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In case you haven’t heard, Genshiken Nidaime ends next month (!!!). Nevertheless, we haven’t reached the finish line quite yet.
After a bit of haranguing, Kasukabe and Ogiue finally manage to get Madarame and Sue on the phone together. At that moment, Madarame confesses his feelings for Sue in the one language she truly understands: internet memes and anime references. Deftly avoiding his statements, Sue finally gives pause when Madarame says the magic words—”I think you’re ridiculously moe.” Madarame explains that, while moe, love, and sexual attraction aren’t necessarily the same thing, he wants to believe in moe as an important facet of being an otaku, and Sue is basically the manifestation of his 2D interests in 3D. Finally, Sue agrees, and the two officially become a couple.
That same day, Madarame reveals that he’s finalized the deal on his new apartment, and is moving away, further from the university than he’s ever been. With a new home, and a new girlfriend, Madarame finally moves on from the past but without abandoning his otaku pride.
A Bit of Hindsight
Is this the true nail in the coffin for the canonicity of Spotted Flower? Maybe, maybe not.
I’m pretty shocked that Genshiken is coming to a close once more. Given this sudden news, it makes me think a bit differently about these past few chapters. While I’ve seen complaints that the Madarame harem story took too long to reach its conclusion, I was okay with that length while under the assumption that we’d get to see a lot more. Now, however, we won’t even get to witness the younger Yoshitake sister’s college debut. We won’t get to see how Madarame and Sue’s relationship grows. We won’t get excited as new members of Genshiken are made. Because of this, a part of me now wishes that the harem arc would’ve finished sooner so that we’d have room for more stories. I know manga publishing doesn’t necessarily work that way, but a guy can dream, right?
The Case for Susanna Hopkins
Moving onto Chapter 126, this one hits with the force of a battering ram. Where once we thought Madarame’s romantic life would fall back into stasis for the time being, here it is, pried wide open by the power of Kasukabe Saki. Seeing as the series is ending so soon, Kasukabe’s actions might be construed as a kind of deus ex machina. However, can a character be simultaneously a deus ex machina and a realistic character at the same time that all of her actions are perfectly in-character? In Genshiken, it seems, anything is possible.
The lines that Madarame uses this chapter are as follows: “The moon is pretty,” which is an indirect way of saying, “I love you”; “About Sue, Madarame- !”, which is the romance manga standard for many interrupted confessions, and finally, “Sue makes me pig out! Oink oink oink!” All of these are varying forms of otaku communication, and it shows what about Madarame and Sue makes sense as a couple. Madarame is an otaku, through and through, and Sue is the only one truly capable of matching him in terms of power level. That’s not to say that none of the other potential partners would not have made sense, and I think this is in the manga’s favor. We’re left with one of four possibilities, and when looking at the outcome, a particular set of messages is conveyed.
Liberty, Equality, and Moe
I think it’s very telling that Madarame’s explanation about his attraction to her revolves around the idea of “moe,” and how he contrasts it with erotic attraction. While he doesn’t position them in a dichotomy—moe can lead to sexual attraction and vice versa, as was the case with his feelings towards Kasukabe—Madarame’s decision to go with the “moe” one is an embracing of his continued desire to be an otaku. Madarame feels like he needs to grow up. Times are changing, but that doesn’t mean that Madarame has to “graduate” from being exactly the kind of otaku he is, which is an old-school geek with old-school geek tastes.
In other words, Sue lets Madarame be himself in a way the others wouldn’t, even if they would have made nice couples anyway. Sue not only possesses all of the features that Madarame loves in anime characters, being a “blonde loli with a rude attitude,” but she’s also his equal where it counts for Madarame: as a fan of anime and manga. Because of this, Madarame is moving on with one aspect of his life by separating himself from Shiiou University as the anchor he could not (or did not want to) escape, but he is still projecting his core being as he moves ahead. Where once Madarame was an otaku tied to the past, now he is an otaku looking ahead to the future. Also, Sue still attends the university so he’ll probably be around sometimes anyway.
Madarame’s decision to go where the moe is doesn’t have all that much in common with the other couples in Genshiken. Ogiue projects her BL version of Sasahara onto the real person, but this acts more as a kind of intimate bonding (and implied foreplay). and she increasingly shows how much she loves the actual Sasahara. Ohno and Tanaka came together over their shared hobbies, but it’s in the space of passion and community. Kohsaka and Kaminaga both have non-otaku partners who are fairly different from each other. And even though it doesn’t really count, Kugayama wants to get to know his beloved Cabaret Club girl Rino better. To put it differently, Genshiken presents many possible avenues of romance for otaku. There is no one size fits all, whether the significant other is an otaku or not, and so Madarame’s choice to embrace moe (and Sue in the process), is the path he, as an individual, takes, and his way of navigating the nebulous border between 2D and 3D.
