How to tell that Ogiue really likes Sasahara

I think this is somewhat common knowledge among Genshiken, but I’ll put it down here for archival purposes or something.

Ogiue is really affected by her relationship with Sasahara, and the biggest indicator of this is her eyes. If you compare Ogiue prior to dating Sasahara and Ogiue during her relationship with him, you’ll notice that she has a glimmer in her eyes that she didn’t have previously, not even during junior high.

Shiawase ni~

PS: This of course doesn’t quite apply to Genshiken 2 anime, because the way her eyes are drawn are different, and have a lower shine similar to Osaka.

The Generation Gaps in Taste in Anime Fandom

While anime fandom in the United States is old enough that a literal generation gap is possible, though that is not quite what I mean by the term. When I say generation gap, I mean the difference between waves of fans that have appeared since anime first gained popularity back in the 70s. The biggest indicators of these gaps, I believe, are the statements that will give away how they feel about themselves relative to anime fandom, such as “all these new shows are terrible compared to older ones” and “I won’t watch any show if it looks too old.” But why is it that the fandom resorts to such statements about their interests and how they compare to different times in the life of this hobby?

Speak to an anime fan of any age, and ask them why and how they got into anime. Most likely, you will get an explanation of how the anime they first watched differed from whatever else was on tv. I will give you my own example. While I watched Voltron and other such shows as a kid, I first discovered anime as coming from Japan in the form of bootleg Dragon Ball Z tapes a few years prior to it airing on American television. What stood out to me about DBZ relative to other cartoons I had been watching at the time was first the fighting, second the serial nature of the show, and third the idea actions had consequences. Characters could DIE (and then run around and have dead adventures and come back to life later, but they were still officially dead). In a time of only “cartoon” violence, I got something I wouldn’t call realistic, but rather much more weighty. The universe hung in the balance, after all.

Now, the reason I’m giving this example is to begin to show that I believe that this generation gap in anime fandom has not only to do with physical age, but also that anime hits us hardest during periods when we are most emotionally and mentally receptive to it. It is during these times that I believe people have a hunger for entertainment which satisfies them, and this is the basis of peoples’ nostalgia for certain times. Anime fandom in the 70s grew out of science fiction and fantasy fan scenes, out of Star Trek and Star Wars, and the first big shows were things like Battle of the Planets and Star Blazers. These fans were receptive to it because it was similar to the types of shows they enjoyed beforehand, but it also flipped their worlds upside down with stories and themes that went beyond other forms of fiction they had been exposed to at that point. When Dragon Ball Z rose in popularity in the 90s, I strongly believe that kids had a reaction to it similar to my own. It affected their world, introduced them to new ideas. Same thing goes for people discovering Sailor Moon around the same time. And Pokemon. And even Love Hina.

The conflict occurs because the values which affect people have changed, and why anime fans of one generation can have difficulty with fans in another. While the values may have changed, the strong feelings towards the anime which they fell in love with means that each generation feels strongly about the shows which got them into it, and where feelings are concerned, misunderstandings arise, because when you attack someone’s favorite anime you are essentially attacking what they believe in, what makes them feel good about life. It’s easy to joke about not taking anime so seriously, that chill out it’s just a cartoon, but it is also easy to see why and how people can be affected by not just anime but any form of fiction or storytelling. And because these feelings are so strong, it makes other periods of anime pale by comparison because they are not easy to relate to on an emotional level. To give an example which is not necessarily generational, take a look at the Robotech and Macross fandoms. Robotech’s appeal is that it presents three series as a single cohesive universe with a unified theme. Macross’s appeal is that very different stories take place within the same universe, giving a variety of themes and subjects. Different values, different fanbases (though of course there’s plenty of crossover).

Older anime isn’t good precisely because it looks old, and seemingly exists in a time far gone and surely these shows could not possibly be better than the ones that have influenced a fan’s thoughts. New anime can’t possibly be good because it fails to tackle the themes which a fan finds most important. Those are the essential feelings.

Now, one thing I should point out is that it’s certainly possible to have multiple periods of increased receptiveness towards anime. By my count I’ve had at least 3 or 4 (the most recent being the era of Genshiken and Eureka Seven). Perhaps the people who say every show they watch is the best show ever do so because they are in a current renewed state of fandom, instead of simply being standard internet-style exaggeration.

Seeing why people become anime fans, I think, will result in a lot less misunderstanding.

