Volume 15 of the Genshiken II manga came out in Japan recently, and with it a limited edition featuring an OVA (or OAD as they call it) where they animate a couple of chapters from the original Genshiken. Covering Sue’s stay over at Ogiue’s apartment and the group’s new year’s shrine visit, it’s a part of the story that should be completely familiar territory to Genshiken fans, and watching it has made me want to both consider its role or purpose as the first Nidaime OAD and think a little about the story itself.
When you think about it, this OAD didn’t have to be the new year’s shrine visit, but it is in many ways the most appropriate given Nidaime. Ogiue’s trauma and the trip to Karuizawa would have been too long and arguably too heavy for this. The graduation in the last chapter of the original Genshiken would have been nice but is of course more of a finale than anything else. The no-dialogue chapter would have been an interesting part to adapt, but that would negate the entire new set of voice actors they’ve brought in. With the new year’s shrine visit, however, you get various threads which lead directly into Nidaime, particularly what’s been covered by the anime. Ogiue shows her softer side, which plays into her role in the second series. Sue expresses her desire to study in Japan, thus setting the stage for her increased prominence. The forlorn romance of Madarame is in full swing here, expressed almost painfully in its silence. Though Genshiken is in a sense full of turning points, this is a pretty major one in hindsight.
In terms of adaptation from manga to anime, I find it interesting that the characters were made to look like in the original series. It seems like a no-brainer but they had to do things like switch to older hairstyles and even styles of dress in order to capture the visual sense of how different the club was back then. In fact the entire mellowness of the OAD really stands out, and I imagine for anyone who watches it after having only experienced Nidaime, they would notice first and foremost the relative lack of bombastic energy. Even the references are from a different period of otakudom (“Sit, Nekoyasha!”).
One minor but noticeable change has to do with the fact that Ogiue has her default Series 1 hairstyle in the OAD, which is subtly different from the hair she wore to the shrine in the manga. There, instead of having the horizontal “antennae” on the sides of her head, Ogiue has more pronounced tufts of hair over her ears, and most likely creating another set of character design sheet just for this one-off Ogiue hair would have been too difficult or time-consuming. What’s important is that this specific hairstyle was not a fluke or a shift in judgment in the manga, as Kio Shimoku specifically drew Ogiue with that hair on the the limited edition cover of Genshiken Volume 15. Given her dress-up for Sasahara’s graduation a few chapters later, I feel like the purpose of this hairstyle was to show Ogiue trying to pretty herself up a bit (which in turn extends from a longer trend of her getting more fashionable after talking to Kasukabe).
If there’s one thing I really took away from watching this, however, it would be a case of self-reflection, so I hope you’ll forgive me as I indulge in some introspection.
When Ogiue is drying Sue’s hair, she talks about how she’d like to be more like Sue, who isn’t afraid to be an otaku and to just be herself, which Ogiue has been trying to learn. This process Ogiue undergoes in the series is part of why she’s my favorite character, and it’s something I’ve tried to live by as well, to my benefite even, but as I get older I increasingly feel this pressure to not display my otaku-ness so openly. It’s not something I try to hide, but I realize that it’s important to know that sometimes other people won’t quite understand, and explaining who you are and why you love the things you do requires a certain sociability and deftness with words which often escape me. On some level, I worry that the essential advice of “be yourself” is something I’ve begun to creep away from even though it’s been so important to me.
Also, because I’ve managed to become more social and more comfortable over the years, I think what I basically am afraid of is becoming the very person I swore I never would, that person who passes judgment on others for being weird or socially awkward, not because I want to but because I might have lost touch with that feeling. That said, if I’m actively concerned about this, then that’s maybe for the best because it means I haven’t forgotten that idealism even if it doesn’t work out, well, ideally.