I know the Madarame/Hato dynamic and the end of that possibility leaves a bitter taste in many fans’ mouths, but I do want to point out something very noteworthy in this chapter. When Madarame is comparing his prospective partners in terms of moe, he mentions that everyone but Sue would better be categorized as “sexy.” When asked about whether that includes Hato, Madarame says, “Hato too.” In other words, Madarame feels sexual attraction towards Hato (though whether it’s Hato the boy or Hato the boy dressed as a girl isn’t clear), and his decision for going with Sue is something that almost transcends the flesh. Madarame being very quite possibly bisexual is something I don’t think anyone expected from Genshiken originally, and it’s kind of amazing to say at all now that it’s come to this.
Sue’s Meta Powers
Before I bring this review home, I want to talk more about Sue as an entity of fiction. Though it isn’t ever explicitly stated who the most popular character in Genshiken Nidaime is, many signs point to either Hato or Sue. It’s Sue who was made into a DLC costume for the game Akiba’s Trip, who was made into a hug pillow, and who is increasingly prominent on the store-exclusive bonuses for buying new volumes of the manga in Japanese. Could this popularity have been a factor in deciding the final couple?
Another aspect of Sue that bears mentioning is the fact that she’s able to make not just anime and manga references, but references to Genshiken itself. Sue’s way of saying, “Yes, I will go out with you Madarame!” in this chapter comes from twisting a quote from Zenigata from Lupin III: Castle of Cagliostro: “He stole something quite precious: your heart.” Except, Sue replaces “your heart” with “my panties.” One might think she’s just being weird, but this is actually the very line that Ogiue thinks when Sue flies back to the US in the first series while still wearing the underwear she borrowed from Ogiue. As one might remember from early on in Nidaime‘s life, Sue was somehow even able to reference Ogiue’s self-introduction (in spite of her not even being there at the time!). Sue actually might just be some kind of metatextual alien.
One more chapter, and next month is Kuchiki’s graduation. In the meantime, enjoy these Ogiue moments. Though it’s a Sue-centric chapter, it was actually rife with Ogiue goodness.
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In this month’s chapter of Genshiken Nidaime, the old boys are back.
Madarame, Tanaka, and Kugayama meet up for drinks. While they start talking about how things have changed now that Madarame’s finally not going back to the old university, the conversation eventually shifts to girls. As Madarame realizes how the boys of Genshiken have at some point started talking about girls instead of anime, he swears to bring himself back to his original mega otaku self. However, just as he successfully tempts the rest of the guys to pull out some 18+ doujinshi, Kohsaka shows up with Saki, who seems unfazed by Madarame’s attempts to creep her out. Not long after, they reveal to the guys that Saki is pregnant.
This causes Madarame to flip and exclaim that he should’ve just picked someone and ended his virginity, but then Saki reveals that it was all a lie orchestrated by her and Kohsaka to get Madarame to confront his true feelings. She then tells Madarame straight up that he should go out with Sue on account of his reasoning for rejecting her being total BS, and even gets Sasahara to call Ogiue and get Sue on the phone. Saki says to Madarame that, if Sue’s not interested anymore then it’s fine, but otherwise…
Straight Shooter Saki
Ah, Kasukabe Saki. While Keiko kind of fulfills her role as the no-nonsense outsider, she doesn’t quite capture Kasukabe’s ability to just cut straight to the point. Quite a few of the readers on this blog have commented that Madarame’s reasoning for rejecting Sue was incredibly weak, and I find it interesting that Kio Shimoku would purposely set that up as a sticking point. While I do still think that Madarame’s reasoning wasn’t solely to run away from the situation, it was pretty flimsy on the surface.
It’s also revealed that Saki set her ploy up because Kohsaka and her suspected that Madarame’s real reason for not choosing a girl was that he was still pining after he deep down inside. While I think this was pretty clear, especially given his reason for rejecting Keiko (she reminds Madarame too much of Kasukabe), this really shows just how much that’s actually the case. Somewhere in all of this is the idea that the other girls are maybe too otaku to get to the heart of the matter. Ogiue might be blunt and Yoshitake might be a schemer, but their anime and manga-oriented minds inadverently allowed the harem to flourish, and thus allowed Madarame to remain wishy-washy about the whole thing. Saki really is amazing.
As for the fake pregnancy, before Saki revealed the truth my immediate reaction was that this basically would have marked off Spotted Flower as a possibility. Now, it’s back to being in this nebulous space of pseudo-canon/alternate universe, and it’s a very intentional move by Kio to mess with his readership. Maybe, somehow, we’re all Madarame. What this also means, based on all of the talk of girls and sex (or in some cases lack thereof), is that the thematic gap between Genshiken and Spotted Flower is ever-shrinking.
By the way, the named of the chapter is “High-Slope Flower,” which is a parody of Spotted Flower, only with a reference to Kohsaka instead of Madarame; the saka in Kohsaka means “hill.”
Kio you troll.
Though it’s one of the main jokes of the chapter, it really is crazy that the boys of Genshiken have been having varying degrees of success with the ladies, not least of which is Madarame’s recent harem adventures.
