Category Archives: ogiue

Girls, are you having trouble coming up with a Halloween costume?

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Might I recommend the “Ogiue” costume.

Ogiue wears plenty of outfits throughout the series, so clothing-wise there shouldn’t be too much trouble. You can go with the classic hoodie from her first appearance, but make sure to wrap your arm in bandages to go with it. Alternately you can go for Ogiue incognito at Comic Festival. Wearing men-sized shirts is also Ogiue-appropriate. And there’s always the Renko cosplay option.

The hair of course is the difficult part and seeing as my hair is not long I can’t give any real tips. Perhaps you could construct a fude out of a spare large paint brush, or create some sort of fude clip to add to your existing hair. If this is too much trouble, don’t forget that Ogiue has other hairstyles, such as the high school hairstyle (perfect in conjunction with incognito Ogi), the junior high style, or even the heavy side bangs from volume 9.

And to top it off, secretly carry some yaoi.

I Love Character Lineart

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There’s the front view and the back view, and then some 3/4 views. Accompanying these shots will usually be facial expressions, different poses, possibly different outfits. Whenever I buy an artbook I look for character lineart and design images, prioritizing them over even full posters. They’re one of the main reasons I bought issues of Newtype and Newtype USA. The odd thing is, I’m not sure exactly why I like them so much.

It could be that I like seeing the creator-side of any sort of production or work. Hell, I’m not afraid to admit that years ago I bought the first volume of Megatokyo just because I was curious what Fred Gallagher had to say about his own stuff. I’m always eager to read interviews by creators, and it’s also the reason I go to their panels at conventions. I try to pick their brains and ask questions to get a better understanding of their process and themselves.

These images are the basis from which everything is animated. They serve as guides for animators to go back to whenever they’re unsure of how a character should look or feel. Character design images are the bridge between still and moving image.

The Ogiue Fan Defense Mechanism

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When I go to a convention or any place with lots of anime merchandise, I hold close to my chest one important policy: Ogiue First.

The immediate reason behind this is to prioritize Ogiue merchandise over everything else, as it should be. The secondary effect of the Ogiue First policy is that it prevents me from going crazy buying merchandise and going way over whatever my intended budget was. In a sense, I am using to my advantage the fact that Ogiue is not a character who gets much merchandise of her.

Ogiue is not only a source of obsession but also a source of self-control.

But I’m still buying that Revoltech Souther when it comes out.

Save the NYAF, BALDIIIIIIOS

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The second New York Anime Festival ran for this past weekend, oddly three months earlier when compared to last year. NYAF is a professionally-run con, and it shows in a number of ways for better and worse.

Perhaps because NYAF is so young as a convention, there were rarely any issues with lines in order to pick up badges. Both this year and last, I arrived on Friday and obtained a badge with minimal wait, though there was a bit of a hassle due to some poor wording on the website in regards to on-site registration. After that, a friend and I wandered around checking out the dealer’s room which comprises the majority of the convention. After buying a shirt from Sub, we decided that there was nothing much left to do at the con Friday and decided to turn our attentions outwards and towards karaoke.

Somewhat sadly, karaoke was probably the highlight of the con, though that might have to do with the fact that this was no ordinary karaoke get-together but an ultra-manly (and occasionally girly) tour de force spanning the history of anime. After I started things off with the Rose of Versailles OP, Sub followed with a powerful rendition of Holy Lonely Light. We then sang songs from Baldios, Gold Lightan, Hokuto no Ken, Zambot 3, Hajime no Ippo, Southern Cross, Macross, Dragon Ball Z, Overman King Gainer, Albegas, Gaogaigar, Pokemon, Pretty Cure, Soul Taker, and others I think I forgot. We ended, fittingly, with the ending theme to Golion, titled “Gonin de Hitotsu” or “Five as One.” In total, two hours were spent there.

Saturday was naturally much busier than Friday, though I found that there wasn’t all that much to do, or at least not much that interested me. After watching the Top o Nerae movie I went to the anime blogging panel curious as to what they had to say. It was overall good advice, though one thing I want to point to any anime bloggers out there, current, future, and potential, is that anime’s history is 1800 40 years old and if there’s nothing in the new seasons you like you can always look backwards. Other than that, there was nothing particularly important, though in skipping out on the Masquerade I found out I missed the chance to hear Tanaka Rie sing on-stage. If only I had hated myself enough to actually go as I had planned. I also bought a sketchbook at the con and decided to put it and my new black copic to use.

