Nonexistent Rationality

In light of the Handley case’s conclusion and the recent measure in Tokyo to outlaw sexually provocative imagery of characters 18 and under to protect “nonexistent youths,” as well as the subsequent opposition by manga creators from all over Japan, I’ve felt an increasing desire to state my thoughts on the whole situation. I’m not really anybody who can affect a change, particularly when it comes to the Japanese government, but I still want to say my piece.

Before I begin, I want to explain my stance on objectionable art so that you can understand where I’m coming from. Ask two different people from similar upbringings to list their sexual kinks, and you would likely see differences in their answers. People’s sexualities are very personal things, and often times people cannot help what they are sexually attracted to. They can ignore it, they can actively avoid situations in which they are exposed to it, and being confused about their own sexuality can lead a person to think they’re into something they’re really not, but sexual attraction, to whatever it may be, will be there.

And so you’ll find situations where something one person finds sexually attractive will be absolutely repulsive and morally reprehensible to another. It is not absolutely not wrong for a person to feel disgusted with something that makes them highly uncomfortable, and it is their very right to think less of anyone who finds such a thing arousing. However, it is my belief that laws should not be passed based simply on the fact that something is seen as creepy or disgusting. Laws should not be carried by emotion alone. In order for it to be a crime, there should be a real risk of harm, be it physical, psychological, monetary, or some other form to another individual, something that makes it more than just a “bad feeling.”

With that in mind, I want to get into the main thrust of why this bill to protect “nonexistent youths” is so dangerous should it pass. Simply put, it is too broad in its scope and so vague in its language that it can encompass pretty much anything. It is based too much on vague “feelings” and is inherently flawed.

Pornography is one thing, but the proposal extends to all potentially sexually provocative portrayals of characters 18 and under. That covers a lot of ground. Let’s take a classic example of something easily sexualized which is also a part of everyday life: the short skirt. How short does it have to be in order to be considered sexually provocative? What is the threshold? Is it the standard length for a Japanese school uniform’s skirt? In that case, I don’t think I have to tell you that there is a sizable population that would disagree with that. In that case, let’s just get rid of all short skirts on minors in manga and anime. But even long dresses can be deemed sexually attractive, possibly more than short skirts, depending on the individual. The same thing applies to getting rid of dresses and skirts entirely and replacing them with pants. Forbid sexually provocative imagery? I can only believe that the people who drafted this proposal have no idea how powerful the human imagination can be, especially that of a horny teenager.

The teenager is also an important individual to consider with this proposal. The idea of removing fictional portrayals of people 18 and under that could be deemed sexually provocative feels like a myopic decision created in the world of adults. The proposal is there to prevent adults from looking at underage characters in a sexual manner, but not everybody reading manga is an adult. And while I know that it is difficult to determine age based on a drawing given the sheer unlimited possibilities that can occur when pen is put to paper and an image is created, let’s just assume for the sake of argument that we discovered a way to 100% accurately portray the age of a drawn character, that the 16-year old on the page is 16 years old. If you consider the reader to also be a 16-year old, then it would only make sense that they would be sexually attracted to that character, that a 16-year old can be sexually attractive at all. Yes, there is a risk involved with attracting people who are much older than teenagers, but if we were to apply that logic to the real world, to “existent youths,”  it would be as if teenagers were being told that they weren’t allowed to look attractive because there’s a risk people outside their age group might find them attractive as well, or saying that people 18 and under cannot look attractive at all. Again, when taken from a purely adult perspective, it’s easy to see why this would make sense, but not everyone in Japan is an adult, and not everyone reading manga is over the age of 18.

Taking a broad view of censorship, artists and creators will push the limits of censorship as far as they possibly can, no matter how strict or severe the censorship may be. Genitals are censored in Japanese pornography, but their porn industry has found a number of ways around the “mosaic.” Some companies push the limits of pixel size in the mosaic, boasting that their mosaics are extra small, while the very concept of bukkake possibly stems from the goal of showing evidence of the male genitals without actually displaying them. If a limit on skirt length really were to be decided and skirts were deemed “okay”  if they were less than 4 centimeters above the knees at most, then some manga creator or artist out there would make sure to point out that a girl’s skirt is 4.000001 cm above. It’s one thing to set a limit and say, “this is the point you must not cross,” but to try and prevent anything sexual from being portrayed in visual fiction is a losing battle forever thwarted by the endless creativity of artists.

Emotion, Intelligence, and the Comics Ambassador

In writing my two responses to the Christopher Handley case, I worked very much from my own feelings and thoughts on the whole situation. However, when I read Newsarama writer Jeff Trexler’s blog entries about the Handley case, particularly his post titled Handley, Comics and Obscenity, I began to think about my approach to talking and writing about censorship and obscenity in regards to comics.

