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chuo-curve

A geek voyage to Japan typically involves trips to the various otaku mecca strewn across the country. From shopping areas such as Akihabara and Den Den Town to sites found in anime such as Lucky Star and Inari Kon Kon Koi Iroha, otaku pilgrimages are a special way to appreciate Japanese pop culture (and support them financially through tourism in the process). For me, there was one place that I needed to pay my respects to on a trip to Japan: the university campus upon which Genshiken is based.

Before proceeding, I have to thank this site for the information on how to get to the university, as well as showing important spots in the first place. The photos they took are also much better than mine, so if you want really good reference material that’s the place to go.

chuo-animeclub

While the actual Society for the Study of Modern Visual Culture is based on a club at Tsukuba University in Ibaraki, the actual campus of the fictional Shiiou University is based on Chuo University’s Tama Campus. This is made immediately obvious by the Chuo University sign adorning one of the campus’s buildings.

chuo-outside

The real main event is the club area, where the Genshiken club itself would be located if it were real. The building is constructed in an interesting oval shape with an open court in the center, which gives it a distinct appearance. The windows of the two sides of the club building face each other, which is how the members of Genshiken set up their doujin traps to break down willpower in their new members, and how they first noticed Ogiue jumping out of the Manga Society window.

chuo-hallway

Upon entering the club building, it is immediately noticeable how well-worn it is as an environment for students. Remnants of flyers new and old adorn the walls, and produce a strong sense of history. Given my club experience back in undergraduate, I wish we had a place like this to share in the club experience. Though the building was fairly empty at the time, there were definitely signs of life. The first thing I heard was the wails of a death metal vocalist in training, which I assumed came from a Heavy Metal Research Society or something similar.

chuo-posters chuo-mangasociety

chuo-folkdanceclub

chuo-mangacreationclub

chuo-senkisociety

Looking at the flyers themselves showed just how spread out otaku interests could be. From what I could tell, the many clubs included a Animation Research Society, an Anime and Manga Research Society, a Manga Research Society, a Manga Creation Research Society, a Voice Actor Appreciation Society, an Idol Appreciation Society, and an Idol Games Research Society. Many clubs also utilize cute manga characters such as the Folk Dance Research Society and the War Chronicle Research Society. Signs advertising different circles for different doujin events could also be found throughout the building.

chuo-genshikendoor

I eventually arrived at the door where I believe Genshiken’s club room would be located. Though I anticipated some kind of signage to indicate this fact, there was nothing of the sort. The only things that could be found were scraps of paper taped to the wall, with no clear marker as to what club might currently be using the room.

Though I think this shows that Genshiken is nowhere near as big as, say, Love Live! or Lucky Star, and I do wish that it was known enough that some kind of signage would be present to point fans of the best manga series to its source material, it is perhaps for the best. The club building at Chuo University’s Tama Campus still has the feeling of truly being used and handed down by generations of students, which is now an even more solidified theme of Genshiken with Nidaime currently being published.

On a final note, back in 2005 when I originally visited Japan, I went to the Tama Zoo. located near the Tama Campus. Not long after I left Japan, Sasahara and Ogiue had their first date at a zoo. I strongly believe that the Tama Zoo is where they went, though I of course at the time could not know that it would become a pilgrimage site for Genshiken fans; I couldn’t predict the future, after all! However, I am taking the liberty to consider this a retroactive visit to an important Genshiken locale, partly because it makes me feel better.

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Don’t forget, the Ogiue Maniax Love Live! Contest ends this Saturday!

With that out of the way, let’s get back to our regularly scheduled monthly blog update.

As always, much thanks to my Patreon sponsors:

General:

Johnny Trovato

Ko Ransom

Alex

Diogo Prado

Sasahara Keiko fans:

Kristopher Hostead

Yoshitake Rika fans:

Elliot Page

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

A special thanks to Diogo in particular for giving me an amazing present: Volume 1 of the Brazilian edition of Genshiken!

genshiken-brazilian

A new season of anime is on the horizon, and I’m looking forward to checking out as much as I can. I’m most looking forward to Love Live! Sunshine!!, which started airing just this past weekend. Unfortunately, I tend to watch many more shows than I have time to write about, so often some of my favorite series don’t end up getting blog posts dedicated to them. I’m considering doing something about that, but it’s always a small struggle between writing about the anime and manga that no one’s looking at to get them more exposure and talking about the things I like that people already have some familiarity with so that there’s an easier connection to be made.

I think that, due to a lack of time, my posts have started getting a bit shorter again. I believe that there are strengths and weaknesses to larger and shorter entries, but it also means that Ogiue Maniax might feel more like the scratchpad for my thoughts that it originally was in the first place. What do you readers think of this, and is there any kind of preferred ratio for you?

June’s post of the month has to be the review of Genshiken Chapter 125. I know, I know, Genshiken is a highlight every month, but I think this is a real case of the manga zagging when you thought it would zig, and it more than anything else reminds me of how wonderful a series Genshiken is.

