Category Archives: manga

One of the few gripes I have with Genshiken

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In the earlier volumes of Genshiken, there would always be writings by the various members of Genshiken pertaining to particular topics, and always under a psuedonym. They were always a fun window into each character, and early on it was interesting figuring who exactly was who.

Ogiue never had a chance to write.

By the time Ogiue comes around, even Ohno at first is contributing here and there, but in the later volumes it turns into Madarame and Sasahara discussing things like Kujibiki Unbalance preliminary character sketches.

Maybe it’s because Ogiue is more a story-oriented writer, or even that because we the readers are so privvy to her innermost thoughts that it becomes somewhat unnecessary, but the writings were never really “innermost thoughts,” much like how this blog isn’t in the strictest sense.

I mean, I can’t be the only one who’d like to know which Kujibiki Unbalance fighting game character Ogiue prefers, right?

The Most Difficult Question

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“What anime/manga would you recommend?”

At some point this went from being a fairly simple question to being an incredibly complex one that leaves me puzzled for long periods of time. As I absorbed more and more shows and comics into my being, as I began to expose myself to more and more types of fans and non-fans, the number of variables just kept increasing.

How long has this person been watching anime, if at all? What titles do I think are good? Out of those, which do I think the person asking me would like? What non-anime genres is he or she already into? How open is he or she to new genres? Different visual styles? How familiar is the person with digital downloads, bittorent, etc?

I know in a previous post that I recommended Slayers, but that is more of a generalist approach. The difficulty arises when I try to tailor my response to that individual. Everyone is unique, and I can’t rely on my own taste to sell a show to another.

An equally difficult question is “Which shows do you like?”

How familiar is this person with anime? If I say a title, will they understand what it is? How open are they to explanation?

And it’s not like I’ll lie or anything. I just prefer to pick an answer that will most accurately describe what I like in anime as efficiently as possible to the person in particular who’s askng.

Or I can just say “Rose of Versailles” and see what happens.

The Empty Storefront: The Rickety Path Towards Purchasing Anime

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A boy passes by a storefront window, when something catches his eye. He desperately wants it, but knows his parents won’t just buy it for him, and his birthday is many months away. But the boy has a plan, a plan he has thought up entirely on his own. He will save money little by little however he can. He will make small sacrifices. He does not need candy EVERY week. Little by little he accumulates bits of change until finally his effort is rewarded and he can confidently walk into that store, put the money on the counter, and walk out at least a little happier.

…Except that the store is all sold out and the chances of them getting more are now slim to none.

Purchasing Anime DVDs these days feels like a race against time. There might be a series you really want to own, but you are unable purchase it as soon as it hits store shelves, be they real or virtual. And yet, if you don’t purchase it now, it might be on your hands that this DVD did not sell well. Worse yet, if the 1st DVD doesn’t sell well, or the 2nd or the 3rd, there’s a chance the rest of a series may never see the light of day.

I don’t fault the anime companies in particular for removing titles or lowering circulation rates. They are businesses, after all. At the same time, I feel like it almost penalizes those fans of anime who do not have immediately disposable income. It puts the pressure on fans to support ther series they love, but they must do so in a limited time window.

It’s a problem.

Untameable

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The Japanese word for tomboy is “otenba (お転婆).” I learned that it’s based on the dutch word “ontembaar,” which means untameable.

And then stuff happened: More Real Shoopon?

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Before I realized it, it seems her pose is similar to a certain previous drawing.

Kyoto Animation to do 801-chan, Hiyorin and Konata cameos deemed inevitable

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When I first heard that Tonari no 801-chan was getting an anime, I was interested in seeing how they would adapt it to a full show. I figured that it would be something fairly low-budget and a decent show, but with the news that they of Haruhi and Lucky Star, those lords of chaos known as KyoAni, are going to be animating the show, well that changes things. 801-chan now has the potential to not only be a show that everyone’s talking about, but the show everyone’s talking about. I for one welcome new shows centered around the concept of the fujoshi.

One problem.

With KyoAni being the engine behind 801-chan, there’s a chance that Yaoi-chan will be the most popular fujoshi around.

And I cannot allow that to happen.

Flaw Magnification at Conventions

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A week after Otakon, about a month away from New York Anime Fest, and knowing my friends are going to PAX at the end of this month, I have conventions, or more specifically congoers, on my mind.

I support fans doing what they want with what they love. One might call it one of the pillars of the concept of fandom itself. However, even I find myself being at times bothered by some of the behavior at anime conventions, even things that I normally would not be too bothered by outside of a con. It bothered me as being hypocritical, and it still might be, but I knew something was different about each situation. I mean, a lot of things are different about a con, but the main one is that it’s a lot of similar people in one area.

When you have one person who loves being the center of attention, it’s a perfectly okay personality trait, especially when you have people who can reciprocate. However, when you have 100 of those attention-craving individuals, and ten times that many people reciprocating and giving them attention at the drop of a hat, it magnifies the negative facets. It’s like inbreeding, where the more it happens the more concentrated the disadvantageous genetics become (no Koi Kaze jokes, please). And because so many people ARE vying for attention, their individuality tends to get lost in the mix, making them faceless, making them “attention whores.”

