Kanon Indeed: Hashikko Ensemble, Chapter 42

Kozue commences a competition among the boys to do push-ups while singing

The Chorus Appreciation Society bolsters its ranks, but not all is smooth sailing.

Summary

In a small change of pace, this chapter is largely from the point of view of Kanon. Despite the big win and Kozue’s fiery speech, the only students who have decided to join the Chorus Appreciation Society are Tsuyama’s crew (aka the Tsuyamars) because Mimi-sensei is their advisor. And right as Kanon is resigned to not participating more actively because this Appreciation Society is guy-focused, Kurotaki Mai shows up both asking to join and clearly having her eyes on Akira. 

After some exercise (during which Kozue explains that theirs is basically an athletics club in terms of physical conditioning), things escalate into a competition between the current guys and the Tsuyamars to see who will be part leaders. In particular, Tsuyama and Kousei have a particularly fiery rivalry, on account of their both being baritones and delinquents quick to violence. Thanks to the conditioning of the veteran members, they all retain their spots, but within the little conversations happening, Kanon senses an increased awkwardness from Jin to Akira.

Kanonical Perspective

Kanon looks back toward the reader while sitting in the back of the clubroom

I’m appreciative of the fact that Kio was willing to switch things up and give Kanon a spotlight of sorts. So far, she’s largely been the relatively normal friend of Shion and Kozue, and one might uncharitably call her “boring.” But in addition to the manga emphasizing that she’s feeling a greater desire to participate more actively in some way, Kanon is also shown to have the keenest eye when it comes to social dynamics. She immediately recognizes Mai as the girl with a huge crush on Akira. She notices a greater closeness between Shion and Kousei, as well as Jin and Kozue. And, as mentioned, she can tell that Jin’s viewing Akira differently—though it’s not certain if she’s making the connection to Jin’s mom publicly recognizing Akira’s talent in front of her son.

I’ve compared Kozue a bit to Kasukabe Saki from Genshiken because of their no-nonsense attitudes, but because of Kanon’s ability to recognize shifting relationships, I think she might fit that role better in certain respects. The fact that Kozue is kind of an oddball in her own right also means that she can’t play the straight man the way Saki would. Perhaps Kanon is more like a less abrasive Sasahara Keiko? In any case, I’d like to see at least a few more Kanon-centric chapters in the future—perhaps even one where she’s the actual center instead of just the POV character.

Mai Joins the Party!

Kurotaki Mai asks if they’re accepting female members

Ever since her introduction, I have been hoping and predicting that Kurotaki Mai would eventually join the club, and now it’s finally happened. But while she’s been a potential love interest for Akira from the get-go, I really did not expect her to be waging an active campaign for his affections! As Kanon notices, not only does Mai enter the clubroom with a clear intent and purpose (even making a beeline straight for Akira), but she went as far as shortening her skirt. I think a part of me might be a little too used to a certain greater level of old-fashioned indirectness in these story situations, but I welcome whatever this is.

Kanon is surprised to see Akira react so casually and obliviously to Mai turning up the charm, to which she begins to wonder if Akira is into “bratty” girls like Shion and Himari. Kanon is portrayed as being especially observant, but I’m not certain she has an accurate peg on him, and I still believe Mai has a chance. Also, I like how right towards the end of the chapter, we get a little glimpse into more of Mai’s personality when she urges Akira and Ogawa to keep competing. While Ogawa is willing to forfeit because he has no particular desire to be the part leader for the bass section, Mai responds with, “Huh…? But there’s no point if this isn’t a serious competition?” It’s as if she wants Akira to live up to her lofty and romantic expectations of him. In other words, we’ve got another weirdo in the group, and that means my fondness for Mai only grows stronger.

Songs

This month’s sole song is “Sora mo Toberu hazu” by Spitz. It’s only natural, because of Mimi-sensei’s love of the band and, in turn, the Tsuyamars’ worship of Mimi-sensei.

Final Thoughts

First, I think this manga is going to get even better now that we’ll be seeing more Mai. I might be biased, though.


Second, while it barely got mentioned in this chapter, I’m really expecting a greater exploration of Jin’s new tension when it comes to Akira. The idea of intra-club volatility is new to Hashikko Ensemble—not only with Jin and Akira or Tsuyama and Kousei, but also Mai and Shion—and I’m looking forward to seeing what kinds of drama and silliness arise. 

Kio Shimoku Twitter Highlights June 2021

Kio Shimoku June 2021

These are tweets from manga author Kio Shimoku from June 2021 that I found notable and informative. They include a number of early sketches from Genshiken, and his dreams of having a vacation home just for building model kits.

Genshiken and Related Drawings

Though he can’t quite remember, Kio presumes this is Ogiue practice from Genshiken. He thinks he made her too loli in these drawings.

Original Sue design from Genshiken. Kio thinks she comes across differently here.

