入出

So yesterday I drew a cheeseburger, and it got me thinking about what I’d do if I owned a burger place. I’ve talked about how I’d like to have my own restaurant before, but here I put in some serious thought.

As mentioned, this would be a burger joint. The beef would always be fresh, never frozen, and the main thrust would be the burgers. I wouldn’t want to bog down the menu too much.

Now for those in the know, I would have hidden items that don’t actually appear on the menu, things that would be spread by word-of-mouth. You could get quadruple patties if you want and all sorts of things, but the #1 most well-regarded menu option would be a unique sauce of my own making.

So when you go, make sure to order your burger and fries “anime-style.”

Holiday Combo Finish

Also, make sure to check out my Top 10 Favorite Confessions in Anime and Manga over at Otaku Crush.

Zawa

Your Introduction to Anime GMILFs

With anime these days, it’s always “lolicon this” or “high school that,” and amidst all this focus on youth I began to wonder if a certain segment of the population was feeling that anime provided nothing for them. I am of course referring to people who like their women with not just a little bit of experience, but a lot. I want to tell those guys who dig the really mature that anime has something to offer to them, even if it seems daunting otherwise.

Now I don’t partake in this particular preference, so I can’t tell you for sure whether or not they do the job, but I have set up a few criteria in compiling this list.

First, the women here have to look aged. There’s quite a few elderly female characters out there who never age past 35, and so hardly count as GMILFs. In fact, their appeal is no different from just plain MILFs. So in this respect, characters like Tsunade (Naruto), Kazami Hatsuho (Onegai Teacher), and Milia Jenius (Macross 7) do not count, even if Milia is actually a grandmother.

For that matter, second, they do not have to have grandchildren to qualify as GMILFs.

Third, the characters for the most part tend to be quite physically fit. I figure part of the issue is that a lot of times cartoons, be they anime or anywhere else in the world, tend to portray the elderly as comically old and decrepit and having seen better days. This is probably appealing to only a few, and so have chosen characters where age is not a barrier to active living.

Fourth, this isn’t really criteria but a lot of them are teachers or are in some kind of teaching profession. Don’t ask me, that’s just how it turned out.

So without further ado, your GMILFs.

Maria Graceburt, My-Otome

More commonly known as “Miss Maria,” Maria Graceburt is a teacher and advisor at Garderobe Academy where she trains her all-female students to become “Otome,” or nano-machine-enhanced super-powered royal bodyguards. Once an Otome herself, Maria has much experience in this regard, and has been tempered by her years in battle. Despite her old age, she is still capable of keeping up with the younger generations. She almost has to be seen to be believed.


Barbara McGregor, Taisho Baseball Girls

It’s the 1920s and Japan is at the height of the Taisho Era, where western influence is making in-roads into the society. Barbara McGregor is the principal at Touhou Seika Girls’ Secondary School, a school that prepares young girls to embrace both Eastern and Western influences and lead them to a wholesome mentality. When she finds out that a group of girls at Touhou Seika have decided to form a baseball team, she supports the endeavor but with a stern warning that it is not to affect their grades, or else. Calm and steadfast, Barbara sees progress in the future of womanhood.


Yukimura Tokiko, Kekkaishi

Tasked with protecting Karasumori, a land which bestows great power upon spirits and demons, Yukimura Tokiko is the 21st “Kekkaishi” or “Barrier Master” of the Yukimura clan. In addition, she trains her granddaughter Yukimura Tokine in the art of Kekkai while also maintaining a rivalry with the head of the Sumimura Clan, fellow Kekkai users with whom the Yukimura clan split generations ago. Although quite old, Tokiko has vitality greater than her talented  granddaughter, and is actually currently the strongest Kekkai user known.

Tamashiro Miwa, Koutetsushin Jeeg

In her younger days, Tamashiro Miwa, then known as Uzuki Miwa, was a skilled pilot who supported the cyborg hero Koutetsu Jeeg and the “Build Base” in their fight against the evil Jama Empire by piloting the supply ship known as the “Big Shooter.” 50 years later, when the Jama Empire resurfaces and her granddaughter Tsubaki becomes the pilot of a new Big Shooter for a new Jeeg, Tsubaki becomes the new commander of Build Base, lending her experience in combat against the Jama Empire for a new generation. Though she now sits behind a desk instead of a cockpit, it is apparent that age has only made Miwa stronger and more determined than ever.


Toudou Kaworu, Baka to Test to Shoukanjuu

Toudou Kaworu is a visionary who seeks to transform education in Japan, and has implemented an exclusive revolutionary method of organizing students. As principal of Fumizuki Academy, Kaworu ranks students from A to F, with the A students at the top receiving the best supplies and the best teachers, while those at the bottom must claw their way up if they want to improve. To facilitate this Darwinian education system, Kaworu allows students to engage in holographic “battles,” where summoned avatars engage in combat and have strength proportionate to their grades and overall academic achievements. A cheerful, if mysterious woman, Toudou Kaworu challenges the conventional.

