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Kio Shimoku and Genshiken Trivia, Courtesy of “Mou, Shimasen Kara”

Over the past year, the manga magazine Monthly Afternoon has featured interviews in comic form with its own serialized manga authors through the series Mou, Shimasen kara. Afternoon Gekiryuu-hen by Nishimoto Hideo. This past month’s issue puts the spotlight on Genshiken and now Hashikko Ensemble creator, Kio Shimoku, so I’ve taken the liberty of summarizing all of the Kio factoids in it.

-For the first time ever, Kio actually reveals his “face” (albeit in manga form). He’s known for being a private person, but he decided show himself through this manga. He reasons, “I’m over 40 now, so what does it matter if I show my face or not?”

-Kio used to work analog, but has been an all-digital artist ever since Jigopuri. He does everything, from thumbnails to color, all on his Wacom. He doesn’t customize his pen or brush settings much.

-He almost never uses assistants. Kio had one assistant on Genshiken Nidaime and none for Hashikko Ensemble, his new series. For those who don’t know, this is highly unusual.

-Kio got the inspiration for Hashikko Ensemble because his daughter joined a vocal ensemble, and he happened to listen to an all-male group.

-He was never a musician, but knew a local group, so he did do some singing for them about once a month, and even had a voice trainer. He’s a second tenor, which was the basis for Akira’s baritone in Hashikko Ensemble. Kio has a fairly deep voice himself, so he decided to exaggerate it for the manga.

-Once, in school, he saw two kids harmonizing on the way to class, providing further inspiration. “I want my manga to make readers want to sing.”

-Kio was in the softball club in elementary school, the judo club in junior high where he was the captain, and the art club in high school.

-He submitted his first manga in high school, for Shounen Sunday. It was about a high school student who works at a used bookstore and discovers an ancient text that he then tries to decipher.

He drew a lot when he was kid, and was an otaku in middle school, where he imitated Doraemon, Kinnikuman, and Captain Tsubasa.

-However, he stopped drawing between 4th grade of elementary and the start of middle school. This was because he was really into Miyazaki Hayao as a kid, and when he couldn’t copy Miyazaki successfully, he got depressed and stopped trying for those few years.

-In middle school, he helped a friend out by drawing backgrounds for his manga, only for Kio to realize he was also better at drawing the characters too. One day, when he tried to draw Miyazaki characters again, he noticed he had gotten way better.

-He wanted to be an animator, but Ghibli only wanted people 18 and up. Once, he created a manga based on the Laputa novel in a couple of notebooks.

-In college, he majored in Japanese art because he thought the pencil and brush skills would translate to manga.

-Kio’s dad worked at an insurance company, and while he wasn’t flat out against Kio’s aspirations, he would constantly ask him to consider the risk of being a manga creator. This made Kio want to quickly win a manga reward, to help his parents accept it.

-The school he went to had a club called the Society for the Study of Modern Visual Culture, becoming the inspiration for Genshiken. Surprisingly, however, Kio was actually only a member for half a year. He didn’t quit because if anything in particular, he’s just not good with group activities.

-Despite what it might seem, the Genshiken characters are not based on any real life counterparts.

-In response to the realism of his characters, Kio says he tries to convey a sense of “presence” with them.

-Kio feels Genshiken came at the perfect time, matching the zeitgeist of the era. However, it makes him feel like a one-hit wonder. If Hashikko Ensemble fails, he’s going to feel enormous pressure.

-He didn’t attend a technical high school so he needs more research. One of he authors of Mou, Shimasen kara. did, and the other has a sister who attended one, so they try to help out.


Kio’s done a lot!! He sort of seems like a renaissance man.

That bit of surprise aside, it is fascinating finding out just how many aspects of his own personal life and career have made their way into his manga. The attending a Genshiken-like club is one thing, but it’s notable that he was in the judo club and then the art club—just like Hato. He also converted to using a tablet monitor for manga at some point—just like Ogiue. While his characters aren’t based on any real people in particular, he takes bits of himself and places them in his creations. While not stated outright, I think it’s pretty clear that Jigopuri (which is about raising a baby) is the product of firsthand experience.

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“I Go High, You Go Low”: Hashikko Ensemble Chapter 1

Genshiken author Kio Shimoku has debuted a brand-new manga series this month, and it’s a bit of a departure from the otaku-centric tribulations of daily life that he’s known for. Fan that i am, I’ve decided to start doing monthly reviews for it, much like my previous Genshiken Nidaime posts.


Fujiyoshi Akira and Kimura Jin are new students at Hashimoto Technical High School. Akira sports an unusually deep voice that cracks when he tries to raise it, so he generally avoids speaking if he can help it. Jin is anything but quiet. Notorious throughout the school for his undaunting enthusiasm and his loud, boisterous tunes between classes, Jin wants to recruit fellow students to form a vocal ensemble.