It’s unclear if Rino the Cabaret girl is actually interested in Kugayama or is basically doing her job and manipulating her client for more pay (remember, Cabaret Clubs are all about talking with girls as opposed to being a sex service), but it’s very likely that the latter is a factor. Kugayama himself acknowledges this, but just the fact that he is making some kind of vague move towards fulfilling his desire for real-life women, and that he’s gone from visiting Cabaret ladies to just one in particular, is itself a kind of change or progression.
One of the more notable aspects of this chapter is that Tanaka and Sasahara reveal quite a few details about their sex lives. Tanaka mentions that he “only” gets to have sex with Ohno about once a week, while Sasahara says that his rate is about once a month, much to Madarame’s consternation. Tanaka even mentions to Kugayama about how asking for a girl’s three sizes in order to get a cosplay outfit made for her (Kugayama’s current plan for a gift to Rino) can turn into dirty talk.
References to the characters having sex is nothing new to Genshiken. Way back, Saki talked about her and Kohsaka doing it doggy-style. Ogiue started drawing more realistic penises in her doujinshi after she began her relationship with Sasahara. I think this situation might feel different because it’s the guys, the ones who are supposed to be the “losers,” doing it, and so the dissonance in Madarame is understandable. I also believe that this dissonance was a huge factor when it came to Madarame’s decision to abstain from choosing a partner. This candidness contrasts with the younger characters that comprise the main cast now as well, because they are for the most part are still very shy about this sort of thing.
It’s easy to tell that the conversations are causing Madarame’s imagination to go wild, and that too is understandable.
They Just Keep Pulling Me Back In!
If Madarame does indeed end up with Sue after all, does it matter that it happens after the harem arc concluded rather than it being a direct result of Madarame’s decision? After all, choosing a partner would have, by definition, ended the arc anyway.
This is all speculation at this point, but I do think there is a difference between having Sue the winner of a competition versus her and Madarame potentially building something up together on their own. I think the harem itself put a lot of pressure on Madarame that a simpler one-to-one relationship wouldn’t carry, even if it doesn’t work out.
As for Sue essentially being Madarame’s 2D complex ideal given flesh and how this might mean that Madarame loses the last vestiges of his realistic otaku self, there are two points to take into consideration. First, guys can have many different ideals to the point that arguably any of the other partners could be considered an “ideal,” but the way the story has portrayed them shows a lot of interesting facets to their characters. Sue still seems a bit otherworldly, but this might be the start to opening her up more. Second, Sue really is the only one at Madarame’s otaku power level.
No Ogiue Image This Month
They do mention her, though.
Sasahara: Basically, Sue’s at Ogiue’s apartment, which means I can’t visit. Do something about it, please.
Madarame: Wha? What do ya mean? Wait… You just want to have sex with her!
Sasahara: ……That’s right! What’s wrong with that?!
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Recently, it’s come to my attention that a translation of Genshiken Chapter 122, aka the “Madarame Harem Arc Conclusion” chapter, has been going around that have some serious inaccuracies as to what is being said by Madarame. This seems to have created a good deal of outrage, with people believing that Madarame and Hato are both claiming that Hato isn’t really attracted to men.
That is completely wrong, and I’m here to correct that mistake.
SPOILER WARNING, of course.
First, here’s pages 130-132 from the serialization, when Madarame is explaining his reason for not dating Hato.
Yoshitake: Rame-senpai, you didn’t deny the possibility of Hato x Mada, so what’s the problem with Hato?
Madarame: Well I wouldn’t call it a problem… Let’s see. If we were together, I get the feeling that he would think about it too much and become a wreck in the process.
Yoshitake: …Aahhh… I think I understand…
Yajima: (That’s exactly what would happen.)
Madarame: Let’s say we started dating and hit it off. Even if that happened, I feel that he would be torment himself, believing there was some other pretext for our relationship.
At some point, he would think, Madarame has to feel reluctant about dating a man, right? Hato would think too much, and suffer for it. It should be simpler than that. “Hey I’m just a fudanshi who loves to crossdress, that’s all. No more, no less.” Wouldn’t that be a much better way to live?
With the above, I think you can see that Madarame is not claiming that Hato isn’t gay or bisexual. Rather, what he’s saying is that he wants Hato to find a relationship where he can feel comfortable being himself.
Now, here’s Hato’s later reaction and conversation with Yajima, on pages 143-145.
Yajima: You look better off than I was expecting.
Hato: I’m just really feeling the fact that it’s all over and done. I said everything I wanted to say, and if that’s the case…
Besides, it was a relief to be rejected. It was just as senpai said. Between my appearance and my love of BL I’m going to run into problems eventually.
I understood that, no matter how much I might like someone, it wouldn’t work out with a guy. Even knowing that, I still fell for senpai. Even now my feelings haven’t changed. I’ll probably go on loving him forever. That’s why I think Madarame senpai will be the first and last man I ever love.