I also have more reports from my trip to Japan, including my visit to two different Love Live! events, and a look at Comic Store Wonderland in Osaka, which is home to a ton of amazing autographs from famous manga artists. The Hanayo bag I bought at the doujin event is quite possibly my favorite piece of merchandise from Japan. Taketayo~

Another highlight is my review of the new Cardcaptor Sakura manga. CLAMP is back! I mean, they’ve never left, but I just lost interest after years and years of Tsubasa and XXXHolic. This new CCS really feels like a return to form, and I’ve already got plans to get each issue of Nakayoshi as it comes out in Japan.

Lastly, I wrote a post about Mystic Archives of Dantalian, as requested by Patreon sponsor Johnny Trovato, where I explore the show’s intersection with the idea of chuunibyou.

As always, if you’re interested in having me write about something, you can make a pledge through Patreon.  And if you’ve ever wondered why that tier is so high, it’s actually because I really want Ogiue Maniax to still be a space where I share and explore my thoughts, and so having the blog just be about fulfilling requests isn’t what I really want. However, because I’m also always eager to broaden my horizons, I invite the opportunity to make me watch or read or talk about something I might not have thought of otherwise.

I hope you all have a great July. I’ll be spending the month getting panels ready for Otakon in August. If any of you are going, I look forward to possibly seeing you.

In this month’s chapter of Genshiken Nidaime, the old boys are back.

Chapter Summary

Madarame, Tanaka, and Kugayama meet up for drinks. While they start talking about how things have changed now that Madarame’s finally not going back to the old university, the conversation eventually shifts to girls. As Madarame realizes how the boys of Genshiken have at some point started talking about girls instead of anime, he swears to bring himself back to his original mega otaku self. However, just as he successfully tempts the rest of the guys to pull out some 18+ doujinshi, Kohsaka shows up with Saki, who seems unfazed by Madarame’s attempts to creep her out. Not long after, they reveal to the guys that Saki is pregnant.

This causes Madarame to flip and exclaim that he should’ve just picked someone and ended his virginity, but then Saki reveals that it was all a lie orchestrated by her and Kohsaka to get Madarame to confront his true feelings. She then tells Madarame straight up that he should go out with Sue on account of his reasoning for rejecting her being total BS, and even gets Sasahara to call Ogiue and get Sue on the phone. Saki says to Madarame that, if Sue’s not interested anymore then it’s fine, but otherwise…

Straight Shooter Saki

Ah, Kasukabe Saki. While Keiko kind of fulfills her role as the no-nonsense outsider, she doesn’t quite capture Kasukabe’s ability to just cut straight to the point. Quite a few of the readers on this blog have commented that Madarame’s reasoning for rejecting Sue was incredibly weak, and I find it interesting that Kio Shimoku would purposely set that up as a sticking point. While I do still think that Madarame’s reasoning wasn’t solely to run away from the situation, it was pretty flimsy on the surface.

It’s also revealed that Saki set her ploy up because Kohsaka and her suspected that Madarame’s real reason for not choosing a girl was that he was still pining after he deep down inside. While I think this was pretty clear, especially given his reason for rejecting Keiko (she reminds Madarame too much of Kasukabe), this really shows just how much that’s actually the case. Somewhere in all of this is the idea that the other girls are maybe too otaku to get to the heart of the matter. Ogiue might be blunt and Yoshitake might be a schemer, but their anime and manga-oriented minds inadverently allowed the harem to flourish, and thus allowed Madarame to remain wishy-washy about the whole thing. Saki really is amazing.

As for the fake pregnancy, before Saki revealed the truth my immediate reaction was that this basically would have marked off Spotted Flower as a possibility. Now, it’s back to being in this nebulous space of pseudo-canon/alternate universe, and it’s a very intentional move by Kio to mess with his readership. Maybe, somehow, we’re all Madarame. What this also means, based on all of the talk of girls and sex (or in some cases lack thereof), is that the thematic gap between Genshiken and Spotted Flower is ever-shrinking.

By the way, the named of the chapter is “High-Slope Flower,” which is a parody of Spotted Flower, only with a reference to Kohsaka instead of Madarame; the saka in Kohsaka means “hill.”

Kio you troll.

Sex Talk

Though it’s one of the main jokes of the chapter, it really is crazy that the boys of Genshiken have been having varying degrees of success with the ladies, not least of which is Madarame’s recent harem adventures.

It’s unclear if Rino the Cabaret girl is actually interested in Kugayama or is basically doing her job and manipulating her client for more pay (remember, Cabaret Clubs are all about talking with girls as opposed to being a sex service), but it’s very likely that the latter is a factor. Kugayama himself acknowledges this, but just the fact that he is making some kind of vague move towards fulfilling his desire for real-life women, and that he’s gone from visiting Cabaret ladies to just one in particular, is itself a kind of change or progression.

