Armored Trooper Votoms: Part 1

This is a review of episodes 1-13 (or was that 14?) of Armored Trooper Votoms.

Armored Trooper Votoms is the story of a soldier gone AWOL named Chirico Cuvie. Chirico is the pilot of an “Armored Trooper,” essentially a giant robot used for military purposes, but without any of the flash or style of a Gundam or a Valkyrie. Having found himself an unwitting accomplice in a conspiracy to attack a friendly space station, Chirico is betrayed by his fellow soldiers, but not before discovering their most important secret: A mysterious, expressionless woman inside a capsule and the target of capture by his former allies. Barely escaping with his own life, Chirico runs into a higher-up in the military, a man named Rocchina, who believes Chirico’s accidental treason to be anything but. Chirico is tortured mercilessly, but manages to escape and ends up in a city of scoundrels and gangs not unlike the entire planet in Hokuto no Ken. That city is named Uoodo.

In Uoodo, Chirico manages to make some friends, though none of them are by any means innocent, given the nature of Uoodo. Chirico must deal with a corrupt police force while still running from the military who believes him to know more than he actually does. As Chirico tries to survive, he begins to learn the secrets of the mysterious woman he met at the space station, referred to as the “Prototype,” and the viewer is shown that the conspiracy that got Chirico running for his life in the first place runs much deeper than anybody ever suspected.

Armored Trooper Votoms, as I mentioned, has giant robots, and not fancy ones at that. The result is that, while the action is not exactly completely realistic, it has a very gritty feel to it. An Armored Trooper is not made of super alloys, it does not have any fancy weapons or serious technological edge. It is basically a tank with legs. In fact, Chirico frequently switches Armored Troopers because the previous one got wrecked beyond repair in battle, though he prefers a specific type called the Scope Dog. In one battle, his Scope Dog was taken down by heavy fire from people on foot and in cars and helicopters. They are far from invincible, and this is the basis of the combat in the show.

As for the plot, this is what is meant whenever someone says that you have to give a Sunrise mecha series chance to set up, that they generally have a 13-episode test. This entire first part, aptly entitled the “Uoodo” arc, is ALL setup for what’s to come. I can feel it, I think anyone watching can feel it, the whole point of this first part is to set up the characters and the basic setting, and to establish what is “normal” for the show so that the show can then be turned on its head. These first 13 episodes for the most part feel fairly episodic. They sometimes revolve around Chirico’s friends trying to strike it rich, or Chirico escaping from danger, or a combination of the two, but along the way hints are dropped and characterization is expanded. My only complaint is that the show has a very Tomino-esque way of introducing relationships, which is to say unrealistic and rushed in order to make a plot point. Other than that, the show is on its way to success.

I have been set up. Now it’s time for the show to begin knocking me down.

PS: One amusing aspect of Votoms I should mention is the next episode previews, which are usually serious expositions of what will happen to Chirico. Best of all is that they all end on some extremely dramatic and cryptic message of what’s to come. The one that stands out in my mind is “NEXT TIME, CHIRICO DRINKS HIS COFFEE BLACK, AND IT IS BITTER INDEED.” It kind of makes the show hard to take seriously sometimes, but that’s okay.

Sayonara Zetsubou Sensei: Zetsubou of Socks are Really Itchy

So with season 2 having just begun airing in Japan, it’s about as good a time as any to review Sayonara Zetsubou Sensei.

Simply put, this is a good series.

Sayonara Zetsubou Sensei is the story of a harshly pessimistic and cynical teacher, the titular “Mr. Despair,” Itoshiki Nozomu, and his student, Fuura Kafuka, who can put a genuine positive spin on anything. Their interactions with each other, the other students in the school, and their environment at large are approached in multiple layers of dangerously effective meta-humor, like getting a heart attack from Azuma Kazuma’s ultimate croissant.

Akiyuki Shinbo, the director of SZS, has a very distinct directing style which is evident in pretty much everything he does. You will find in Zetsubou Sensei a keen awareness of the anime as an anime, as an image projected from a television screen (or some other type of monitor). This applies not only to the strong use of flat colors as well as the placement of objects within each scene, but also to the characters and personalities. The characters could easily be thought of as gimmicks: Optimist, pessimist, anal-retentive, cell phone, fujoshi, hikikomori, on and on and on. I, however, believe it is better to think of them as character traits in their purest forms. Watching a character in Zetsubou Sensei is like chewing the coffee beans right in your mouth.

For me, the example that stands out most is the anal-retentive Kitsu Chiri’s perfectly symmetrical hair. It is a representative of her desire for symmetry in everything, and when shown on screen close-up, Kitsu’s hair becomes negative space and the split turns into a vivid shape on a flat plane. The split hair is quite literally symbolic.

Sayonara Zetsubou Sensei is a show I feel I can appreciate on a very artistic level, but it also satisfies my simple desire to watch an entertaining show. I look forward to Season 2.

By the way, if I had to choose: Kafuka, Kitsu, and Fujiyoshi in that order.

Kujibiki Unbalance Omake: (A little) MORE Genshiken! A Review

Volume two of the Kujibiki Unbalance manga was released in Japan recently, and the extra at the end is a 3-page comic starring Ogiue, Ohno, and Sue. I won’t spoil too much because I know Kujibiki Unbalance is being released in America soon, but I will say that it satisfied my desire for more Ogiue, if temporarily.

You Sue fans will get a kick out of this too.