Here, Hato does not deny that he was genuinely attracted to Madarame, nor is he going for the, “I don’t love men but I love you!” What he’s saying is that he thinks his feelings for Madarame are never going away, and that no one will take his place. Is he exaggerating? Maybe? Where he is feeling conflicted is the idea that a relationship can’t work with a guy, but that seems to be for other reasons, perhaps owing to society.
I hope this cleared things up for you Genshiken fans. In the end, Hato still isn’t with Madarame, but I think it’s clear that they both think well of each other.
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NOTE: It seems that an inaccurate translation of the contents of this chapter have been floating around. Please look at this supplemental post after reading this review to get the right picture.
At long last, Madarame makes his choice in Chapter 122. And in the end the winner is…
…No one. Madarame chooses to abstain.
I get the strange feeling some readers might be pulling out the pitchforks, but I think it’s best to put them away. I believe the reasons behind Madarame’s decision are worth exploring, as they really show the kind of consideration Genshiken has for its characters and their connections to both the real world and that of their awkward nerd fandom.
Madarame says that there is no universal reason he’s chosen not to date any of the girls. Each circumstance is unique. When you add them all together it paints an interesting picture.
For Angela, it’s a matter of a long distance relationship, but Madarame explicitly mentions that it has to do with the idea that being with the hottest thing on Earth, but only having physical contact twice a year, would be like “torture.” Implied is the notion that Madarame is open to the idea of a relationship based on bodily desire, but that’s untenable unless Angela moves to Japan.
Physically, Madarame is ready, but emotionally he’s not. This is what puts Keiko out of contention, as the possibility that Keiko will remind him of Saki, whether because of their similarities or because Keiko might just mention her in conversation is difficult for him at this point. While Madarame is indeed attracted to Keiko, the important thing is that he needs more time to come to terms with his lost love. As Madarame mentions, he’s just been kind of passively going along with everything, and that’s probably what he needs least at this point.
Sue’s is an odd rationale, because Madarame’s “reason” for not dating her is because he likes seeing Sue’s displays of yuri affection with Ogiue. This feels like a cop-out, but I really do think there’s more to Madarame’s words than meets the eye. Given how positively Sue reacts to Madarame’s explanation, I think it shows that Madarame not only understands Sue well, but that he sees Sue herself as not being ready for a relationship. She’s still shy and sensitive, and might need more time to step out of her shell.
Madarame’s basis for rejecting Hato is the most complex of all, but it all comes down to not wanting to hurt Hato. Madarame explains that, even if he and Hato were to work out as a couple, the constant worry that Hato has had to suffer because of Madarame risks being not simply a short term thing.
In all likelihood, their relationship would be forever plagued with doubts and second-guesses as to whether Madarame likes the fantasy more than the reality, or whether Hato feels comfortable being who he is. As Madarame puts it, Hato should be with someone who just simply accepts him as he is, and lets Hato feel like his identity as a crossdressing fudanshi is a matter of course. This mindset mirrors a conversation the two once had, where Madarame mentioned that Hato’s just the way he is and it shouldn’t be a big deal.
I think some readers might also be concerned that Hato says that Madarame will be the first and last man he ever loves. Hato says a lot of things, like how he has no interest in men at all. Pretty much every character in Genshiken changes their mind, and Hato is just the best example of this.
All of this means that, of the four prospective love interests, only Hato has truly been rejected. Madarame considers both Keiko and Sue as not having any faults that aren’t rooted in Madarame’s own broken heart, and if Angela were to move to Japan, I think he might die from crushed pelvis (it’s also worth nothing that the virgin vs. whore thing doesn’t even come up, which might say something about Madarame’s maturity). Essentially, Madarame has been on the rebound this whole time, and his clouded judgment, combined with his propensity for waffling, has been a bad combination that can only be solved with time and some space.
I think it all makes sense.
Genshiken sets up two new threads in the aftermath of the Madarame harem arc. First, as Hato mentions that he likes the idea of finding someone who accepts him without much fuss, Yajima sees this as possibly her opportunity. The irony here is that Yajima didn’t accept him for the longest time, as her more conservative values as well as her poor self-image made Hato a target of mild disdain and jealousy. Things are different now, but the real question is…how different? Spotted Flower different?
Second, as if to speak directly to those readers who missed the way Genshiken was once upon a time, the next chapter preview basically says that the manga is going back to doujinshi and clubroom antics. Something tells me that this isn’t giving the whole picture though.
As for Ogiue, I feel as if Kio put in extra care when drawing her this chapter. Call it a hunch.
This month’s chapter of Genshiken Nidaime is about anal sex. No, I’m not kidding. Yes, my title for this post is awful.