Early Madarame. Kio thinks he captured the spirit of the character well. Character descriptions on the drawing include: close-cropped hair, thin, lolicon, high-energy, glasses, and likes fighting games. Originally, he was supposed to be the best at fighting games among the group, and his preferred main was Nakoruru from Samurai Shodown. The notes also describe him as being essentially the leader of the club despite being a second-year, and also that he likes to tease others.

(What I find interesting is that the fighting game skills went to Kohsaka, and that the character gained a lot more vulnerabilities in the actual manga. Those flaws are part of why people like Madarame, and here we see sort of what could have been.)

Ogiue autograph boards, the purpose for which Kio doesn’t remember.

By the way, if anyone has the actual final versions of these, I would like to make a deal.

Sketches of anime directors Ikehata Takahashi and Mizushima Tsutomu. Both worked on Genshiken anime.

A rough manuscript of a manga Kio was planning before Genshiken. It would have been an action series featuring magical sage powers (senjutsu).

The wife’s ex from Spotted Flower, crossdressing as part of a prank on the editor character.

Giant Robots and Model Kits

A custom design for a Zeong. Kio feels like he still doesn’t have what it takes to make this work.

A 20-year-old photo Kio took of a model kit he built. The robot is the L.E.D. Mirage from Five Star Stories, and the photo was taken with a non-digital camera. Airbrushing was probably involved.

Kio saw Mobile Suit Gundam: Hathaway’s Flash. Even though the Universal Century timeline has been around for a long time, the film is full of imagery he’s never seen before: what first class looks like for civilian space travel, a military mess hall that’s like a food court, the terror of having to move around the legs of mobile suits in combat. He was glued to his seat while watching..

A 1/144 model kit of the Waff from Gundam: The Origin. It’s the only airbrushed Gundam model Kio has, and he likes how it’s small but still looks chubby. 

Kio’s first tank model kit: the Panzer IV Ausf.D from Girls und Panzer. Kio mentions not really knowing how to do weathering, and that he used the darkest paint from the Waff on this kit as well. He also likes how sharp the details are.

The first thing that Kio thinks of when he sees the term “plastic model training camp” is Plamo Kyoushirou, the proto–Gundam Build Fighters manga. He recalls wanting to be like the characters taking the kit boxes out and saying, “I’m gonna make the Dougram!” and “I’ve got the Real-Type Zaku!” 

After he became an adult, he started collecting them to his heart’s content. It’s why he wants an extra vacation home, so he can have room for all the kits—though actually, he has so many he can’t add any more. But model kits keep on evolving, and he wants to keep up.

Kio continues to describe his dream of a lodging just for model kits that would have all the equipment and features needed to build kits, and stacks of manga to read. Then, he and the others there would go out at night for drinks.

After someone mentions that the possibility is closer than he might think, the conversation mentions a Wonder Festival dealer named “Backyennew.” Kio responds that he knows this garage kit maker.

Responses to Other Works

Kio recalls this crossover drawing between different Shounen Sunday characters. After trying to remember what happens on the next page, a follower answers that it was a kind of fourth-wall breaking moment where they mention that the other manga authors said to do this.

Kio watched the anime film Pompo: The Cinéphile, and thinks it’s a really interesting movie. He talks about how important the editing process is, and recalls that back when he worked on Gonensei [The Fifth-Year], he tried to cram every idea in. For that reason, the progress the character Gene makes as a first-time director is impressive.

By the time of Genshiken, Kio knew how to edit down better, though he actually just took the cut material and turned them into extras in the collected volumes.

The director of Pompo, Hirao Takayuki, is happy that Kio “of Genshiken fame” tweeted about the film. Hirao says he read Gonensei, and that the pain from that manga is still with him today. Kio gives him a big thank-you, mentions how young and inexperienced he was at the time of Gonensei, and compliments Hirao for the highly technical edits. Kio also says the movie being shorter is a good thing, and that he still want so get the second half of the limited-edition extra booklets.

…And here he is with both extras.

Kio says that even though he only read a little bit, Uncle from Another World is a manga that made him think that he’d like to see it as an anime.

In order to get all the limited-edition goods, Kio went to see Shin Evangelion four times. The fourth time around, he felt he could just sit back and enjoy the movie.

Hashikko Ensemble

Kio points out that this song, “Ame” (Rain) from “Mizu no Inochi” (The Life of Water) is mentioned in Volume 3 of Hashikko Ensemble.

Kio went to see this mini concert by the Oedo Coraliars. He was blown away by the harmonizing.

Until next time!

Finishing Strong: Hashikko Ensemble, Chapter 41

Akira singing as the audience (including his mom) stares on while impressed

The end of the current arc paves the way for the next!

Summary

As the Chorus Appreciation Society’s finals’ performance continues, the boys pour everything they have into their singing, Kozue has actually begun conducting the audience more than the singers on stage. With a strong finish, the Chorus Appreciation Society is declared the winner of the Culture Festival’s singing competition.

