Category Archives: blogging

Worth Thousands Upon Thousands of Words

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This picture is here for a reason.

The Aniblog Tourney has me looking at a whole lot more blogs than I normally do, and as I check out one after the other, I’ve noticed a recurring blogging style that many sites follow, and I would like to figure out where it came from.


I also have no recollection where this image is from.

The style is defined by its frequent back-and-forth switches between between text and anime-related images. Sometimes it involves screenshots, but more often the pictures are high-resolution fanart with some kind of humorous caption underneath.  At their most extreme, images and text will alternate at a frequency of one image per paragraph.


Like so.

Now it’s easy to point fingers at “episodic blogs,” but that’s a little different from what I’m talking about, as a glut of screenshots is practically par for the course for an episode review. Also, many times they’re placed at the beginning, with a summary and then opinions following. This 1:1 paragraph to text ratio seems far more common with editorial-style anime blogs.

So I’d like to know, where did this style come from? Using the Aniblog Tourney itself, I checked out the highest-seeded blogs in the tournament to see if it was their far-reaching influence which provided younger bloggers with a stylistic framework, but in all of the cases the connection would be tenuous at best.

I might be thinking about this too hard. Maybe the desire to alternate paragraphs with images at a constant rate goes beyond simply anime blogging to the fact that there exists a space between every paragraph, literary voids which beckon to gain prominence by having art emerge from them. Or maybe it’s that people take screenshots and download fanart in batches first, and then look for ways to apply all of the images to an existing post. I’ve felt that desire myself, as it becomes hard to decide which images to cut from a post, a decision almost as difficult as having to cut out extraneous paragraphs that kill the flow of a post.

Speaking of which, the reason why I don’t really throw in a large amount of images into my posts is because an excess of images has the potential to be detrimental to the writing itself, interrupting the flow of a post as much as a superfluous paragraph, if not moreso. Not to say that it’s impossible to write well with constantly alternating paragraphs and images, but you risk cutting off your writing at the knees just as it’s starting to go into a full sprint.

So if you’re a fan of the aforementioned style of blog-posting, tell me, where did you find your inspiration, if any at all? If you really enjoy those types of posts, what in particular do you like about them?

Dairy Influences: A Personal Look At “The Far Side”

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In his latest comic, the author of Gunshow Comic pays tribute to cartoonist Gary Larson (while also making a reference to his own series, The Anime Club, which I talked about previously). The Larson style was instantly recognizable to me, as I am actually a long-time fan of his classic one-panel newspaper comic The Far Side. Seeing this parody of the man’s work, it makes me want to reflect on the influence that his surreal humor had on me and my development in art and life.

Long before I could even really call myself an “anime fan,” I was a fan of The Far Side, calling it “my favorite comic” for years, and to this day I consider it to be the very best one-panel-style strip in history. For those unfamiliar with it, The Far Side was typically a single-panel (though it would sometimes split itself into two or more), and would be a mix of suburban stereotypes and off-kilter humor that took normal situations and twisted them just enough so that the mild absurdity would be magnified ten-fold. The comic also often featured humor based on biology, a direct consequence of Gary Larson himself being a biologist as well as a cartoonist, and while it had no real recurring “characters,” it did have a number of iconic designs and stylistic flairs. Bespectacled pudgy boys and their bee’s nest hairstyle mothers, animals standing and talking like people (particularly cows), and a tendency to have bulging eyes be an attention grabber were all common sights The Far Side. In a way, it was like a precursor to the Perry Bible Fellowship.

I would provide an example image, but Gary Larson has personally wrote letters asking everyone to not post his comics online, and while not 100% perfect it has worked surprisingly well. And so, even though I know that explaining a joke inevitably ruins it (as author Stephen King demonstrated in his foreword to The Far Side Gallery 2), I’m going to try so that you can understand Gary Larson’s style of humor.