Last chapter, after an emotional discussion between Hato and Madarame, Hato runs away. At the advice of Ogiue (who knows a thing or two about a situation like this), Madarame goes after him. As the two talk once more, Madarame explains that he does feel something for Hato (especially after that incident at the hotel), but as he goes into detail about the idea of being with a fudanshi, Hato brings up an important question. Is Madarame truly ready for what “Hato x Mada” really means? After discovering that the rest of the club was eavesdropping (a Genshiken tradition!), Madarame decides that he’ll have to “think about it,” and their date continues.
You can see my immediate reaction to this chapter in the tweet above. While Genshiken has gone many places, I never quite expected it to arrive at this point. Suffice it to say, I’m both surprised and impressed in a multitude of ways. I have to compliment Kio for being willing to take the story this far, and to do so in a way that makes sense for the characters of Genshiken. What also stands out to me about Chapter 120 is the way in which clarifies the conversation between Madarame and Hato in Chapter 119, whereby Madarame finally and much more clearly understands Hato’s concerns. In Hato’s own words, being with Hato consists of having to encounter a series of “landmines.”
Last chapter, Hato expressed the idea that Madarame doesn’t seem to understand what it means to be in a homosexual relationship. This chapter, Hato lays it out. First, Madarame mentions how he’d have to get used to the idea of being seen as a “sou-uke,” a total bottom, as is the trend among Genshiken’s BL fans. Second, Hato reminds Madarame that Hato is not like Ogiue: he’s not a fujoshi but a fudanshi, a guy. Third, he brings up the idea of Mada x Hato, and how he’s prepared for the possibility, which fazes Madarame a bit. Then, finally, he brings up “Hato x Mada.” As realization slowly dawns upon Madarame, the impact of that epiphany on Madarame is, in my opinion, a prime example of what I love about Kio’s storytelling through manga.
Madarame confesses that he hadn’t even thought about “Hato x Mada.” Right there, it becomes clear that Madarame hasn’t actually contemplated the prospect of being with Hato all the way through. Not only that, but it makes perfect sense given just how Madarame has approached the idea. In Chapter 72, Madarame mentions having played games with “girl-boy” characters, and that, because of the censorship and the effeminate appearances of the characters in those games, it’s not that different from heterosexual fare. In other words, Madarame has always seen himself in the “man’s role” so to speak, and the sticky, naked realities of having a mutually satisfying relationship with Hato was just completely outside his realm of imagination until now.
I don’t read very much BL or gay manga, but I get the feeling that these sorts of nitty-gritty details aren’t so common in stories unless they’re particularly explicit or raunchy. Not only that, but given the purpose of those stories, I believe the end result is usually what is expected. In contrast, it’s not clear where Madarame will end up. Of course, correct me if I’m wrong.
The fact that Madarame doesn’t just completely shut down and break away from Hato might say just as much in favor of Hato’s chances, as does Madarame asking the question of whether Hato x Mada would involve Hato in women’s clothes. However, I suspect that the story might actually be heading in a direction where, although the two have a kind of emotional or spiritual connection, Madarame might ultimately not want a physical one. Keiko even brings this up at the end, saying that the body itself will ultimately be the deciding factor (which she believes is in her favor, even with Angela around). In a way, this might be even more ideal for the fujoshi of Genshiken, just because it could be interpreted as a love beyond the trappings of flesh.
I have two more things to say about this chapter. First, we finally learned just what happened when Hato’s other selves, the BL fangirl floating in the sky as well as the Kaminaga version, “merged” with Hato. Obviously he didn’t really have magic ghosts with him. Rather, it was symbolic of him accepting all of his passions, that he can be into both “Mada x Hato” and “Hato x Mada.”
Second, at the beginning of the chapter when Ogiue is talking to Madarame, she mentions how Sasahara accepted everything about her. Just that one gag panel where she ends her sentence in a heart as she blushes profusely is actually one of Ogiue’s most adorable moments ever. As an Ogiue fan, it is quite satisfying.
It’s finally time to see Sue and Madarame’s date, which apparently involves ring tosses and ultra obscure references. After Hato comes by and advises Sue to express her feelings not in anime quotes but in her own words, Sue finds an opportunity to say what she really thinks of Madarame.
This chapter is all Sue x Mada all the way, and makes a rather strong argument for why they seem to fit together. Madarame is the only one high-level enough to not only immediately get Sue’s anime and Japanese pop culture callbacks, but also to build on them. What really stands out about their time together, however, is that we finally get to learn the truth behind Sue’s peck on the cheek during the school festival.
You might recall that it was a move to get Madarame to jump out of hiding so that Hato would notice that Madarame’s looking out for him after all, and that Saki saw the whole thing. When next we saw Sue, she would blush profusely whenever looking at Madarame, while denying any feelings towards him. The reason, as Sue explains, is that she herself thought she was just teasing Madarame, but having someone like Saki witness it made her self-conscious of the fact that the only reason she can mess with Madarame is because Sue views him differently. To Sue, Madarame is special. That’s why she can call him Nekoyasha and then ride on his shoulders. That’s why she can be so comfortable around him. That’s why she can finally confess to him, and be the first of the potential four love interests to do so.
