Tag Archives: yofukashi no uta

Going Unsteady: Call of the Night Full Review

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Back in 2019, manga artist Kotoyama was just coming off of his snack-themed comedy series, Dagashi Kashi. So when a new series of his launched, I wondered what it would be like. Would it also be a kind of silly comedy fueled by character interactions related to a specific gimmick and a dash of romance? Or would it be something more standard for a shounen manga, with superpowers and greater drama?

The answer turned out to be “Yes, and also yes.”

Call of the Night (Yofukashi no Uta in Japanese) is the story of Yamori Ko, a boy who has stopped going to middle school and is suffering from insomnia. One night, he decides to leave his apartment to see what his town is like around in the late hours. There, he encounters an eccentric girl named Nanakusa Nazuna, who seems older than she looks, and offers to help him sleep. Ko agrees to try out her services, but soon discovers that she’s actually a vampire. Rather than being scared for his life, however, he gets an idea: If life right now sucks, why not become a vampire? The only problem: In order to turn, one must fall in love with the vampire first, and Ko has no idea what love is supposed to feel like.

Unlike the eight-volume Dagashi Kashi, which is largely short and episodic vignettes, Call of the Night has a serial narrative over a whopping 20 volumes. The relationship between Ko and Nazuna somewhat resembles the dynamic between Kokonotsu and Hotaru in Dagashi Kashi, but it’s really its own thing—a dynamic geared towards momentum and development, rather than stasis.

While Call of the Night initially feels it can go on forever at a pace reminiscent of another favorite series in Mysterious Girlfriend X, it then proceeds to break its own “rules” time and again. As it adds interesting twists and wrinkles to its story, the manga achieves a nice balance between genres and the emotions it invokes. Because the series keeps adding ingredients and formulating new recipes in itself, I find it to be a very Shounen Sunday manga. This is historically the magazine of Touch!, Inuyasha, Detective Conan, etc., and Call of the Night feels like it exists in the space between these and other iconic Sunday series. 

The everyday hijinks make way for a genuine friendship, and the answer to whether it will turn into romantic love always feels like it’s right around the corner yet also somehow far in the distance. And as the story progresses, the cast of characters expands and details about how vampires like (and unlike) Nazuna move through human society help to expand the world and create new stakes. There are even some supernatural brawls straight out of a battle manga. And through all these events, Call of the Night still manages to feel grounded and low-key, and also still tapped into that initial malaise that plagues Ko. 

Silly yet serious, simple yet full of intriguing little complexities—Call of the Night is worth a read. I think it has something even for those who aren’t fans of vampires and the supernatural. It’s ultimately the story of a boy and a girl who come from very different circumstances who find common ground in the late evening hours, and the world that unfolds before them.

PS: It really is awesome that the anime version got the ending theme to be its namesake, “Yofukashi no Uta” by Creepy Nuts.

Nazuna Insomniax: Call of the Night

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Kotoyama’s Dagashi Kashi is one of my favorite manga of the past ten years. So, when I saw a couple years ago that they started another manga, I jumped at the chance to give my early impressions of their new title: Yofukashi no Uta. Since then, I kept reading in Japanese while doubtful that it would get licensed in English, but that’s exactly what happened! 

Released by VIZ, Call of the Night (as it’s now called) is a laid-back yet moody story that’s subtly charming while defying expectations.  The story revolves around Japanese boy named Yamori Kou, who wanders his town at night due to a general feeling of dissatisfaction, and Nanakusa Nazuna, an immortal vampire girl who’s not big on creating undead progeny and would rather have fun her own way. Kou decides that he wants to become a vampire, but it’s not just a matter of having his blood sucked—he also has to fall in love with Nazuna for it to work. Thus, in order to fulfill his goal, Kou must learn to understand his own feelings and to find what it would take for love to enter his heart.  

Not Just a Vampire Story

I think it’d be all too easy, and even unfair, to write off Call of the Night as just another vampire story. Personally, I’m not a big fan of the genre, but I think the way Kotoyama approaches the concept and builds his story to include it gives more than enough for those who just want an interesting manga regardless of its supernatural trappings. In addition to the basic vampire-oriented jokes (Kou’s blood is apparently super delicious), it’s just a really clever and poignant character study that touches on the balance of joy and malaise, as well as the burden of social expectations. One defining contrast between Kou and Nazuna is that the former is comfortable talking about romance but blushes at anything remotely dirty, while the latter is the exact opposite. Anytime a conversation veers towards sex, Kou quickly tries to change the subject, while Nazuna can’t stand thinking about love. 