Ogimus Prime

An Anime Con Attendee

Taniguchi Goro

Taison Sanders, the Girl with Fried Chicken Wings

GET IT?

The Ultimate Yaoi Bishounen (with Optimus Prime Arms)

Sunday I woke up early to get the ticket for the Tanaka Rie signing but found out 90 minutes early was still not early enough. I attended the Rie panel, and she was a class act, even accepting gifts. Like all voice actor panels, there were the clowns who tried to speak to Rie in Japanese despite not being able to. Word of advice: DON’T DO THIS. You just waste time and make things difficult for the rest of the audience. The panel does not consist of just you and the voice actor. Now that I think about it, this never happens with the non-voice-actor guests. Go to hell, the lot of you.

A friend of mine had a VIP pass and thus a ticket for the Rie signing, but was unable to find the merchandise he wanted signed. I gave him my Gundam SEED pencil board, and when he returned we hesitated as to who should have it, like two women in front of Solomon, or three kids with a Radioactive Man #1. After much difficulty, I handed over the pencil board as he is a far bigger Lacus fan compared to me. If this were Shindou Naomi and a Cagalli pencil board, things would have been different.

I met the Reverse Thieves at their panel, which was meant to be an introduction of obscure anime to fans. Now not everything on their list was super obscure, but one has to remember that the con-going crowd is not that up-to-date with everything. I mean, Hayate no Gotoku was on their list, and rightfully so. They also mentioned Rose of Versailles, which makes them A-OK.

One major problem with NYAF is that it contained many of the undesirable elements that have been excised from other cons. I speak mainly of yaoi paddles, hug me signs, and the kind of behavior that results from them. There are reasons these things have been banned from other cons, chief among them being that they promote idiocy. Now I have nothing against people liking yaoi, or even advertising the fact that they like yaoi or just showing that yes, they are anime fans. But I don’t see that. I see people using anime, yaoi, naruto, whatever, as an excuse to disregard others and act like jackasses. Guys purposely kissing each other to get a reaction from a crowd, people carrying hug me signs, what I am opposed to is not the actions but the real reasons behind those actions, which generally amount to wanting immediate attention.

The supposed “Anonymous” at NYAF were the same, in that they understood the letter but not the spirit of being “Anonymous.” Anonymous does not Caramell Dansen. This goes double for that guy who was walking around in a Guy Fawkes mask playing Never Gonna Give You Up by Rick Astley. When you walk around blasting it and announcing yourself from many feet away, it is NOT a Rickroll. It defeats the purpose OF a Rickroll, which is to be a SURPRISE. You are no more a surprise than a stereotypical asian man lost in the forest tasked with searching for materials useful for survival.

That said, I didn’t think the con was absolutely dominated by this sort of thing. Will I go next year? Well, as with every con I go to (which isn’t many), I’ll have to see who’s there first.

Oh, and the weirdest thing I did at the con was that I stood RIGHT in front of a Cirno cosplayer for a few seconds.

IT IS DONE

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Not pictured but still in my possession are the Genshiken Light Novel, and Kujibiki Unbalance Volume 2 with the Genshiken extra at the end.

Thanks go out to kransom, Asahiya Bookstore in NY, that Book Off in Hon-Atsugi, Kanagawa, and the Electric Town Akihabara.

Ogiue the Moldbreaker

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My fondness for Daidouji Tomoyo predates my obsession with Ogiue by a number of years. At one point, pre-Ogiue, I was talking with someone online, who mentioned that in his opinion Hotaru from Sailor Moon is a “better” Tomoyo. I held nothing against him despite his being completely wrong, but remembering this brief conversation got me to thinking about how many characters I would call variations of Ogiue’s character-type. Ogi-esque, if you will. After much deliberation, it dawned on me that no such other characters exist. Other fujoshi characters bear little resemblance to Ogiue, and are typically much more cheerful. It’s easy to call Ogiue a tsundere, but her tsundere is like nothing else. It’s not even a stronger type of tsundere, like with Kugimiya characters, but it’s a unique flavor full of body and depth that leaves you satisfied.