I think it makes sense. Genshiken is full of otaples at this point, and a Sue and Madarame relationship would be at the top of the food chain. Not only that, while “I’m comfortable around you” can seem like the most generic of non-reasons to fall for someone, we see how their interactions play out. To some extent, Sue’s able to behave similarly with Ogiue, and even make jokes about Ogiue being her “wife,” but there’s a certain understanding that it’s all a friendly joke. That’s how Sue was with Madarame, but now Madarame’s open-ness and existence as absolute embodiment of nerdery have transformed into a strange attractiveness. Moments when characters realize their feelings are always highlights of Genshiken, whether that’s Madarame and the Saki nose hair incident or Ogiue seeing Sasahara smile, and this one seems to shout, “kindred spirits.”
Visually, Chapter 118 is unsurprisingly the Sue Show. As a character that doesn’t talk much, her facial expressions carry a great deal of weight. Combined with her sharp yet wistful eyes and exaggerated further by her pale features, light-colored coat, and knee-length blonde hair, it’s like her nervousness and emotional tension either take over the entire page, at least whenever Sue herself isn’t being put side by side with Madarame and his darker features (mainly his hair). Nowhere is this more apparent than at the moment when Sue says, “Madarame, I like/love you.”
I almost didn’t want to include this image, just so it could be a surprise to even those who read this review before the chapter itself. However, I think it makes too striking a statement to leave out, especially when considering the fact that Sue purposely prevents Madarame from responding, as Hato hasn’t had his chance yet. Also, there is arguably an even better moment at the end of 118, and I think I’ll leave that for you, the reader, to discover.
In the end, what I find interesting about all of the members of Madarame’s “harem” is that they connect to him in different ways. Angela’s attraction is physical, and while that might seem shallow she’s the one who brings to the forefront the idea of Madarame as a sexual being. Keiko is somewhere between physical and psychological, and her strategies reflect this. Hato has the closeness of being a guy, the intrinsic understanding of how Madarame might be thinking of a situation. Sue is as awkward as Madarame in many ways, one of their many similarities.
Next up is Hato, and this, perhaps, is where the show really begins.
The truth comes out in more ways than one in this chapter of Genshiken. Not only does it turn out that this entire trip was an elaborate way to help Madarame towards finally making a decision about his love life (much to Kuchiki’s chagrin; it was supposed to be his graduation trip after all), but now Yajima knows that Hato is aware of her feelings for him. Within all of this is… the potential for yuri?!
I should be clear about that last point. Thus far in Genshiken outside of Hato and Madarame and the magical fictional world of BL, same sex relationships haven’t really been a factor. The closest thing we’ve seen is Sue being very attached to Ogiue in a way that makes it unclear whether she’s using otaku and manga references to assert her friendship with Ogiue in an odd way (Ogiue wa ME no yome!) or if there’s something more. Sure, there are yuri fans who ship certain pairings (Ogiue and her old middle school classmate/friend/bully Nakajima for example) but here even I who normally forego donning a pair of yuri goggles saw a few things that caught my attention. One was of course intentional by Kio, when Ohno comes onto Ogiue to make Kuchiki jealous (it’s complicated), but then you have a moment like this:
Actually, it almost feels like a “yaoi” moment using female characters. Has anyone done a study of how interactions are portrayed in yaoi vs. yuri? There’s also significantly more Ogiue in this chapter compared to the previous ones, but more on that later.
What I find especially fascinating about this whole Nikkou trip as a way to move Madarame forward is just the idea that he (and perhaps anyone) should not be able to let his relationships stagnate. As Evangelion has taught us, staying in the same place unable to move forward can be a crippling experience that appears comforting when it is seen as avoiding pain. While it could be seen as them pushing Madarame unnecessarily, his passive personality likely means that nothing would ever happen, and it would hurt everyone on all sides if it persists. Of course, there’s still a chance that Madarame will probably still come out of it indecisive because that’s just how he is, but the very fact that Genshiken is having its characters try to constantly prevent the “series of misunderstandings” that can occur when too many secrets are kept gives me the sense that everyone wants the best for each other.
Probably the biggest surprise of this chapter is everyone’s accepting attitudes towards Sue potentially ending up with Madarame, including the other girls interested in him. I mentioned in the previous chapter review that Yoshitake’s comments about Nikkou being a fake-out meant to draw attention away from Tokugawa’s real grave might be meta-commentary on the statuses of the others gunning for Madarame, and it looks like it’s panned out. Hato and Keiko have gotten so much attention, and Keiko even commented on how Sue is unlikely because of her personality, but here Keiko is in Chapter 116 saying that she won’t interfere with Sue like she does the others because that’s the one other person she’s okay with.