Soon after, Jin and the other members confront his mom, Reika. After a brief pause, Reika goes up to the group…only to focus on Akira, rather than her son. She remarks that Akira has talent, and that he should contact her because she knows a good music teacher for him. Jin is stunned into silence.

Later, as Reika and Yumerun are leaving by car, Yumerun comments that she thinks Jin has actually improved a lot. She asks why Reika thinks Jin has no talent, to which Reika responds that she never said any such thing. Rather, what she has meant to say is, why would someone with his talent join a chorus or choir, where people go to hide their lack of ability? When asked why she’s never said this outright, Reika answers that calling your own kid talented is embarrassing.

“Relative” Talent

Reika: “But I’ve never once said Jin has no talent.”

The way Jin’s mom really feels about him is something of a revelation, and like the characters themselves, I completely misinterpreted the situation. But I had also previously wondered about whether Jin truly is “untalented” or if he’s just holding himself to a ridiculously high benchmark in Reika, and I believe we have our answer here. Simply because Jin has to study and learn what comes intuitively to his mom, he perceives himself as needing to make up for some deficiency. 

On some level, Jin might be what you call a Larry Hemsworth—an exceptional individual who assumes they’re unexceptional because he constantly compares himself to others close to him who arguably shine even more. But also like Larry, who believes his being a pediatric surgeon pales in comparison to his three brothers’ acting skills, the question of who’s more talented between Jin and Reika is subjective. Jin’s ability to break music down, analyze it scientifically, and put it into practice is amazing in its own right, but he seems to be unable to see it from that perspective.

It remains to be seen whether Reika’s glowing words about Akira create a rift between him and Jin, but I doubt that it’s going to result in any sort of high drama. Perhaps like his mom, though, Jin might be surprisingly indirect in specific situations—as in her conversation with Yumerun in the car.

Yumerun and Jin

The audience getting into the song, and Yumerun seemingly being captivated by Jin’s singing

The chapter has a moment where Yumerun is looking at Jin perform, and she seems to be quite taken by him. They’re childhood friends, and she seems to have some sort of unusual fondness for the guy, but given that everyone is blushing all the time in Hashikko Ensemble, it can be kind of hard to tell what’s romance and what’s not. However, given their history, I feel like something may develop…or at least turn into some Boa Hancock and Monkey D. Luffy situation like in One Piece: a comedically one-sided love where the lack of reciprocation is more due to empty-headedness than incompatibility.

To the Next Story

The image of Akira wowing the audience with his powerful bass feels like a turning point of some kind. His classmates already knew he had a deep voice, and he’s sung in public on multiple occasions at this point, but I predict that he’s gonna gain a whole new reputation after this.

The likely thing is that we’re going to see enough new members join them for the Chorus Appreciation Society to gain proper Chorus Club status, and I expect there to be familiar and unfamiliar faces alike. In my view, Mai is the most likely one, but I think there are probably going to be some real curveballs in there. Might there be any unnamed audience members from this even who will end up as recurring characters?

Songs

“The Wings of Mind” continues and concludes from the previous chapter.

Final Thoughts

Great artwork in this chapter. I continue to enjoy the fact that the portrayals of singing feel intense but don’t go deep into the realm of exaggeration. Not that I mind it in general, but I think it works well for the relatively subdued quality of Hashikko Ensemble.

Also, I don’t think I recall this event being called the “Hashi High Acapella King/Anything-Goes Decisive-Battle Tournament,” but maybe I just glossed over it. In any case, I give props to Kio Shimoku’s first-ever tournament arc. 

Kio Shimoku Twitter Highlights May 2021

Tweets of interest from Kio Shioku’s official Twitter for May 2021:

This past month saw the unfortunate passing of Miura Kentaro, author of Berserk.

“Whaaaaaa?!”

“I can’t believe it…Berserk is actually…”

 “Whether it was his art, his storytelling, or his characters, he poured his overwhelming passion into everything. I’m trying to find the right words, but I don’t have them…My deepest and heartfelt condolences for Miura-sensei in his passing.”

Shin Evangelion Reaction

“I saw Shin Eva. It wasn’t an illusion. It wasn’t, right…?”

Kio watched a recording of The Professional: Anno Hideaki where Anno says, “I’m okay with dying for my creations.” This made Kio’s head spin. (Having come so soon after Miura’s death, it seems to have hit Kio extra hard.)

Art

A rough nude sketch of Ogino-sensei from Spotted Flower and a preview of the next chapter out.

Kio’s first drawing of first-generation Kasukabe Saki from Genshiken in many years.

Kurotaki Mai from Hashikko Ensemble.

Otaku moments with Hasegawa, previously posted on the @hashikko_music account. She worries about having accidentally outed herself as an otaku, but when asked if she’s a fujoshi, Hasegawa responds, “That isn’t the setting this time.” Also, when Shion expresses interest in Miyazaki anime, Hasegawa considers going into the deep end: Horus: Prince of the Sun, Panda Go Panda, Heidi, 3,000 Leagues in Search of Mother, Anne of Green Gables.