So there you have it, five women who have experience on their side and are capable of appealing to those who are tired of seeing nothing but young girls in their Japanese animation. Keep in mind that this is only a brief list; there’s more out there. If you’ve got any suggestions, speak up!

My Resolution…

…is to be in more of a ROmantic Mode.

At least for the second half of the year.

What Can Be Said About Arguing on the Internet About Baseball?

“Nobody Wins.”

What Manga is Shirai Kuroko Always Talking About?

“Death Note”

Yaoi Paddles are Merely the Beginning

It’s likely you’ve seen them at anime conventions, those wooden paddles with homoerotic buzz words printed on both sides of the weapon. As the “seme” paddle chases the “uke” paddle, or as a squad of BL enthusiasts roam the halls looking to “glomp” others. You may think this a problem, but this is small fries compared to what’s to come.

You likely think that the problem is the way these (mostly) girls are acting out of order, or that putting their love of yaoi on display is irritating, but the real threat is when those words start to change.

That paddle might say “Yaoi” now, but what happens when they start selling paddles with…

“Genocide”

“Anarchy”

“Ignorance”

…and worse? You will wish for the days that girls were loudly promoting their love of guy on guy action in their Japanese comics.

Let this be a warning to you all! Yaoi Paddles are not the problem, it is their potential to transform into messengers of destruction!

What is Kuronuma Sawako’s Favorite American Football Team?

Let’s Over-Analyze the Subspace Emissary

This post is really, really late, seeing as how Super Smash Bros. Brawl has been out for a long time now, but I was thinking about the story mode recently and my theories on it back when the game first came out. As such, I want to record them here for all of you.

Warning, spoilers follow.

The basic plot of the “Subspace Emissary,” or the story mode in Smash Bros. Brawl, is that a mysterious being called the Ancient Minister is detonating Subspace Bombs and destroying parts of the Smash Bros. universe for some diabolical scheme. We later learn that the Ancient Minister is actually the Robot Operating Buddy that was originally released with the Nintendo Entertainment System, and that R.O.B. is being controlled by Master Hand, a gigantic disembodied right hand that is like a “god” of sorts. However, it also turns out that Master Hand is being controlled by a being who rules Subspace named Tabuu, who is also the ultimate opponent in Subspace Emissary.

Looking back at the original Super Smash Bros. for the Nintendo 64, the game’s cinematic opening implies to us the true identity of Master Hand (and by extension the left “Crazy Hand” from Melee on). Master Hand’s domain is a room which contains a desk, a chair, and a toy chest from which he pulls out dolls of his favorite Nintendo characters. In other words, Master Hand is a kid who is just having fun with his toys and his video games, and that is why he is the default final boss in the series.

Who is Tabuu, then? Well, he is a being more powerful than Master Hand, who controls and restrains Master Hand against the hand’s will. He is capable of attacking with “Off Waves,” which renders the Nintendo (and Sega and Konami) heroes lifeless. He is described in the game as “having been born in a vastly foreign realm” and also “possess[ing] great leadership powers.” If you look more closely, you will see that the true identity of Tabuu is Master Hand’s father, or specifically the father of the kid playing with his video game toys. He rules subspace as a great leader and he is capable of turning “off” the child’s games.

The greatest evidence towards Tabuu being a child’s imaginary representation of his dad comes in the form of R.O.B. Prior to the start of the Subspace Emissary, Tabuu attacks R.O.B. and forces it and its loyal followers to do his bidding or risk further destruction. Why is R.O.B. of all characters the titular subspace emissary? Why is he the border between the Smash world and Subspace? If you look at what R.O.B. actually is, then the answer becomes clear.

R.O.B. was originally released as a toy to go along with the NES to play R.O.B.-specific games, and was instrumental in tricking convincing parents to buy a video game entertainment system for their kids. R.O.B., to those parents and even some kids, was the most visible part of the NES. More importantly, R.O.B. in his original games exists as both a character on-screen and as a physical object in the real world, making R.O.B.s the ideal messengers between Subspace (the real world) and the Smash world (video games and imagination).

So in actuality, the “Subspace Emissary” is an allegory for a father telling his child to stop playing with toys because they have to go do something away from the realm of video games and fun, like go visit grandma. The child, i.e. “Master Hand,” is thus captured by the evil “Tabuu,” who seeks to turn everything “off” and control everything. The father destroys and enslaves the R.O.B.s first because they are the easiest targets and the only ones to truly be both physical and imaginary. The child/Master Hand in turn must be saved by his own creations, the characters of Smash Bros. Whether the “defeat” of “Tabuu” happened in reality or purely in the mind of the child is sadly unknown.