When Jin notices Akira’s exceptional baritone, he sees Akira’s voice as the perfect complement to his own alto-soprano range, and becomes dead-set on having Akira join, all while unaware that Akira was actually a singer himself in middle school before his voice changed. While Akira is reluctant, he ends up having second thoughts for one major reason—Jin thinks he knows how to fix Akira’s voice.

A Dynamic Duo

Although Hashikko Ensemble has only just begun, the concept of a pair that’s greater than the sum of its parts has me intrigued. It’s not exactly new territory, with titles like Haikyu!! and Kuroko’s Basketball among the more famous, but I am curious to see how this turns out in a non-sports, non-shounen narrative.

Making Akira’s voice extremely deep is a simple yet unorthodox character choice. While I’m no expert on singing manga, my experience is that main characters in such series tend to stand out because they can sing extra high (such as in the manga Shounen Note) or powerfully. It’s also uncommon, despite the commonness of teenage settings in manga, for the voice-cracking that comes part and parcel with puberty to actually come up in series.

One aspect of Akira that isn’t entirely clear is whether his reticence over his voice is because of the attention he receives from the other students (who inevitably remark how “manly” it sounds), because it’s a painful reminder of when he could sing, or some combination of the two. Whatever the reason, it helps to give Akira a strong sense of character and presence, despite his fairly generic appearance and demeanor.

In contrast, Jin stands out tremendously. Because of the way he looks, comparisons with Onoda Sakamichi from Yowamushi Pedal feel inevitable, but two differ in two important ways: Jin seems immune to embarrassment, and he’s a “music otaku” rather than an “anime otaku.” There’s something about a guy who so overwhelmingly looks like a dork while being utterly fearless in the face of his peers that instantly appeals to me. It’s what I aspired to be in my teenage years, so I find Jin quite admirable. As for what being a music otaku means, Jin has a scientific understanding of sound and voices, speaking of vocal cord vibrations and decibels, which is why he believes he can help Akira.

“Ensemble” Cast

While the main focus of this opening chapter is Akira and Jin, there are plenty of side characters with potential to enrich the story. As with Kio’s other series, realistic portrayals of human relationships look to be one of Hashikko Ensemble’s strengths, and I look forward to seeing how the cast at large develops. From the first chapter, the stand-out character has to be Hanzan, the wisecracking son of a Buddhist temple who actually wore a wig to school on day one just so he could reveal his bald head during class introductions.

One factoid about their high school is that boys outnumber girls by about 11 to 1. I have to wonder if this will play a major role in the story, or if it’s just for realistic flavor. I wouldn’t mind seeing some female characters join the cast (there’s already one who shows up briefly), but would also be fine if it remains guy-centric.


Originally, I was going to list every song that shows up in this chapter, only to realize that Jin sings so much that the number of tunes encroaches into the double digits, and I’ll leave it to someone who’s more of a music buff in general. Here’s a sample:

Hashimoto Technical High School Anthem

“My Grandfather’s Clock” (Japanese version). English lyrics by Henry Clay Work, originally performed by Johnny Cash.

“Te no Hira o Taiyou ni” (Sun in the Palm of My Hand). A children’s song originally featured on the weekly television program Minna no Uta in 1962.

“Kanade” by Sukima Switch.

“HEIWA no Kane” (Bell of Peace) by Okinawa Yukihiro.

“Country Road” (Japanese version) by John Denver. This is the version from Whisper of the Heart.

“Country Road” is particularly significant to the story, as it’s the point where Akira is finally drawn in by Jin’s singing—particularly Jin’s ability to handle traditionally women’s roles.

Final Thoughts

This series definitely has potential, and I don’t mean that just because I’m a Kio Shinoku fan. It’s somehow both low-key and energetic at the same time, reflecting the different personalities of its two central characters.

There’s another manga that also runs in Monthly Afternoon titled Mou, Shimasen kara: Afternoon Gekiryuu-hen, which features interviews with other Afternoon manga creators. This month’s is Kio Shimoku, and in it he mentions being especially invested in Hashikko Ensemble because he doesn’t want to be a one-hit wonder after Genshiken. I hope Kio finds new success with this manga.

As for the rest of that interview, it’ll be the focus of my next blog post. SEE YOU NEXT POST.

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Kio Shimoku Interview at Anime News Network… and He Answered My Question!

A couple of months back, Anime News Network announced that they were interviewing Kio Shimoku for the release of the new Genshiken Second Generation (aka Genshiken Second Season aka Genshiken Nidaime) bluray set. The interview is now up, which you can read here. Kio speaks about topics such as why he decided to introduce Hato to Nidaime, how he feels about otaku culture.

