to sports or competition. I also love the way they reveal her music background, with her unusually melodic yelp.

I might be sounding like a broken record, but Kurata’s the latest in a long line of interesting characters in Hashikko Ensemble. First, there’s the fact that her antagonism towards the Chorus Club is kept mostly to herself—in fact, Jin and Akira don’t even really recognize her. Second, is that her dislike of the Chorus Club had seemed personal on some level, but the hints we get as to why this is the case make her and her story all the more intriguing.

It’s clear that Kurata has a musical background of some kind and that it’s limited by her tendonitis. Was a potential piano career derailed by health issues, leading her to lose faith in putting her future in something as fragile as musical performance? Is it perhaps pressure from parents? How much does she actually believe what she’s saying when she declares her preference for the pragmatic, and how much is she forcing herself to think this way? I’m really looking forward to finding out more.

As for what she’ll do as a potential Chorus Club member, one would think piano, but the fact that she has trouble playing might mean she’ll be another singer instead.

Hasegawa’s Unusual Friendship

Hasegawa and the other girl who’s always with her (whose name might not even have been mentioned yet) are so different from each other that you wouldn’t necessarily expect them to be close, but they say outright that it’s just a natural product of there being so few girls at the school. From what I can tell, while it likely began out of convenience, it transformed into a genuine friendship at some point. Now, they’re trying to get closer to Kurata too, but she’s as nervous and unsocial as they come.

I really enjoy how it doesn’t take much to portray Hasegawa and her friend as fleshed-out characters with an authentic-feeling history. This feeling of realism is one of Kio Shimoku’s greatest strengths.

As for Hasegawa’s judo background, I got a good chuckle out of how she actively eggs on the judo club. Also, i wonder if her love of beefy dudes is because of her family or not.

Songs

No music this chapter, aside from some basic voice lessons.

Final Thoughts

In a flashback, Kurata asks why the Japanese shorthand for “smartphone” is sumaho and not sumafo, as if it doesn’t make sense. I AGREE. IT’S ALWAYS BOTHERED ME.

Smashing-Good Holidays: Ogiue Maniax Status Update for December 2018

Ogiue Maniax just celebrated its 11th anniversary, and it feels like quite the milestone. However, as much as that has been on my mind, my head space is currently occupied 80% by Smash Bros. Ultimate. 4 days to go!!!

I’m always grateful for my supporters on Patreon and ko-fi. Many thanks to the following!

General:

Johnny Trovato

Ko Ransom

Diogo Prado

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Here are also my favorite posts from November:

Geek Reference Culture vs. Rap Reference Culture: A Personal and Meandering Comparison

An exploration of how heavy reference usage differs between geek entertainment and rap.

How Hugtto! Precure Tackles Childbirth and C-Section Controversy in Japan

The current Precure series likes to go places.

“Hi-New York”: Anime NYC 2018

My overview of Anime NYC 2018.

Hashikko Ensemble

Chapter 10 feels like the end of one story and the beginning of another.

Patreon-Sponsored

An Amateur Look at the Atelier Games

How mellow can an RPG series get?

Closing

I promise that not every post I make for the next 6 months will just be about Smash Bros. That said, I get the feeling there will be plenty to go around.