That’s the foundation for a lot of the humor in the story, but there are other amusing moments as well. For example, the topic of cell phones comes up, and Nazuna replies that she has one already. However, Nazuna’s phone turns out to be one of those gigantic Zack Morris-style portable bricks, hinting that she’s at least a couple decades older than Kou despite her appearance. The presence of “outdated” items like the cell phone and even wristwatch walkie-talkies lend a certain nostalgic atmosphere to the series in general, somewhat like how dagashi plays a role as old-fashioned candy in Dagashi Kashi.

Future Volumes

I’ve read past the first volume that’s currently out in English, but without spoiling too much, there are later developments that add some interesting wrinkles. The addition of new characters familiar with Nazuna expands her world and her identity more, such that her story gets fleshed out to a greater degree. She already isn’t quite your typical vampire, but the story goes on to further emphasize that. 

While I have some of the books in Japanese, I plan on getting all of them in English going forward. Kotoyama makes some fine manga, and I hope that they find success outside of Japan as well.

I Found Out the Dagashi Kashi Author [Might Be] a Woman Thanks to My Favorite Virtual Youtuber

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CORRECTIONS: Thanks to a comment, I learned that “mom” and “dad” is a term describing the character designer of a Virtual Youtuber, which made me realize that the designation in the description isn’t necessarily the other person who shows up in the video. A further look at the video descriptions shows that the woman teaching Sugomori to draw comes from the manga school Manga Kyoushitsu Minato Mirai. I’ve edited the post because the possibility is still there, but have removed the incorrect information.

I’m not terribly into the whole virtual youtuber thing, but I do have my favorites. Recently, my #1 is Sugomori, a manga reviewer who covers everything from popular titles to more obscure ones.

She’s not one of the major ones right now, but I appreciate her focus on manga over games. Some of her videos (like the one above) have been subtitled into English, so you can enjoy them even if you don’t know Japanese.

However, I’m not just here to recommend a Youtube channel. I also want to point out the connection between Sugomori and Kotoyama, author of Dagashi Kashi and Yofukashi no Uta.

Sugomori’s character design is actually by Kotoyama, as she explains in her introductory video. That’s a pretty huge get for a Virtual Youtuber, I’d think. But also, Sugomori calls Kotoyama “mom” (okaa-sama) in her descriptions.

I don’t know if Sugomori is actually Kotoyama’s daughter, or if it’s just a joke or something [Turns out it’s a joke]. Whatever the case, I was surprised at the possibility that Kotoyama might be a woman! It would be cool if that turns out to be the case.

In conclusion, watch Sugomori, read Kotoyama. Enrich yourself.

Bite Me: Yofukashi no Uta Initial Impressions

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Kotoyama, the author of Japanese snack-themed manga Dagashi Kashi has a new manga: Yofukashi no Uta (“Song of Staying Up Late”), named after a song by the band Creepy Nuts. Eschewing a specific focus on a product or gimmick this time, Yofukashi no Uta maintains a similarly entertaining and humorous format of back-and-forth banter, a mysterious girl who seems out of this world, and a boy who feels stuck in place.

Yamori Kou has been having trouble sleeping lately, as if he’s missing something. His malaise causes him to inadvertently push friends away, and he wanders around at night aimlessly. He meets a girl, Nanakusa Nazuna, who seems to enjoy the evening hours with a cheerful and gregarious attitude, but who turns out to be a vampire. Nazuna gets a taste of Kou’s blood, which turns out to be unusually delicious, and after some conversation, Kou decides he wants to be a vampire himself. However, in order to be turned, he must fall in love with her.

The basic dynamic between Kou and Nazuna is that Kou is okay talking about romance but gets easily embarrassed when discussing raunchier topics, whereas Nazuna is the opposite. Their contrast is fairly similar Kokonotsu’s and Hotaru’s from Dagashi Kashi, but without the focal point provided by candy as a consistent topic. I admit that I do miss the dagashi talk, but I also understand that that can’t just retread old ground. And the way Kotoyama writes character interactions is still charming, so it’s in good hands.

One big difference between Yofukashi no Uta and Dagashi Kashi is chapter length. Whereas the latter tended to be only about eight pages or so, the former is more standard shounen manga size. It gives the manga more room to breathe, and I’m curious to see how Kotoyama does over time with more space.

I’m going to try and keep up with the series however I can. With Volume 1 on sale in Japan November 18 (along with a Dagashi Kashi collection of artwork), it’ll be a great opportunity.