Interdependence Day: Ogiue Maniax Status Update for July 2020

It feels like 100 years have passed since June and July. The world feels liable to change in the most drastic ways, but also to revert back to the same old ignorance. We’re all just individuals in the end, but I hope that we can enrich ourselves just as much as we help those around us. As COVID-19 spikes around the US, I want everyone, even those I vehemently disagree with, to have long, healthy, and fulfilling lives, and to remember that we’re in this together. It shouldn’t be “every man for himself” in this situation.

Thank you to my Patreon sponsors, who support me even as I deviate from the main topics of this blog at times.

General:

Johnny Trovato

Ko Ransom

Diogo Prado

Alex

Dsy (NEW PATRON!)

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

I like to think that everyone who follows Ogiue Maniax knows my passion for anime and manga is genuine, even if there are times when more important things are at stake.

Blog highlights from June:

Beyond “Friendship, Hard Work, and Victory”: The Promised Neverland

A full-series review of one of the best shounen manga ever.

Beastars and the Fight Against Behavioral Absolutism

My interpretation of what Beastars has to say about civilization.

Learning About the Butterflies and the Bees: Saotome-senshu, Hitakakusu

A great and silly boxing-themed romance comedy series. Highly recommend.

Hashikko Ensemble

Chapter 29 shows a bit of tension between Akira and Jin—a first for the series.

Patreon-Sponsored

Thoughts on Open-World RPGs and the D&D Legacy

It basically turned into a post about JRPGs vs. WRPGs.

Apartment 507

The Demon Slayer: Kimetsu no Yaiba manga has finished. Could this mean one of the overall best anime adaptations ever is on its way?

Closing

A new anime season is upon us, but in this current situation, that means a lot of shows that went on hiatus due to coronavirus are coming back. I’m most stoked for Healin’ Good Precure, which is finally going to be streaming on Crunchyroll in the US. It’s time for Precure to claim its rightful place!

Break the Unbreakable, Fight the Power: Ogiue Maniax Status Update for June 2020

This blog is a reflection of myself, and my thoughts and feelings on anime and manga both for their own sakes and within the greater context of the world we share. So much has happened within this past week, let alone this past month, that I’m feeling overwhelmed. Between COVID-19 and the protests that have emerged in the United States, Japan, and Hong Kong in response to institutional injustice, I hope that everyone can stay safe as we fight for fundamental changes to transform the world into a place where power and authority are not used as tools of oppression.

Thank you to my Patreon sponsors this month. I appreciate your support, not just those listed below, but everyone who thinks Ogiue Maniax is worth something even in these times.

General:

Johnny Trovato

Ko Ransom

Diogo Prado

Alex

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Blog highlights from May:

The House in Fata Morgana and Full House: The Inherent Limits of “Pure” Translations

Translation accuracy and localization have been recurring fandom topics lately. I thought I’d give my perspective on it.

The White Fear of Mediocrity

A thought about Steely Dan in JoJo’s Bizarre Adventure turns into an exploration of whiteness in America and its ties to the suburbs that dot the country.

Wishing for Hope, Reaching to Help

The recent deaths and suicides of so many have me wishing that everyone stays safe mentally, physically, and emotionally.

Hashikko Ensemble

Chapter 28 puts some focus on the castle-loving Shinji.

Patreon-Sponsored

My Favorite (?) Anime Computer Games

It is what it says, sort of?

Apartment 507

Thinking about nostalgic sequels and their use of time.

Closing

Whether you choose to stay indoors or go out there to fight for justice, please stay safe. I will try to provide things worth reading, whether you want to engage more with the world around us or to stay within the realm of art. Just remember that the border between the two sides are porous and prone to mingling.

Futari no Social Distance: Ogiue Maniax Status Update for May 2020

Anime Expo: Canceled. Otakon: Canceled. EVO: Canceled. But it’s all for the best as we try to keep one another safe in these strange times. I’m thankful to all the organizers for making the right choice, and I hope to see you all at conventions eventually. In the meantime, I find myself trying to make the most of my time spent at home.

Thank you to all my supporters on Patreon again this month, especially these fine folks below.

General:

Johnny Trovato

Ko Ransom

Diogo Prado

Alex

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Blog highlights from April:

Their Problem is Our Problem: The Promised Neverland, “Coronavirus,” and the Systems that Force Inequality

The Promised Neverland brings the fury as it asks readers to think about the world around them.