One of the more notable aspects of this chapter is that Tanaka and Sasahara reveal quite a few details about their sex lives. Tanaka mentions that he “only” gets to have sex with Ohno about once a week, while Sasahara says that his rate is about once a month, much to Madarame’s consternation. Tanaka even mentions to Kugayama about how asking for a girl’s three sizes in order to get a cosplay outfit made for her (Kugayama’s current plan for a gift to Rino) can turn into dirty talk.

References to the characters having sex is nothing new to Genshiken. Way back, Saki talked about her and Kohsaka doing it doggy-style. Ogiue started drawing more realistic penises in her doujinshi after she began her relationship with Sasahara. I think this situation might feel different because it’s the guys, the ones who are supposed to be the “losers,” doing it, and so the dissonance in Madarame is understandable. I also believe that this dissonance was a huge factor when it came to Madarame’s decision to abstain from choosing a partner. This candidness contrasts with the younger characters that comprise the main cast now as well, because they are for the most part are still very shy about this sort of thing.

It’s easy to tell that the conversations are causing Madarame’s imagination to go wild, and that too is understandable.

They Just Keep Pulling Me Back In!

If Madarame does indeed end up with Sue after all, does it matter that it happens after the harem arc concluded rather than it being a direct result of Madarame’s decision? After all, choosing a partner would have, by definition, ended the arc anyway.

This is all speculation at this point, but I do think there is a difference between having Sue the winner of a competition versus her and Madarame potentially building something up together on their own. I think the harem itself put a lot of pressure on Madarame that a simpler one-to-one relationship wouldn’t carry, even if it doesn’t work out.

As for Sue essentially being Madarame’s 2D complex ideal given flesh and how this might mean that Madarame loses the last vestiges of his realistic otaku self, there are two points to take into consideration. First, guys can have many different ideals to the point that arguably any of the other partners could be considered an “ideal,” but the way the story has portrayed them shows a lot of interesting facets to their characters. Sue still seems a bit otherworldly, but this might be the start to opening her up more. Second, Sue really is the only one at Madarame’s otaku power level.

No Ogiue Image This Month

They do mention her, though.

Sasahara: Basically, Sue’s at Ogiue’s apartment, which means I can’t visit. Do something about it, please.
Madarame: Wha? What do ya mean? Wait… You just want to have sex with her!
Sasahara: ……That’s right! What’s wrong with that?!

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I’m back from Japan, and I had a blast! Look forward to a number of posts this coming month about my trip.

If you’re part of my Patreon (or even not!), feel free to message me or leave comments below. You can ask me anything about my Japan experience this time around. By the way, if you’re wondering what the biggest trend in Japan is right now, it’s Osomatsu-san.

Speaking of, here are this month’s Patreon sponsors:

General:

Johnny Trovato

Ko Ransom

Alex

Diogo Prado

Sasahara Keiko fans:

Kristopher Hostead

Yoshitake Rika fans:

Elliot Page

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

There is something important I need to discuss, which is that some changes in my life (nothing tragic) are happening that might require me to reduce the amount of posting that I do to Ogiue Maniax. I know that sounds kind of strange after declaring that I would up my post rate not so long ago, but that’s just kind of how it is.

The result is that, while I’m definitely going to try, I might not be able to keep up my twice/thrice-weekly posting schedule. I know that part of the appeal of Ogiue Maniax is its consistency and its fairly high output rate, so if any of my patrons want to adjust their pledges accordingly, I totally understand.

I’m hopeful that I can keep up my current rate or something similar, though. I mean, I’ve done it before!

As for this past month’s post highlights:

As always, there’s the requisite Genshiken chapter review. This one got longer than I initially expected, but that’s just because it turns out that there’s a lot to talk about. One notable aspect of this chapter is how it meta-references the anime version. Strangely, there’s no new chapter of Kimi Nakare out yet.

A couple of posts this month were ones I’ve been ruminating on for a while. The first is a look at the fanservice from Food Wars!: Shokugeki no Soma, and the second is a post about how vital Twitch chat is to the Twitch streaming experience. There’s just a lot to unpack in both, and I hope I’ve done a decent job explaining my points.

There’s also this month’s Patreon-sponsored post, where I look at the BlazBlue anime. While I was passingly familiar with BlazBlue as an anime-style fighting game, one thing I didn’t realize was how many imouto characters are in it. This in some ways sets it apart from similar games, which often deal with only or two little sisters.

The last major post is the first of many inspired by my Japan trip. Check out my report and review of Kansai Comitia 48, a doujin event dedicated to original (as in not based on existing works) doujinshi,

Outside of the blog:

Over at Apartment 507 where I’m currently writing, I’ve started a new series of reviews for Japanese-language manga apps. The first is Shogakukan’s MangaOne. Remember, these are only available on the Japanese app stores. I’ve also started a Vine account because making dumb jokes using anime is what I do, and I recently appeared on a mini-episode of the Reverse Thieves’ Speakeasy Podcast to discuss the Hulu Apocalypse.

