The Causes and Effects of Closely-Released English Manga?

While looking in the bookstore the other day, I saw that the English version of Mousou Shoujo Otakukei (otherwise known in the US as “Fujoshi Rumi”) had its second volume out.

Then I noticed that the Japanese release of Mousou Shoujo Otaku-kei is only up to Volume 3, though obviously the story has progressed further at this point in the actual Comic High.

I wonder then, just how often is this happening nowadays? How often is the English release of a manga only 1-2 volumes off from the Japanese release? It seems like a really weird position to be in, though in many ways beneficial.

This also brings up another question: How many manga these days are being licensed within only 1-2 years of the original Japanese release? Doesn’t it seem a little too soon? Not to knock Mousou Shoujo, but it never seemed like the HOTTEST NEW THING straight from Japan, though I have to admit that it’s gotten better.

This also makes me wonder if part of the reason manga does well where anime DVDs don’t is that, in some cases, the releases aren’t that far off so people don’t miss out on too much?

Actually, it’s probably because you can immediately look at a manga in the store to gauge whether or not it’s worth buying on a per volume basis, while DVDs have no such luxury, as even netflix has to be an active decision rather than just “browsing for anime.”

Mousou Shoujo Getting Too Expensive Kei

First off, importing manga in Japanese is really starting to lose its price advantage over buying translated manga. At this point, I’d really only be doing it to keep my Japanese up.

Mousou Shoujo Otaku Kei. Volume 1. It’s basically one of many in a sea of otaku-themed narratives following the success of Densha Otoko, so let’s see how it stacks up.

It’s the tale of a fujoshi, the boy who likes her, and the guy she wants to pair said boy with. The story focuses mainly on the aforementiond fujoshi, Asai Rumi, and it’s basically a harmless high school romance comedy with a few racy scenes because it’s running in an otaku-oriented magazine.

Asai is no Ogiue, but then really, who is? It’d basically be unfair of me to compare the sheer depth of Ogiue through 6 volumes of manga versus just this one for Asai, so I’ll just say that Asai is a delightful fujoshi character and that it has its funny moments, though perhaps her fujocity is overblown.

Yes, I am coining the term “fujocity.”

Also the term “Asai Fujosault.”