Author Archives: sdshamshel

See 50 of Your Favorite Manga Artists Take on the History of Japan

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Weekly Manga History of Japan is a magazine that launched in 2009, giving full-color comics of famous figures in Japanese history, from Kamui to MacArthur. This October, they’re set to continue the series with NEW Weekly Manga History of Japan, and when you see the list of manga artists they have doing each story, you might just flip. Though the list isn’t totally complete yet, see if you can spot your favorites!

The series begins on October 12th.

01. “Yamatotakeru” by Watsuki Nobuhiro (Rurouni Kenshin)

02. “Emperor Nintoku” by Akana Shuu (Yuugo the Negotiator)

03. “Soga no Umako” by Tateo Retsu (Full Metal Panic!)

04. “Princess Nukata” by Ninomiya Tomoko (Nodame Cantabile)

05. “Gyouki” by ???

06. “Abe no Nakamaro” by Syubuka Masamune (Neriyakanaya)

07. “Sakanoue no Tamuramaro” by Sasameyuki Jun (ZZ)

08. “Ono no Kamachi” by ???

09. “Taira no Masakado” by ???

10. “Abe no Seimei” by Sarachi Yomi (Steins’ Gate)

11. “Minamoto no Yoshinaka” by Shimotsuki Kairi (Sengoku Basara)

12. “Houjou Masako” by Shihira Tatsuya (13Club)

13. “Unkei & Kaikei” by ???

14. “Shinran” by Yoshida Satoshi (Shounan Bakusouzoku)

15. “Kusunoki Masashige” by Minamoto Yuu (Asu no Yoichi!)

16. “Yoshida Kenkou” by ???

17. “Kan’ami Kiyotsugu & Zeami Motokiyo” by ???

18. “Ikkyuu Soujun” by ???

19. “Saitou Dousan” by ???

20. “Uesugi Kenshin” by Yamada Koutarou (Fire Emblem: Champion’s Sword)

21. “Hattori Hanzou” by ???

22. “Sen no Rikyuu” by ???

23. “Hosokawa Garasha” by Amano Sakuya (Princess Arakami)

24. “Date Masamune” by Shimizu Eiichi & Shimoguchi Tomuhiro (Linebarrels of Iron)

25. “Kuroda Kanbei” by Ikegami Ryouichi (Sanctuary, Crying Freeman)

26. “Sanada Yukimura” by ???

27. “Izumo no Okuni” by Kakinouchi Narumi (Vampire Princess Miyu, Animation Director for Megazone 23)

28. “Yagyuu Munenori” by ???

29. “Kasuga no Tsubone” by ???

30. “Amakusa Shirou” by Kusaba Michiteru (Fantasista)

31. “Matsuo Bashou” by ???

32. “Kinokuniya Bunzaemon” by ???

33. “Tokugawa Yoshimune” by ???

34. “Hiraga Gennai” by ???

35. “Raiden Tameemon” by Arakawa Hiromu (Fullmetal Alchemist)

36. “Kumazawa Banzan” by Hosono Fujihiko (Crusher Joe, Gallery Fake)

37. “Takasugi Shinsaku” by Takahashi Tsutomu (Jiraishin, SIDOOH)

38. “Kondou Isami” by ???

39. “Byakkotai” by ???

40. “Atsuhime” by Ikeda Riyoko (Rose of Versailles, Oniisama e…)

41. “Tokugawa Yoshinobu” by ???

42. “Ookubo Toshimichi” by ???

43. “Natsume Souseki” by Sugimoto Ikura (Variante)

44. “Nogi Maresuke” by ???

45. “Tsuda Umeko” by Mikimoto Haruhiko (Mobile Suit Gundam: École du Ciel, character designer of Macross, Gunbuster)

46. “Shibusawa Eiichi” by ???

47. “Minakata Kumagusu” by ???

48. “Takahashi Korekiyo” by ???

49. “Yamamoto Isoroku” by Ark-Performance (Blue Steel Arpeggio)

50. “Shirasu Jirou” by Oh Great! (Tenjou Tenge, Air Gear)

You can see sample illustrations here.

Why Are They Making Ash Ketchum’s Eyes So Huge? I’ll Tell You!

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In anticipation of the latest Pokemon Black & White games, the anime of Pokemon is undergoing a revamp, and with this newest iteration comes a great amount of aesthetic change for a series which has up to this point remained fairly static in that regard (or at the very least has experienced change so gradual as to be unnoticeable). Many long-time characters are undergoing design changes, but perhaps the most prominent is that of main character Satoshi, possibly better known as Ash Ketchum, whose irises appear to have doubled in size.

Around the internet, people have been wondering what could possibly be the catalyst for this change. The truth lies with the character designer for the Pokemon games, Sugimori Ken.

