The Stories of Girls Who Couldn’t Be Magicians is an anime that should have been longer. 

Adapted from a web novel, the story of Mahonare (as it’s known for short in Japanese) follows  Kurumi Mirai, a girl who has always dreamed of being a magician, but failed to get into the magic program of the prestigious Rettoran Academy. Attending the school’s non-magical track, a crestfallen Kurumi and the rest of her class soon meet their homeroom teacher, the unusually petite and eccentric Minami Suzuki, who promises that she will teach them magic, despite common sense saying that it should be impossible.

There is one series above all others that Mahonare reminds me of: the wonderful Ojamajo Doremi. While the magic aspect is something they clearly have in common, the similarities also include the style of presentation. From the pastel-like filters to the opening narration each episode to the theme songs themselves, Mahonare greatly resembles the morning girls’ anime of the late 90s and early 2000s that include Doremi but also things like Ashita no Nadja and Fushigiboshi no Futagohime.

But the more important way that the Mahonare draws upon the tradition of Doremi is the way it builds up a strong cast of characters, both major and minor, that contributes to world building and story. Though we get only a few glimpses of some characters, each gives the impression that they’d have their own interesting stories to tell if given the chance. One girl in Kurumi’s class is supposed to be part of the magic elite, only to have come short. Others are more happy to just be attending even if they can’t cast spells, eager to pursue their passions whether it’s cooking, music, or fashion. 

Moreover, while the teens have teen troubles, the adults have adult troubles, and the intersection between them creates conflicts about everything from pursuing your dreams to moral quandaries that cut to the heart of their society. One of the most interesting plot points involves the positives and negatives of the magic notebooks that have become ubiquitous. Their widespread adoption encourages magic to be converted to easy-to-use apps that don’t require necessarily understanding fundamentals, mirroring concerns over the way smartphones and tablets have transformed how children grow up with electronics.

But that resemblance to Doremi is exactly why I think Mahonare should’ve had more episodes. It feels like a 52-episode work that was condensed down to 12, and the show suffers for it. Little crumbs of plot development that could have been sprinkled in here and there instead come one after the other. Character bonding moments happen very rapidly as well, as opposed to building up gradually and therefore with more weight. While I understand that the reality of current anime production means very few anime get that privilege, I can still lament the loss of that possibility for Mahonare nevertheless.

This certainly isn’t the first time that a series has received a truncated adaptation, and some even go on to have a more thorough version be made later. I can only hope that The Stories of Girls Who Couldn’t Become Magicians falls into this select category.