Do Not Over-Japanese Your Translation

That is to say, I have developed a new pet peeve: Seeing manga and anime translations which try to make the dialogue more Japanese-sounding.

I don’t remember exactly where I saw it, but I recall seeing an English-released manga which translated one girls scream as “Kyaaaaa!” This is common, of course, except for one problem: She didn’t say “Kyaaaaa!” in the original Japanese text.

I don’t mind honorifics in translations or anything like that, but when you go out of your way to add things which weren’t even there then it is a step too far.

TWO roads converged in a yellow wood: Mobile Suit Gundam 00 Season 1

The first half of Gundam 00 has concluded, and in the show’s desire to stand on its own two feet despite its Gundam name it embodies the spirit and messages behind the original Mobile Suit Gundam far more than any other alternate universe Gundam series. Every Gundam series involves war (or at least a substitute for war on an Earth surrounded by energy ropes), and every series shows how fighting affects various people, but none since the original Gundam and Zeta Gundam have put the emphasis on how it affects everyone. More importantly, it’s easy to care about how war affects everyone on both personal and universal levels, and this is really a testament to how effective Gundam 00 has been.

When I first saw Gundam 00, I was a little worried about it. It had all the right pieces, but it would be so, so very easy to play them wrong, to create the ugliest chess match in existence. But it didn’t. Gundam 00 has defied the odds, and it manages this by wielding the most powerful but most easily abused and corrupted piece of all: Death.

Watching the final episode and seeing roughly half of Celestial Being die in a battle they could not win, it was a bit of a shock. For one thing, with Nena Trinity still out there it would be natural to assume that something would come in and save the day. Turns out, nothing did, except for the power and resolve of the pilots and crew. This applies to not just Celestial Being but also the side of the allied nations as well. Looking even further back, with the death of Louise’s parents, the death of Graham Acre’s friends and co-pilots, and even the death of Lockon Stratos and so many others, death has immediate and long-lasting impacts on both the viewer and the characters. In other words, in Gundam 00 death is significant. Compare this to SEED, Wing, X, or even 08th MS Team, and the approach to death is drastically different. The deaths are not telegraphed from episodes away, nor are they quick changes to the plot in order to get a cheap pop or to try and produce drama. The characters are already dramatic, which is why their deaths inherently produce drama, not the other way around.

Gundam 00 is at its halfway point, and though I know better to jump the gun (I said that there was no way Gundam SEED Destiny could fail prior to it airing), I dare to call Gundam 00 the second best alternate universe series after Turn-A Gundam. I like SEED characters more, and I like pretty much all of Gundam, but 00 planned and executed so superbly, from its plot to its characters to even its mecha and fight scenes, that there’s no denying that it has just been a Good Series.

Surprising to me was how well the main pilots turned out, despite the risk of being generic angsty bishounen. The Gundam Meisters can be easily misconstrued as generic, but peeling back the layers shows a great deal of depth and personality. Setsuna F. Seiei is most surprising of all, as I like him as the protagonist quite a bit. He’s not an innocent kid who happened upon a Gundam, he’s a boy who grew up with war. He killed his own parents as part of a religious crusade. But despite being drenched in the blood of warfare of his own volition, of being a person who only knows how to fight and destroy, Setsuna is the most emotional of all. He is a blind boy desperately trying to find his way through the world with his own two hands because they are the only things he has ever truly known.

Unlike so many series in the Gundam franchise, Gundam 00 does not concern itself with homages or references or trying to maintain Continuity like it’s more important than the message itself. And that message? War affects everyone.

The fact that Gundam 00 is willing to kill and maim its comic relief says it all. Seeing Patrick Colasour (peace be with him) (edit: almost) dying in a violent flash of white, I can think of nothing closer to the excitement of watching a Gundam series. I expect everyone to die, and I expect no one to die, and this has left me in the best kind of suspense I could hope for.

Why I Like Raoh, Part 1

I remember the first time I saw Raoh, with that huge stallion between his legs. I was in awe. This would begin a long journey where I found and understood myself.

A lot of Raoh’s appeal can be summed up in the battle where he stabs through his foot and Toki’s foot at the same time. I doubt anyone would argue with me when I call it the greatest foot kebab scene in anime and manga history. Raoh is willing to sacrifice his own foot, his most cherished companion since infancy, just to teach his younger brother a loving lesson (though Raoh forgets to mention at the time that Toki is his brother. Oh, Raoh, you’re so aloof).

Raoh, receive the fist that contains all of my love.

Go! Fan-Subtitle!

The Japanese anime industry is gearing up to take down the multi-headed vicious death beast of death that is internet fansubbing.

I’ve spoken before on how I personally feel towards fansubs and my status as an anime fan, and I just have to wonder how much the anime industry expects to save by stopping fansubs and demonizing them.