Kio actually answered my question, which I’m totally stoked about! I’ve reproduced it below, though I’m sure you could find it by just hitting “ctrl+f Ogiue.”

When it comes to Ogiue, one of the more notable visual changes is how her eyes are drawn. As this quality is unique to Ogiue in Genshiken, why did you decide to express her mental and emotional growth in this manner? Additionally, is it something you planned to do from the start, or was it something you developed as you worked on the manga?

It was accidental and naturally developed.

To put emphasis on her unfriendly look and distant nature, I designed her eyes without the highlight. After her mental transition, those characteristics changed and the initial design for her eyes simply didn’t work anymore.

It’s not surprising to me that the change in Ogiue’s would have come from a whim of sorts, as this is the case with a lot of creators and their characters. As much as I love the original Ogiue’s eyes, it also makes complete sense that they wouldn’t work nearly as well as she began to truly open up to Sasahara. It’s also quite noticeable how differently she looks and behaves compared to her former self (something I’ve tried to show off in my new banner).

The 0ther answer I find most interesting has to do with how Madarame’s “harem” has developed, because Kio states that it’s something of a natural progression. There were already characters interested in Madarame in some capacity, and when Saki finally rejected him, it opened up the playing field, so to speak. He wasn’t suddenly popular, they just began to be interested in him for just the way he is. If I were to interpret it further, it’s not like Madarame became the image of the attractive guy, but rather that he attracted exactly the type of people that would be into him.

As for the rest of the interview, it’s really worth a read and gives a lot to think about, especially when compared to his old interview with Publisher’s Weekly back in 2008. At the time, Kio expressed a lot of discomfort with the increasing attention otaku were getting in the media, and even in this ANN interview he talks about how he came from the generation where people were ashamed to be otaku. It’s really fascinating to see this mindset play out and evolve over time, as well as how the concept of “otaku” itself has become more nebulous. In fact, this sentiment has also been expressed by Tamagomago, who calls himself an old-type otaku standing in the face of these changes. In a way, it makes me wonder if Genshiken Nidaime is an attempt to navigate this newer environment in a way that embraces it, rather than shunning the unfamiliar.

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Ask Genshiken Creator Kio Shimoku!

In preparation for the American bluray release of Genshiken: Second Generation (aka Genshiken Second Season, Genshiken Nidaime, Genshiken II), Anime News Network and NISA are accepting questions from fans for an interview with creator Kio Shimoku. Keep in mind that Kio has historically given very few interviews even in Japanese, so this is a very rare opportunity for anyone who’s a fan of Genshiken and the man himself.

I of course will be submitting my own question, and it will most likely be Ogiue-related. Also, I may have bought the Japanese blurays already, but I definitely plan on picking these up as well.

(Thanks to Patz for telling me about this.)

Kio Shimoku in the Flesh

Kio Shimoku, the author of Genshiken, is an elusive individual. Portraying himself as a kind of ape, he so rarely makes public appearances that he is sometimes mistakenly believed to be a woman. In fact, when he appeared for an event to celebrate the Genshiken Nidaime (Second Season) anime, it was kind of a big deal. Thanks to Brazilian Genshiken enthusiast Diogo Prado, however, I’ve learned that photos of Kio do exist.

Apparently Kio had attended an event in Taiwan in 2010, where he promoted the release of his manga Jigopuri (also known as Digo Puri). His desire for privacy is respected here, as none of the photos actually show his face, yet it’s still pretty cool to see the man himself. Obviously I don’t know how he is as a person, but the fact that he looks like a nerd who knows how to clean himself up and dress nicely is a trait also demonstrated by the characters in Genshiken over time, namely Ogiue and Madarame. In fact, he looks pretty similar to Madarame from behind, while in the old Publisher’s Weekly interview with Kio he said that Ogiue is somewhat reflective of his own experiences.

By the way, I wonder how Jigopuri ended up doing in Taiwan.

How Kio Shimoku Got His Groove Back

Genshiken II‘s been running for a while now, and every so often I go back and look at the earlier chapters of the new series (would you expect me to do otherwise?). Upon a recent revisit, it hit me just how much the artwork had changed between the inaugural Chapter 56 and its immediate followup in Chapter 57.

For comparison, here is Ogiue in Chapter 56 on the left, and 57 on the right.

There’s a clear difference between the two versions of Ogiue (or any other character) that can’t be chalked up simply to the gradual evolution of art style that happened throughout the original Genshiken. This change, given just how drastic it is, was more abrupt, though one has to keep in mind that the real life gap between 56 and 57 was almost a year (Chapter 56 was originally a one-shot that got turned into the start of a new series).