When Comedy Goes Nuclear: Spy x Family

This popular new Jump+ manga is probably going to be the next big hit. I highly recommend it.

Eureka Seven, Holland, and Fujiwara Keiji

My tribute to the recently deceased voice actor who brought his A-game to every role. If you want to see my Top 10 favorite anime roles of his, I also wrote something up for Apartment 507.

Hashikko Ensemble

Chapter 27 is, at last, the big performance…with a dash of possible romance.

Patreon-Sponsored

My Favorite (?) Anime Computer Games

It is what it says, sort of?

Closing

I’m nobody special when it comes to giving advice, but I hope everyone can enrich themselves and stay sane in these crazy times. As for me, I’m finding great joy in AI-generated memes (like the one you saw at the top of this post), and incredibly dumb and hilarious #partyparrot memes. (The joke is dicks.)

Their Problem is Our Problem: The Promised Neverland, “Coronavirus,” and the Systems that Force Inequality

WARNING: THE PROMISED NEVERLAND MANGA SPOILERS

In Chapter 172 of The Promised Neverland, there’s a collage that’s rather conspicuous, given the actual pandemic hitting the world at this moment. As the heroine Emma is confronting an enemy leader about how differences in positions are the root of conflict, one of the images has a wall with the word “coronavirus” graffitied on it. 

Up to this point, it’s been established that the main characters live in an alternate dimension from the regular human world, but there haven’t been direct calls to the reality in which we, the readers, live. I think this “coronavirus” page is a direct message from the creators of The Promised Neverland, Shirai Kaiu and Demizu Ponsuka, and what that message says is: “The ideas conveyed in this manga are not meant to be taken as mere vague abstractions about generally making the world a better place, but as very real criticisms of society.”

When The Promised Neverland first began, it was an interesting manga about a cat-and-mouse game and a battle of wits in a dystopian setting. Originally, the focus was on escaping an orphanage designed to turn children into food. Then, it was about surviving against the demons on the outside. Over time, however, the series has revealed a greater world where the real evil of the series is not scary human-eating monsters but how the corrosive desire to hold onto power at the expense of the greater good. 

In order to survive, some children strive to become mothers—essentially overseers of the human farms, but also chattel themselves due to being the literal suppliers of the chain through giving birth. Mothers are told that the best among them can become a “grandmother,” supervising all the mothers, making them compete desperately too. It’s even revealed that the demons themselves have an oppressive class hierarchy. Eating human meat is what has allowed them to gain a high level of intelligence, but a steady diet is necessary because otherwise they’ll revert back to beasts. The rulers of their world get access to the best meat, and can thus maintain their already massive advantage. Moreover, there turns out to have been a way to permanently prevent the demons from losing their intellect, but the ruling class purposely and violently obscured that information to keep the masses dependent on those in charge. In other words, everything about society in The Promised Neverland is premised around pitting the lower classes against one another to distract from the intentional systemic issues imposed by those in power.

How does that apply to our own world? “The top 1% hold 99% of the wealth” is about how massive inequality concentrates all the power in a select few who inevitably enrich themselves at the expense of others. In regards to keeping the lower classes at one another’s throats, US president Lyndon B. Johnson famously said, “If you can convince the lowest white man he’s better than the best colored man, he won’t notice you’re picking his pocket. Hell, give him somebody to look down on, and he’ll empty his pockets for you.” Writer and lecturer Douglas Rushkoff even wrote an article in 2018 about how some of the ultra-rich are preparing for the apocalypse by figuring out how to save themselves while still wondering if it would be necessary to lock down their guards’ food supplies to force loyalty.  And now, with the COVID-19 pandemic, we’re seeing how the very same types are retreating further into their massive safety nets, leaving those with less to struggle. It’s crystal clear to me that there’s a similar sentiment at work fueling the overt criticism of the disparity in power and resources in The Promised Neverland

The fact that Weekly Shounen Jump comes out with brand new chapters of manga on a regular and consistent basis can be a blessing and a curse, but one advantage of the accelerated pace of a weekly manga magazine is how quickly it can potentially seize upon the relevant events of the day. What that “coronavirus” graffiti communicates is simple: the crises your heroes are facing in The Promised Neverland are not that far from the problems that plague the very reality in which you live. Emma, as the heart of this series, staunchly opposes false dichotomies that lead to zero-sum situations where one group can only “win” by sacrificing another. Perhaps The Promised Neverland wants us all to be allies in this struggle, and to be aware of the real problems that gave way to our current global crisis: racism, social inequality, intentionally massive disparities in wealth and resources, and an economic environment where those in power are encouraged to let the whole world burn if it means keeping their positions.