Given the cunning with which Keiko has competed, does this mean that she sees something special between Sue and Madarame that doesn’t exist with the other potential partners, including herself? Perhaps the fact that no one wants to interfere with Sue x Mada is because they understand both of their personalities, and that Sue in particular has her own battle to fight regarding her own feelings. Maybe it’s the fact that everyone other than Sue appears to be using wits and charm to pull Madarame towards them (or at least Keiko believes Hato to be doing this), and that if Sue turns out to be the one, that she’s “won” in more than one sense of the word. Again, suddenly Sue looks increasingly likely when she had previously been dismissed, turning everything upside down.
Kuchiki, in his jealousy, argues a version of a point that I’ve mentioned before, that Madarame has shown how his 2D and 3D tastes don’t necessarily line up. While he has mentioned that Sue is exactly the kind of person that matches his favorite anime archetype, there’s also no denying his lost love for Kasukabe. At the same time, Genshiken Nidaime plays significantly with the blurring of real and fictional interests, or rather the reveal that the difference between them is possibly fairly porous even if the two aren’t the same. However, there’s another possibility, which is that Madarame and Sue’s connection goes well beyond looks, and that, other than possibly Hato, Sue is the only one who match him blow for blow when it comes to otaku power levels, creating a truly ultimate “otaple.”
As I mentioned above, Ogiue has gotten more attention in this chapter than every other one in this “Nikkou Arc,” though not enough to make her a particularly important character for this story. However, it does give us many glorious Ogiue faces.
A lot could be said about Hato and Yajima, but it seems like they’re saving the big guns for next chapter, alongside Sue & Madarame’s Excellent Adventures. Until then…!
It’s Keiko’s turn for with Madarame, and she uses the opportunity as only Keiko can. At the same time, she shows both some chinks in her armor and her resilience in spite of that. The chapter also ends with a reference to Overman King Gainer, which is never a bad thing.
One thing I’ve neglected when it comes to these recent Nikkou chapters of Genshiken is the potential meaning behind Yoshitake’s historical expositions. One purpose is to show that Yoshitake is indeed a history otaku, and visiting such a culturally significant place as Tokugawa Ieyasu’s tomb would set her off, yet I can’t help but feel that there’s a sense of metacommentary behind it. According to Yoshitake, Ieyasu purposely lied about the true location of his grave in order to mislead his enemies, and similarly it’s possible that Kio Shimoku has been placing one Madarame love interest in front of the others as a kind of red herring. The question is, then, which of the four is actually in the “lead?”
The answer is probably Keiko or Hato at this point, and you could make cases for either. In Chapter 115, Keiko outright states her case. Keiko: The Realistic Choice. It’s not the most inspiring campaign slogan, so to speak, but as I’ve mentioned in the past that is part of the Keiko x Mada pairing’s charm, that they already seem like a married couple, that opposites attract, etc. In certain ways, like a tangent graph, the more Keiko x Mada is a thing, the more it approaches (but never quite reaches) Spotted Flower. It’s realistic in a very specific sense of the word, where it reflects a popular image of how monogamous love and relationships are “behind the scenes.”
As for Hato, Yoshitake makes a comment that Hato has gotten closer to Madarame as a guy than he ever has in his female guise. Whether Yoshitake realizes it or not, she’s directly addressing one of Keiko’s criticisms of Hato, that he’s putting on an act, a performance, to get attention. Is this gender performativity, and is Keiko any less guilty of it?
If Hato is the front-runner, however, then this chapter is possibly the undermining of that, and again it has to do with Keiko. At the end of the chapter, Speaking of that, Keiko defies the standard manga progression, where secrets are unspoken and affect the dynamics of the love polygon, by just telling Hato about Yajima’s feelings for him. Cutting to the chase in that way is very characteristic of Keiko. You’d think it’d perhaps also be Saki-esque, but I feel like while Saki was devious, it’s a different kind of planning and awareness when Keiko is involved. Keiko is “realistic,” and part of her “reality” is that she both shatters illusions while creating others, and is very aware of everything that goes into presenting herself to Madarame. The main thing that throws her off is that Madarame is indecisive beyond her imagination, to the point that she at first interprets his waffling as rejection. There is a great deal of miscommunication because Keiko just perceives the world differently compared to the primarily otaku cast.
Keiko’s reaction to her “rejection” is fascinating in its own way. You can tell just from how shocked she is that Madarame might not be interested in her just how much confidence she had about winning. It actually didn’t occur to her that she wouldn’t be able to do just the right things to get Madarame to fall into her arms. It’s indicative of how she thinks that she feels that Angela is the biggest threat to her but is thankfully stymied by a long distance, and sees Sue as being too reticent for anything to happen, not realizing that this might be part of her appeal. Keiko aims for physical desire, and aims her personality in that direction.
So what does it mean that Hato is aware of Yajima now? It could go in a lot of different directions, but I could see it going for a while where Yajima doesn’t know that Hato knows about her crush. Yajima is fairly observant, but nowhere near on the level of Keiko or Saki, and Keiko is likely going to try and push them together. In other manga, Keiko might be viewed as the scheming villain, but I wonder if Hato and Yajima would be so bad after all. For one thing, characters like Yajima, especially in terms of physical appearance, are kind of a rarity in manga and anime, and to have them together might make for an interesting statement.
