Crimes Against Humanity

Genshiken 2 has been over for about a month now, and I am saddened that we never got to see Ogiue in a Megami poster or even a normal poster. I am also saddened that we have not seen any developments on the PVC figure end of the spectrum.

There is so much potential for Ogiue figures that I hope at least one or two companies take a stab at it besides Alter. How about a plain clothes Ogiue? Or a skimpy Elemental Battler cosplay figure (with jeans clutched to chest)? Final Ogiue from the manga? A fantasizing Ogiue would be nice as well.

The Fujoshi Files 3: Houshakuji Renge

Name: Houshakuji, Renge (宝積寺れんげ)
Alias:
Renge-sama (れんげ様)
Relationship Status:
Single
Origin: Ouran High School Host Club

Information:
Houshakuji Renge is the manager for the Host Club of Ouran High School. She is obsessed with visual novels and moe, and often blurs the line between fantasy and reality. The most notable example occurs during her first appearance at Ouran High School, where she assumes Host Club member Ootori Kyouya to be her fiancee due to a physical resemblance to her favorite visual novel character. She also begins to fancy newest member Fujioka Haruhi, until Haruhi is revealed to actually be a girl in drag and not just an effeminate boy.

Renge loves to cosplay and can often be seen in various stylish outfits, chief among them being a cosplay of Kisaragi Quon in bikini from the anime RahXephon. Outside of school, Renge can be seen hosting a live Sentai performance at a local mall for kids, partially to entertain, partially as an excuse to wear another cute outfit.

Renge is often heard before being seen. When the situation is right, a shrill laughter can be heard over the grinding gears of a high-powered motor, signaling her arrival.

Fujoshi Level:
The biggest indicator of Renge’s fujocity is the fact that, in a school where the Host Club exists, where almost every girl has a burning desire for guy on guy action, Renge is their queen and leader, and the one whom all the girls look up to in order to gain deeper insight into what it means to be a lover of boys’ love. In that respect, Renge is unassailable.

Vote for Raoh

Seriously, do it.  Viral is decent but he’s no Raoh.  Raoh, who is the End of Century Conqueror.  Raoh, who decides that in order to bring peace to the land he must rule over it and its endless hordes of mohawked goons so that he can control them.  Raoh, the demon who eats demons.  And Raoh, the character so manly, he launches his life force into the heavens by himself, rather than needing a proper funeral to do so.

The History of Fujoshi at Otaku Champloo

Khursten of Otaku Champloo has recently begun posting articles on the history of fujoshi and their relationship with Shounen Jump.  It’s a fascinating read, and as someone who has no interest in yaoi beyond academic and historical purposes (as well as certain characters within anime and manga who happen to be into it) I feel a little more enlightened.

Intro

Captain Tsubasa

Remember that Ogiue is very much a Shounen Jump fujoshi with her preference for titles such as Saint Seiya and Scram Dunk.

Friends are wonderful

This actually occurred a few days ago, bu thanks to the generous efforts of kransom and his recent trip to Japan, I will finally obtain the limited edition Genshiken volume 6 (with school swimsuit Renko cosplay Ogiue) INCLUDING the official Project G doujinshi.

With this, my Genshiken manga collection is complete. Thank you, sir.

Well actually no, I still need to get REGULAR edition Volume 9, as well as the upcoming light novel.

And possibly the Del Rey version as well if I want to be truly hardcore.

How to tell that Ogiue really likes Sasahara

I think this is somewhat common knowledge among Genshiken, but I’ll put it down here for archival purposes or something.

Ogiue is really affected by her relationship with Sasahara, and the biggest indicator of this is her eyes. If you compare Ogiue prior to dating Sasahara and Ogiue during her relationship with him, you’ll notice that she has a glimmer in her eyes that she didn’t have previously, not even during junior high.

Shiawase ni~

PS: This of course doesn’t quite apply to Genshiken 2 anime, because the way her eyes are drawn are different, and have a lower shine similar to Osaka.

The Generation Gaps in Taste in Anime Fandom

While anime fandom in the United States is old enough that a literal generation gap is possible, though that is not quite what I mean by the term. When I say generation gap, I mean the difference between waves of fans that have appeared since anime first gained popularity back in the 70s. The biggest indicators of these gaps, I believe, are the statements that will give away how they feel about themselves relative to anime fandom, such as “all these new shows are terrible compared to older ones” and “I won’t watch any show if it looks too old.” But why is it that the fandom resorts to such statements about their interests and how they compare to different times in the life of this hobby?

Speak to an anime fan of any age, and ask them why and how they got into anime. Most likely, you will get an explanation of how the anime they first watched differed from whatever else was on tv. I will give you my own example. While I watched Voltron and other such shows as a kid, I first discovered anime as coming from Japan in the form of bootleg Dragon Ball Z tapes a few years prior to it airing on American television. What stood out to me about DBZ relative to other cartoons I had been watching at the time was first the fighting, second the serial nature of the show, and third the idea actions had consequences. Characters could DIE (and then run around and have dead adventures and come back to life later, but they were still officially dead). In a time of only “cartoon” violence, I got something I wouldn’t call realistic, but rather much more weighty. The universe hung in the balance, after all.