Because of how much softer and more cutesy Chapter 56 Ogiue is portrayed, my suspicion is that Kio’s style was affected by his time working on Jigopuri. Indeed, Chapter 56 of Genshiken actually came out in the middle of his run on Jigopuri.

In fact, if you look at one of the characters in Jigopuri, the little sister Kaname (pictured left), she looks pretty close to the Ogiue of Chapter 56. What’s also kind of funny is the fact that Volume 1 of Jigopuri features an Ogiue cameo on the inside cover, and it’s clear that the Jigopuri style hadn’t fully taken over Kio’s artwork yet at the time he drew it.

I think it’s interesting how an artist can get so influenced by how they’ve been drawing that it makes it difficult to shift gears back to a different kind of story. It’s different depending on the artist of course, but I have to wonder how much effort Kio put into switching into a less moe-type art style. Something tells me it wasn’t easy.

Anime! The Cause of, and Solution to, All of Life’s Problems: Genshiken II, Chapter 58

It’s a big day for the newest members of the Society for the Study of Modern Visual Culture, as the three rookies spend their very first chapter almost entirely independent of Ogiue and the others. Can Yajima, Yoshitake, and Hato carry the story without backup from the Genshiken veterans? Do they have what it takes to garner their own fans? And is Sue a fan of Hellsing? All these questions and more (or not) will be answered in Genshiken II, Chapter 58.

Ogiue, Genshiken chairman that she is, decides to foster camaraderie among the club members and revive an old tradition by having everyone write/draw their own profiles for Genshiken’s defunct club magazine, “Mebaetame.” If you’re not sure what that is, try to remember the little blurbs they had in between chapters of Genshiken where they talked about their favorite Kujibiki Unbalance characters and what-not; that’s “Mebaetame.” If you’ll recall, Ogiue never actually participated in the magazine, and perhaps we’ll finally learn just how to pronounce her pen name, Ogino/Okino Meisetsu/Nayuki/Nariyuki.


Yoshitake thinks this is a good opportunity for some healthy bonding, and invites herself and Hato over to Yajima’s place to work on their profiles together while having some beers. Yajima (kind of) agrees, but is uneasy about alcohol. Hato doesn’t seem to mind either way. Here is where we see our first bit of additional insight on the new members: Yoshitake, cheerful and bubbly, has no qualms about knocking a few back (which creates anticipation for the inevitable drinking session/contest with Ohno) and breaking some rules, whereas surly and practical Yajima, citing age restriction as the primary reason to not purchase alcohol, turns out to be more naive than expected. In fact Yajima’s naivete and confidence (or lack thereof) seem to be a major topic for this chapter.

Lacking faith in her own artistic skills (“I said that I draw, not that I can draw!), Yajima, whose first name we find out is “Mirei,” is arguably the most “typical” of all of the girls in Genshiken at this point, especially in terms of looks. When she compares herself to members past and present, including a curvaceous cosplayer, a fashionable “normal” girl, and an impossibly attractive male cross-dresser, you can see how it impacts her self-image. Even Ogiue is likely included among the “beautiful,” as Yajima has only ever seen her as Ogiue Chika, Well-Dressed Professional Manga Artist with Boyfriend, and wasn’t around for the Ogiue who wore clothes two sizes too big, or her gradual and awkward transition to her current state. You can see Yajima thinking, “Wait, otaku aren’t supposed to be this way! If even my fellow nerds are this attractive, where does that leave me?” It’s all the more troubling for her when she remembers that Hato indeed has a Y-chromosome, and that a guy is passed out in her apartment from drinking too much. Being the innocent straight-arrow of an otaku that she is, when she accidentally/intentionally confirms Hato’s gender via skirt lift, it’s clear that it’s far outside of Yajima’s comfort zone.

Seeing as it’s a chapter taking place in Yajima’s apartment, it’s no surprise that she’s getting the most development of the three, though we still learn a few details about the other two. In addition to Yoshitake’s excited, yet nonchalant attitude towards life and its vices, we learn that she has an appetite on the level of Kobayashi Takeru and equates “profile” with “personal essay.”  And with Hato, we now know that he 1) is an Economics Major 2) has quite good taste in anime, and 3) is pretty damn hardcore with the BL. Among his favorite titles are Hetalila, Doarara!!!, Winter Wars, Fuyume’s Book of Friends, and Sweets Basket. He also likes a series called Femto, which I’d like to believe is some Berserk spinoff all about Griffith but might actually be a reference to Boku no Pico.

So overall, I think that Yajima, Yoshitake, and Hato held their own, though next chapter seems to be focusing on Madarame, which is also welcome. Until then, I’m going to try and popularize the phrase “Dai Ogiue.”

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