Whack Chin: Ogiue Maniax Status Update for April 2021

It feels like I blinked and now a new anime season is upon us. There are plenty of shows that are catching my eye, including 86: Eighty Six, SSSS.Dynazenon, NOMAD: Megalo Box 2, and of course, Thunderbolt Fantasy Season 3. I hope everyone is doing well, and in a place where they have something that can provide them joy and comfort in trying times, whether it’s anime, manga, or something else entirely.

COVID-19 vaccines are in full swing at the moment, and while I’m not sure I should be the one to say it, everyone should get vaccinated when they can, and continue to practice safety measures like wearing face masks. I look forward to the day we can comfortably see our loved ones and maybe even attend an anime convention or two without fear.

Thanks to April’s Patreon sponsors:

General:

Ko Ransom

Diogo Prado

Alex

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Blog highlights from March:

Wellness for the Self, Wellness for the World: Healin’ Good Precure

My review of 2020’s Precure anime.

The Perfect Storm of Virtual Youtubers

My thoughts on how Virtual Youtubers unite different groups on the internet.

Thought on Anti-Asian Racism in the US

Something more personal, and less anime-related. I hope you’ll read it.

Apartment 507

I tried out Joy Sound Karaoke on the Nintendo Switch, and it’s a decent way to get in your karaoke fix.

Hashikko Ensemble

Chapter 38 features Jin’s mom, and she is ammmmazing.

Closing

I hope that we remember that pitting the poor and minorities against one another is exactly what powerful bigots want. It keeps us divided and unable to see the systemic problems that keep people oppressed. Do not let the racism foisted upon us control our lives. Do not misdirect your anger.

Sun Guts: Ogiue Maniax Status Update for March 2021

Here we are: roughly a year since coronavirus basically forced the world to change course. I seriously could not have imagined all that has happened since, and it feels like ten years have passed in the span of one. I’m losing my grip on time a bit, but this makes me wonder if doing these monthly blog updates actually helps in some way. I can see the days and weeks go by.

In happier news, the Blocker Corps IV Machine Blaster crowdfund to digitally archive the series was successful! I talked about it in a post to drum up support, and it actually didn’t make it until literally the 11th hour by crossing the finish line with only 11 minutes left in the all-or-nothing campaign. It’s not going to be on anyone’s list of best anime ever, but knowing I helped to keep an anime alive makes me feel good.

After all, I know what it’s like to have the support of others. Thank you to March’s Patreon sponsors:

General:

Ko Ransom

Diogo Prado

Alex

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Blog highlights from February:

God Mars and the Legacy of BL Fan Shipping

A look at the giant robot anime that is foundational to the fujoshi fandom in Japan. Gundam Wing before Gundam Wing, you might say.

That’s Ruff, Buddy—Nichijou: My Ordinary Life

My long overdue review of one of the funniest manga ever.

Otakon Needs Our Help

My favorite anime convention might not survive another year due to the Coronavirus. Consider supporting them!

Hashikko Ensemble

Chapter 37 has the most intense musical performance yet.

Closing

The 2021 New York International Children’s Film Festival starts this Friday! Unlike previous years, it’s a virtual festival this time around, and the $40 two-week all-acesss pass is an incredibly good deal. If you live in the US, it might be worth checking out.

Also, how about that Pyra and Mythra in Smash Bros. Ultimate, huh? I’m thinking about writing something in regards to fanservice in character designs, hopefully providing a nuanced perspective.

Stay safe, get vaccinated. I wish you good health.

Teleport Them Chocolates: Ogiue Maniax Status Update for February 2021

We are on the other side of a terrifying four years, and I am glad to be here with you. Though we don’t know what the future holds, I feel somewhat optimistic.

However, we still have COVID-19 killing thousands of people a day, so I hope for the safety of you and everyone you hold dear. Also, I hope this is obvious, but please do not attend any anime conventions while we’re in the middle of a pandemic. Seriously, don’t. Stay home, and enjoy anime from the comfort of your TV or computer. The new anime season is in full swing, and Valentine’s Day is around the corner, which means plenty of talk about giri and honmei chocolates.

Thank you to the following Patreon sponsors for their support in the month of February:

General:

Ko Ransom

Diogo Prado

Alex

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Blog highlights from January:

The “Blocker Corps IV Machine Blaster Crowdfund”: Help Preserve a 45-Year-Old Giant Robot Anime!

Mecha history is anime history, and I’d hate to see this show not get a proper digital preservation.

Chainsaw Man and Women in Refrigerators

A spoiler-heavy look at how one of the hottest current manga tackles a problematic old trope

Rookie Veteran, Veteran Rookie: The Gymnastics Samurai

How does this gymnastics-themed anime handle its “older” protagonist?

Hashikko Ensemble

Chapter 36 is the long-awaited debut of Jin’s mom! Spoilers: She probably got teen pregnant.

Closing

If you’ve got a favorite anime of the season so far, I’m all ears. I’ve been enjoying the return to form that is Show by Rock!! Stars! and the strange and irreverent Back Arrow.

Con Identity

I have been to very few cons, and I can hardly call myself a “con-goer.”

Hell, I can list the cons I’ve been to easily: Lunacon 2002, 2003, and I think 2005. I-Con 2003. Otakon 2006 and 2007. Tekkoshocon 2006. PAS Spring Anime Fest once or twice if that counts. New York Anime Festival.

That’s my entire history with cons both anime and non.

In my sparse experience though, I go to cons for mainly two reasons: panels and friends. I don’t think this is too different from other people, though there may be some disagreement as to which panels are worth the time. I prefer industry panels with Japanese guests, such as artists and directors. Probably my favorite panel so far was Otakon 2006 where the director of Madhouse whose name I keep forgetting despite promising not to was a guest. I try to stay away from cosplay and amv’s because they’re not really my thing, but I have nothing against them.

With what amounts to similar groups of fans going to each and every con, I begin to wonder what separates them, aside from geographical location. Why are the big cons the way that they are, and how do they differ from each other? I know some cons are considered big cosplay cons, and others big amv cons, and others are purely professional.

I find myself planning on going to Otakon again this year, without fully knowing the guests. Is it maybe becoming a habit? I’m not exactly sure what appeals to me about Otakon after all.

New York Anime Festival Review in 3 Steps

1) This con was small. The Jacob Javits Center is huge. There may have been a Magic: The Gathering tournament going alongside it, but I hope to see more panels, more rooms, more everything next year

2) Guests were good, not great, but I enjoyed the panels I went to immensely (except for the cosplay competition)

3) Unicorn Table was awesome. Also I picked up all of Votoms for 66% off. Also I got an Anime World Order T-Shirt from Daryl Surat.