Category Archives: review

Enjadening

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At some point, it seem likes most anime reviewers begin to lose passion for their work, provided they had any in the first place. Though we may say something along the lines of, “Why do it in the first place if you no longer like it,” they say that one of the reasons they lose that passion is because they are constantly forced to wade through shows they dislike. They cannot choose the anime they review, and so with every disappointing show they become more and more bitter towards anime. That ocean that once seemed so wide turns out to be polluted.

At least, that’s what I think might be happening.

Aside from a few exceptions, I haven’t really tried to talk about anime on here that don’t really interest me. I mean, it’s difficult to talk about things you find boring, right? And anime reviewers have to do it, be it hell or high school romantic comedy.

In that case, what if I did start reviewing things outside of my interests?

I don’t know if I’ll actually do this. While I have a strong love of anime and manga, to put it to the test like this may be asking too much of me. If I go in, I may come out a different person. I’d like to think there’s interesting lessons to be learned in any anime, good, bad, or decidedly mediocre, but how many will it take before I break, if I do at all?

Most likely, if I do decide to begin this self-experiment, I won’t say specifically which reviews are part of it. That would be up to the readers to determine.

Kaiba is a difficult show to watch

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A very good show yes, but a difficult one nonetheless.

Kaiba is a very intelligent show, but so are a lot of other shows. The difference, however, is that while something like Crest of the Stars appeals to the viewer’s intelligence, it does not actively try to challenge that intelligence as Kaiba does.

Crest of the Stars will say, “I assume you to be an intelligent person, and therefore I will provide you with tons of information so you can get a clear idea of what’s going on and better appreciate this fiction.”

Kaiba, on the other hand, will say, “I assume you to be an intelligent person, therefore it’s only right of me to push that intelligence further, to not only grease those wheels but to then burn them out as well.”

The result is that Kaiba can be rather exhausting, and it’s not the kind of show I would recommend for a marathon. This is exactly the reason why I haven’t finished it yet. Each episode presents so much, and asks so much of the viewer that it makes me wish I was some kind of brain cow with four organs to process it all.

More Than Enough: Otakon 2008

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I went to Otakon with one purpose in mind: to go see JAM Project. Everything else on my priorities list could be postponed or sacrificed as long as I would be able to not turn away, and not show my tears, because I have the power of love to take back tomorrow. I am glad to say that not only did I see JAM Project, but the overall experience of Otakon 2008 has made it one of the best times o my life. It’s a culmination of various parts of a long weekend which turned out to be all too short.

I arrived Thursday afternoon by train along with a number of friends who I’ve known for some varying numbers of years. The first pleasant surprise was the hotel itself. We had taken two rooms in the Radisson, and found the rooms to be spacious, far more spacious than the place we stayed at last year. This was very fortunate, as it meant sleep would be comfortable and not the hassle it usually is at a con. We were later joined by kransom and astrange of welcome datacomp, two happening guys, one of whom is currently on a plane to Japan.

Actually, scratch that. My first pleasant surprise was on the train watching episodes of Cosmic Baton Girl Comet-san. I can’t believe how good that show is.

Thursday night was spent sitting back and playing Smash Bros Brawl with friends in the hotel room. The character choices among everyone were quite diverse, and this became a mainstay of practically every day we were there. As is always the case, Smash is simply a great way to unwind during conventions. kransom also showed me a copy of Patrick Macias‘ new book, Otaku in USA. The book is in Japanese, but it doesn’t seem to be a difficult read so I may pick it up at some point.

Friday morning, I went to the dealer’s room. While browsing DVDs, a dealer asked me what I was looking for, to which I responded, “Something for JAM Project to sign.” Luckily, a female dealer standing nearby pointed me out to a Gravion + Gravion Zwei combined thinpack that she was selling. She mentioned to me that the only reason she was here in the dealer’s room was so that she could be at Otakon to see JAM Project. To the kind woman who helped me out, I thank you, whoever you are. Other than that, I also accomplished another major objective that day.

(I also got an Eureka Seven poster.)

My first sighting of JAM Project was at the opening ceremony for Otakon, though I arrived pretty much just as they were leaving. I was there to see the Madhouse-produced opening animation, which basically involved Otakon’s two lackluster mascots fighting every anime character ever on their way to the convention center. Could have been worse, could have gone without it, the result was that I applaud their desire to celebrate their 10th anniversary with something big.