Now, the reason I’m giving this example is to begin to show that I believe that this generation gap in anime fandom has not only to do with physical age, but also that anime hits us hardest during periods when we are most emotionally and mentally receptive to it. It is during these times that I believe people have a hunger for entertainment which satisfies them, and this is the basis of peoples’ nostalgia for certain times. Anime fandom in the 70s grew out of science fiction and fantasy fan scenes, out of Star Trek and Star Wars, and the first big shows were things like Battle of the Planets and Star Blazers. These fans were receptive to it because it was similar to the types of shows they enjoyed beforehand, but it also flipped their worlds upside down with stories and themes that went beyond other forms of fiction they had been exposed to at that point. When Dragon Ball Z rose in popularity in the 90s, I strongly believe that kids had a reaction to it similar to my own. It affected their world, introduced them to new ideas. Same thing goes for people discovering Sailor Moon around the same time. And Pokemon. And even Love Hina.

The conflict occurs because the values which affect people have changed, and why anime fans of one generation can have difficulty with fans in another. While the values may have changed, the strong feelings towards the anime which they fell in love with means that each generation feels strongly about the shows which got them into it, and where feelings are concerned, misunderstandings arise, because when you attack someone’s favorite anime you are essentially attacking what they believe in, what makes them feel good about life. It’s easy to joke about not taking anime so seriously, that chill out it’s just a cartoon, but it is also easy to see why and how people can be affected by not just anime but any form of fiction or storytelling. And because these feelings are so strong, it makes other periods of anime pale by comparison because they are not easy to relate to on an emotional level. To give an example which is not necessarily generational, take a look at the Robotech and Macross fandoms. Robotech’s appeal is that it presents three series as a single cohesive universe with a unified theme. Macross’s appeal is that very different stories take place within the same universe, giving a variety of themes and subjects. Different values, different fanbases (though of course there’s plenty of crossover).

Older anime isn’t good precisely because it looks old, and seemingly exists in a time far gone and surely these shows could not possibly be better than the ones that have influenced a fan’s thoughts. New anime can’t possibly be good because it fails to tackle the themes which a fan finds most important. Those are the essential feelings.

Now, one thing I should point out is that it’s certainly possible to have multiple periods of increased receptiveness towards anime. By my count I’ve had at least 3 or 4 (the most recent being the era of Genshiken and Eureka Seven). Perhaps the people who say every show they watch is the best show ever do so because they are in a current renewed state of fandom, instead of simply being standard internet-style exaggeration.

Seeing why people become anime fans, I think, will result in a lot less misunderstanding.

The Fujoshi Files 2: Tamura Hiyori

Hiyori

Name: Tamura, Hiyori (田村ひより)
Alias:
Hiyorin (ひよりん)
Relationship Status:
Single
Origin: Lucky Star

Information:
Tamura Hiyori is a student at Ryouou High School in Saitama Prefecture. A friendly and sociable girl, Hiyori has no problems making friends. Despite her age, Hiyori is a doujinshi artist and member of a popular circle which has even sold at Comic Market. A very enthusiastic artist, Hiyori frequently comes up with ideas for new comics but often forgets them just as easily, which is a continuing source of frustration for her. While not obviously a fujoshi at first sight, Hiyori has a tendency to (almost) accidentally blurt out phrases which betray her true status.

Fujoshi Level:
Hiyori frequently uses examples from real life to inform her work. Most notably, her two female friends and classmates, Kobayakawa Yutaka and Iwasaki Minami, who have a very close friendship with each other, have become a recurring subject and inspiration for many doujinshi. Unlike many fujoshi, Hiyori’s draws more than just boys’ love pairings, as shown in the example of Yutaka and Minami. However, she rarely ventures outside the theme of sexually charged pairings, which perhaps says more about her status as a fujoshi than anything else.

Publisher’s Weekly Interview with Kio Shimoku

You can read it here as well as buy it on newstands.

Reading this brings me joy because Kio Shimoku rarely speaks, and on top of that, it confirms many longstanding theories I’ve had regarding both Genshiken and Ogiue, such as Genshiken being about portraying otaku as human beings who think and feel and cry and love.

To feel that I accurately understood the important themes and particularly the themes surrounding Ogiue fills me with great joy.

Thanks to Anime News Network for this information, and kransom for bringing it to my attention.

Ogiue Lexicon

I realized that there may be a few terms I use when discussing Ogiue that may not be familiar to some people. So I thought I’d clear up at least one or two of them.

fude: literally meaning “paintbrush,” this is a term used to describe Ogiue’s normal hairstyle. Also frequently referred to as “fude atama” or “paintbrush head.”

getting a little warped: translated in the Del Rey English translation as “getting carried away.”

Anata no Tonari: “By Your Side.” Ogiue’s Mugi x Sen doujinshi that she sold at Comic Festival.