The comic is situated in the backseat of a car, behind the driver. The driver is staring into his side-view mirror, and as is the case with all side-view mirrors, there is text to inform the driver that “objects in mirror are closer than they appear.” The object in the mirror, meanwhile, is an eyeball taking up the entire surface of the mirror. In other words, the object reflected is your eye staring into the comic’s panel (Again I apologize for my humor assassination).

So what did The Far Side do to me? When I first discovered it either fourth or fifth grade, I already loved to draw, but Gary Larson’s comic made me love art even more. It gave me a role model in art to look up to, and it gave me a direction to take in my drawing. I started actively trying to make things that would be seen as “crazy.” I created my own Far Side-style comic, called My Biz and also Crash and Bash Land, about horrible rides in an imaginary amusement park whose themes were violence and abuse of its customers. Both were as good as you’d expect a 10 year old’s attempts at Far Side knockoffs would be. Even after I discovered anime and became a “fan,” I held in my heart two dreams, to draw a full-fledged story comic like my favorite manga, and to create a humor comic that would appear in newspapers.

Today, though I no longer aspire to draw my own absurdist newspaper strip, I can see that Gary Larson had an enormous influence on my sense of humor, and for that I am ever so grateful, though my peers who have seen my brand of comedy in action may be inclined to disagree. You can even see The Far Side‘s effects on at least some of the drawings I have posted to Ogiue Maniax. And though I can’t tell you for certain, I think The Far Side probably even influenced my writing style through its combination of simplicity and eccentricity where even those who weren’t enthusiasts of biology could find a laugh or two.

Read and/or Die: Aniblog Tourney Thoughts

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Back in 2008, I won 3rd place for Bloggers’ Choice Rookie of the Year in the now-defunct Anime Blog Awards. I thought that would be the first and last time anyone ever did some sort of anime blog competition, but  Scamp over at The Cart Driver has proven me wrong. Now he’s pitting 96 blogs against each other in a Saimoe-style throwdown in a competition aptly named the “Aniblog Tourney.”

Most likely your first reaction to this is something along the lines of, “This is just some kind of circle jerk popularity contest!” And you’re pretty much right, at least for the popularity contest side of it. The circle jerk I think is up in the air.

The one thing I like about this endeavor in particular is that the criteria for voting is very clear and simple, with no ambiguity like so many other vote-based tournaments you’ll find on the internet. This isn’t like Saimoe, where the meaning of “moe” is so nebulous that it loses all meaning in voting, or the GameFAQs character competitions where the notion of “greatest” can be construed in a million different ways. Here it’s just, if you were only allowed to read one blog out of those two, which would you pick? What do you personally prioritize? Humor, knowledge, writing style, good or bad is all up to the remote control voter.

And it’s not like it’s hard to get an idea of how a particular blog is. Just read one or two posts and you’re good to go.

I don’t know when this thing is beginning, and I can’t tell you who to vote for or whether you should vote at all, but if you do decide to participate, just go with what you think is right. And if you don’t participate, then at least it might be a good opportunity to just check out some blogs you’ve never read.

You can check out the bracket, as well as the thought process Scamp went through, right here.

Twitter and the Control of Conversation Space

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I’m sure that tons of people have commented on the idea of Twitter, what makes it unique, why it has been embraced where other forms of social media have failed. I, however, have not read any of those comments, and so everything I say is my own thought, even if it overlaps immensely with common knowledge.

When Twitter first started getting popular, many others including myself questioned the usefulness of it. We already had IMs, chatrooms, blogs, messageboards, maybe Usenet, and dozens of other ways to communicate with others and do that “online social networking” thing if need be. And when I first got my Twitter account, I did so because I was tired of not being able to read interesting conversations that were happening on it. Inevitably however, I started to participate as well. Not greatly, mind you. I still don’t tweet nearly as much as some of my contemporaries, but it’s more than I expected I would, kind of like how I didn’t expect myself to still be blogging after all this time. There’s a niche Twitter fulfills, and I think I know what it is.

