I’m generally not a fan of yandere characters, but I feel that I can understand why some people love them.
In a lot of my favorite characters there is a kind of intensity that emanates from them. Whether it’s Ogiue from Genshiken‘s withering stare, or Urabe Mikoto’s eccentric behavior in Mysterious Girlfriend X, it’s like their very beings pierce my soul and linger there for a while.
From there, it’s a hop, skip, and jump towards tsundere, and then eventually yandere as well. In other words, yandere characters exist on a spectrum where powerful emotions (sexual or otherwise) are valued, and their feelings are so overwhelming that it warps their minds. “Deep love” they call it.
This intensity has gotten me to think more broadly, past the typical labels, such as yandere, genki girl, Kansai native, etc. What I’m beginning to form is a theory of character attraction that takes a lot of these categories and places them into two distinctions: “push characters” and “pull characters.”
Push characters are like many of the ones stated above. It is as if the characters’ attitudes, visual look, and other qualities invade your space. They pierce and break down the barriers in your heart. Kurosaki Rendou, creator of Houkago Play and other racy titles, specializes in this type of character for both guys and girls. Akashi from Kuroko’s Basketball is also what I’d call a “push character.” They can perhaps be called aggressive characters as well, but I don’t think that it fits entirely neatly. Rather, in shounen terms, it’s more like they’re the “strong fists” of Rock Lee from Naruto or Raoh from Fist of the North Star.
Pull characters, then, are more like the “gentle fists” of Hyuuga Hinata (Naruto) or Toki (Fist of the North Star). Rather than striking actively, their auras are passive and receptive. It is as if they have a gravity or magnetism that draws you to them. Softer, kinder characters would fall into this category, such as Daidouji Tomoyo from Cardcaptor Sakura, Maetel from Galaxy Express 999, or Teppei from Kuroko’s Basketball. It’s as if their warmth envelops your being.
Now there are a few aspects I’m thinking through as I bring out this half-formed way of considering characters. The first is that, many characters probably don’t fall into one category or the other. Sort of like a Myer-Briggs personality test, the “lesser” quality still exists. For example, I’d consider Koizumi Hanayo from Love Live! to be a “pull character” because of her typically shy personality, but the excitement of her two main loves—rice and idols—is enough to transform her into a “push character.”
Second, perhaps this distinction is actually entirely subjective, and one person’s “push character” is another person’s “pull character.” Does this render the terms meaningless, or is it more like moe where a broader understanding exists but the minutiae can get incredibly personal?
Lastly, to what extent do these terms match up with the idea of “seme” and “uke” characters in BL. Would “push characters” be those who tend to be seme, while “pull characters” are more commonly uke? If that’s the case, could this be a way to translate those terms to other types of relationships, such as heterosexual, yuri, or whatever other combinations can exist?
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