My Modern Take on the Tezuka Star System

Tezuka Osamu, the “God of Manga,” is famous for many innovations in comics and basically influencing the entirety of the manga industry we see today. His techniques for cinematic paneling, use of comics to tell long and drawn-out stories, as well as breadth and depth of topics basically helped define manga as we know it. Even the comics that tried to reject Tezuka’s methods were still a reaction to Tezuka’s work.

One technique Tezuka introduced is something referred to as Tezuka’s “Star System.” Tezuka grew up in Takarazuka, home of the Takarazuka Revue theatre where an all-female cast would give stage performances. Much like actors in a play, Tezuka’s characters would assume different-yet-similar roles across the manga he created, like Orson Welles playing Kane in Citizen Kane, Harry Lime in the Third Man, and Unicron in Transformers. However, the “Star System” concept never really caught on among anime and manga creators and remains something generally unique to Tezuka. “Generally,” I say, because I can think of at least one relatively recent example of the Star System in use.

My-HiME came out in Japan in 2004 sporting an almost all-female cast and telling a story of love and betrayal and summoning a mechanical dog to shoot ice shard bullets. Around the time it ended, there was news that a sequel was starting up, and that it would star a new main character instead of the titular Mai, pictured on the left. Instead, the protagonist would be the girl on the right, Arika, and to emphasize this point the last scene of the last episode of My-HiME shows Arika, like a hint of things to come. What people did not expect, however, was that the “sequel” to My-HiME was anything but a direct continuation of the story. Released as My-Otome (also sometimes spelled My-ZHiME), Arika’s story took place on what seemed to be alternate Earth completely different from My-HiME. Arika’s world had a sort of techno-medieval vibe, and in the story male characters were de-emphasized to an even greater extent compared to the previous series. The most interesting thing though, is that the characters of My-HiME were re-cast as new characters, similar yet different, without any explicit acknowledgement of who they were previously, not unlike actors in a new television series. Here in anime, Tezuka’s Star System manifests itself.

My-HiME’s Kuga Natsuki on the left, My-Otome’s Natsuki Kruger on the right

Anybody who sees the My series is sure to acknowledge that the show is designed to sell to a certain audience and to push figures and posters and all sorts of goodies on the demographic of guys who think anime girls are hot. Fanservice is not a stranger to My-HiME, and the re-using of characters from My-HiME in roles for My-Otome may seem like just an attempt to draw in the same audience who fell for the girls the first time. However, when you think of the characters a little less like actors and a little more like actor-idols, and incorporate the concept of (pop) idol worship, then the My-HiME Star System really shows itself as a modern, 2000s adaptation of Tezuka’s technique.

Incidentally, stars (the literal kind) are a common motif across the My series. It is the source of power for characters in My-HiME, and My-Otome was originally going to be titled “My ☆Maid” (pronounced My Star Maid). Whether this was a conscious reference or not, though, I can’t really say.

Fighting Lena Sayers is Like Fighting Five Anime Characters at Once: My-Otome 0 ~S.ifr~ OVA 3


Yes, she’s still Lena Sayers of course, and this time packing the Blue Sky Sapphire.


But she’s also Sänger Zonvolt.


And Hurricane Polymar.


And Asuka Eiji (Pilot of the SPT Layzner)


And even Kinnikuman!

And I haven’t even shown you all of the fighting that goes on in this episode.

Yes, Plot Stuff happens in the 3rd OVA of My-Otome 0 ~S.ifr~, aka the Lena Sayers Power Hour, and it’s all well and good, but the entire episode is just one continuous fight scene after another. If it’s not Lena fighting robots, it’s someone else fighting robots. If it’s not ships exploding it’s meteors getting rocked. In that regard, the episode really delivers, and just like the previous two OVAs you can really tell that a lot of care was put into it, especially in regards to lovingly rendered nipples and split kicks. Hey, that’s Otome for you. Probably the most significant thing that you find out in the third episode is that Lena is perhaps a little too powerful for her own good, and also that Shiro is further HEAVILY IMPLIED to be Lena’s future husband and father of her child. And who can blame him? If Lena Sayers is even remotely smitten with you, you GRAB THAT OPPORTUNITY AND NEVER LET GO.

Overall, it’s been a fun OVA series and everything I expected from a HiME series at this point, except the ending is incredibly open-ended… only it isn’t because I already know Lena Sayers’ ultimate fate. For some, cute girls fighting is not enough to carry a show, for others that’s all they really want or need. In the end, My-Otome 0 ~S.ifr~ is very well-executed Girls Fighting, and I mean it. You won’t see too many better sci-fi/fantasy mega fights. Take out of that what you will.