The JAM Project concert was to be held at the 1st Mariner Arena, a few blocks away from the convention center. After a bit of hassle, I managed to find a place in line with Sub from Subatomic Brainfreeze, and his friends, who I’ve met in the past thanks to a mutual friend of ours. There, we spent time enjoying the wonder and prestige of Sasaki Isao English renditions of Maginzer Z themes, who teaches us that, although humans can fight for good, give it all they’ve got, men are weak and they’re flesh and blood. Mazinger, however, is not. I could not think of a better way to pass the time.

At 7:00 we walked inside, me carrying a glowstick which I accidentally snapped. Sitting only a few rows away from the stage got me feeling anxious as I chatted it up a little with the people around me. Smoke began to fill the stage as I realized I was without my DS and could not participate in the inevitable pictochat. This only made me more anxious, as I knew it was almost upon us, the Japanese Animesong Musicians Project, albeit minus a few members I would like to have seen.

I am not a concert-goer, but I do not think any concert will ever top this one again. JAM Project are the masters of keeping the crowd excited with both their choice of music and musical style, and their sheer stage presence. JAM Project introduced themselves in English. You had the Lover of Amateur Rock Music Yoshiki Fukuyama , the Only Female There Masami Okui, the Youngest Member of JAM Project Hiroshi Kitadani aka Dani, the Most POWERFUL Member of JAM Project Masaaki Endoh (said while flexing his bicep), and the Leader Hironobu Kageyama. With an introduction like that, greatness was inevitable.

Their set included a large number of their combined efforts, such as Nageki no Rosario, Hagane no Messiah, and Breakout, as well as individual songs for which they were famous, which included Chala Head Chala, We Are!, Rinbu Revolution, Angel Voice, and Yuushaoh Tanjou! Knowing I had plans for karaoke the next day, I sang my heart out anyway, actively trying to destroy my throat as I yelled GOLDION HANMAAAAAHHHHHHHHHHHH. Totally worth it.

Especially impressive during the concert was Ms. Okui, who without Rica around had to sing twice as many lines as she normally would. Not only that, but Okui sounded better than I’ve ever heard her sing before. Usually her live voice is different from her studio voice, but on this night the two were one in the same. This, of course, is not to say that the others were anything less than outstanding. You could tell they enjoy their careers, and have a genuine love for anime music.

They finished off the main concert with GONG, then followed up with an encore comprised of Soul Taker and SKILL. I really couldn’t have asked for anything more, besides the presence of the God of Anime Songs Ichirou Mizuki! Sadly, my “Mizuki” chant did not work. By the way, that’s how I think Kageyama would have introduced him.

After the concert, a woman walked by with a sign saying,”Give your message to JAM Project!” All I could do was close my eyes and smile while clapping. I then gave a deep bow to them to show my gratitude. I hope you see it, JAM Project.

With the concert over, this was already the best con ever. I could have gone home that evening and been totally satisfied. Fortunately, the weekend was not over. After greeting Erin from Ninja Consultant (she asked me what I thought of the concert and my first response was to pump my fists), I ended up eating dinner with a mighty group indeed, perhaps the mightiest ensemble in all of Baltimore that evening had JAM Project not been around. This group consisted of myself, astrange and kransom, Mike Toole (whose panel I attended earlier in the day), ricequeen, Daryl Surat, and Gerald Rathkolb. It was an enjoyable dinner at a humble chain-like mexican food restaurant, where we discussed various anime-related topics. Kingdoms fell at our feet, while my ears continued to ring from being too close to the speakers during the concert.

The social aspect of the convention, which I was concerned about prior to attending, turned out to not be a problem, and was in fact one of the most enjoyable aspects of Otakon. While I ate with some anime titans of the internet on Friday, I ate with a different group of people every night that I was in Baltimore. Thursday night, I enjoyed extremely delicious Brazilian buffet at Fogo de Chão with my close friends from New York and college in Pittsburgh. There, while chowing down on lambchop, leg of lamb, pork sausage, garlic beef, filet mignon, filet mignon wrapped in bacon, chicken wrapped in bacon, etc (I tried to eat as wide a variety as I could), I talked to a waiter from Brazil. He mentioned his fondness for Saint Seiya and Evangelion.