Being the center of attention is just an example, and not any sort of focal point for criticism. And it doesn’t just apply to personality traits but also tangible ones as well. When everyone who is not in a costume is wearing a t-shirt (myself included), you start to notice that fact.

Once you get to know someone individually, this sort of thing almost always stops mattering, but it is in this initial stage, this first sighting, that these judgments are formed, for better or worse. Moreover, many geeks, nerds, dorks, and otaku are bad at making first impressions in the first place, so this doesn’t make it any easier.

And though I say this is “at Conventions,” I know that this is less about cons in particular and more about human behavior and the interaction between individuals and masses. This is just to put it all in a context which is meaningful to me so that I can think about it more readily.

This is one of those posts About Me, so don’t read it

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In the “About” section of Ogiue Maniax, I state that I “want to have a strong sense of its lifespan, to appreciate its history both in the context of the work itself as well as its influence in society throughout the world.” I think this accurately portrays my stance towards anime and other topics which I choose not to discuss on this blog, but I often wonder what made me the anime fan I am today. While a lot of it has to do with the shows I’ve watched and the fellow fans that I’ve known, that’s more of a “how” and not a “why.”

In a recent conversation with my mother, she told me that I was extremely inquisitive. I would always be asking, “Why?” Not to the extent that I’d be accompanied by a dog named Buttons perhaps, but she said that there were times when she would get fed up by my insistence on asking questions. A typical conversation would go something like:

Mom: Play with this toy. It’s fun.
Me: Why is it fun?

I remember a large amount of my childhood, but I don’t remember being so eager to learn why things are the way they are. I do remember that in high school, when a friend of mine would say he thought something sucked, I would get kind of agitated because he couldn’t back it up with why he thought it sucked. I thought this was something I developed around junior high, but apparently I was wrong.

So it might be the inevitable conclusion that I ended up interested in all those things “beyond” anime and manga: the history surrounding it all, the interaction of fans and creators, the way anime and manga differ from other forms of entertainment, not just on a qualitative level but emotional and societal levels as well.

I mean, this is probably why I devoted so many posts to discussing WHY I like Ogiue.

Otakon 2008 Artist’s Alley-ooplah

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I’ve heard recently that there was some kind of scheme going on at Otakon’s Artist’s Alley this year, where one or two artists bought around 14 tables and put their friends at each table to sell their artwork. Otakon is apparently looking for ways to prevent this incident, provided it actually happened.

I couldn’t find any reliable sources stating that this actually occurred, but it makes sense given the content of the artist’s alley this year, awesome Vegeta’s aside. As I went through the alley, I kept seeing this one specific, airbrushed style used on largel Shounen Jump characters. At first I wanted to make the joke that, huh, these asian girls sure do draw alike (and also draw like asian girls), but after the fourth and fifth artist’s table with the exact same style I started to get concerned. While I was there, I just thought it was an incidence where a bunch of artists really liked another artist and so they aped that style. I’ve seen one artist copying another’s style before, so it wasn’t too farfetch’d.

At best, this was just coincidence, and all that needs to happen is for a bunch of girls to try and find their own style, not just copy what they think looks good.

At worst, these people took away valuable artist’s alley tables that could have been better-used by those more deserving, regardless of the quality of the artwork itself. After all, the artist’s alley isn’t really about selling huge amounts, though I won’t fault you if you do make some hefty sacks of change. Well, provided it wasn’t done by completely eliminating someone else’s opportunity to show their art at a convention.

Looking back, it is pretty unusual that artist’s alley tables sold out so quickly this year, and this may go a long way in explaining it, provided it happened.

Anyone got any reliable sources I can use to verify this whole incident?

That Which Causes Me to Not Like Something, Part 1

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The vast majority of the time here on Ogiue Maniax, I talk about the shows I like or at the very least the shows which I think have merit in discussion. I prefer to be open-minded about shows of all kinds, though there are some genres I’ll get into less than others for a variety of reasons (boys’ love, for example). Still, as much as I want to say that every anime or manga has its day in the sun, there’s some criteria in which I will have to declare a show less-than-good, and not in a so-bad-it’s-good kind of way. Here is one of them.

When a show fails to reach my already low expectations, I will think less of it. Link, upon reading one of my reviews for My-Otome/My-ZHiME, informed that from what he’d heard, the My series was nothing but pure trash. My response was that I was fully aware of this, but it did not impact my enjoyment of the show. I expected nothing deep, and that’s what I got, as well as an excellent characters in a sort-of-okay story. Now, Tokyo Underground is a different story.

With Tokyo Underground, I looked at the show presented to me, one that was essentially “fighters with elemental powers hitting each other.” “Okay,” I thought, this is about as run-of-the-mill as you could get, so it shouldn’t disappoint. All you need is characters throwing lightning and fire at each other and maybe some training montages and the occasional powering up and development of new abilities. I got none of that. Instead, over the course of 26 episodes, only two new abilities for the main character were developed, with one of them simply being an enhanced version of his default special move. Whereas Dragon Ball Z had the courtesy of giving us the logic of “powering up makes you stronger,” fights in Tokyo Underground consisted of using the same attack over and over with no tangible change from one attempt to the next. 

I heard the manga is better though. Maybe I’ll check it out some time.

To summarize, when a show cannot even reach the level of “cliche,” then there’s a problem.