That Which Causes Me to Not Like Something, Part 1

The vast majority of the time here on Ogiue Maniax, I talk about the shows I like or at the very least the shows which I think have merit in discussion. I prefer to be open-minded about shows of all kinds, though there are some genres I’ll get into less than others for a variety of reasons (boys’ love, for example). Still, as much as I want to say that every anime or manga has its day in the sun, there’s some criteria in which I will have to declare a show less-than-good, and not in a so-bad-it’s-good kind of way. Here is one of them.

When a show fails to reach my already low expectations, I will think less of it. Link, upon reading one of my reviews for My-Otome/My-ZHiME, informed that from what he’d heard, the My series was nothing but pure trash. My response was that I was fully aware of this, but it did not impact my enjoyment of the show. I expected nothing deep, and that’s what I got, as well as an excellent characters in a sort-of-okay story. Now, Tokyo Underground is a different story.

With Tokyo Underground, I looked at the show presented to me, one that was essentially “fighters with elemental powers hitting each other.” “Okay,” I thought, this is about as run-of-the-mill as you could get, so it shouldn’t disappoint. All you need is characters throwing lightning and fire at each other and maybe some training montages and the occasional powering up and development of new abilities. I got none of that. Instead, over the course of 26 episodes, only two new abilities for the main character were developed, with one of them simply being an enhanced version of his default special move. Whereas Dragon Ball Z had the courtesy of giving us the logic of “powering up makes you stronger,” fights in Tokyo Underground consisted of using the same attack over and over with no tangible change from one attempt to the next. 

I heard the manga is better though. Maybe I’ll check it out some time.

To summarize, when a show cannot even reach the level of “cliche,” then there’s a problem.

Lena Sayers, Lena Sayers, Lena Sayers: My-Otome 0 ~S.ifr~ OVA 2


Sifr Fran, future mother of Nina Wáng, is still kidnapped. Lena, future mother of Arika Yumemiya, is iinjured in the last battle with Miyu-9, has been picked up by an unassuming researcher named Shirou. Her Otome gem has been shattered leaving her powerless, and much of the episode focuses on Lena and Shirou getting to know each other, though it all starts off with exactly the kind of misunderstanding one would expect out of the Otome series. Meanwhile, we’re treated to the appearance of a young Maria Graceburt, and the original Miyu who apparently has been around for a very long time.

Oh yeah, and Shirou is totally Not Arika’s Future Dad. You know, despite looking like her, having similar overall personalities, and becoming enamored with Lena very shortly after meeting her.

Totally.

Hot women, fun characters, good fight scenes, implied lesbianism, the second OVA prequel of My-Otome has pretty much everything the Otome series is known for, only because it focuses on Otome character designer Hisayuki Hirokazu’s beloved mascot Lena Sayers, the entire production just screams effort.

Because we know Lena’s inevitable fate, S.ifr really isn’t about watching what happens. It’s about being in the moment, and that moment consists of enjoying and savoring every moment Lena Sayers is on-screen. I won’t deny that much of the appeal of this OVA is Lena Sayers, and not in completely noble ways. She is hot, downright hot, hot in that she’s a mix of caring woman, powerful fighter, confident yet kind (see also: Vega from Dendoh), and hot because Hisayuki has put so much love and attention into the character that this could have only been the possible end result.

Lena Sayers Love Fest: My-Otome 0 ~S.ifr~ OVA 1

It is no small secret that the character designer of the HiME series, Hisayuki Hirokazu, loves loves loves the character of Lena Sayers. She is like his personal mascot, equivalent to how the creator of Shaman King feels about Kyouyama Anna.

So watching S.ifr OVA 1 and seeing just how much detail and emphasis has been put on making her as awesome as possible leads me to believe that he’s having a lot of influence on this particular series.

My-Otome 0 ~S.ifr~ is a prequel to My-Otome detailing the adventures of Lena Sayers Yumemiya, mother of Otome heroine Arika. There’s a few surprises, mainly that Lena is using an activation gem completely different from the one we’re familiar with. We also get to see the previous owner of the gem that Sara Gallagher uses in Otome proper. The animation is quite good, the character designs are strong and sexy, and it’s pretty much everything you’d expect from the HiME series at this point, only with tons of Lena love being poured in.

The other adjective I would use to describe it is “Boobariffic.” Lena has quite a pair of assistants, and it’s easy to see why Arika herself developed so much between Otome and Otome Zwei.

Genetics.