More previous art. Orihara loves the “AMEN”s, and Hasegawa does a pose from what I believe is Hellsing?

The pet tortoise

Miscellaneous

Kio explains that the “broken Gouf leg joint” incident from Genshiken wasn’t exactly based on reality, but he had a similar experience as a kid. In a later tweet, though, he realizes that the reason it happened to him is because model kits in those days didn’t use polycaps on ball joints, which made for a less maneuverable limb.

Kio quit his habit of downing energy drinks before starting his work.

That’s all for this month!

Wild Wings: Hashikko Ensemble, Chapter 40

As Akira and Jin sing, they remember their first encounter in the classroom when Jin asks Akira to join his Chorus Club.

It’s time for the Chorus Appreciation Society to sing in their last song of the School Culture Festival, and Jin is nervous about being onstage in front of his mom. Fortunately, Kozue delivers a confident speech about their happiness spreading music through the school, which calms Jin down—though she then turns it into a taunting preemptive declaration of victory. 

Their performance of “The Wings of Mind” begins, and the four guys harmonize perfectly, the beauty of the song causing emotions to well up in nearly everyone listening. The LED display Himari programmed displays the lyrics, and before everyone realizes it, the entire audience is doing the same as she is: singing along and being drawn into the performance. However, the chapter ends with Reika with an ambiguous expression that seems to read as her not being terribly impressed.

Song, Singular

This month, there’s only one song, and it’s the centerpiece of the entire chapter. The power of “The Wings of Mind” seems to be its ability to resonate on a very personal level with everyone listening to it. The song brings about a range of emotions: hope and disappointment, nostalgia and discovery, past and future. The two flashbacks indicate this strongly: Akira remembers meeting Jin in the classroom and being introduced to the world of music, while the senior members of the Rugby Club recall looking at the younger teammates as they themselves have to move on to the next phase of life. 

This potentially ties into a previous conversation Akira had with Jin about individual interpretations of a song’s meaning. It’s something Jin has trouble with, and to see “The Wings of Heart” hitting people in different places highlights the notion that we bring a part of ourselves into the songs we hear. “Art is how you interpret it,” or something like that.

Thanks to the LED display of the lyrics, the audience is singing along with the Chorus Appreciation Society.

Perhaps this is why the audience gets swept on in singing. As explained in the chapter, it’s not just that the lyrics are visible, but that it’s as if everyone is being compelled to follow along by the song. Everyone, that is, except Reika. 

1v1 Me, Son

The bit of nervousness (or self-consciousness) Jin feels before the performance is not just understandable—it speaks to the core of Jin’s internal conflict. His mom thinks he’s not trying to prove that talent doesn’t matter so much as he’s hiding his own lack of, and Jin is afraid that she’s right. In this respect, I think the whole “sing-along” plan he thought up might actually backfire, as I suspect Reika sees it all as a gimmick: more camouflage for Jin’s comparatively mediocre vocals. 

Reika and Jin’s contrasting priorities reminds me of arguments made about competitive games. Players of 1v1 games will point to the fact that in a 1v1 scenario, you own all your wins and losses, whereas team games soften the blow of failure by giving players the excuse of blaming their teammates. At the same time, there are impressive things achieved through the group cooperation of team games that 1v1 games can’t touch. All of it is true at the same time, making it so that neither side is inherently correct.

The Hasegawa Kozue Show

Kozue provokes the other groups by saying they knocked everyone else the hell out the tournament, and they're here to win.

This comes as a shock to Mimi-sensei, who thought Kozue was going somewhere kinder.

Kozue carries such power in this manga, being a kind of motivational force that can redirect the inertia of the other members, not unlike Saki from Genshiken. The confidence in her speech, the way she sets Jin back on course, she’s proving more and more how invaluable her friendship can be.

Even if he never said so outright, it’s clear at this point that Kozue is one of Kio’s favorite characters. One thing I like about her character and the emphasis given to her is that she’s nowhere near a traditional “bishoujo” by manga standards, and I like that it bucks expectations and stereotypes. Even her romance (of sorts) with poor Sora from the Rugby Club feels refreshing and new. 

She gets thanked by Kousei and blushes a bit, but I don’t yet see it as anything special. It feels more like Kozue is unaccustomed to such direct gratitude, especially from a guy like Kousei.

Final Thoughts

This sort of feels like the series could end soon, but I really hope it doesn’t. I want to see the club officially form, and for some new faces to give opportunities for more interesting storytelling and drama. 

Kio Shimoku Twitter Highlights April 2021

Another month of Kio Shimoku tweets is here! The guy has finally learned how to thread tweets, which makes things easier for me. A lot of the month was promoting his books, as well as other titles in Rakuen: Le Paradis, where Spotted Flower runs.

Crossover Images Featuring Genshiken, Hashikko Ensemble, and Spotted Flower

A crossover between Jin and Madarame.