Also, Ohno fans.

So really, everybody wins.

Shugo Chara: 12 Episodes Later and Still Good

I am quite pleased with the way Shugo Chara has progressed. It is slated for a long episode count, and so it would be easy for the show to fall into the trap of endless episodic filler, but Shugo Chara manages to make progress with every episode. Either the overall story is advanced, or we learn more about at least one character. The steps are small but steady, and I am personally am a fan of this type of pacing.

The way the show is paced, combined with the overall cute, girlish aesthetics of the show, it makes for an anime I can visit every week with no irritation or desire to see the plot move forward, so when it does happen I am pleasantly surprised.

Mousou Shoujo Getting Too Expensive Kei

First off, importing manga in Japanese is really starting to lose its price advantage over buying translated manga. At this point, I’d really only be doing it to keep my Japanese up.

Mousou Shoujo Otaku Kei. Volume 1. It’s basically one of many in a sea of otaku-themed narratives following the success of Densha Otoko, so let’s see how it stacks up.

It’s the tale of a fujoshi, the boy who likes her, and the guy she wants to pair said boy with. The story focuses mainly on the aforementiond fujoshi, Asai Rumi, and it’s basically a harmless high school romance comedy with a few racy scenes because it’s running in an otaku-oriented magazine.

Asai is no Ogiue, but then really, who is? It’d basically be unfair of me to compare the sheer depth of Ogiue through 6 volumes of manga versus just this one for Asai, so I’ll just say that Asai is a delightful fujoshi character and that it has its funny moments, though perhaps her fujocity is overblown.

Yes, I am coining the term “fujocity.”

Also the term “Asai Fujosault.”

New York Anime Festival Review in 3 Steps

1) This con was small. The Jacob Javits Center is huge. There may have been a Magic: The Gathering tournament going alongside it, but I hope to see more panels, more rooms, more everything next year

2) Guests were good, not great, but I enjoyed the panels I went to immensely (except for the cosplay competition)

3) Unicorn Table was awesome. Also I picked up all of Votoms for 66% off. Also I got an Anime World Order T-Shirt from Daryl Surat.

Genshiken 2, adding to the flavor


“Check out these pythons!”

I’m not sure if I’ve made it clear previously, but I really like Genshiken, and I really like Ogiue.

I have had all 9 volumes of Genshiken, in Japanese, since last year, and I had been highly anticipating the arrival of the second series ever since it was announced and perhaps even before then. Naturally, I thought about the pace of the series previous, and what they had covered in the OVAs, and I figured that, hey, it might be a bit of a squeeze, but they could probably fit enough of the significant content from Volumes 5-9 and finish it off this season.

However, in Genshiken 2, entire chapters have been extended to the point that they fill the approximately 22 minute space that is a tv episode. They’re up to episode 7 already and they’ve only gotten to the end of Volume 6. Either they don’t intend to finish it off just yet, or they’re gonna cut out a lot of stuff from the manga.

Poor Keiko. I get the feeling most of her scenes are gonna get axed.

Now, you’d think I’d be mad at Studio ARMS for extending the chapters in this manner, but I’m really not, because they’ve managed to pull it off successfully. I am genuinely enjoying the episodes, and the added content only serves to enrich the characters and their thoughts and interactions. The prime example of this is episode 5, “Madarame is a Total Bottom,” an episode which covers the manga chapter which basically turned me from an Ogiue fan to an Ogiue fanatic.

Hell, the image banner I’m using here is taken directly from that chapter.

The episode devoted far more time to Ogiue’s fantasies than Kio Shimoku did in the original manga, but it provides me, the viewer, with such a strong understanding of what’s going on inside the mind of sweet Ogi that I cannot help but appreciate it. I am no fan of yaoi, but that I was pretty much seeing her direct train of thought, (lightly) warped logic, and that I was pretty much in Ogiue’s head provides me with a sort of joy that is both pleasant and visceral.

Keep at it, Studio ARMS! The only thing I worry about is that they probably don’t have enough content for a third season if they keep up this pace. Maybe another OVA series is in the works.

Shugo Chara: It’s All Right

I am glad for the existence of Shugo Chara.

I’d been lamenting the sheer lack of legitimately girly magical girl shows as of late. Ones without that unfortunate veneer of obvious otaku appeal that you see in so much mahou shoujo these days. Not to say appealing to otaku is bad, but I’d simply been getting tired of things like Nanoha or Pretty Cure (granted, Pretty Cure is less guilty of this). The last show I could think of that was legitimately girly was Fushigiboshi no Futagohime Gyu!

In comes Shugo Chara.

Hinamori Amu, a girl whose facade as a rough and tough loner does not match her girly inner self. She wishes she could be more true to herself, and her wish is granted in the form of Guardian Characters, or Shugo Chara. These cute little fairy-type mascots let her do things she would be too hesitant to try normally, and when in danger she can do a more powerful “Character Transformation.”

Even the character transformations are good and cute. Not Futagohime good, but at least the outfits are stylish and girly. The Spade Amulet transformation is particularly good.

Frilly shirt, striped stockings, shorts, big ol’ boots and even a beret. It’s like they read my mind.

Even if this show does attract an otaku audience, at the very least it feels like a clean show. It’s full of joy and wonder, and you almost wouldn’t realize that the manga was created by Peach Pit, creators of Rozen Maiden.

And that is all right.

(Do! Do! Do! Dreaming!)