So anyway, fire away with the Japan questions! I was only there briefly, so I can’t divulge to you its darkest secrets, but I sure can try.

 

This chapter of Genshiken calls back to one of the earliest moments in Nidaime. Is the story getting back on track, or was it never derailed in the first place?

Synopsis

Under the pretense of celebrating both Risa’s acceptance to Shiiou University and surviving an eventful year, Yoshitake gets together with Yajima and Hato for a night of drinking and laughter. In actuality, now that Madarame’s harem has been resolved, Yoshitake aims to bring Yajima and Hato closer together.

However, Yoshitake’s plan to position Yajima as a hero of sorts backfires. While Yoshitake recalls the time Yajima prevented her from lifting up Hato’s skirt, Yajima (under the influence of alcohol) confesses that she was on the verge of doing the same, and that she saw Hato’s goods.

Wanting to prevent any more awkwardness, Yajima tells the others to go home, especially because Hato’s short skirt is a recipe for disaster. Hato offers a suggestion, but it turns out to be arguably worse: Earlier in the day, Risa had given Hato a pair of short pants to wear in order to feed her fantasies, which causes elder sister Rika to worry about Risa’s future.

Meta-Genshiken

There are a number of things I’d like to elaborate on in regards to this chapter, but the first is a nod and wink by author Kio Shimoku to the animated Genshiken Nidaime, aka Genshiken Second Season aka Genshiken Second Generation.

In Chapter 124, Yoshitake, Yajima, and Hato bring up how minors aren’t allowed to drink in anime adaptations even when it happens in the original manga. Yoshitake then remarks that they will keep drinking because nothing’s stopping them from doing so. This is actually a reference to episode 2 of the anime, where scenes of Yajima and Hato drinking from Chapter 58 were cut.

This isn’t the first time that the Genshiken manga has referenced the anime. The idea that Angela wants to sleep with Madarame comes from the second series, Genshiken 2. Moreover, in a particular 4-panel extra, the manga alludes to the fact that the final episode of the Nidaime anime has a bath scene that didn’t exist in the comic.

Tracks Laid Out

Chapter 124 calls back to one of the original tensions of the new Genshiken, which is the awkwardness between Hato, the club’s very first fudanshi and very first otoko no ko, and Yajima, who for a long time disliked Hato because his very presence made her feel inadequate. Things have changed significantly since then, namely because of Yajima’s gradual acceptance of Hato and the realization of her own feelings for him, but there’s this sense that perhaps this is where the narrative of Nidaime was supposed to go all along. In this sense, it reminds me of the manga Coppelion, where it ended up taking years to reach Shibuya despite the fact that it was mentioned as an early goal.

The Madarame Harem story took up a huge portion of Genshiken Nidaime, and this means it can be seen as both a major narrative of the manga thus far, and as an excessively long detour. In a way, however, both are true. The story of Nidaime is in many ways the story of Hato, and I have to wonder if Hato and Yajima could have developed to the extent it has without all of those tribulations, and without Hato’s affections for Madarame prompting realization in Yajima herself?

The answer is likely neither a full yes or no, mainly because Kio tends to write stories without planning how they’ll turn out. He’s more of a “let the characters move the story forward” kind of author. If you’re more of a beliver that the “author is dead” this doesn’t matter too much, but it can’t be ignored that where the story seems to be heading now is built partly upon the foundation of the Madarame Harem arc, and I think it’ll continue to exert an influence even as the manga goes back to being a little more like how it started.

Death to Misunderstandings

Yajima’s confessions, and the way they finally bring to an end some of the unspoken tensions between the characters, kind of reminds me of the beginning of Kimi ni Todoke. In that series, many potential misunderstandings between characters common to shoujo romance series are squashed before they can fester and it made that particular work refreshing. While Genshiken is nowhere close to this, given that this particular resolution took a few years, it has a similar feeling of release.

Actually, when it comes to Genshiken, I find the resolution of romance tends to be very cathartic. Sasahara and Ogiue consummate their relationship after an intense sharing of secrets. Saki’s rejection of Madarame features a wave of emotion hitting the both of them. Hato’s comment that Madarame will be the first and last man he ever loves comes with a tinge of melancholy that still somehow feels like a huge weight has been lifted.

Yajima’s Secret to Success

While Yajima is discussing why a relationship with Hato isn’t popular at the moment (his feelings lie elsewhere), she mentions that she knows the way to instantly get Hato’s attention. The hint is that she saw it in an instant upon arriving at Hato’s place, which leads me to believe that it has to do with not just comics, but 4-panel gag manga.

If you look at the rough comics pages Hato has left around, they’re all arranged in two sets of 4-panel vertical columns, similar to works like Azumanga Daioh and Hidamari Sketch. Yajima, who turns out to possess a hidden talent for comedic manga, and who basically won the “duel” last time they both drew their own works, could leverage that to her advantage. The reason why she refuses to act on it is likely because of the swirl of emotions and relationships that have entangled the Society for the Study of Modern Visual Culture. Yajima prefers to make things simpler, not more complicated.