While I do put emotion into my writings, particularly the two Handley posts, I know that I come across as emphasizing the logical and the intellectual, trying to use my own knowledge in conjunction with my desire to increase my understanding of the situation. However, as Trexler puts it, this can be considered a case where I am seen as a “liberal outsider” who is simply not understanding the fundamental truths as perceived by, say, an Iowa jury. I want to be able to convince not just the people who think in the same fashion as me, but also those whose value systems and deeply rooted beliefs stand much further away. I want to be able to change my writing style accordingly, but I don’t think it’d be a surprise to anyone literate in any language in the history of man to say that changing one’s writing style as well as one’s mode of thinking can be extremely difficult. The way this post is going so far should tell you that already: I’m trying to reason out how to write in a way which appeals to the heart rather than the head; irony in itself.

I’ve mentioned what I’m about to say when I previously talked about the Geek Logical Fallacy, but we as people often run into situations where the values we subscribe to in trying to make sense of the world or convince others of an important truth that are seemingly irreconcilable. No more does this arise than with the topic of religion, especially on the internet. A believer and a non-believer enter into an argument about the existence of a higher power, and both can be dense in their own ways. The believer will quote his religious text, which he deems as the source of Truth with a capital T, and that clearly everything comes from this Truth. However, to the non-believer these are all irrational beliefs full of contradictions and appeals to emotion. The non-believer meanwhile will start trying to use his self-proclaimed intellectual and logical superiority to lord it over the believer and show through this “logical” progression that everything the believer believes is false and wrong. Of course, the believer will take this as a direct attack and will stand his ground. The non-believer is trying to convince the believer using intelligence, while the believer is trying to convince the non-believer using logic, and both parties regard the others’ core value as being less important than the one they themselves emphasize.

This is part of the reason why so-called “Intelligent Design” has been able to make in-roads at all into harming the teaching of Science in public schools. The people in charge of the movement know their target group, and they are able to prey on their fears and prejudices. When Scientists representing Science come in and go, “Well that’s not how Science works you see, I have these facts to support my claim,” it can all come across as white noise, it’s not hitting the people where it matters because Science thinks it can logic its way to victory.

And that may be the situation manga and comics as a whole may find themselves in. Sure, comics are not exactly science, and there is a very emotional aspect of them, but in any future cases similar to Handley’s that may pop up, we may end up in situations where the people we’re trying to convince cannot be convinced in the way that we normally would convince our peers. A scientist can convince another scientist using science, but it takes something more to branch out to the rest of the world.

What we basically need are Ambassador of Comics, Comics versions of Carl Sagan, if you will. Though I would not even begin to presume I can fill this role, I write now to try and see if I can’t help just a little bit.

Christopher Handley’s Guilty Plea and its Implications

Christopher Handley has plead guilty for possessing obscene manga. While on the surface it seems a simple matter, the implications are enormous and complex, and to tell the truth I’m not sure I can get around to everything that I feel is worth saying, but I will at the very least try to get people to think about the causes and effects and consequences of this decision.

Handley was threatened by the government through a variety of means. While it is legal to have obscene materials in the privacy of your own home, they tried to get him on charges of having obscene material shipped across states, which it was because it came from Japan. However, that material was never meant for others, it was Handley’s personal pornography, and it involved no actual people, only fictional characters, concepts in a story. Of course, that’s not how the government prosecution wants you to see it.

The whole matter comes down to underage pornography. While there is the matter of the government never being too specific on the manga that caused Handley to be charged in the first place, ultimately they want you to think that it’s child porn even if it isn’t, even if all the characters are well over 18 and have adult proportions, even if they mistake Gaogaigar for lolicon. That’s where this discussion will take place.

A minor in the United States is someone under the age of 18. I am perfectly fine with that number. It’s different in other countries, sometimes higher and sometimes lower, but 18 is fine. It is fine, that is, when applied to real people, and that’s what the law should be about. However, anyone would be daft to believe that teenagers under the age of 18 do not have sex. Legally, it would be ideal if this did not really happen, but it is the truth and it is reality, and fiction should have every right to depict an aspect of reality while not being completely beholden to it or the law. In other words, if fiction were to be forced to depict a world where everything is legally okay or turns out that way, fiction would die. Imagine Death Note without murder. Imagine Kare Kano without sex between its high school-age characters. Both are possible, but both are enriched by these acts which can be deemed wrong by some, and while both are not considered “obscene” normally, when you start to hack away at the “obscene titles,” what you might not realize is that you’re also chipping away at more “innocent titles.”

Luckily, the US is not controlling all fiction. Shows about teenagers dating and having sex have been a staple of television since the 90s, the most prominent example probably being Beverly Hills 90210. And sure, they eventually grew up and become full-fledged adults, but the start was always the sexualization of teenagers, even if those teenagers were played by adults. Here we are in America, sexualizing teenagers while also saying that it’s wrong. Again, I am perfectly fine with the law saying that a guy who is 30 should not be fooling around with a girl who is 16 along as this law is for real people and not fictional characters where that huge age gap and all the implications behind that age gap can possibly factor into the story. And it seems like for a lot of entertainment in America, the government understands this, but something is particularly dangerous about comics.

