Sailor Moon was one of the seminal shows of my anime fandom. I recall the joy of waking up every weekday morning to see what would happen next just as much as the embarrassment of being a Sailor Moon fan (I was a dumb kid for sure). However, as formative as that series was in certain respects, one thing I had only heard about but never directly experienced was the Sailor Moon manga. Now, 20 years later, thanks to Kodansha Comics’ re-translation of not only Pretty Guardian Sailor Moon but also its predecessor Codename Sailor V, all of that’s changed.
I don’t think Sailor Moon needs much of an introduction at this point, but just to cover my bases: A young girl named Tsukino Usagi discovers that she has magic powers that lets her transform into a costumed fighter named Sailor Moon. Along with her allies whom she gathers over time, the Sailor Guardians, she fights against numerous forces threatening the Earth. What makes Sailor Moon so memorable is its ever-continuing story of twists and turns, the powerful image of strong female characters fighting without needing to be rescued by a man (though occasionally a man will show up to give some moral support), and just the way it sparks imagination in audiences young and old.
The manga is no exception, though if there’s anything that stands out immediately about the Sailor Moon manga, it’s the relatively brevity compared to its animated counterpart. Instead of a 200-episode TV series, we have instead a 12-volume manga (15 if you count Sailor V and some additional side stories). While this typically implies a great deal of filler or extra stories to pad out entire seasons, and this is indeed true of Sailor Moon, it’s rarely to the degree seen here. Kenshiro in Fist of the North Star takes 26 episodes to reach his first major adversary, Shin, but only one volume of manga to do the same. The Sailor Guardians fight Jadeite in the anime for 13 episodes; he lasts only 3 chapters in the manga. Sailor Moon cuts through villains and entire story lines like a hot knife through butter, and covers most of the major arcs that the anime does in a fraction of the time.
This is a significant change of pace compared to the anime, which is based around a kind of episodic peek into the world of Sailor Moon. Each week, there would be a monster to fight and a problem to solve, and while the overall story would gradually move along, it’s sort of like visiting some friends. The feel of the show is slower, and I don’t mean that necessarily in a bad way. With the manga, however, everything moves forward at such a fast clip that I feel as if the dynamism of the characters themselves, as heroic figures, as beings with style and physicality, progress the narrative through their bodies and the actions they take with them. There’s a kind of connectivity from panel to panel that’s achieved through the statuesque shoujo designs of the characters and their fights that can’t be found to quite such a degree in the anime, even when taking into account the elaborate transformation sequences.
By the time Sailor Moon finishes, I get the sense that Usagi herself has changed tremendously. However, I’m not entirely sure if her maturation is entirely convincing. There are moments when Sailor Moon seems to have learned important lessons about doing what’s right/right for her, and then there are others where the manga tells you that she’s grown, or she suddenly shows a greater sense of compassion and responsibility, but it seems to have come from out of nowhere. In a way, having the story move as quickly as the manga does can make some events feel a little too rushed, and Usagi’s character development might just be one of those aspects. On the other hand, some of the weirder aspects of Sailor Moon (Chibi-Usa’s entire story) come and go just as quickly.
As a final note, I’d like to just give an aside about my favorite character, Sailor Mercury. It’s funny to think about what drew me (and a lot of other boys growing up on Sailor Moon) to the character. To put it simply, I was a nerd, and she was a nerd too, one who prized knowledge and study and interest in books and science. These days, that’s the norm for a lot of characters, and specific attention is being given to encouraging more girls to get into math, science, and the highest of higher education. Nerd girls are so expected of the world that they’ve entered the realm of stereotype. That’s how much things have changed since I first saw Sailor Moon, but the admirable qualities of its characters, whether in manga or anime, are what help make it timeless.
—
If you liked this post, consider becoming a sponsor of Ogiue Maniax through Patreon. You can get rewards for higher pledges, including a chance to request topics for the blog.
I have a question for you:
I love the original Sailor Moon anime, but have a hard time stomaching the newer, self-serious remake (even this latest version, which though better, I still find stiflingly dull and humorless). Since Crystal is said to be much more faithful to the manga than the delightful 1990s series, does that mean I should probably steer clear of the manga?
LikeLike
The Sailor Moon manga has pretty much way less of the episodic silliness of the original anime, but it’s also a really quick read so you’d be able to make a call pretty quickly. Also, if you want more delightful silliness, I think the Code Name Sailor V manga might be more your speed.
LikeLike
I was following both the anime and manga as it originally came out in Japan, and I think it bears mentioning that while reading it in compilation form this is so (and I have issues with the way the first translator handled most of the run before it was finally handed over to someone a bit better), it was a VERY different experience reading it in monthly installments in Nakayoshi as the anime was coming out.
Basically you’d get four episodes of the show coming out at the same rate as each chapter, or a full year of anime for each single arc. The anime would never outpace the manga, so each chapter that came out was a hint of what might come in the next 4-8 episodes (although the Ail/Ann arc of R allowed the manga to get a good bit ahead and SuperS is where things REALLY diverged, and the manga sped ahead while the anime felt kind of stuck in idle until near the end, then turned around and sped up again).
In any case, what seems like a breakneck pace in compilation form was actually a monthly slow-drip of brief sneak peeks for what might come next in the anime. :)
And yeah, the first two seasons of Crystal are faithful in terms of the general script mostly, but they completely excised all the goofier bits and funny expressions Naoko liked to draw that the original anime picked up on and ran with. I kind of feel like Crystal 1&2 are like the Man of Steel of Sailor Moon–tone deaf to the real soul of the series and too concerned with telling things overly seriously.
LikeLike
Pingback: The Healing of Heisei Anime | OGIUE MANIAX