Sugimori was the original Pokemon artist, drawing up all 151 of the originals as well as all of the character artwork. Even now he remains in that position, with his works being the official depictions of all humans and Pokemon in the franchise. Essentially, this means that Sugimori has been drawing for Pokemon for 15 years now, and his artistic sense and style have grown accordingly. Whereas the designs for the anime originally drew inspiration largely from Sugimori’s original designs for the first generation of Pokemon games and have remained fairly constant since, Sugimori’s own artwork has gone through a one and a half decade process of refinement.

Left: 1995-1998, Right: 2010

When you look at the anime’s new character designs, you can see that they are simply re-aligning themselves with Sugimori’s work.

So in a way, the artwork for the Pokemon anime is pretty much ending up where it should be.

Better Go Get Some 3G Coverage

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The Passing: Satoshi Kon

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Satoshi Kon, dead at age 47, will always be remembered for creating great animated films.

In writing this post, I am aware that I am nowhere near the biggest Kon fan. I’ve only seen a handful of his total output, owning none of it on physical media or in digital format, but I know that of the films I have seen, all have had a profound effect on me. To this day, I distinctly remember that scene in Millennium Actress where the titular character is moving gracefully between still paintings, stepping out of one and taking up her pose in the next. It’s visually creative in a way rarely seen in anime, even with someone like Miyazaki, who usually goes a much more orthodox route when it comes to representation of events. It’s the kind of thing that gets burned into your memories, and you’re all the better for it.

When I say that the man will be remembered for creating great animated films, you might be wondering, by whom? And the answer is nearly everyone. Not just film buffs, not just the casual movie-going audience, and especially not just anime fans who themselves come in all varieties, but just about anyone who’s had the opportunity to see one of his films. Satoshi Kon’s recurring themes of psychology, memories, and dreams have the potential to be incredibly heavy and complex to the point of driving people away, but instead Kon managed to create incredibly accessible works which get their audiences to think. Not every film is for every person, but there’s inevitably one you can show to your friends or your family and have a nice discussion afterward. You want to know how to mature your tastes as an anime fan in a short amount of time? Watch a Kon film, and see where your mind takes you.

I’ve seen around the internet that people are worried about the fate of anime and the creativity therein after all of this. To this I say, losing Satoshi Kon, especially at such a young age, is a serious blow to the heart and gut of Japanese animation, but great creators die. It’s kind of what they do, being human and all, and to dwell on what they could have done, while a worthwhile exercise, only takes you so far. A creative form of expression such as animation, Japanese or otherwise, is not so simple that it can be felled by the death of one man, great as he may have been. There is mourning, but there is also the next step.

Rest in peace, Satoshi Kon, with the knowledge that it’s impossible for you to not have inspired someone.

Review Time

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How soon after you watch something should you review it?

Over the course of writing Ogiue Maniax, I’ve taken different approaches to writing reviews. Sometimes Iwrite them almost immediately after watching something, while other times I wait a day or a week. In some instances the delay is a month or more. Writing a review right after finishing something means that the experience is very fresh, that a lot of the emotions you felt in watching it are still welling up inside, but expressing your thoughts so soon after can also mean that you haven’t had time to process everything. On the other hand, the longer you wait, the more distance you give yourself in order to really chew on the work, to really see what it says. Too much time however, and you might start to forget important things. But then if you forgot those things, were they really that important in your mind?

So then you might say, “Why not rewatch it? That way you’ll have your memories of having seen it the first time, and then also it’ll be fresh in your mind.” But while I’m in no way against rewatching a show for review purposes or otherwise, I have to wonder about what the process of rewatching does to your experience with a work. In my review of Xam’d, I talk about how the series pretty much thrusts you into a very complex situation with little or no explanation to the extent that you aren’t even sure who’s on what side until a few episodes later. Going back and rewatching those episodes after having finished at least a good portion of the series means you can actually see what is happening in those early episodes, but at the same time is that a good thing? Is it a positive that you have that greater clarity, or is the loss of that rushed, turbulent feeling detrimental to your experience with it? Lost memories, indeed.

One last question for you all: The concept of “reviewing” aside, do you feel the way you talk about a show or a film or a book changing as time passes, like when you compare your conversation right after you get out of the theater to when you’re talking about it one month later?

Ogiue Maniax on the Otagal Podcast

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In case you weren’t aware, I appeared on a recent episode of the Otagal podcast, talking about your favorite subject and mine, Genshiken, or at the very least Genshiken 2.

Viga was my co-host for the Ogiue panel at Otakon 2010, and we have some good discussion for this podcast.

Hope you all enjoy my distinctly non-radio voice.

V! V! V!

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Puberty is a funny thing when you’re a fan.