Twitter’s most defining characteristic is likely its 140-character limit, which depending on your language can mean a lot of space (Japanese) or very little (English). This makes it a perfect match for cell phone texting and its usual 160-character limit and is part of why it is used by those who are a little less tech-savvy, but I think the 140-character limit is only a piece of why Twitter has caught on. The real appeal of Twitter in my opinion is that it is easy to control the space of conversation while leaving it open for others to jump in.

With Twitter, you follow who you want to by saying that you will follow them. It is an active choice to see the remarks of others. However, it is not in your control for other people to see your comments unless you purposely make your account private. However, not being the default choice means a lot here. Twitter can be both public and private at the same time, and it is up to the user to determine the boundaries of each. And by doing so, you have a situation where a conversation can begin one-on-one, but then another person can interject and deliver his or her point, and then another, and then another. But to those first two people engaging in that dialogue, it can still exist as a one-on-one conversation. What is being said and the scope of the discussion changes depending on who is reading and who is participating and who wishes to see the participation of others.

This is where the 140-character limit really comes in. It makes everything you say on Twitter bite-sized and easier to digest. While discussions can go on for a while, the point at which a person chooses to step in is in reply to one of those 140-word tweets, as opposed to say, a five-paragraph-long comment. Your words are already broken down into specific chunks, and so another person on Twitter can zero in on that, and while their reply can be in response to everything you’ve said so far, they have chosen to reply to that specific tweet and bring emphasis to it.

So basically, Twitter conversations can exist at multiple sizes simultaneously due to the brevity in encourages and the way the users can determine in their own space the number of participants. It is both a closed discussion and an open one, and yet your choices also do not impact the choices of others for the most part. There is near-total control, but that powerlessness over others is also what allows it to expand. And unlike chatrooms or forums you do not have to opt to ignore the words of another, as it is the default. Twitter is as comfortable as you make it.

First there’s a Du, and Then I Couldn’t Hear the Rest

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When it comes to uniting fans, Nico Nico Douga and episodic blogging have quite a bit in common.

Nico Nico Douga is a popular Japanese streaming video site which helped push popular Japanese memes such as the fusion of voice synthesis and moe, Hatsune Miku, and creating a small revival in the career of gay porn actor Billy Herrington by making clips from his videos running jokes among the community. Its most notable feature however is its unique comments system, where user comments are scrolled from right to left as the video plays. For some it’s an annoying feature which gets in the way of watching the video, but for others it’s the very lifeblood of Nico. Despite most of its content not being live, the comment system allows site users to experience a sense of “community” within the comments, by seeing what people had to say about a particular video at exactly the right moment.

Episodic blogging, or the act of reviewing and discussing individual episodes on a blog, usually as they are released, is even more removed from the concept of “real time,” but just like Nico Nico Douga it has the ability to unite fans by actively engaging in the very zeitgeist of internet fandom itself, by experiencing a series almost as it is airing, and having the format feel a little more permanent and a little more focused than simply sharing talk on an internet forum.

However, the ideal of episodic blogging is not often met, and in some cases this has to do with the shows being blogged about not being particularly good for the concept of episodic blogging. These are the kinds of shows where the blogger might simply go, “Eh some stuff happened this episode. It was all right, I guess.” While knowing that an episode of some show might be average is still something possibly worth knowing, after a while it bogs down episodic blogs as a whole.

Now if there is one current show that I think is very well-deserving of episodic blogging, it is Durarara!

Here you have a show where every episode is so packed with information that the normal custom of summarizing the episode extensively can become a great boon, especially when it comes to recalling the events of a previous episode. It’s also an ideal show for episodic blogging because the theme of the show itself is related to “living in the present,” and practically reflects upon the online anime fandom itself (which is no doubt helped by having a couple of characters who are otaku). Most importantly however is that while the show is an on-going story, its structure is such that each individual episode stands as something to be scrutinized and discussed, with the next one building on top of that.

So for those bloggers out there who have been tackling Durarara! episode by episode, keep it up. It’ll be particularly interesting to see just how your opinions and predictions change over time if at all.