Hato and Risa and Clothing

Hato at one point remarks that having his penis seen while dressed as a girl is somehow more embarrassing than being seen stark naked as a boy (which also happened). While a “cute Hato” moment if ever there was one, this particular reveal speaks to a side of Hato’s psychology that has been somewhat unexplored even if it makes total sense.

Hato-as-girl is still very much a performance even if that performance is ingrained in his being. He has taken great efforts to look like a girl without drawing too much attention, has practiced raising the pitch of his voice to sound more feminine, and is just overall very convincing as a woman. This means that perhaps the penis has different meanings when he’s presenting as a man vs. a woman. As a guy, he was embarrassed because he was showing his privates, but as a girl it’s like his secret was revealed.

This is where Risa’s minor obsession with Hato becomes interesting. While most of the fascination with Hato has come from his appearance as a woman, Risa is different because her interest in Hato comes from him being a man, or rather a man with a boyish appearance. Madarame and Kuchiki see Hato’s female appearance in relation to the crossdressing eroge and doujinshi they’ve experienced, and Risa perhaps draws a similar connection between her own interests and super smooth Hato in short shorts. Like Yoshitake, I too am concerned with the potentially dangerous path Risa might be heading down, but I also am intrigued by a new love triangle of Yajima, Hato, and Risa. The question remaining is, can Risa’s view of Hato be considered romantic in the first place?

If you liked this post, consider becoming a sponsor of Ogiue Maniax through Patreon. You can get rewards for higher pledges, including a chance to request topics for the blog.

 

This month I will be flying to Japan to do some sightseeing and meet with some old friends! I actually haven’t been to Japan in 11 years, so I’m curious as to how it’s changed. It’s also an opportunity to see how my Japanese has improved (or degraded) in the time since I’ve been gone!

I have posts planned for the weeks that I’m gone, so you’ll still be able to enjoy my posts in the meantime.

As for this month’s special Patreon sponsors:

General:

Johnny Trovato

Ko Ransom

Alex

Diogo Prado

Sasahara Keiko fans:

Kristopher Hostead

Yoshitake Rika fans:

Elliot Page

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Following up on last month’s poll about reviewing the new manga series Kimi xxxru Koto Nakare (or Kimi nakare for short), I decided to go with the good ol’ fashioned blog format. It’s where my strengths lie, and while I’m open to challenging myself by making YouTube videos and such, I’m just the kind of person who best expresses himself in writing. You can read the first chapter review here, but if you can either read Japanese or at least want to follow along visually the manga is actually free.

That being said, I’ve considered making videos just to help me practice and get better at speaking, which is more of a holistic quality of life change than anything else. I made a couple a while back but I just haven’t kept up. Though, I did just recently appear on the Veef Show podcast to talk about Gundam: Iron-Blooded Orphans.

This month’s Genshiken review is the first after the conclusion of the Madarame Harem story, and it’s basically a prelude to a new school year. I loved this chapter because of all of the fantastic Ogiue presence in there, but I might be a tad biased.

Other articles that I think readers should check out are my look at the volleyball manga Shoujo Fight and its stylistic similarities to what is sometimes call “OEL manga,” as well as a sponsored post discussing the Popularity of Plushies among anime fans. Actually, Shoujo Fight reminds me that I never finished The V Sign, which is a classic volleyball title, and I really should get back to it.

I’ve also begun participating in a site called senpai.co as a reviewer. While Ogiue Maniax is my main focus, and Apartment 507 is my opportunity to try and reach a different audience, senpai.co is a convenient place to give some quick thoughts about recent anime that has a greater sense of permanence than Twitter.

Last topics for this month:

  1. I’ve been considering changing my blog design to something that doesn’t look quite so outdated. What do you think?
  2. I want to revive Gattai Girls. Is there any series people really want to see discussed?

 

Genshiken 123 marks a new era in the manga, away from the trials and tribulations of Madarame and his sudden popularity with girls and back to the club room and otaku life. However, far from a reset, things are looking to change more than ever.

Chapter Summary

A summary of this chapter’s events won’t quite do it justice, but I still want to lay out the basic framework for this month before delving into the little details:

As the members gather in the club room, Hato decides to show everyone the manuscript for his new manga, which is BL. Uncharacteristically, Yoshitake seems to be especially flustered by how “vulgar” it is, when Kuchiki makes an unwelcome appearance. Supposedly showing up just to pick up some belongings, Ogiue realizes that Kuchiki is actually just pilfering erotic doujinshi from the club room and even gets him to admit that he’d been stealing them for a while. Accusing Kuchiki of stealing the very doujinshi that Sasahara was looking for at his own graduation, it turns out that Madarame had just forgotten to return it. Kuchiki, upon seeing the doujinshi, begs to have it for a quick “bathroom break,” which causes Ogiue to call him vulgar. Sasahara (who is texting with Ogiue) allows Kuchiki to borrow it before graduating, much to Ogiue’s consternation.

