Love Live! Superstar!! is one of my favorite entries in the Love Live! franchise, but even I was unsure if the third season was necessary. The previous season ended on a high note, and the girls of Liella! could have ridden off into the sunset for a satisfying conclusion. But despite some misgivings, I decided to stick with it. Fortunately, my faith was rewarded once again, and by the end, I found that this season solidified my ongoing belief that Superstar!! is the absolute best of Love Live! from a storytelling perspective.

Love Live! Superstar!! 3rd Season begins with protagonist Shibuya Kanon and the rest of Liella! coming off the high of finally winning the Love Live! national school idol competition. They start the new school year determined to be first back-to-back champions, but a few hurdles stand in their way. First is the pressure of being the reigning team. Second is the presence of one Wien Margarete, a transfer student from Austria who competed against Liella last time and decides to form her own school idol club at their school instead. Third is the fact that Kanon decides to pull a surprise heel turn (of sorts) and join Margarete’s side along with another girl, Onitsuka Tomari. Now, instead of everyone working as one, the two sides must compete to see who will represent their school.

The idea of rival clubs is an intriguing one, but Love Live! is not really a franchise that can make it particularly intense. Or rather, the last time they tried with the (now-defunct) Love Live! All Stars mobile game, it backfired among the fanbase, and the anime adaptation had to tone things down. And so events proceed fairly predictably, with the two sides eventually coming together and any animosity being just caring and affection in disguise. In that sense, Season 3 is a bit of a disappointment, but I eventually realized that this was the wrong angle to look at the whole thing.

The Love Live! competition itself isn’t actually the main focus in 3rd Season. Even the desire for a repeat victory and the challenge of getting there is merely a backdrop than the driving force. Instead, the real story is about how everyone deals with the inevitability of change that comes with the fact that Kanon and the other founding members will be graduating from high school. All the third-years are thinking about what their adult lives will look like and what careers they want to pursue. The second-years will be the ones to inherit the club, and they must go from being the newcomers to becoming the core. And the first-years, Margarete and Tomari, see their participation in more cynical terms. They’re all at different stages.

Superstar!! is also the first time we’ve followed a core cast from the start of high school all the way to the end. In the first season, Kanon’s main struggle is overcoming her trauma that prevents her from singing. In the second, it’s figuring out how to help others overcome their own fears and doubts. And in the third, it’s about leaving behind a system and legacy that will encourage even more in the future to have courage and chase their passion. This might seem par for the course compared to previous generations of Love Live!, but there is a significant difference. 

In every other case, the story begins with a collection of first-, second-, and third-years all coming together. While characters develop in their own ways, they’re also limited to a degree by this format in one way or another. Often, the specific roster is portrayed as lightning in a bottle—something that cannot (and maybe even should not) be replicated. In contrast, all three seasons of Superstar!! collectively work to show that even as Kanon and her classmates leave, the club will continue to grow and change. Each iteration of Liella! has been important in its own way, and the anime implies that this won’t stop even after the original five are no longer there. This flow of time is what sets this series apart, and ultimately makes this third season satisfying to watch.

So that’s Love Live! Superstar!!…or at least until the series gets a feature-film send-off. While I have great fondness for all generations of Love Live!, I really do think that this one is special because of how strong it is as an overall piece of narrative fiction. Superstar!! relies the least on expecting from its audience an inherent receptiveness to idols (and by extension the “school idol” concept), and I think this versatility helps make it a very rewarding series overall.