I have to wonder if the the idea of comics being “for kids” has influenced this perception in any way, that comics should not have the ability to go that far when in fact it might be more suited to taking things a step further than perhaps any other form of media or art or entertainment. Purely text fiction would not so nearly incur the wrath of the government or normal people as the potential for obscenity requires some digging; it is not as immediate as visual imagery. I do not ask comics to be like literature or high art, but what I do hope is that comics, comic creators, and comic readers as a whole can achieve all of the possiblities of the medium without having to worry about their ideas being considered too “obscene” or “wrong.”

If you think the material is bad, you are allowed to say so, but it should not be possible to run to the government and tell them on someone with whom you disagree, even if the “you” I mentioned IS the government.

I understand that not everyone is as closely connected with the world of fiction as myself or others, and they may see this guilty plea and its consequences as being very cut and dry, very black and white. “What does it matter that there are a few less stories out there,” one might say, “If it protects people from getting hurt?” But the “matter” is that ultimately these are ideas put on paper, and you are trying to protect people from harm that may or may not happen based on a fictional work where the motive of the work may fall entirely out of step with the perceived harm that it could potentially generate. It is thought crime, and while the term thought crime is bandied about and misused constantly, this is a very valid example and I ask that you consider the idea that your own private thoughts, thoughts which may exist only in your head and in a diary or journal in your home, could be turned against you without there being any actual evidence of intent to carry it out in reality.

As a final note, I want to talk about the manga Ressentiment. It is a title where people have the ability to have virtual sex with virtual girls, and the main virtual girl is depicted and designed to be around high school age, and it’s all designed to be a part of the story. It can be offensive, but it’s all there aesthetically to give the reader a sense of disgust or sadness. When she’s naked, or put into an obscene position, she is a fictional virtual minor. Who is harmed by this? Can the law extend so far as to protect a character who is part of the fictional world of another fictional world, and punish those who read about it?

I COULD Get in Trouble for This: Christopher Handley and the CBLDF

Today I decided to donate to the Comic Book Legal Defense Fund (CBLDF) to support Christopher Handley, a man who has been charged with possession of “obscene” material, in this case a certain unspecified manga. I was already convinced that I should support the CBLDF weeks ago when Neil Gaiman posted an illuminating essay on the matter, one which reinforced beliefs I already hold, but I hesitated. With the additional passionate calls for help from respected anime industry members Carl Horn and Jason Thompson, what began as good intent on my part became a concrete action.

If you’re unsure as to whether or not it’s worth helping out the CBLDF, the arguments given by Neil Gaiman, Carl Horn, and Jason Thompson are all far more convincing than anything I could say. I am not going to argue that porn reduces sex crimes, or the difference between a 2D fetish and a 3D one, or any of those things which are missing the point. Instead, what I am going to describe below are the reasons why I made the decision to donate, and my fundamental feelings on the matter.

It is my belief that art, which I’m using as a general term for creative works, exists to express ideas and emotions, and that art’s strength is directly related to its diversity. No matter the quality or intent of the artist, their work matters because it contributes ideas. They may be wrong, they may be completely misguided, but they still have the right to express themselves, especially if such things are kept in private. Obtaining art, be it by your own creating hand or by the wallet in your pocket, whether you are the maker or the taker, is an extension of this idea.

Let’s disregard the actual content of the manga in question, and just pretend that it is the most vile, disgusting thing you can imagine. It affects you negatively on both an emotional and ideological level, and you wouldn’t be caught dead taking so much as a glance at it. And let’s say that, given the reprehensible content, this manga could influence someone to make a big mistake. It could be the catalyst which drives someone to endanger human lives. There is a difference however between “could” and “did,” and “could” and “will.”

If you’re allowed to punish someone for something they could do, then where do you draw the line? What factors go into determining whether or not someone is capable of committing a crime? And even if you could determine a method that would differentiate those who “can” from those who “cannot,” how are you to tell someone to simply stop how they feel?

Human beings are emotional creatures, and we often cannot help how we think or feel, even when we know those thoughts and emotions are unhealthy. And while you can tell someone that their feelings are wrong or dangerous and be right, you also cannot force someone to have the emotions you expect them to. Yes, if someone acts purely on their emotions without regard for others, then it is a problem. This is why humans are also rational creatures: reason tempers emotion. But if we punish someone because their thoughts are troubled, or that their emotions and ideas have been put to paper, then we give no opportunity for reason to play its role in human thought. We are punishing someone for what they could do, and humans being what they are, that would mean that we are all already guilty of something.