I think it has to do with Ogiue being a very balanced, well-rounded character. She has this mix of passion and repression that comes out in everything she does. Her simple one-word responses speak volumes as to the kind of person she actually is, particularly because throughout the story she tries her best to hide her true self. And certainly there are characters who often don’t say what they actually think or feel, but this attribute occurs much more frequently on far more aggressive characters.

Or maybe I’m just incredibly biased. Which I am. But I’m still right.

My Friend the Nattou

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Following a Sunday where I delighted myself with a traditional Irish breakfast (blood pudding is delicious), I spent Labor Day with friends at the New Jersey Japanese-based Mall known as Mitsuwa. The last time I was there was over a year ago, and I looked to relive some of that experience, particularly when it came to my dining experience. I knew before I even went that I had to get the Nattou Set, otherwise known as a traditional Japanese breakfast. And just as the idea of a pudding made of blood turns some off, so does the sticky stringy fermented soybean dish known as nattou.

I am well aware of the fact that nattou is easily purchasable in New York City, but I tend to not buy it these days as a courtesy to others. I owe a lot to nattou, as it was the key food in keeping me healthy and keeping my wallet fat while I studied in Japan. It is perhaps as important to my time in Japan as my bicycle and Ogiue (Ogiue riding a bike while eating nattou?) The traditional nattou-based breakfast is a combination of rice, nattou, and raw egg. Each bite was a combination of satisfaction, strong-yet-pleasant flavor, and nostalgia.

It is delicious, if you’re me. A friend of mine who accompanied me to Mitsuwa knew of my affinity for nattou, and so he decided to try it for the first time. One whiff and he decided to hand it over to me. I was happy to oblige.

As an aside, I thought of purchasing some manga or something while I was there, and I had my eye on a volume of the original Japanese Kino’s Journey light novel. I then realized that, having seen the anime, I already knew much of the story and decided to hold off on it, at least for now. Oh, but Volume 7 of La Sommeliere is out. I’m only up to volume 3, so I can’t jump the gun just yet. Sadly I couldn’t find Patrick Macias’ “Otaku in USA,” though I’m sure Kinokuniya or something has it. No worries there.

801-chan Eliminated: Behold My Might, For I Have None Who Can Oppose Me

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There are reports that Kyoto Animation has dropped Tonari no 801-chan but no one is really sure why.

No one, except for me.

I told you that I wouldn’t let any lesser fujoshi usurp her throne, and now you see my power. I hope, as you read your latest volume of Nodame Cantabile, that you are trembling, knowing that Ogiue Maniax is not just a name, but a power source capable of destroying anime in their infancy with but a single gesture.

(In all seriousness, I’m kind of sad this happened. I was looking forward to what KyoAni could have been accomplished.)

(Maybe they’ll go the Xam’d PS3 downloadables route.)

One of the few gripes I have with Genshiken

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In the earlier volumes of Genshiken, there would always be writings by the various members of Genshiken pertaining to particular topics, and always under a psuedonym. They were always a fun window into each character, and early on it was interesting figuring who exactly was who.

Ogiue never had a chance to write.

By the time Ogiue comes around, even Ohno at first is contributing here and there, but in the later volumes it turns into Madarame and Sasahara discussing things like Kujibiki Unbalance preliminary character sketches.

Maybe it’s because Ogiue is more a story-oriented writer, or even that because we the readers are so privvy to her innermost thoughts that it becomes somewhat unnecessary, but the writings were never really “innermost thoughts,” much like how this blog isn’t in the strictest sense.

I mean, I can’t be the only one who’d like to know which Kujibiki Unbalance fighting game character Ogiue prefers, right?

Kyoto Animation to do 801-chan, Hiyorin and Konata cameos deemed inevitable

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When I first heard that Tonari no 801-chan was getting an anime, I was interested in seeing how they would adapt it to a full show. I figured that it would be something fairly low-budget and a decent show, but with the news that they of Haruhi and Lucky Star, those lords of chaos known as KyoAni, are going to be animating the show, well that changes things. 801-chan now has the potential to not only be a show that everyone’s talking about, but the show everyone’s talking about. I for one welcome new shows centered around the concept of the fujoshi.

One problem.

With KyoAni being the engine behind 801-chan, there’s a chance that Yaoi-chan will be the most popular fujoshi around.

And I cannot allow that to happen.