Image 1:

“Stand like you’re being held by a string from the sky!” [a way to teach proper posture for singing]

“It’s normal for me to be hunched over, you know. *mutter*”

A duo who will never see eye to eye.

Image 2:

“So what was like in high school?”

“Well, it was pretty ordinary. I was in an otaku club…and I had long hair…”

“Ahh, Hashi Tech has one of those too. It’s called the Society for the Study of Modern Visual Culture.”

“……Huh?”

I find this amusing because I sort of think of Jin and Madarame as similar characters, but they’re actually quite different. Jin is almost like if you mixed Madarame and Kohsaka.

Also, it turns out that teenage Madarame, Tanaka, and Kugayama doppelgangers (in an actual Genshiken club) actually did make a cameo in Hashikko Ensemble!

Old drawings from the @hashikko_music Twitter. In the first, Hasegawa is commenting that Sue has a nasty expression. In the second, Himari is about to make the same comment about Ogino-sensei, but is struck by their similarities.

More old drawings from the other account. This time, it’s Not-Sue holding Himari, only to realize it’s not Ogino-sensei.

Ohno and Mimi-sensei…and also Shion, who wants a grab.

More Tortoise!

Sleeping Tortoise Pose Series. Pose: Manji

Kio recalls a moment from 10 years ago, where a stray cat was curiously poking at the tortoise as the latter slowly tried to scuttle away. He remarks that, amazingly, this is the same tortoise who now actively rams the window asking to be let in.

Here’s how the turtle crawls in.

Miscellaneous

Thanking Taniguchi Jun’ichirou for his animation work on Genshiken. This includes Nidaime and the original series, where Taniguchi and Mizushima Tsutomu (who would later go on to direct Nidaime) worked on the infamous “nose hair” episode.

And another old drawing about washing your hands. I believe this was from early on in the COVID-19 pandemic.

Kio bought an L-Gaim model kit!

Kurotaki Mai from Hashikko Ensemble with extremely realistic bunny ears.

That’s all for this month!

Heel Behavior: Hashikko Ensemble, Chapter 39

Reika, Jin's Mom, telling the Basso Masters to sing from the heels

Jin’s mom continues to be a tour de force in Hashikko Ensemble, Chapter 39.

Summary

It’s now the finals of the Culture Festival’s music competition, and the Chorus Appreciation Society is up against the mysterious masked Basso Masters. However, not everything is as it seems. The leader of the Basso Masters isn’t anyone special or known—just a friendly third-year named Satou who was inspired by Jin to follow his interest in music. And even though Jin’s mom, Reika, gave Jin a deal to let him go to music college if they win, Jin himself doesn’t really care about that. In fact, he likes applying his match and science skills in electrical engineering, and simply wants to show Reika the merits of singing as a group.

The Basso Masters go first, but just as they begin their performance, Reika interrupts them to rearrange the singers’ positions to group them according to roles (Bass I, Bass II, Tenor I, Tenor II). She also provides some advice on how to sing from the entire body instead of just from the throat. The difference is so immediately noticeable and significant that even the members of the Chorus Appreciation Society can’t help but applaud by the end.

The Basso Masters singing intensely after taking Reika's advice

As Jin, Akira, and the others get ready for their turn, a student from electrical engineering brings to Jin an LED display meant to show the lyrics to their next song, “Kokoro no Tsubasa.” Here, we learn that Himari has been hard at work getting this done, going so far as to learn how to program. Akira, seeing how many people Jin has touched and changed with his passion for music (Akira himself included), encourages Jin to consider music college after all.

The Power of Reika

Once again, Reika steals the show, as she presents an interesting obstacle for Jin. I think the really challenging thing about her from Jin’s perspective is that her talent, as well as her ability to recognize talent, are undeniable. While Reika believes group singing is less important than solo performances, it’s not as if she dismisses it outright. In fact, it’s thanks to her immense understanding of chorus dynamics that the Basso Masters are able to put on an amazing performance. She also specifically tells Satou, the Basso Leader, that he’s actually pretty good at conducting, so it’s not as if she has an ego about it. Reika is simply incredibly unfiltered—another similarity she has with her son, even if they manifest differently. At one point, Reika puts on a spare pair of glasses, and the students at school instantly recognize her as Jin’s mom. The way the Kimura family carry themselves is unmistakable.

Reika’s advice for how to sing better explains a lot as well. Essentially, she says that the common folk breathe from the throat, the experienced breathe from the spine, and the true masters breathe from the heels. So, when you sing, your feelings should erupt forth like magma—through the butt, then the spine, then the throat, then the forehead, then the top of your head. Not only is it a vivid visual metaphor (especially for a song called “Hymn of the Earth”) but it explains why Reika believes that an exposed forehead makes for better singing.