Fogo de Chão is very pricey, so I wouldn’t recommend it as “con food” but as a place to enjoy the company of others while stuffing one’s face with protein-based brilliance, it is worth checking out.

Saturday evening, I ate with the internet. It was a Vegeta-mongling good time.

Afterwards, I ran to attend karaoke, where I gave a poor performance of Disarm Dreamer. There, along with astrange and kransom, I sat down and had a grand old time with wildarmsheero, Link, Omo, Anna, among others. You’ll forgive me if I forgot all of your names, but you were many. I sang along with a number of tunes, including Pegasus Fantasy, English and Japanese Pokemon themes, and SKILL, and tried my hardest to do my Souther impression for wildarmsheero. Watch out for it on his site. I was surprised to find someone singing the ending theme to the Sega Saturn racing game, Sonic R. I salute you as well. Unfortunately I did not have time to sing Minna Daisuki from Shugo Chara, which I had also planned.

While signing up for karaoke, one of the people working there asked me where I got my badge (see all the way up top), to which I said I made it myself. As he looked closer at my badge he suddenly said, “I read your blog!” Thank you, SSJSquall. You made my day in a day full of things which can make days with little difficulty.

On the same day was the JAM Project Q&A, which was a good time for all. There were many highlights to the whole session, but the absolute best was when Masami did an incredible Mizuki impression. Very few things in life will ever top Masami going, “[Mazinger] ZEEEET!” but one of them might be Fukuyama’s sheer antics. This guy is a joker through and through.

Sadly, I missed the Katsura panel because it interfered with the JAM Project autograph session, but I managed to attend the Maruyama/Madhouse panel, which is always a treat. I also sat in for the Fansubbers and Industry panel, which was informative if disappointingly peaceful. John Sirabella, head of Mediablasters, was a blast with his crotchety-yet-informative ways. I wanted to ask how buying region 2 dvds directly affects the region 1 industry if at all, but I was cut off. Maybe next year.

As for the JAM Project autograph session itself, I got to shake hands with them. As Kageyama signed my Gravion box, I pointed and said, “Sparking!” to which he responded in kind. After my friends and I all got our swag autographed, we got together in the dealer’s room to do a Whoa Bundy, the second Whoa Bundy of the day.

I also saw two incredible cosplays during the convention. First was a girl cosplaying as Rosalie from Rose of Versailles. Her outfit was this bright pastel blue, perfect for a shoujo character, and it was as if she stepped out of the pages of Riyoko Ikeda’s work. Second was a cosplay of Billy Mitchell, the first man to ever conquer Pac-Man. I failed to check if he had a bottle of Rickey’s Hot Sauce in hand.

At the train station, I saw Erin and Noah from Ninja Consultant, and wildarmsheero. Along with the friends who I came with, we had a good conversation to wind down the convention, and one of my friends read my blog for the first time. I hope it’s as frightening for you as I think it is.

There are two main lessons I took away from Otakon 2008. First is that on the internet it can become very easy to caricaturize those you talk to, to focus on only one aspect of their character and personality. In real life, we can get along without necessarily needing to debate or to try and make things “interesting.” Those things will come in time.

Second is that, according to Kageyama, this was one GAY 2008.

(It actually says 9 Aug 2008)

Lena Sayers, Lena Sayers, Lena Sayers: My-Otome 0 ~S.ifr~ OVA 2

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Sifr Fran, future mother of Nina Wáng, is still kidnapped. Lena, future mother of Arika Yumemiya, is iinjured in the last battle with Miyu-9, has been picked up by an unassuming researcher named Shirou. Her Otome gem has been shattered leaving her powerless, and much of the episode focuses on Lena and Shirou getting to know each other, though it all starts off with exactly the kind of misunderstanding one would expect out of the Otome series. Meanwhile, we’re treated to the appearance of a young Maria Graceburt, and the original Miyu who apparently has been around for a very long time.

Oh yeah, and Shirou is totally Not Arika’s Future Dad. You know, despite looking like her, having similar overall personalities, and becoming enamored with Lena very shortly after meeting her.

Totally.

