In writing my two responses to the Christopher Handley case, I worked very much from my own feelings and thoughts on the whole situation. However, when I read Newsarama writer Jeff Trexler’s blog entries about the Handley case, particularly his post titled Handley, Comics and Obscenity, I began to think about my approach to talking and writing about censorship and obscenity in regards to comics.
While I do put emotion into my writings, particularly the two Handley posts, I know that I come across as emphasizing the logical and the intellectual, trying to use my own knowledge in conjunction with my desire to increase my understanding of the situation. However, as Trexler puts it, this can be considered a case where I am seen as a “liberal outsider” who is simply not understanding the fundamental truths as perceived by, say, an Iowa jury. I want to be able to convince not just the people who think in the same fashion as me, but also those whose value systems and deeply rooted beliefs stand much further away. I want to be able to change my writing style accordingly, but I don’t think it’d be a surprise to anyone literate in any language in the history of man to say that changing one’s writing style as well as one’s mode of thinking can be extremely difficult. The way this post is going so far should tell you that already: I’m trying to reason out how to write in a way which appeals to the heart rather than the head; irony in itself.
I’ve mentioned what I’m about to say when I previously talked about the Geek Logical Fallacy, but we as people often run into situations where the values we subscribe to in trying to make sense of the world or convince others of an important truth that are seemingly irreconcilable. No more does this arise than with the topic of religion, especially on the internet. A believer and a non-believer enter into an argument about the existence of a higher power, and both can be dense in their own ways. The believer will quote his religious text, which he deems as the source of Truth with a capital T, and that clearly everything comes from this Truth. However, to the non-believer these are all irrational beliefs full of contradictions and appeals to emotion. The non-believer meanwhile will start trying to use his self-proclaimed intellectual and logical superiority to lord it over the believer and show through this “logical” progression that everything the believer believes is false and wrong. Of course, the believer will take this as a direct attack and will stand his ground. The non-believer is trying to convince the believer using intelligence, while the believer is trying to convince the non-believer using logic, and both parties regard the others’ core value as being less important than the one they themselves emphasize.
This is part of the reason why so-called “Intelligent Design” has been able to make in-roads at all into harming the teaching of Science in public schools. The people in charge of the movement know their target group, and they are able to prey on their fears and prejudices. When Scientists representing Science come in and go, “Well that’s not how Science works you see, I have these facts to support my claim,” it can all come across as white noise, it’s not hitting the people where it matters because Science thinks it can logic its way to victory.
And that may be the situation manga and comics as a whole may find themselves in. Sure, comics are not exactly science, and there is a very emotional aspect of them, but in any future cases similar to Handley’s that may pop up, we may end up in situations where the people we’re trying to convince cannot be convinced in the way that we normally would convince our peers. A scientist can convince another scientist using science, but it takes something more to branch out to the rest of the world.
What we basically need are Ambassador of Comics, Comics versions of Carl Sagan, if you will. Though I would not even begin to presume I can fill this role, I write now to try and see if I can’t help just a little bit.
While logical and emotional writing styles contrast in obvious ways, at their core, writers of either style thrive on anticipating the reactions of their audience. Those who rely on intellect think a step or two ahead of counter ideas to reach the conclusion they want their audience to reach, while those that rely on emotion are talented at shaping and forming the feelings they want their audience to feel.
Concerning the case at hand, since the “comics are art” angle doesn’t fly so well with the traditional-values people of the heartland, I’d try to play up some sort of perceived invasion of privacy argument. Build Christopher Handley as a person, who in public, is a normal citizen contributing to society, and in private, is just someone with tastes different from the norm. Then, the government swoops in, tears through his mail, searches his house, threatens to send him to jail, just because they don’t like the fiction/music/games/television programming/political agenda/collecting hobbies he indulges in in the intimacy of his own home. De-emphasize kiddie porn and try building a case about persecution of those who are different. A different angle at least.
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It also makes me wonder what angle holds more importance though. I mean, privacy is important and invasion of privacy is something most of us can agree is uncomfortable and wrong, but it doesn’t necessarily have the squick factor that kiddie porn does. And even if you try to downplay the latter, I feel like it tends to be what people focus on the most.
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Yeah, but that’s the best I can come up with for the “comics are 4 kids” crowd. It’s still a long road for comics to travel down if it wants to join the likes of film noir and rock n’ roll as mainstream-accepted art forms, too long to have any immediate impact on this current case. The way things are now, it was pretty much unwinnable from the outset.
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good article dude
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