Himari Working Behind the Scenes

I had been wondering about Himari’s lack of presence in recent chapters, and I’m glad that it wasn’t just her being outshone by other characters. The fact that she hasn’t been in the spotlight is also quite fitting for her personality, and in hindsight I think it was the smart move overall. She’s trying to help in her own way, and she doesn’t make a big fuss out of it because she doesn’t want the attention. This likely goes all the way back to Jin leaving Himari’s apartment (and the inevitable misinterpretation of events that occurred): she was probably helping Jin with this LED display. Moreover, Akira points out that Himari has always been fond of picture books and poetry and such, so the lyrics of “Kokoro no Tsubasa” must have resonated with her. 

Himari isn’t a writer, as far as we know, but could her appreciation of the written world lead to her eventually joining the Chorus Appreciation Society? Either direction would work, and would indicate where her character has headed.

Songs

Basso Masters: “Daichi Kinshou” (Hymn of the Earth) from the cantata “Tsuchi no Uta” (Song of the Land)

“Kokoro no Tsubasa” (“The Wings of Mind”) composed by Kitagawa Noboru

Final Thoughts

I’m worried that something disastrous is going to happen to Akira and Jin! Something tells me the conflict with Reika isn’t over by a mile.

Genshiken’s Kio Shimoku Is Now on Twitter!

In one of the biggest pieces of Genshiken-related news to come out in a long time, author Kio Shimoku finally has a Twitter account, @kioshimoku1!

He’s genuinely new to the platform, as he seems to not even understand how to thread tweets. He also doesn’t really respond to fan tweets. Even so, it’s become a great place to learn things about the man that were previously unknown. But in recent years, he’s been willing to open up more (and has even done a couple interviews), and now he’s providing valuable creator insight and even a bit of personal history.

While I would love to translate everything, I don’t have the time for such a time-consuming endeavor. Instead, what I’m thinking of doing is just sharing some highlights from Kio’s account once a month or so. 

Here’s one group of noteworthy tweets, as well as a summary below.

After having watched the Professional episode on Anno Hideaki, Kio reminisces about past Anno works, like Nausicaa of the Valley of the Wind [where he was an animator] and Nadia: Secret of Blue Water. Aim for the Top! he couldn’t watch as it was coming out because it was an OVA, and his family only had Betamax, so he couldn’t rent tapes. Years later, after winning the Afternoon Four Seasons Award for manga while in college, he used his prize money to buy a VCR.

Kio believes he first heard of Nadia from the very first info about it in Animage, and thinks (but isn’t certain) that he knew Anno’s name at that point. Kio was all about Miyazaki Hayao’s anime at that time, and believed anime should be all about big adventures, so he recorded Nadia on Betamax every week. He certainly did notice the production issues that anime faced, though.

After trying to remember if he drew any Nadia fan works at the time, he remembers that one of his drawing submissions was actually published in Animage. [Note: I wonder if we could find his drawing…] He’s also pretty sure he drew some Nadia doujinshi, but can’t remember what it was about (other than it was not pornographic).

But then…

Kio is reminded by his Twitter followers that he not only drew a Nadia fan comic in 2012 as part of an anthology, but that he made the exact same response of having drawn doujin but having no recollection of the contents.

Finally, Kio drew this picture of Nadia in a plugsuit.

Speaking of drawings, it’s one of the best reasons to follow Kio on Twitter.

Sue vs. Hasegawa

Sue vs. Hasegawa aftermath

People have been saying she reminds them of Yajima from Genshiken, so Kio provided these notes.

Hasegawa Kozue, first-year Architecture and Construction major at Hashimoto Technical High School.

  • She was introduced unceremoniously to Hashikko Ensemble, but she has such a powerful presence that she became one of the central characters. She became the group’s conductor so easily that she feels broken.
  • She’s the only one who can fight Sue toe-to-toe.
  • Despite being only a 1-dan in Judo, she can toss her 2-dan older brothers (and others of that level) around with ease.
  • She sometimes acts as the author’s avatar.

Ogiue! Kio practiced drawing Ogiue in an older style for the Twitter introduction image at the top of this post.

Kio Shimoku has a pet turtle.

Orihara and Shion

And that’s all for this time. Look forward to next month, maybe?

Breakers Revenge: Hashikko Ensemble, Chapter 38

A new chapter shows Jin’s mom, Reika, in all her glory. But before I dive into the review, a few important pieces of news:

First, Volume 6 of Hashikko Ensemble is currently on sale in Japan. This volume doesn’t appear to have any limited edition extras, which is good for my wallet.

Second, Kio Shimoku is finally on Twitter! Follow him @kioshimoku1. In addition to posting art on occasion, he also tweets stories about his life both past and present. For example, did you know his family only had Betamax instead of VHS growing up, and he used the money from winning the Afternoon Four Seasons Award in college to buy a VCR? I’m thinking of making occasional posts summarizing interesting tweets from Kio. 

Third, today is Ogiue’s birthday! Happy birthday to the best girl ever.

Now, on to Chapter 38!