Our Unique Approaches to Anime

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It sometimes amazes me just how many ways there are to approach a given creative medium or product. When we look at a piece of art or fiction (or non-fiction!), we bring with us all that we prioritize and seek in works. Even when the focus is on just anime and nothing else, the result is a plethora, possibly even a panoply of differing viewpoints, each with their own inherent sense of validity.

At Otakon 2009, Yamamoto Yutaka, director of Kannagi, mentioned his praise for Studio Ghibli’s Takahata Isao, and how Takahata’s classic TV series Anne of Green Gables is essentially the gold standard of how a long TV series should be. Yamamoto is also known for being an anime critic, though his opinion can be difficult to comprehend. But then you realize that he looks at anime from that director’s perspective, and that his priorities are less on the content or themes or story  of the work and more about how scenes move into one another, how well it all conveys the idea.

Narrowing the focus a bit brings forth the notion of watching anime for the animation, and Anipages is probably the best example I can think of for someone whose focus is mainly on the “moving image” aspect of anime. It affords him a perspective very different from that of most fans and enthusiasts, and nowhere is this more evident than in the fact that he will watch isolated episodes of Naruto because there is particularly good and creative animation in them. One look at his site and it’s clear that he is in no way a “Naruto Fan,” but that divide between people who love the series and those who consider it the worst showcase of anime is a battle in which he is simply not participating. Just like Kaiba, just like Macross: Do You Remember Love?, Naruto can be another vessel for delivering great animation.

That’s not to say of course that things such as characters aren’t or shouldn’t be important. While I don’t have any specific numbers to give, I think the vast majority of the current anime fandom focuses heavily on characters. We like to relate to characters, we talk about shows and characters as if we were violating Wikipedia’s rules of not having profiles that are primarily in-universe synopses. Even with characters there are divides, such as between those who want to see a story unfold from the characters, and those who want to see a story focus on the characters above all else. Wanting to see characters to whom you can relate is wonderfully human, I think.

However, relating to humans can go well beyond the characters themselves, especially when you factor in the people behind those characters. Here, you have fans who will watch shows based on following their favorite voice actors, something I have actually done on occasion myself. At first, it can seem like the most shallow reasoning for a person to watch even shows they personally admit as being terrible simply because their favorite voice actors are in them, but that is mainly if your priorities are on anime as a storytelling device. When you take the idea that anime is also a showcase for the actors in the roles, it starts to become a more exciting prospect. When following voice actors, it becomes about seeing how those actors take on their roles, how they own their characters, how they approach the challenge of not having a great script.

You can also watch anime for the mechanical or character designs. They’re two very different, yet similar categories, which is why I’m grouping them together. Again, like following shows based on seiyuu, the idea of watching something based on how the robots or the girls look can seem incredibly shallow, but that is another area you can follow in order to see how well certain elements are executed. There are plenty of people out there who won’t watch a show because it “looks old,” and while I lament this case, I understand that many people want to experience something that feels like the environment and era in which they’re currently living, the desire for the new over the old. And generally, I’ve found that this is more an issue with getting into a show. I’ve known friends who couldn’t watch a show because they disagreed with the mecha designs, and it has everything to do with that initial barrier. Still, anime is what’s given us all these great mechanical designs, so it’s kind of no wonder that there are people who will focus on such things.

And then for others still, characters and animation and actors and such hardly factor in at all, and the real meat of what they’re looking for is in the overarching themes of a given anime. Characters aren’t human so much as they are vehicles through which to express different concepts. Director Oshii Mamoru of Ghost in the Shell fame has increasingly focused on this idea over the years, and as such his works appeal to those who seek not a world which you can step into in order to experience it firsthand, but ideas you extract from a world and bring into your own reality.

It’s obvious to me, looking at all of these examples, how some heated arguments can start. People approach works from so many different angles that people can be arguing from entirely separate universes, and frustration sets in when the other does not “understand.” On a much broader level though, interest in anime can simply be derived from wanting to laugh, wanting to cry, wanting to smile, wanting to be aroused, and all of the previously mentioned focuses, from technical direction to themes, are in a sense all there to deliver to us the emotions we want.