The Fujoshi Files 2: Tamura Hiyori

Hiyori

Name: Tamura, Hiyori (田村ひより)
Alias:
Hiyorin (ひよりん)
Relationship Status:
Single
Origin: Lucky Star

Information:
Tamura Hiyori is a student at Ryouou High School in Saitama Prefecture. A friendly and sociable girl, Hiyori has no problems making friends. Despite her age, Hiyori is a doujinshi artist and member of a popular circle which has even sold at Comic Market. A very enthusiastic artist, Hiyori frequently comes up with ideas for new comics but often forgets them just as easily, which is a continuing source of frustration for her. While not obviously a fujoshi at first sight, Hiyori has a tendency to (almost) accidentally blurt out phrases which betray her true status.

Fujoshi Level:
Hiyori frequently uses examples from real life to inform her work. Most notably, her two female friends and classmates, Kobayakawa Yutaka and Iwasaki Minami, who have a very close friendship with each other, have become a recurring subject and inspiration for many doujinshi. Unlike many fujoshi, Hiyori’s draws more than just boys’ love pairings, as shown in the example of Yutaka and Minami. However, she rarely ventures outside the theme of sexually charged pairings, which perhaps says more about her status as a fujoshi than anything else.

Publisher’s Weekly Interview with Kio Shimoku

You can read it here as well as buy it on newstands.

Reading this brings me joy because Kio Shimoku rarely speaks, and on top of that, it confirms many longstanding theories I’ve had regarding both Genshiken and Ogiue, such as Genshiken being about portraying otaku as human beings who think and feel and cry and love.

To feel that I accurately understood the important themes and particularly the themes surrounding Ogiue fills me with great joy.

Thanks to Anime News Network for this information, and kransom for bringing it to my attention.

Ogiue Lexicon

I realized that there may be a few terms I use when discussing Ogiue that may not be familiar to some people. So I thought I’d clear up at least one or two of them.

fude: literally meaning “paintbrush,” this is a term used to describe Ogiue’s normal hairstyle. Also frequently referred to as “fude atama” or “paintbrush head.”

getting a little warped: translated in the Del Rey English translation as “getting carried away.”

Anata no Tonari: “By Your Side.” Ogiue’s Mugi x Sen doujinshi that she sold at Comic Festival.

What hints of Genshiken’s status do we get from the Kujibiki omake?

A third post on this simple 3-page omake. Unlike the first post, there will be spoilers here, and this isn’t exactly fair game like the anime or manga, so this is your warning.

Ohno is waiting in the club room in a Yamada cosplay outfit. Ogiue, with hair down, comes in accompanied by Sue. Ogiue questions why Ohno seems to just be cosplaying for no reason, and Ohno in turn laments the loss of Ogiue’s fude. Ogiue says that she can’t wear her hair the way she normally does when she’s at work, which is fairly often these days. Ogiue then asks why Ohno is cosplaying as Yamada when she normally cosplays as the Vice-Chairman, and Ohno says it’s because the Vice-Chairman’s voice actor changed. Ogiue, switching her hair back to normal fude mode, asks how Ohno could be so tired when Ohno hasn’t even been looking for a job, and Ohno nonchalantly mentions that she’s actually postponing her graduation for another year. Ogiue accuses of her of purposely delaying her job search, which Ohno weakly denies. Ogiue tells Ohno that Madarame is the only super senior that Genshiken needs, to which Ohno replies that that’s not quite what Madarame is. Then Sue chimes in with

I’M IN DESPAIR! JAPANESE PEOPLE WHO CAN’T SEEM TO EVER GRADUATE HAVE LEFT ME IN DESPAIR!

Ogiue remarks that her despair is a little too valid. Ohno then says that Kuchiki will be gone by next year, implying that it’s a good reason to stay. Ogiue says she’s rather he leave sooner. Sue mentions that she’d like to see Madarame cosplay as Zetsubou Sensei. Madarame sneezes.

Now…

What can we learn from this?

First, is that this chapter clearly takes place after the events of volume 9. Ogiue’s un-fude hair is a direct reference to an image of her in volume 9 where she questions whether or not to have the fude at job interviews.

Ohno’s Yamada cosplay is from Kujibiki <3 Unbalance, instead of the normal series, and the implication is that this takes place in 2006, and Genshiken the manga has always been pretty good about maintaining its timeline. Sasahara, Saki, and Kohsaka all graduated in 2005. Further reinforcing this is the mention that Kuchiki will not be there anymore next year. So clearly this means that the Ogiue we are seeing is, in fact, Chairman Ogiue.

YES. Oh man, how I wanted to see Ogi-kaichou. Thank you, Kio Shimoku.

Sue is in Genshiken, and these events take place after her appearance at the beginning of Volume 9. I think that she has fulfilled her dream and is studying at Shiiou University. Her Japanese has improved considerably, as her remark that Madarame should do Zetsubou Sensei cosplay is not a direct quote or reference, but rather just her speaking normally, if with an American accent. Congratulations Sue!