Summary

Despite a fantastic performance by Mai and her group, Noi Majo, the Chorus Appreciation Society beats them and moves on to the finals of the School Culture Festival tournament. Stepping away from the stage to take a break, Jin’s mom (with Yumerun) finally arrives at the high school. Shuusuke immediately recognizes her as the world-famous soprano, Kimura Reika, who has sung in operas across the globe. She’s also infamous for her selfish attitude that has earned her the nickname “Breaker”—a portmanteau of burei (rude) and Reika. The members see a lot of her qualities in Jin.

Jin is bothered by his mom’s attitude, feeling that she allows her immense talent to be her excuse for poor behavior. Jin tells a story from middle school, about Reika agreeing to sing with his boys’ and girls’ choir—only to never come to practice until the very last day, put on an astounding performance at rehearsal, recognize Yumerun’s ability, and then skip out on the actual day of the recital in order to perform for an Italian conductor. 

While Reika explains that she 1) called to cancel rather than bail without warning 2) ended up making way for Yumerun’s rise 3) didn’t want to take away from a performance that was supposed to focus on the kids, Jin still can’t accept how much she inconveniences others because music is something people create together. Reika responds that music is about self-expression and the passion of the moment, and points out that there are no “chorus majors” at any music colleges, showing how important individuals are in the field. But when she questions the usefulness and motives of Jin joining a technical high school just to form this group, Akira comes to his defense to talk about how much discovering singing thanks to Jin has helped him change and grow. Reika then decides on a deal: if they can win the entire competition, then she will let Jin go to a music college. Jin seems more confused than pleased.

Giga Drill

Reika was introduced two chapters ago, but her “true” debut (i.e. meeting Akira and the others) exceeds my expectations in nearly every way. This manga has great moms, and I don’t mean it in that way. 

In my Chapter 36 review, I mentioned how I had originally imagined Reika as much more strict and demanding, but everything about her screams the opposite. She’s like pure “id,” doing whatever she wants whenever she wants. And while she seems to have this in common with her son, the finer details of their respective approaches and philosophies regarding music do reveal a profound divide between the two. 

Jin sees music as a product of effort, and cooperation; Reika sees it as spontaneous artistic expression. Whereas Jin has broken down music scientifically in order to master its ins and outs, Reika utilizes intuition and natural sense. There’s a part in the flashback where Jin thinks, after hearing his mom sing with the group during rehearsal, “Why couldn’t I have inherited that talent?” To put it in Naruto terms, it’s sort of like if Neji had a Rock Lee for a kid.

(Though, incidentally, Rock Lee’s actual situation in Boruto is the opposite of Reika’s. His son, Metal Lee, is a born genius. But I digress…)

I really love this conflict in the Kimura family because it’s simple on the surface yet has so many layers in terms of the characters’ respective personalities and views of the world. Neither of their respective views on music are necessarily wrong, but they’re clearly a product of what does and doesn’t come naturally to them. Yet, while Jin is trying to make up for what he lacks and doesn’t have that innate understanding of song, his ability to thoroughly analyze and break down music can be considered a talent in and of itself. Jin’s forcefulness doesn’t fall far from the tree, further highlighting the ways Kimura is influenced by his mom both consciously and subconsciously.

I also am beginning to wonder if I should reevaluate my thoughts that Jin might be somewhere on the autism spectrum. It’s not been stated outright at all, but Jin’s personal admission to not being able to interpret song lyrics without outside help, his scientific breakdown of music, as well as his seeming ignorance about social mores all seemed to point in that direction. However, now that we’ve seen Reika on full display, there’s a chance that he’s comparing himself to the ridiculous standard set by his world-renowned operatic soprano mother. Of course, there’s a chance he could be neuroatypical and also have to deal with a genius mother, so the jury’s still out.

Romance Odds and Ends

While Reika dominated the chapter, Akira does get some small moments. When seeing Mai perform, he’s in awe of her ability to sing both boy’s and girl’s roles. He even blushes a little, but he seems to blush all the time. And when Akira begins to defend Jin in front of Reika, Shion can be seen enthralled by Akira’s passion, giving him more courage as well. I don’t know how that love web is going to end up, but I hope they’ll all be happy.

Songs

Noi Majo: “Zenryoku Shounen” (“All-Out Boy)” by Sukima Switch

Electrical First-Years: “Moonlight Densetsu” (aka the Sailor Moon opening)

The song Reika sang with the kids is “Origami” Suite, for Soprano Solo with Girls’ Choir and Piano by Kobayashi Hideo (not available on Youtube).

Final Thoughts

If it isn’t obvious, I think Reika is a fantastic character as both an adult figure and foil for Jin.

As for her nickname, if it were to be translated in English, I think I would go for Breaker standing for “Brazen Reika.”

Operating on Different Scales: Hashikko Ensemble, Chapter 37

An electrifying performance dazzles the audience in this chapter of Hashikko Ensemble.

Summary

Hot off another victory, the Chorus Appreciation Society moves on to the semifinals of the school’s Cultural Festival music competition. This time, having experienced some kind of epiphany, Kousei reacts to Shion with a powerful blush, leading everyone to respond with a mix of confusion and curiosity. A heart-to-heart of sorts with Yukina helps him see what he wants, and at the moment, it’s to sing with Shion.