As for me, I’m actually not entirely sure what my approach is. Perhaps this whole blog has been me trying to find it.

Check Out the Veef Show

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As far as podcasts go, the relatively new “Veef Show” is one of the best I’ve found.

Formerly of Destroy All Podcasts DX, Andrew, aka VF5SS, has taken to recording his own one-man show where he lays down his thoughts on specific topics of interest to him, from the Super/Real Robot dichotomy to Star Wars Extended Universe novels. What’s most appealing about the Veef Show though is Andrew’s balanced view of anime, mecha, and other topics, that takes a broad view of the subject at hand and really gets you to understand it, all without feeling in any way elitist or that he’s more about lambasting anime than enjoying it.

I think there are a number of similarities with the way I approach writing about anime, so I think if you enjoy Ogiue Maniax and my blogging style, then I think there is a very good chance you will enjoy the Veef Show.

The Manga Curmudgeon’s Manga Moveable Feast

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David Welsh over at the Manga Curmudgeon is trying out a new experiment he’s called the “Manga Moveable Feast,” wherein over the course of a week multiple bloggers write about a specific topic. For the inaugural MMF, David and others have chosen the topic to be Sexy Voice and Robo by Kuroda Iou. Seeing as Sexy Voice and Robo is one of my favorite manga, I’m quite glad to see it getting all this love, and to also to see the variety of opinions on the work. Naturally, I also submitted my 2008 review of the manga.

The first MMF started just this past Monday as going to continue until the end of the week, so there will be more and more reviews and analyses on the way.

I might also make another post once this is all over, analyzing one or more of the writings posted. And if you haven’t picked up Sexy Voice and Robo, I really recommend that you do.

Ogiue Maniax’s (Late) Second Anniversary Celebration

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It seems like I have a tendency lately to forget important dates, even those of the things I care about most. November 20, 2009 came and went, though drawing something after having not done so in a while might have been an adequate way of marking the second anniversary of Ogiue Maniax. Still it’s no Genshiken Review, and I think I should celebrate two years of writing and analyzing and making terrible puns with some panache. Seeing as how tomorrow is Stuff Your Face with Food All Day… Day… I’ll save the Thank You’s for the next post. Instead, I’ll talk about how I’ve felt the blog has changed and changed me since I began working on it.

It was over two years ago that I began to realize that I enjoyed writing, and not just any writing but the kind that is meant to inform and enlighten and to encourage others to think. I was given opportunities on both Heisei Democracy and Towards Our Memories to write a little, and from there I decided to just dive in and start my own blog. I named it after the Genshiken character Ogiue Chika, who I believe to be the most deeply complex, emotionally moving, and overall amazing character to ever appear. I intended to use the blog to record my thoughts on the mediums that I love, even if it was just a brief inkling, and to help not only others to learn but myself as well.

Being able to accurately convey my thoughts while also challenging myself to think beyond my own point of view gave me a new and different sense of confidence that what I’d experienced previously, especially when I began to see others respond, and to weigh in with their own words. This in turn would motivate my desire to write even more, and before I knew it, I had improved as both a writer and as an anime fan.

And to you my readers, though I said I would not give thanks, I have to make an exception here. Thank you for respecting my words as much as I respect yours. The comment philosophy at Ogiue Maniax is to allow all comments as long as they are relevant, as it encourages everyone to engage in dialogue and to better understand each other. And if you’re a troll you’re all the more welcome, as it gives me the opportunity to further clarify my points. At that point, it’s up to every individual reader to decide if they agree with me or not.

Ogiue Maniax, two years old. Get ready, because this baby’s starting to walk.

Reverse Thieves Secret Santa, Ogiue Maniax Edition

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I am participating in the Reverse Thieves’ Secret Santa Project, in which bloggers picked shows for other bloggers based on their anime preferences with the ultimate goal being a review of one of the anime picked for us.

Anyway, my show.

Lovely Complex.

Good choice, Mr. or Ms. Claus. I hear this series is shoujo at its finest, and so I’ll be looking forward to taking it on.