Ask Genshiken Creator Kio Shimoku!

In preparation for the American bluray release of Genshiken: Second Generation (aka Genshiken Second Season, Genshiken Nidaime, Genshiken II), Anime News Network and NISA are accepting questions from fans for an interview with creator Kio Shimoku. Keep in mind that Kio has historically given very few interviews even in Japanese, so this is a very rare opportunity for anyone who’s a fan of Genshiken and the man himself.

I of course will be submitting my own question, and it will most likely be Ogiue-related. Also, I may have bought the Japanese blurays already, but I definitely plan on picking these up as well.

(Thanks to Patz for telling me about this.)

You Should All Check Out the Street Dancing Anime Tribe Cool Crew

I’m not a dancer. In fact, I don’t have a single rhythmic bone in my body, and the only reason I can or will ever dance is because I’m fairly shameless when it comes to humiliating myself. That’s why it might come as a surprise that my favorite anime out of the current season is Tribe Cool Crew, a show about street dancing. Though only a few episodes have aired, I find myself looking forward to Tribe Cool Crew every week because of how it combines the best of boys’ anime and girls’ anime for children.

The thing that really drew my attention to Tribe Cool Crew from the very beginning is the dynamic between the main characters, a boy named Tobitatsu Haneru, and a girl named Otosaki Kanon, both of whom love to dance. The two complement each other well not only in terms of personality and style, but also because they’re essentially the typical morning boys’ anime protagonist and typical morning girls’ anime protagonist who have met up in a single show. Haneru is small but energetic with a constant in-your-face attitude, and his burning desire to be the best and to meet his idol, Jey-El, wouldn’t be out of place in shows like Mushiking or Yu-Gi-Oh! Zexal. Kanon is shy but comes alive while dancing as the anonymous internet celebrity “Rhythm,” utilizing her great height and long limbs to accentuate her moves. In many ways she reminds me of Hanasaki Tsubomi, the main heroine of Heartcatch Precure!, especially because the show takes time to focus on her gradually building confidence.

Essentially, I find that it combines the ambition of the boys’ anime with the care and consideration of the girls’ anime. Though Tribe Cool Crew is still incomplete, it gives me the same general vibe as anime such as Battle Spirits: Shounen Toppa Bashin and Ojamajo Doremi, both of which I consider to be among the best of children’s anime. As the dances are all done in motion-captured CG, it’s also clear that the show is a response to popular CG dance anime such as Pretty Rhythm and Aikatsu!, taking what was previously solely the realm of idol anime and giving it a bit of a hip hop twist. It’s the kind of expansion of a genre or trend that I can really get behind, even if I don’t quite understand dance.

One aspect of the show that might be difficult for people looking for more plot-centric or character aesthetic-focused shows is that Tribe Cool Crew is still a show meant for kids at the end of the day. For example, the show sometimes features lessons for young, aspiring dancers on topics such as isolation. That said, the anime does feature some characters that an older audience might relate to better.

The look of the show might also take some getting used to, as the character designs are somewhat unusual for anime. They appear to take lessons more from Disney or other American cartoons that emphasize heavy variation in silhouettes to a heavy level of caricature, which can be a bit jarring. It has its own charms, however, such as in the case of Kanon, who is portrayed as an awkwardly lanky girl that perfectly fits both her personality and age, looking as if she just hit puberty and is beginning to feel conflicted between how she believes her upper-class family wants her to be and her inner passion for dance.

You can watch the show on Crunchyroll. Overall, I think Tribe Cool Crew is a really solid show and perhaps the sleeper hit of the season. It has a lot of potential, and I look forward to seeing where it all goes.

Random Thoughts Upon Revisiting Madoka Magica

Although I watched the original TV series of Puella Magi Madoka Magica, only recently did I finally see the movie trilogy. I’ve already laid out quite a few of my thoughts about the series including its status as a magical girl show  and how I felt about its ending, but revisiting Madoka has prompted me to contemplate certain aspects of the series some more.

Back when the Madoka Magica TV series first concluded, I remember kransom mentioning to me that one of the reactions from the Japanese fandom was this idea that Madoka was essentially the bookend for the era of anime that began with Neon Genesis Evangelion. That sounds pretty lofty and exaggerated, but when I was watching the movie I was reminded of the amount of indecision that goes into Madoka’s character. One of the questions throughout the anime is whether or not Madoka will indeed become a magical girl, but when she doubts and hesitates it’s shown to actually be to her advantage, while for Shinji it’s considered a clear sign of his weak, pathetic nature. The notion that lacking resolve can in some sense be a good thing because it means you think more carefully about the consequences and those around you is something that can be easily swallowed up by a society that tends to prioritize “getting things done no matter what.”

Another thing that struck me watching Madoka again was the presence of the abstract, mosaic-like qualities of the Witch realms by Gekidan Inu Curry. I was already familiar with his work from the Goku Sayonara Zetsubou Sensei intros, but when I thought about the fact that this bizarre yet beautiful work has been utilized in shows like Madoka, it made me wonder how many people have been exposed to this more unorthodox artistic style that would not have given it the time of day otherwise. I think it’s often easy to criticize SHAFT as a studio for taking on shows that frantically emphasize otaku tastes, but that very quality of “moe” (or “captivation” if you will) has also been the door into a higher level of artistic expression that isn’t quite as bound by the conventions of anime, if only temporarily.

Anyway, I might do a review of the movies, especially the third one, but no guarantees on that.

The Fujoshi Files 114: Tanaka Haruna

Name: Tanaka, Haruna (田中春奈 )
Alias: N/A
Relationship Status: N/A
Origin: Fujoshissu!

Information:
Tanaka Haruna is a professional manga author and an alumnus of Ryouhoku High School, where she was a member of the manga club 10 years ago. Because her manga had been doing poorly as of late, she visits her alma mater in an effort to find her early amateur work and to rekindle her passion. Haruna’s specialty is shoujo manga.

Haruna is boyish in appearance to the extent that she is easily mistaken for an approximately 14 year old male. Haruna’s old classmates are a little envious of her youthful looks, while the current Ryouhoku manga club members, especially the girls, find her incredibly moe.

Fujoshi Level:
Little is known about Tanaka’s fujoshi side, though she is shown in the past discussing various pairings with her fellow club members.