Voices of a Social Distant Star: Ogiue Maniax Status Update for April 2020

Well, what a month it’s been. Back in March, the threat of COVID-19 was real, but I did not expect things to escalate so quickly. The number of sick and dead ever increases. We’re seeing the Tokyo Olympics get postponed to 2021 and Comic Market 98 get canceled. New York City and the United States have become epicenters of the virus. I’m among the many currently sheltering in place and doing my social distance thing, and I’m fortunate to be in a position where my life isn’t thrown into total disarray as a result.

Part of that has to do with the ongoing support of my Patreon supporters, especially the following.

General:

Johnny Trovato

Ko Ransom

Diogo Prado

Alex

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Not only is it a bit of extra cash, but having this blog and the responsibility of making sure the Patreon is worthwhile helps me maintain a schedule and keeps my mind active. Sometimes I need to remind myself that there’s always something to talk about on an anime blog, even if we’re seemingly entering a new period in the story of humankind.

That being said, if anyone can’t afford to keep up their Patreon subscription for Ogiue Maniax, don’t feel bad about putting it on pause for however long it’s necessary.

What remains to be seen is how many COVID-19-related puns can I make for these monthly updated posts.

Blog highlights from March:

Friends with Consequences: Spotted Flower, Volume 4

It’s been a few years since the last volume of Spotted Flower, and it ramps up the insanity of this Genshiken what-if like nobody’s business.

Brief Thoughts on Anime, Manga, and COVID-19

It’s the talk of the town…! I’m curious as to how the current pandemic might shape the storytelling and themes we find in anime and manga going forward.

Space Cases: Star Twinkle Precure

The recently finished Precure series is not just yabai, it’s kirayabaa~.

Hashikko Ensemble

Chapter 26 has me legitimately wondering if Jin might be on the spectrum.

Patreon-Sponsored

Aikatsu as Absurd Idol Anime Turning Point?

Idol anime can get quite zany these days. Is Aikatsu! the reason?

Apartment 507

I wrote a review of the Nintendo Switch version of Touhou Gensou Mahjong.

Closing

Stay safe, and remember that we’re all in this together.

Oh, and uh, look behind you.

April Fool’s ha ha ha…

Brief Thoughts on Anime, Manga, and COVID-19

It’s rare that anything can have such a visibly profound global impact, but that’s what we’re seeing with COVID-19. I find it funny that I tried last year to predict what the 2020s would hold in store, and it hasn’t even been six months before everything has gone sideways. For many people around the world, it has disrupted various aspects of life, and even the anime and manga industries have already felt its effects. Notably, A Certain Scientific Railgun T was delayed for a little while specifically because of the novel coronavirus, and its situation portends to a general trend going forward.

But COVID-19 likely won’t just change the production logistics of anime and manga—there’s also storytelling, themes, visual expression, and just about all the things we might take for granted or perceive as the norm. While we’re probably see works that either try to explore disease and pandemics (either directly or metaphorically), even more escapist entertainment is going to have the specter of the coronavirus hanging over. What does a harem manga even feel like in an era of social distancing? What about seeing characters just give one another hugs? To what extent well even the fantasies of fiction feel odd? In recent days, I’ll look at old videos from a month ago—including but not limited to anime and manga—and their tacit assumptions about the world already feel…dated.

Another big factor is how globally common the problem of COVID-19 has become. Something like 9/11 affected the US differently compared to other countries (though the US’s actions continue to have widespread effects). 3.11 hit Japan in life-changing ways, but that’s not as much the case in other areas. COVID-19 feels different in that its basic consequences are similar the world over. The disease spreads very easily, and it doesn’t discriminate. Old people are most at risk but no one is necessarily “safe.” Restaurants, theaters, and other social gathering sites cannot function as normal. Staying home as much as you can in order to help out is the name of the game. This universality means any media or entertainment made in response to COVID-19 will be understood virtually anywhere. 

Incidentally, Season 2 of the Cells at Work anime was just announced for January 2021. How ironic it would be if that series got delayed due to these circumstances…

The way COVID-19 has changed and will continue to affect everyday life is difficult to fully grasp, and I hope humankind can come out of this safe and sound and ready to tackle whatever problems still face us. In the meantime, it’ll be interesting to see how our art and entertainment reflect this new world.