While the remaining groups are impressive in their own right, the Society’s fierce rendition of the song “Etupirka” bowls everyone over. However, Jin’s mom fails to see this performance too, as she and Yumerun are stuck in traffic.

Yukina’s Maturity and Kousei

After Kousei heads outside by himself, Yukina comes up to him and drops some heavy statements in a surprisingly casual way by discussing a possible future with Kousei, including who would work and how many kids they would have (two or three!). Kousei doesn’t seem bothered in any way by this conversation, though his response is “Right now, I’m having plenty of fun singing with her”—a rejection, at leat for the time being.

This whole conversation is full of unexpected words and responses, and while I don’t know if “realistic” is the right word, the dialogue between Kousei and Yukina has a kind of depth and dimensionality to it because of how they seem to be thinking about the concept of time relative to their wants and desires. Kousei essentially has a choice between the rough-and-tumble girl who’s more like him or the classy girl who’s his complete opposite, and his feelings about it are rooted in the possibility of stepping into a world he long thought cut off from him due to his upbringing. But Yukina takes the long view, and appears to be thinking, “Even though Kousei’s all about the cute girl now, there’s always a chance he’ll come back around eventually.” I find Yukina’s particular brand of maturity interesting, like she’s somewhere between Saki and Keiko in Genshiken.

Kousei’s “Right now” is an interesting choice of words. What I think it implies is that, rather than being about love and seeing oneself with someone for a long time, it’s about Kousei figuring out his emotions in the moment. Does he value the ability to connect with Shion through song more than the inherent mutual understanding he shares with Yukina? The way Shion seems to instantly know what Kousei has on his mind when he hesitates to communicate what he wants out of her piano-playing for the next song, it speaks to a potential deeper connection through music. But whether that bond goes beyond music is something I’m looking forward to seeing.

ETUPIRKA! ETUPIRKA! ETUPIRKA!

Just like in the last chapter, we have an amazingly drawn scene of a Chorus Appreciation Society performance. What stands out to me about their “Etupirka” is that even if you don’t know what the song actually sounds like, Kio’s artwork conveys its sheer intensity. It’s not just the trembling line effects throughout the performance, but the way the characters are drawn with such dynamism even while they’re standing still, as well as the choice to use that initial extreme angle to depict Shion’s piano-playing (as seen in the top image) makes it seem like the ground is trembling. It borders on a more exaggerated representation that one might find in an action-packed shounen manga that uses music as its gimmick the way Yakitate!! Japan and Food Wars: Shokugeki no Soma approach food.

(And if you want to hear a performance of “Etupirka,” it’s in the “Songs” section below.)

Hanyama’s “Tone Deafness” Isn’t

At one point, the subject of Hanyama’s inability to sing on-key comes up, and Jin reveals that what everyone assumed to be a case of being tone deaf is actually something else entirely. He recounts having tested Hanyama, and it turns out that the guy unconsciously sings on a scale different from the traditional Western music scales due to his family running a Buddhist temple. Instead, Hanyama sings according to what the Japanese calll junpachi gyakuroku (“upward eight, lower six”) or sanpun son’eki ho, which is also known as the Chinese 12-tone musical scale—which coincidentally is also the same as Pythagorean tuning. It results in the kind of music you get from Buddhist chants (shoumyou) and Japanese imperial court music (gagaku).

If this is all Greek to you, you’re not alone. Akira in the manga is completely baffled by everything Jin says, and so am I. But the gist of it—as much as I can understand, anyway—is that Hanyama has internalized that particular understanding of music, and it makes his attempts to sing more conventional popular songs go awry. Even if I don’t fully grasp everything, I find that pretty fascinating, and I’m glad Hashikko Ensemble goes into it, however briefly.

Songs

Half Monks: “Guts Daze!!” by Ulfuls. This is the song in a flashback to Hanyama’s singing in the competition while they’re explaining the quirks of his musical sense.

Electrical First-Years A Capella Group: “Racing into the Night” by YOASOBI

This is noted as being a Vocaloid song performed using six voices. While there’s no available equivalent online, there are Vocaloid covers of this song.

Wind Instrument Club: “The Galaxy Express 999” by Godiego

Chorus Appreciation Society: “Etupirka” composed by Hirose Ryouhei

Final Thoughts

Though we only got brief glimpses of them this chapter, I quite enjoyed the presence of both Akira and Jin’s mom. I’m still entertained by Akira’s mom and her delight over her son having friends, and I’m further anticipating the arrival of Jin’s mom at the school. I do get the feeling nothing Jin does will impress her, and I wonder if Yumerun will have any role to play in terms of bridging their strained mother-son relationship.

Also, Volume 6 of Hashikko Ensemble comes out next month! I wonder what store-exclusive bonuses we’ll get this time.