Hot women, fun characters, good fight scenes, implied lesbianism, the second OVA prequel of My-Otome has pretty much everything the Otome series is known for, only because it focuses on Otome character designer Hisayuki Hirokazu’s beloved mascot Lena Sayers, the entire production just screams effort.

Because we know Lena’s inevitable fate, S.ifr really isn’t about watching what happens. It’s about being in the moment, and that moment consists of enjoying and savoring every moment Lena Sayers is on-screen. I won’t deny that much of the appeal of this OVA is Lena Sayers, and not in completely noble ways. She is hot, downright hot, hot in that she’s a mix of caring woman, powerful fighter, confident yet kind (see also: Vega from Dendoh), and hot because Hisayuki has put so much love and attention into the character that this could have only been the possible end result.

Avatar Finale, or Shut Up About Dangling Plot Threads

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They don’t matter. I don’t care how much you want to see them explored, it does not detract from the ending.

Good to see it all over.

…Unless they make a season 4.

I Can Clearly Hear It, the Galaxy’s Song: Macross Frontier 1-13

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If one were to describe a Macross series, there would be many recurring concepts: war, transforming fighter jets, idol singers, love triangles, culture. However, if one were to describe the feelings conveyed by each series, theywould be hard-pressed to find too many similarities. The original Super Dimensional Fortress Macross feels different from Macross Plus, which in turn has little in common with Macross 7 or Macross Zero thematically. They all exist in the same universe, but they could not be further from each other without turning into Gaogaigar and Betterman.

So it can be mighty confusing when I say that Macross Frontier, or at least the first half of it, feels like Macross.

Macross Frontier is the 25th anniversary celebration of Studio Nue’s Macross, and with it comes a return to the original in terms of pacing, characterization, and the specific balance of love and war and the way they intertwine. Nowhere is this more evident than in  the main love triangle of Macross Frontier.

The “love triangle” has been a constant part of Macross since day one with Hikaru, Misa, and Minmay. Still, I have always found the original love triangle to be the best because it truly seemed like a battle for the heart, a battle whose landscape is transformed radically by war and the circumstances surrounding it. Macross Plus is less about developing love and more about resolving an existing one, Macross Zero’s is wrapped in its own lore, and Macross 7’s you can hardly call a love triangle when it involves a guy who likes a girl, a girl who kind of likes both, and a guy who doesn’t care. In every case, the romantic tension is lacking, a tension which I believe factors significantly into the success of the original.

Macross Frontier’s three main characters, Saotome Alto, Sheryl Nome, and Ranka Lee, recapture that tension. Saotome Alto is an amateur fighter pilot and former theatrical actor. Sheryl Nome, the “Galactic Fairy,” is by far the biggest music idol of the day. Ranka Lee is a young girl working at a Chinese restaurant who aspires to be a pop idol. Mankind’s encounter with the Vajra, a violent alien race so powerful it can easily avoid an Itano Circus, brings Alto, Sheryl, and Ranka together and ties their destinies together.

It all sounds very familiar, but I am in no way saying that Macross Frontier is treading old ground, or that it’s some sort of lazy throwback to time immaterial (the 1980s). Already from my small and deliberately basic description, there are some things which are new and refreshing, particularly in this current age of anime. Unlike previous series, the main characters are all involved in performance in very different ways. There’s also the fact that we have not one but two idols with many years of experience of difference between them, with Sheryl being both Ranka’s surrogate mother (Ranka herself losing her parents at an early age), and her conflicted rival for the affections of Alto. Just like in the original Macross, I cannot bring myself to hate either girl or Alto, and also like in the original, I cannot seem to decide who I want to side with at the moment. I like this feeling. It’s one I’ve enjoyed before, and yet it feels so new.

Macross has always used its continuity as merely a backdrop, unlike say, Robotech, which thrives on it. However, whereas the latest incarnation of Robotech is marred by this devotion to continuity, Macross Frontier’s many, many nods to the past, a live performance of My Boyfriend is a Pilot and a car radio playing Planet Dance being just two examples, fit right in without overwhelming the viewer with backstory. History lessons are welcomed, but are not absolutely necessary, so what you end up having is a series which is progress not for the sake of progress but for making something worth watching and worth remembering.