Legality aside, fansubbing is basically free advertisement for a show, and despite my general optimism towards shows I must say that not every show is a keeper or is going to be one that people at large will want to archive for generations. I’m not sure what they’re trying to accomplish, as it seems awfully near-sighted, but I can just picture myself (and most likely others) simply not buying a show AT ALL because I never had the chance to fall in love with it.

Over the past 12 months or so, I can probably count on two hands the number of manga titles I’ve bought in English: 3 volumes of To Terra, Sexy Voice and Robo, and hell I forget the rest, but the point is that I’ve read far many more manga and I didn’t even do it with scanlations. I utilized the dastardly method of Reading Them In the Bookstore. And these aren’t even throwaway titles but legitimately good ones. Why? Because 1) these things tend to be incomplete prior to reading them and 2) I do not have limitless pockets. Why did I buy To Terra without sampling it? Because I’ve been wanting to read it since I found out about it Manga! Manga! and since I downloaded a Japanese raw of the Toward the Terra movie from WinMX freshman year of college.

New shows won’t have that luxury.

Zetsubou Sensei Uses Cute Girls as a Buffer for Experimentation

Purely experimental shows would not fly with the anime-viewing audience, so where Sayonara Zetsubou Sensei succeeds is that it has a strong cast of characters to enchant and charm the audience into compliance.

One might say that Kafuka and friends comprise a Trojan Horse.

Anime Blog Awards

I’ll let the people running it explain it in their own words.

“Given the exponential growth of the anime blogosphere, the number of quality blogs with insightful opinions and perspectives are ever increasing. Yet a majority of the blogs out there remain isolated, lacking a sense of community and meaningful interaction. The Anime Blog Awards was created in order to bridge that gap by recognising worthy bloggers and their achievements in various fields.”

It’s an interesting idea, and though I’m not sure if I will participate in it, do not by any means let that keep you from voting. This sort of audience participation is what I think this community thrives on, provided it doesn’t become too political.

So if you are a blogger who blogs about blogs anime, then let it be known which blogs you think represent us the best.

http://animeblogawards.com/

It starts April 1st, so get nominating.

The Theatrical Nature of Anime

American movies and television in general involve very little soliloquy as one would see in theater. I’ve been told before that if a movie or television series has a person talking to himself that it’s not considered good. After all, movies and television aren’t theater, right? Also, internal monologues used as voice overs are apparently a no-no as well.

With this in mind, I watched Gundam 00 Episode 24, and watched as Setsuna F. Seiei spoke to himself, alone in a room, for about five minutes. And I liked it that way.

I’ve known for a long time that when comparing anime to American entertainment, there are some things which are very different. I’ve thought of plenty of possibilities: plot, character archetypes, story progression, even simply visual aesthetics, but upon seeing Setsuna speak to himself, I came to realize that perhaps anime relates more closely not to television or film, but to theater.

I suspect that it may partially have to do with anime often times being an adaption of manga works, where still images and word bubbles work together to provide greater amounts of information, where internal monologue or long exposition are almost necessary to truly get what’s going on with a character, perhaps due to manga’s relationship to written text.

Another similarity I see involves the criticism of the Sunrise-style 52 episode shows which take 13 episodes to develop into their true plot. The criticism leveled at this method is that it takes too long to get anywhere, which I think may say more about attention span of viewers than anything else. This reminds me of Shakespeare’s plays which can go on for 3-4 hours in one sitting. And yes, I have found myself dozing off during them as well, despite the fact that I didn’t necessarily find them boring. Count me among the guilty.

I realize that I like the theatrics of anime, be they melodramatic 70s shoujo or a more down to earth style of storytelling such as in Honey and Clover. Not that I don’t like other forms and methods of storytelling, even the American style, but  I really wouldn’t have it any other way.

You Will Be Sure to See Me at Otakon

I GET THE POWER OF LOOOOOOOOOOVE.

Xamdou! Can we call it “Eureka Frontier?”

Who’s a Xamdou?! What’s a Xamdou?!

It’s the most pressing question simply because the pedigree of this project does not have me worried AT ALL.  BONES announced that they’re doing a new anime, and it’s using the staff of my beloved Eureka Seven, including my favorite character designer Yoshida Ken’ichi.  And looking at the main site, I have no worries here either. This splash image just does everything right that it possibly could. A prominent, well-designed main character. A highly unorthodox being or robot or something tells me that this will be different. Or it’ll be a lot like Eureka Seven which is FINE BY ME.

There might even be the possibility it somehow relates to Eureka Seven. Would I prefer it? Maybe, but I will prefer whatever results in a better story.

I’m so looking forward to it, I’m going to give Xamdou its own category on this blog.

Watch out for it.

Mildly Ornery Girl in Snow

Lately it seems most of my drawings designed to help me relax have involved girls in winter coats. I wonder if a certain Fred can relate.

Drawn with a mouse because why not.