Doujinshi, an Essential

While I most certainly enjoyed and was intrigued by the Madarame Harem arc of Genshiken, this chapter made me aware of a significant shift that happened during the past couple of years. The manga has spent so much time on real relationships that it’s almost easy to forget that this is a story not just about otaku but about many of the awkward aspects of life that are embraced by otaku as well. One of these is a very close connection with doujinshi, particularly of the pornographic kind, and this chapter is a reminder that the characters of Genshiken past and present have such a personal connection to doujinshi that they will think about it even as they graduate. We saw the otaku mind when confronted with romance and sexual identity, and now we’re once again privy to the otaku in their “natural habitat.”

But what a natural habitat it is! The otaku clubroom possesses a kind of public/private duality because the bond is founded in mutual interests, and one of those shared passions is for sexy 2D characters. At times, we like to talk about otaku as possessing a kind of strange nobility, whether that’s through fanciful Densha Otoko-esque stories or through the advent of stylish otaku and fujoshi, but still that 2D complex remains. It’s not something to be ashamed about, but it’s there, and it’s only appropriate that it have an incredibly baudy yet stylish cover.

It’s also amusing that it’s basically going to be Ogiue’s job to return a doujinshi about a large-breasted heroine (from Kujibiki Unbalance, of course) to her boyfriend. Sasahara and Ogiue’s relationship is built on a foundation of full otaku romance, and part of that is both a general awareness and acceptance of each others’ preferences.

Ogiue the Sexual Veteran

Speaking of Ogiue and Sasahara, the main gag of this chapter hinges on the use of the term “vulgar,” or more specifically in Japanese, namanamashii (生々しい), which means “raw.” Yoshitake, who is normally all about encouraging perversion, is suddenly taken aback by Hato’s BL manga. Ogiue, in contrast, seems unfazed. I believe that contrast is a reference to the difference in Ogiue and Yoshitake’s sexual experience. Ogiue is in a physical relationship, and as Ohno once put it, her having sex with Sasahara has made her own BL doujinshi that much more realistic. Yoshitake experiences sex only through media, and the fact that she points out being the same age as Ogiue implies a kind of jealousy.

While we don’t see the contents of Hato’s manga, I think that its “rawness” is basically a product of Hato reconciling his feelings, learning not to fight who he is, and actually being a man. Even if Hato hasn’t had a homosexual relationship, he can perhaps get closer to reality by being a guy.

New School Year!

As much as the manga seems to be returning to club antics, however, there is the definite sense that time continues to move forward, and the events of the past are still creating ripples. Hato and Yajima now have a kind of cute awkwardness towards each other, remembering their conversation at Nikkou where Yajima basically admitted her feelings and Hato mentioned having thought of being with her. Hato’s face lights up when he sees Madarame, but it’s turned into a kind of very close friendship.

And then there’s the moment I’ve been anticipating for a long time: Ogiue is finally in her senior year of college! She wants to get serialized in a manga magazine, which Yoshitake remarks is Ogiue’s version of “finding employment.” Ohno makes a joke that she’s in her “fourth year” as well, but Ogiue calls her out on it. I think this is actually Ohno’s sixth or seventh year, but I’ve lost track at this point. What would a Genshiken without even Ogiue or Ohno in its core cast be like?! For that matter, a new school year means the potential for new members!

That’s what Kio is enticing the readers with for the next chapter preview, which says, “That girl is showing up!” The most likely candidate (and I’m 99% confident about it) is Risa, Yoshitake’s younger sister. As a reminder, Risa is tall, likes to dress like a guy, and is a complete shotacon who also has a mix of respect and potential attraction towards Hato. Risa is welcome, but I’d really like to see some fresh blood as well. I understand that the cast of Genshiken is so large at this point, however, that it might not be practical.

Ogiue Expression Extravaganza

One of my traditions with these Genshiken chapter reviews is to end off with a picture of Ogiue. However, with Chapter 123, there’s probably more choice Ogiue content here than in the last 50 or so chapters combined. There are silly faces, awkward moments with Sue, and even some choice expressions of anger and disdain, which is how we Ogiue fans got to originally know her all those years ago. I’m not afraid to admit that seeing her scowl again invigorates me, and in a way I have to wonder if Kuchiki’s presence in Genshiken serves a useful purpose in this respect.

Seriously, I can’t choose just one!