Ohno delaying her graduation means that Ohno and Ogiue graduate the same year. I’m sure that was part of her plan.

Kujibiki Genshiken: A Supplementary Image

Yeah, that is wonderful.

Kujibiki Unbalance Omake: (A little) MORE Genshiken! A Review

Volume two of the Kujibiki Unbalance manga was released in Japan recently, and the extra at the end is a 3-page comic starring Ogiue, Ohno, and Sue. I won’t spoil too much because I know Kujibiki Unbalance is being released in America soon, but I will say that it satisfied my desire for more Ogiue, if temporarily.

You Sue fans will get a kick out of this too.

Also, Ohno fans.

So really, everybody wins.

The Fujoshi Files 1: Ogiue Chika

Name: Ogiue, Chika (荻上千佳)
Aliases:
Ogino Naruyuki (於木野鳴雪), Yukimian (雪見庵)
Relationship Status:
Dating
Origin: Genshiken: The Society for the Study of Modern Visual Culture

Information:
Ogiue Chika is a member of the Society for the Study of Modern Visual Culture, or Genshiken, at Shiiou University in Tokyo, and a former member of the Manga Society at the same university. She discovered doujinshi as early as 5th grade, and has maintained a passion for boys’ love ever since, though a traumatic event in her junior high school days created a great deal of self-loathing in her, leading to her denouncing otaku in general. One of her greatest fears was that her love of yaoi would preclude her from ever being in a romantic relationship. Thanks to the friendships she gained by being a part of Genshiken, she has gradually accepted her fujoshi side. She eventually becomes chairman of Genshiken, receiving the title from its previous owner, fellow fujoshi Ohno Kanako.

Ogiue is a talented artist who is best described as being unable to resist drawing what she wants. She has produced a number of works, most prominent among them being Anata no Tonari, a girl-oriented doujinshi involving the characters Mugio and Chihiro from Kujibiki Unbalance.

Fujoshi Level:
The greatest example of Ogiue’s fujocity is the fact that her interest in boys’ love extends out from manga and into the real world. Ogiue fantasizes about her male friends engaged in very obscene activities and has drawn many, many pages (she describes it in multiples of ten) of these images which exist in her fantasies. In fact, her boyfriend, Sasahara Kanji, himself a former chairman of Genshiken, continues to be a subject of her more explicit drawings, and their intimacy has allowed her to draw him with greater accuracy.

Kenshiro: He who is the most “Gar”

The SaiGAR Tournament 2008 is starting up, and I’m here to argue the case of Kenshiro.

Kenshiro is the latest master of an 1800 year old martial art called “Hokuto Shinken,” or Divine Fist of the North Star. It is the most deadly and powerful martial art known to man, and it involves mastery of the body’s various pressure points to cause a variety of effects. It is a martial art so powerful that traditionally only one master is allowed at a time, while the other students are forbidden from ever using it again, either by choice or by force.

As for Hokuto Shinken itself, here are some of the things it can do.

-By hitting one set of pressure points, he can cause a person’s head to explode after the count of 3. During this time he tells his victim to think about all the terrible sins they have committed in their lives.
-He can make a person walk backwards forever.
-He can force you to point a gun at yourself.
-He can make your arm tell the truth.
-In fact he can make any part of your body explode.
-Part of Hokuto Shinken is learning from other martial arts, so if you’re a master as well, he’s probably going to pick something up from you and use it just as effectively
-He can cure blindness caused by psychological trauma

That last one isn’t very violent now is it? Ah, but that’s where the true character of Kenshiro lies.

He is the inheritor of an almost two-thousand year old assassin-based martial art, but it is not solely because of his capacity as an assassin that makes him deserving of the title of Hokuto Shinken Master, it is also because of his compassion.

Kenshiro lives in the era after 199X, a cataclysmic year where the world was destroyed by nuclear war. In the aftermath of this nuclear war, the planet has become a place where the strong oppress the weak, where violent gangs rape and pillage families and towns.

It is the end of the century.

And Kenshiro is its savior.

Kenshiro aids the downtrodden, gives hope to the innocent, and is able to sense the true intent of any individual. He is accompanied by two young children in his travels, children who represent the hope of the future. Even when faced by strong opponents, he can tell when they are truly evil and when they are simply misunderstood. Fighting a pair of twins, he is unable to continue fighting them as he can see the sadness within their faces. Indeed, these brothers fight against their will because a man has kidnapped their beloved younger brother. Kenshiro not only has ultimate strength, but ultimate empathy.

But if you are evil? If your intent truly is malicious?

Why, you’re already dead.