In some instances, a female character can enter the mind of a young boy just by virtue of being the most prominent female in his favorite show, and then stay with him as he awakens sexually. Of course it doesn’t happen to every fan, and I’d be remiss to not include female fans who carry the torch for their male childhood crushes (or varying combinations between these two areas), but as a guy who likes girls I want to focus on that area. Feel free to chime in with your own thoughts given your own sexuality.

The first examples I can think of are Sayaka from Mazinger Z and Chizuru from Combattler V. While they are obviously not applicable to me seeing as I did not grow up with either show, in Japan and Italy and other parts of the world where these shows found popularity you have a lot of devoted male fans who will sexualize them and possibly draw fanart of them, to the extent that someone unfamiliar with these series might scratch their heads, or perhaps get the wrong impression of them when they see fanart of Chizuru in an outfit that’s quite a bit tighter than canon suggests. This is not a knock on either Sayaka or Chizuru. I can easily see guys liking them for legitimate reasons, and they’re even portrayed as attractive within the contexts of their shows (e.g. shower scenes), but I think there’s more to it than that.

An even better example might be video game characters. I’m not talking about your RPG characters who get loads of development, or games that have come out more recently and have the benefit of powerful graphics to improve character design and rendering, but those old, let’s say pre-90’s video games which barely had stories to go with them. While Samus Aran has had a lot of development over the years, guys were finding her hot since the NES era. Obviously her stripping to her skivvies in the ending sequence plays a role in this, but I think what pushes that over the edge is that you play as her for so long that you get attached to her. Again, familiarity.

Of course this doesn’t happen with every fan, but being a fan makes this more likely, I think. To preserve the memories of their favorite “stories” from childhood and bring those memories with them through to their teenage years and possibly their adult life, isn’t that the kind of thing a fan does?

And then my thoughts lead towards “moe.” Modern moe shows of course don’t have that advantage of familiarity, but when I think about it, liking a video game character because of the two or three things you know about them and liking a moe girl who is a collection of moe traits aren’t that far off. So I wonder if moe in the marketing sense of the word is trying to tap into that same nostalgia reservoir, only through more “efficient” means.

I’m not here to judge what characters you like for whatever reason, but to simply put down my thoughts on the way the fan mind works, particularly for when you start thinking girls (or guys) are awfully nice-looking.

On another note, I realize my past three post titles have all been song lyrics. Yeah I don’t know either.

Konya wa Hurricane

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Yesterday, soon after I made my post announcing my return to Ogiue Maniax, I decided to get in a game of online mahjong. I figured, it would be a good way to settle in, to get comfortable with my new surroundings in a way walking around taking in the environment doesn’t (though I did that as well so no hikikomori antics here).

While I did not do so well for the first game I played, the second game brought a very pleasant surprise.

What you see here is my second ever Yakuman against human opponents. Unlike my previous one however, it fortunately doesn’t require a whole lot of explaining.

For those of you who haven’t read my previpus mahjong posts, “Yakuman” are the highest-scoring hands in mahjong, and by extension also the most difficult to achieve. The one I achieved here is called “Sousuushi,” or the “Lesser Four Joys.” It’s also known as the “Lesser Four Winds,” as all of the tiles necessary to achieve this Yakuman are designated as the “Wind” tiles.

Now I have only been in the Netherlands for a few days now, but one thing I’ve noticed is that it is always windy. At first I figured it was just the time of the year, but according to the locals this is the norm. There’s a reason the Nether Gundam is a windmill, after all. Having scored a wind-based Yakuman while I’m in a country that’s known for being windy, I can’t help but feel that’s a sign of good things to come. Call me silly or perhaps even “occult,” but it gave me some joy after all. Not an overwhelming amount mind you, but it’s still there.

So what I’m saying is, if you’re in Ireland and you manage to get an “All Green,” you’re good to go.

Onegai Dutch Dutch Koko ni Dutch

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So I’ve spent my first two days in Europe, getting slowly accustomed to the lifestyle here. While the schedule is fairly loose around here, I do not know how much time I really have to update Ogiue Maniax, nor do I know if I should. Is it a sign of slacking off? I guess that’s only the case if I’m using too much time that should be spent doing important manga research. In any case, as was made obvious by my lack of a post yesterday, the streak has been broken and it is a very likely chance that no longer will I be posting daily.

Part of what I was interested in was how cultures outside of the US and Japan perceive anime. Fortunately, I spoke with a Japanese (that is, ethnically) philosophy PhD today, who informed me that the Netherlands does indeed have one or two small anime conventions. Maybe I’ll check one of them out. It’d be an exciting experience, I think.

Anyway, this is the start of my path to changing the face of anime and manga academia. Wish me luck!

欧米日

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