Truly Something for Everyone: Splatoon 3

In Splatoon, ink is everything. It’s how you take down opponents, it’s how you advance and retreat, it’s how you control space, it’s how you assist allies, and it’s how you win. This core mechanic is so smart, creative, and well-executed that it basically provides a solid foundation for every game entry. Unless the creators actively screw things up, it’s hard to mess with such a successful formula. However, while a bit of a spitshine would produce a decent enough sequel, Splatoon 3 has gone above and beyond to take the lessons from its predecessors and create a more fun and more refined experience.

The bread and butter of Splatoon is its multiplayer, where teams of four compete. While the basic gameplay remains fundamentally the same, and I’m nowhere good enough to notice subtle differences in weapon ranges and the like, it’s very clear that the developers put a lot of thought into improving things. For the more competitive sort, ranked battles now have two types of games available so you can play the ones you enjoy more. For everyone in general, the new generation of super weapons builds on an important development that’s happened over the course of many games. The original Splatoon was famous for having invincible supers with such great power that games revolved around them. Splatoon 2 dialed this back a bit, and now Splatoon 3 puts an even greater emphasis on interactivity and counterplay.

But not everyone is into competing against other players, of course. Fortunately, Splatoon 3 provides alternatives. The first is the return of Salmon Run, a multiplayer co-op experience against waves of computer-controlled enemies. The second is the best story mode thus far, delivering in every way that matters. Like previous games, the singleplayer story mode works as a nice introduction to the games’ mechanics, but the actual plot itself is actually filled with thrilling surprises that provides great fodder for long-time fans without alienating newer players.

Speaking of avoiding crushing beginners, while it’s clear that the Octo Expansion was a major influence on how this turned out, fortunately it’s not as harsh as that Splatoon 2 DLC. I still get chills thinking about the Octo Expansion’s hidden final boss, Inner Agent 3, and I expect an eventual Splatoon 3 DLC to be similarly expert-focused.

I do have a couple complaints about the game. One is that the initial tutorial basically requires players to use the motion controls. While I prefer that method of control myself, I know people who just cannot get accustomed to that setup. Between that and requiring a shooter-type weapon (technically also my preference) to get through most of the singleplayer, and I think that perhaps not enough has been done to help those who don’t prefer the default style of Splatoon but still want to enjoy it. Another is that many of the maps in online play feel a little cramped, and as someone whose preferred weapon (the N-Zap) thrives on mobility, I find myself feeling at times like there’s no escape. I think I can probably adjust to that, though.

Overall, Nintendo has really hit it out of the park with Splatoon 3. It’s basically everything I was hoping for, even as I’m still trying to get used to all the changes. This one’s a winner.

Splatsville Spirit: What If Splatoon 3 Features Cantonese Pop?

Splatoon 3 was recently announced for 2022, and one question I have about the new sequel is: who will be the new musical mascots, and what will their style of music be? I have a hope/prediction: I believe that Splatoon 3 should have a sound that incorporates Cantonese pop.

One of the big changes compared to the previous games is the shift away from sleek urban environments and towards what seems to be a more post-apocalyptic one. This can even be seen in the central hubs of all three games. Splatoon’s Inkopolis Plaza is based on the trendy Shibuya area in Tokyo, Splatoon 2’s Inkopolis Square is Times Square in New York City, and now Splatoon 3’s Inksville greatly resembles Hong Kong, particularly the Mong Kok area of Kowloon—the busiest urban center in the world. Given the current controversies going on in the area, I’m actually kind of surprised they went this angle, but the densely packed and awkwardly placed buildings have evoked dystopia in the imaginations of many. It acted as the basis for Ghost in the Shell’s setting, plays a central role in G Gundam, and in terms of the cultural legacy, the lawless nature of the Kowloon Walled City is rather infamous.

A model of Kowloon Walled City located at its former site

The musical mascots of the first two games reflect their urban spaces. The Squid Sisters are patterned after Japanese idols. Off the Hook is a rapper-DJ combo, and NYC is the birthplace of hip hop. Therefore, if Splatoon 3 were to have characters to represent that Kowloon-like setting, few things would fit better than a squid-and-octopus-garbled take on Cantopop. While its star has waned in recent years, Cantopop was once the premier form of Chinese popular music throughout Asia, and Hong Kong was the center of it. And if they wanted to capture both the retro and futuristic aspects of Hong Kong through Splatsville, perhaps they could even take from different eras of the genre.

One potential problem with this approach is that a lot of classic and modern Cantopop songs don’t exactly “feel” like Splatoon, as the genre is primarily known for its love ballads that wouldn’t quite fit the high-pace gameplay. Still, I think there are examples of high-tempo songs that could be inspiration for a soundtrack that captures the spirit of Cantopop and the Kowloon setting without necessarily feeling dated.

“Ji Guang Zhong” by Roman Tam

“Journey to the West” by Dicky Cheung

“Miss Similar” by G.E.M.

Is it a bit of a long-shot to expect Cantonese pop in Splatoon 3? Maybe. I also wouldn’t expect the composers to wholly abandon the sound it’s known for, as the music is one of the best parts of the series. Even so, I think it’d be more than possible to draw influence from one of Asia’s most popular genres of the last 50 years and make something that comes across as unmistakably Splatoon-esque. Most importantly, it would perfectly complement the Mong Kok, Kowloon visual aesthetic that Splatoon 3 is going for.