It’s extremely rare that a convention’s exhibitor’s hall, or any particular part of it, would be the highlight of my con experience. But at New York Comic Con 2019, few things brought me as much excitement as seeing a booth for Gary Larson’s The Far Side.
As far as one-panel newspaper comics go, nothing could match up to The Far Side. Its unorthodox, absurd, and at times dark humor was an incredible influence on me in ways that can’t be underestimated. Perhaps the only reason why it was a “childhood” favorite instead of a perennial one, is that it ended in 1997, in what feels like a bygone era. Before things like high-speed internet and cellphones (let alone smartphones) became commonplace, before print newspapers started folding in droves, The Far Side had already sung its swansong. Seeing it prominent in the year 2019 made me feel like my young and older selves collided—a reminder of how I came to love comics and the things I’ve discovered and accomplished because of that passion.
The actual booth for The Far Side at NYCC 2019 was clever. At the top were various recurring character archetypes from the comic’s run—cows, beehive hairdo ladies, etc.—all stretching out their cheeks and sticking out their tongues. On a wall were four displays, each cycling through different Far Side greatest hits. One of those comics, in which a child at “Midvale School for the Gifted” is trying to push open a door with a giant sign above that says “PULL,” was faithfully replicated at a life-size scale so attendees could reproduce the panel.
This display came on the heels of an announcement that The Far Side is coming back in some form, but what exactly that means is still unknown. Gary Larson famously didn’t like putting his work on the internet, so it might just be him finally catching up to the world and having some kind of singular online resource. If it’s actually new The Far Side comics, well that’ll just make my year.