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Between showers, fools, and lambs, April is a month of change and transition. It’s only appropriate then that I try to evolve as well! As always, it’s with the help of my friends and Patreon supporters that I continue to try and improve Ogiue Maniax:

General:

Johnny Trovato

Ko Ransom

Alex

Diogo Prado

Sasahara Keiko fans:

Kristopher Hostead

Yoshitake Rika fans:

Elliot Page

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

So, the first change I’m making is a small adjustment to my schedule. Since 2010 I’ve generally structured my weekly posting schedule to be posts on Tuesday and Friday with at least the occasional lighter post on Sunday, most typically a Fujoshi File entry. However, I’ve noticed that most of my readers come in on Sunday, and to give my lowest-impact content at that point feels like a shame, because if you’re coming to Ogiue Maniax I believe it’s to read something interesting. Because of this, I’ve decided to switch Sunday to being a main posting day, with either Tuesday or Friday being less heavy. I’m still on the fence on which one to use, but most likely it’ll be Friday. I hope you enjoy the change, and of course, if you miss the post it’s always there in the archives.

kiminakare_mainvisual

A second possible change is adding another series other than Genshiken for me to review regularly. The title is Kimi xxxru Koto Nakare (“You Can’t Do That”), the new monthly manga by Okachimachi Hato (creator of one of my favorite manga, Fujoshissu!) about a high school romance between a male idol and a female celebrity comedian. The question is, how should I cover it? To help me with this, I’m using a handy dandy poll:

Keep in mind that this is just for feedback and the winning answer won’t necessarily determine what happens. Also, I mistakenly thought it was a weekly manga, so a previous Patreon post of mine mistakenly had weekly options.

As for what’s happened on the blog over the past month, the biggest event for Ogiue Manaix and all current Genshiken readers definitely has to be the latest manga chapter, which concludes the Madarame harem story. I won’t say much more, so go check it out if you’re curious as to what goes down and my thoughts on it. Also, I need to point out that a funky translation of Chapter 122’s contents has been going around, and it provides an inaccurate image of the characters. In response to this, I’ve also translated a couple of small but vital excerpts from the chapter in the hopes of clearing up the confusion.

As mentioned last month, I went to see a whole bunch of animated films. These include The Boy and the Beast, The Case of Hana & Alice, Beyond Beyond, Kizumonogatari Part 1: Tekketsu, Psycho-Pass: The Movie, and Long Way North. This means it was a pretty danged review-heavy month, especially because I also covered Please Tell Me! Galko-chan, the mahjong manga Saki, and the ever-successful Aikatsu! I’m typically more of an analysis and deep thinking kind of writer, but it’s not bad to have months like this either, and most of the time I my reviews are more half-review/half-analysis anyway.

Speaking of reviews, I also finally updated the Reviews section of the blog. I neglected it for about…a year and a half? orz

I also talked last month about my concern over stagnating as a writer. My smart and ever-perceptive friend David Brothers gave me some advice in response to one of my Apartment 507 articles on Yandere characters, which is that I should think about putting more of myself into my writing. I think that ever since I’d gone in a more academic direction it’s improved Ogiue Maniax in a number of ways. At the same time, that sort of more casual and personal feel, while still present I believe, might not be as apparent. Sometimes I have to be more friend than teacher.

Three final comments:

  1. Shout outs to Abadango for winning Pound 2016 using 99% Mewtwo (with a dash of Meta Knight). It’s the first major tournament in Super Smash Bros. for Wii U that has been won by a Mewtwo.
  2. Some cool and mysterious fellow recently published an academic article about the science fiction manga 7 Billion Needles in the journal Japan Forum. If you’ve got access and that’s your sort of thing, maybe check it out?
  3. This past weekend was the final Love Live! concert for the original μ’s girls. Love Live! forever! Hanayo banzai! Also, sorry about the April Fool’s joke (not sorry).

Recently, it’s come to my attention that a translation of Genshiken Chapter 122, aka the “Madarame Harem Arc Conclusion” chapter, has been going around that have some serious inaccuracies as to what is being said by Madarame. This seems to have created a good deal of outrage, with people believing that Madarame and Hato are both claiming that Hato isn’t really attracted to men.

That is completely wrong, and I’m here to correct that mistake.

SPOILER WARNING, of course.

First, here’s pages 130-132 from the serialization, when Madarame is explaining his reason for not dating Hato.

Yoshitake: Rame-senpai, you didn’t deny the possibility of Hato x Mada, so what’s the problem with Hato?

Madarame: Well I wouldn’t call it a problem… Let’s see. If we were together, I get the feeling that he would think about it too much and become a wreck in the process.

Yoshitake: …Aahhh… I think I understand…

Yajima: (That’s exactly what would happen.)

Madarame: Let’s say we started dating and hit it off. Even if that happened, I feel that he would be torment himself, believing there was some other pretext for our relationship.

At some point, he would think, Madarame has to feel reluctant about dating a man, right? Hato would think too much, and suffer for it. It should be simpler than that. “Hey I’m just a fudanshi who loves to crossdress, that’s all. No more, no less.” Wouldn’t that be a much better way to live?

With the above, I think you can see that Madarame is not claiming that Hato isn’t gay or bisexual. Rather, what he’s saying is that he wants Hato to find a relationship where he can feel comfortable being himself.

Now, here’s Hato’s later reaction and conversation with Yajima, on pages 143-145.

Yajima: You look better off than I was expecting.

