Chala Head Chala vs. Rock the Dragon and the “Image” of Dragon Ball Z

In a recent blog article, I wrote about how the character of Vegeta in Dragon Ball Z is portrayed differently in Japanese and English, and how this has resulted in something of a divide among fans. The article was a surprising success, quickly becoming one of my most popular posts in recent memory, and the numerous responses I received (especially on Twitter) prompted me to think more about how Dragon Ball Z (and the Dragon Ball franchise in general) is perceived differently depending on how a person came across it.

Is Dragon Ball a gruff fighting series, or a heartful adventure? How big a role should comedy play before it goes too far? Many factors go into how the series is viewed, including whether or not someone started with adult or kid Goku, but I came to realize another influence: theme songs. On some level, I believe that the core difference between how Dragon Ball can be summed up in the contrast between “Rock the Dragon” and “Chala Head Chala.”

Before I delve more deeply, I do want to say that, while I prefer “Chala Head Chala,” my taste in music is not important here. Nor is the fact that “Chala Head Chala” came first. Tthe anime is based on the manga, which has no actual sound at all, let alone opening and ending themes. “Being the original” is not a sound argument to make. What I will be focusing on is mainly, how do each of those themes make its viewers feel?

“Chala Head Chala” feels fairly light-hearted, with quite a few odd lyrics (“If I discover a dinosaur in ice, I want to balance it on top of a ball” ???), yet there’s also a quiet sense of gravitas thanks to Kageyama Hironobu’s warbling voice. While the theme does suggest action and excitement, it emphasizes more a sense of “adventure” and “discovery,” though perhaps not to the same extent as the Dragon Ball opening, “Makafushigi Adventure.” Most of the visual imagery in the opening is concentrated on movement—flying and running. Motion is the key.

“Rock the Dragon” is all about heavy use of electric guitar riffs. The song puts all of its emphasis on high-octane thrills, and the the lyrics (as repetitive as they are) further push to the forefront the idea that this is not just a series with action, it’s the action series. Instead of the first image being a rotating dragon ball, it’s the dragon itself in all of its majesty and glory. All of the footage aside from that is fighting, fighting, and more fighting.

If I had to greatly simplify, I’d say that “Rock the Dragon” is more about “body and spirit,” and “Chala Head Chala” is more about “heart and soul.” They both introduce the same overall series, about Goku and his allies taking on ever-increasingly powerful threats to the Earth, but one revels in the fighting and the other suggests fighting as a means of expressing character. Because of this difference, I think it cements different core images of Dragon Ball in people’s minds, and this affects how subsequent works (Battle of Gods, Dragon Ball Super) are received as well. Looking ahead, the opening of Dragon Ball Super, “Limit Break x Survivor,” is actually a kind of middle point between “Chala Head Chala” and “Rock the Dragon” with a dash of “Makafushigi Adventure.” Could it be the theme that unites Dragon Ball dub and sub fans once and for all?

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One thought on “Chala Head Chala vs. Rock the Dragon and the “Image” of Dragon Ball Z

  1. Well, even before Super, I would say that the second Japanese DBZ opening, “We Gotta Power” was also somewhere in between.

    Is “Rock the Dragon” actually prominent enough to directly shape many people’s perception of the series? I mean, I’ve always assumed that the majority of American DBZ fans started watching when the show was on Toonami, which cut off the opening anyway.

    Like

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