The suspense is so great I may deculture my pants.

Wahaha: Hidamari Sketch

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With Hidamari Sketch x365 currently airing, I finally decided to watch through all of the original series.

Stupid me, I should have done this sooner.

Hidamari Sketch is the sort of show that is the most supremely difficult to convince others to watch if they aren’t already well-versed in shows of its kind. I’m referring to that dastardly “slice of life” genre of anime, the genre that can make or break someone’s opinion of anime.

It’s the story of four girls attending an art high school who live in the nearby Hidamari Apartments. Though they all live alone, you wouldn’t be able to tell from the way they support and love each other. The main cast consists of Yuno (shy and eager to learn), Miyako (energetic and unpredictable), Sae (mature yet easily flustered), and Hiro (soft-spoken but surprisingly willfull). Personally, it is very difficult to decide on a favorite character. All of them are just so wonderfully endearing that when I try to choose one I recall another very memorable scene from another character and then I’m back to square one.

One thing that constantly bothers me about Yuno is that she sounds a lot like Kinomoto Sakura despite not being voiced by Tange Sakura. I definitely know she isn’t, and I can also recognize the fact that she plays Ran in Shugo Chara, but it can be startling to hear such similarities in inflection and expression. I think if Sakura and Yuno met, they would have a wonderful friendship as Sakura would look to Yuno as a beautiful older sister of sorts.

…Back on topic.

Hidamari Sketch was directed by Shinbo Akiyuki, director of Pani Poni Dash and Zetsbou-Sensei among others. The show has the same sort of self-awareness by viewer and creator as Shinbo’s other shows. However, combined with the mellowness of the daily life of Yuno and friends, Hidamari Sketch becomes more like lucid dreaming, and it’s the kind of dream that while at first you’d prefer not to get up from, you are thankful that you did awaken as it lets you greet another day.

Slice of life is Hidamari Sketch.  It’s funny, witty, pleasant, and emotional, but not once do any of those adjectives overpower the other. It’s a show that, no matter your circumstance, you can use it to unwind. Watch as little or as much as you want, by the end you have no choice but to smile.

Armored Trooper Votoms: Part 2

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Armored Trooper Votoms is the story of Chirico Cuvie, a soldier and Armored Tooper (giant robot) pilot who was betrayed by his own military and forced on the run. Previously, Chirico found himself in Uoodo, a city where might makes right and people are very likely not to wake up the next morning. In episodes 14-27 of Armored Trooper Votoms, the AWOL soldier Chirico Cuvie trades the disorder and chaos of Uoodo for the focused destruction in the jungles of Kummen, a country at odds with Melkia. Chirico, a man who lives to fight, finds himself in his natural habitat amidst a civil war.

The aptly titled second part of Votoms, the “Kummen Jungle Wars,” sees Chirico acting as a mercenary for the Kummen government, fighting against a rebellious prince who seeks to prevent his nation from abandoning its traditions and modernizing. As the war progresses, it becomes clear that neither side is “good” or “evil” as is often the case with clashes of ideology as well as real robot anime. New characters are introduced on both sides, some familiar and welcome faces appear, Chirico still uses a Scope Dog, and the Perfect Soldier project which forced Chirico on the run is further along than it’s ever been before. …Or is it?

The fighting in Kummen is different from Uoodo, where it was usually cops vs thugs vs Chirico. Instead, Chirico in his mercenary role frequently acts as part of a mechanized platoon, following orders and occasionally giving them. The enemy, being much weaker than them, relies on guerilla tactics and hiding in plain sight in order to confuse the government’s soldiers and weaken resolve. The battles are intense and gritty without much posturing, lives are easily lost, and Chirico continues to wage war in what is basically the Votoms equivalent of a Zaku, a Leo, or a KLF: a rust bucket without many special features other than the strength and skill of the pilot within it.

The only real fault of Votoms is the way it handles romance, as it does so in a very Tomino-esque hammer-over-the-head manner. The origins of romance in the story of Votoms can make it hard to swallow, but don’t let it distract you.