Hato: I’m just really feeling the fact that it’s all over and done. I said everything I wanted to say, and if that’s the case…

Besides, it was a relief to be rejected. It was just as senpai said. Between my appearance and my love of BL I’m going to run into problems eventually.

I understood that, no matter how much I might like someone, it wouldn’t work out with a guy. Even knowing that, I still fell for senpai. Even now my feelings haven’t changed. I’ll probably go on loving him forever. That’s why I think Madarame senpai will be the first and last man I ever love.

Here, Hato does not deny that he was genuinely attracted to Madarame, nor is he going for the, “I don’t love men but I love you!” What he’s saying is that he thinks his feelings for Madarame are never going away, and that no one will take his place. Is he exaggerating? Maybe? Where he is feeling conflicted is the idea that a relationship can’t work with a guy, but that seems to be for other reasons, perhaps owing to society.

I hope this cleared things up for you Genshiken fans. In the end, Hato still isn’t with Madarame, but I think it’s clear that they both think well of each other.

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NOTE: It seems that an inaccurate translation of the contents of this chapter have been floating around. Please look at this supplemental post after reading this review to get the right picture.

At long last, Madarame makes his choice in Chapter 122. And in the end the winner is…

Is…!

…No one. Madarame chooses to abstain.

I get the strange feeling some readers might be pulling out the pitchforks, but I think it’s best to put them away. I believe the reasons behind Madarame’s decision are worth exploring, as they really show the kind of consideration Genshiken has for its characters and their connections to both the real world and that of their awkward nerd fandom.

Madarame says that there is no universal reason he’s chosen not to date any of the girls. Each circumstance is unique. When you add them all together it paints an interesting picture.

For Angela, it’s a matter of a long distance relationship, but Madarame explicitly mentions that it has to do with the idea that being with the hottest thing on Earth, but only having physical contact twice a year, would be like “torture.” Implied is the notion that Madarame is open to the idea of a relationship based on bodily desire, but that’s untenable unless Angela moves to Japan.

Physically, Madarame is ready, but emotionally he’s not. This is what puts Keiko out of contention, as the possibility that Keiko will remind him of Saki, whether because of their similarities or because Keiko might just mention her in conversation is difficult for him at this point. While Madarame is indeed attracted to Keiko, the important thing is that he needs more time to come to terms with his lost love. As Madarame mentions, he’s just been kind of passively going along with everything, and that’s probably what he needs least at this point.

Sue’s is an odd rationale, because Madarame’s “reason” for not dating her is because he likes seeing Sue’s displays of yuri affection with Ogiue. This feels like a cop-out, but I really do think there’s more to Madarame’s words than meets the eye. Given how positively Sue reacts to Madarame’s explanation, I think it shows that Madarame not only understands Sue well, but that he sees Sue herself as not being ready for a relationship. She’s still shy and sensitive, and might need more time to step out of her shell.

Madarame’s basis for rejecting Hato is the most complex of all, but it all comes down to not wanting to hurt Hato. Madarame explains that, even if he and Hato were to work out as a couple, the constant worry that Hato has had to suffer because of Madarame risks being not simply a short term thing.

In all likelihood, their relationship would be forever plagued with doubts and second-guesses as to whether Madarame likes the fantasy more than the reality, or whether Hato feels comfortable being who he is. As Madarame puts it, Hato should be with someone who just simply accepts him as he is, and lets Hato feel like his identity as a crossdressing fudanshi is a matter of course. This mindset mirrors a conversation the two once had, where Madarame mentioned that Hato’s just the way he is and it shouldn’t be a big deal.

I think some readers might also be concerned that Hato says that Madarame will be the first and last man he ever loves. Hato says a lot of things, like how he has no interest in men at all. Pretty much every character in Genshiken changes their mind, and Hato is just the best example of this.

All of this means that, of the four prospective love interests, only Hato has truly been rejected. Madarame considers both Keiko and Sue as not having any faults that aren’t rooted in Madarame’s own broken heart, and if Angela were to move to Japan, I think he might die from crushed pelvis (it’s also worth nothing that the virgin vs. whore thing doesn’t even come up, which might say something about Madarame’s maturity). Essentially, Madarame has been on the rebound this whole time, and his clouded judgment, combined with his propensity for waffling, has been a bad combination that can only be solved with time and some space.

I think it all makes sense.

Genshiken sets up two new threads in the aftermath of the Madarame harem arc. First, as Hato mentions that he likes the idea of finding someone who accepts him without much fuss, Yajima sees this as possibly her opportunity. The irony here is that Yajima didn’t accept him for the longest time, as her more conservative values as well as her poor self-image made Hato a target of mild disdain and jealousy. Things are different now, but the real question is…how different? Spotted Flower different?

Second, as if to speak directly to those readers who missed the way Genshiken was once upon a time, the next chapter preview basically says that the manga is going back to doujinshi and clubroom antics. Something tells me that this isn’t giving the whole picture though.

As for Ogiue, I feel as if Kio put in extra care when drawing her this chapter. Call it a hunch.

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