When a Megadeth Guitarist Became an Anime Composer

I’ve written a post on Waku Waku +NYC blog on the interesting life of ex-Megadeth lead guitarist Marty Friedman, particularly how he began studying Japanese and how he eventually even contributed to anime music.

Also I recommend watching the video above, because.


Spandex of Future Past Dreams

I wouldn’t really call myself a sentai or tokusatsu fan. Of course I grew up with the Power Rangers on TV, though I didn’t keep up with it too well, and even remember denying even watching it (and Sailor Moon). I’m enough of a nerd that I will say “3 3 5” in the middle of a conversation, and I watched episodes of Magiranger when I lived in Japan, but I do not self-identify as a sentai fan. So it’s with that history and mindset that I started watching videos of Super Sentai crossovers.

Having little nostalgia for Super Sentai, I find the almost familiar effect these crossovers had on me to be amazing. It doesn’t matter if I didn’t grow up eagerly awaiting the latest crossover every year. The acting and presentation tell me that it doesn’t matter, and that something can feel nostalgic without actually being so.

I think the main reason why Super Sentai and other such shows manage to garner their fanbases among even adults has nothing to do with people being unable to grow up, or that they’re using it to live in the past however temporarily. The actors in Super Sentai, be they the actors behind the masks or with the masks off, always show respect for their roles. Respect and talent. Can’t forget that second part, as no matter how much you respect it your Japanese 101 video with you speaking broken Japanese while dressed like a samurai won’t ever amount to much. But respect for the role is more important than talent, just by a little.

Being convinced that the characters take whatever it is they do seriously is a recurring theme in anime and manga, and it’s something I’ve found difficult to use as a reason to convince others to watch a show. While fighting anime such as Hokuto no Ken are the most common grounds for this sort of thing, you’ll even see it in shows like Maria-sama ga Miteru.

So I hold much respect for Super Sentai, for being what it is. They’re kids’ shows, but that’s no reason not to try. Try to watch it, try to make it, try again.