Though the Kummen Jungle Wars arc ties into the greater plotline of Votoms, it can be considered its own self-contained story of a country at war with itself, where tradition and progress are forced against one another to determine the future of the nation. Watching just these 13 episodes alone can be satisfying enough, and if you’re unable to watch the Uoodo arc, the show was courteous enough to throw in a recap episode. At the end of Kummen, while a lot of questions are answered, far more are brought up, and there’s another 26 episodes to go.

Buy Strike Witches: You Can Call this a GONZO Editorial

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GONZO’s new tv series Strike Witches has begun airing, and GONZO, as it did with Blassreiter and Druaga, is putting the show online with a good translation for the enjoyment of English-speaking anime fans. It’s an mp4 file, approximately 200mb, with hard-encoded subtitles. It’s even free of Digital Rights Management shenanigans, which is a big plus in my book.

Unfortunately, what I’ve heard is that someone has put the episode on bittorrent.

I will acknowledge that it’s iffy to put money into a series you haven’t watched yet, but GONZO is trying hard to reach out to us in the English-speaking anime fandom, and to piss away their good will just makes us look terrible.

If you don’t like Strike Witches, or are afraid of watching yet another GONZO series, then feel free to ignore it. I’m not expecting people to buy something they don’t have any interest in, but if you think you’re going to enjoy it, I ask that you at least try it out.

One thing to keep in mind is that you have 14 days to download each episode so you can’t really wait until the series finishes. That said, this also means you can perform a 3-episode test. I’d also normally say that you could possibly wait for the DVDs if you want to support them with your wallet, but there’s a high probability that Strike Witches DVDs will never see the light of day.

You can purchase episodes of Strike Witches via Bost TV for approximately $3.00 US. Keep in mind you have to spend a minimum of $10 in order to buy the points necessary, which is kind of annoying, but that has less to do with GONZO itself and everything to do with Bost.

Episode 1 Review
Strike Witches is the story of a squad of young and powerful soldiers augmented with technologically advanced armored weaponry in order to combat the alien menace known as Neuroi. Its protagonist is Yoshika, a girl with a strong dislike of war whose father died during the conflict. However, a chance meeting with an old friend of her father’s puts Yoshika in a position she never expected.

All in all, Strike Witches is very cute, awfully fanservicey, and  well-animated. The main appeal is that its important characters are basically Mecha Musume. It’s a simple show that is clearly targeted towards otaku, so don’t expect it to be any more than what it tries to be.

Doing this Brooklyn Translation Makes it Difficult to Concentrate: Yu-Gi-Oh! The Abridged Series (in Japanese)

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Little Kuriboh’s Yu-Gi-Oh: The Abridged Series, where one man acts out the roles of (almost) every character with surprising skill and summarizes the absurdity of the English version of Yu-Gi-Oh Duel Monsters,  has become quite an internet phenomenon. You are probably aware of this, but one thing that you may not be aware of is that it has reached back to its original source, as one Japanese fan has subtitled Little Kuriboh’s work and put it online. You can also see it on Nico Nico Douga under the names 遊戯王要約シリーズ or 4分でわかる遊戯王アニメ.

What is fascinating about this first of all is that we get to observe the other side of the fansub mirror. Normally, even the Japanese subtitles for English shows that we see are professionally done.

What’s even more interesting is observing how the translator makes various attempts to localize the translation just enough for the Japanese speakers. Characters’ names are in Japanese, but the subtitles point out that “Jonouchi” is speaking with a “Brooklyn Accent.” Characters’ unique speech is kept intact, as Pegasus, according to the subtitles, still speaks in random Engrish and says “de~~~su” a whole lot. “Super Special Awesome” is just “Super Special.”

And of course, one of the big challenes is puns and wordplay, and the guy does surprisingly well. One of my favorite examples is his translation of the famous line from the “evil” Kaiba, “You don’t stand a GHOST of a chance,” said by characters who are ghosts or at least resemble them. Translated literally it doesn’t make much sense.

The translation the subtitler went for is “勝利のチャンスは「霊」だ” (Shouri no chansu wa rei da). It literally means “The chance of you winning is “a ghost.”

Here’s the fun part: the word used for ghost is pronounced “rei.” There’s another kanji with a pronunciation of rei, 零, which means “zero.”

In other words, “The chance of you winning is zero.”

So bravo, Japanese Yugioh Abridged subtitler. Your wordplay kung fu is mighty indeed, and I bow to you.