As for the red herrings, perhaps neither Keiko nor Hato are as likely choices as they seem.
It’s finally Angela’s turn to spend some alone time with Madarame in Chapter 114. Looking as if she’s going to do something wildly inappropriate, especially for a shrine, but in fact it doesn’t amount to anything more than hand-holding and longing stares. However, what would normally be considered fairly chaste interactions are in fact evidence of Angela’s absolutely diabolical nature when it comes to winning a man. At the same time, Keiko and Yajima are on their own, but to describe them as oil and water is to not quite do their dynamic justice. Keiko quickly realizes that Yajima likes Hato, and wonders how she can use that information.
When I first saw Yajima start to talk about how much she disliked Hato’s crossdressing to Keiko, my only thought was, “Yajima!!! Don’t do it!!! You don’t know what you’re getting into!” Yajima is too much of an open book and Keiko is already extremely perceptive as it is, so it’s no wonder Keiko figured it out rather quickly. With this knowledge, one has to wonder if Keiko will try to pair the two together, somewhat like Yoshitake, except for her own ulterior motives as opposed to maintaining overall harmony as Yoshitake desires. Though, Keiko and Yoshitake cooperating sounds rather frightening, and I look forward to possibly seeing more.
That brings us to the main feature of Chapter 114: Angela and how she has basically done her research. In the past, she mentioned that what she wants most is for Madarame to fantasize about her on those lonely nights, because doing so will conflate lust with love in Madarame’s virgin otaku mind, and will make Angela that much more desirable to him. In her last attempt, she took an extremely aggressive approach, basically attempting to throw Madarame off the diving board when he had never stepped into the kiddie pool. This time, rather than trying to get Madarame to touch her breast, she directs his hand towards her face, and thus encourages him to stare into her eyes as she gives a warm, inviting smile. However, because of the close call last time, perhaps because of everything Madarame’s been through since they last met, and because Angela decided to wear an extremely bold and unrealistic outfit that accentuates her superior figure compared to the others (generally speaking), she is letting Madarame’s imagination do the work. Angela is essentially taking advantage of the otaku mindset to water the seeds of wild and uncontrollable urge she had originally planted in Madarame’s head way back.
Otaku, especially the typical kind of Madarame’s generation, are confronted with two images of romantic love interests in anime, manga, and games. The first is the sweet and innocent childhood friend, the pure girl who’s all about long walks and blushing profusely. The second is the highly physically attractive type who somehow doesn’t realize that she’s the center of attention when it comes to guys. A lot of times, these two characters overlap (you can even argue that Ohno starts off as this type), and Angela is actively playing both roles. She’s the sexual dream who’s also now shown her “maiden” side, and Madarame is encouraged to connect fantasy A with fantasy B. Probably any guy given this information would have a similar reaction, but because Madarame is who he is, it’s 10x more intense. In a way I feel like Angela’s actions directly confront what an otaku is, or was supposed to be.
It’s also telling that Angela immediately gives Kuchiki the cold shoulder. She isn’t “easy,” but rather just knows what she wants.
The last thing I want to talk about this chapter is, of course, Ogiue. Though she’s not the spotlight of this chapter in any way, she does have an interesting moment with Yoshitake. As Yoshitake falls into tour guide mode, she claims that it’s just her and Ogiue spending time alone together. In order to emphasize this, Yoshitake whispers sweet nothings in Ogiue’s ear, and by sweet nothings I mean history trivia that would directly appeal to Ogiue’s fujoshi side.
We’ve seen Ogiue blush in many different ways, but I don’t think it’s ever quite been like this.
The previous chapter of Genshiken ended with most of the characters pairing off in unexpected ways (none of them romantic), setting up the anticipation that there would be some intriguing interactions that go outside of the normal range that Genshiken has been using as of late. In this regard, Chapter 113 is far from being a disappointment.
After Yoshitake finally reins in her history otaku nature and ceases to be a tour guide through the shrines of Nikkou, all of the groups do their own special thing. For this reason, for this month’s review I think it’s worth talking about each notable pair on their own.
Madarame and Yoshitake
In a lot of harem manga, the characters that act as if they’re stringing the main character along through feigned expressions of affection often fall into the category of the harem as well. Because they show the possibility, they’re part of the fantasy too, even if they’re supposed to be tongue in cheek. Not so with Yoshitake. She drags Madarame away not only to spark the fire among the characters who actually are interested in Madarame, but also slyly manipulates Madarame as well by making it seem as if she’s also into him. Perhaps I’m reading too much into it, but the reaction on Madarame’s face seems less like surprise and more like, “Oh no, not again,” which when you think about it is a far cry from where he was originally in Genshiken.
Yajima and Kuchiki
Kuchiki wants what Madarame has but he’ll never get it because it’s hard to imagine too many girls who would like Kuchiki’s personality (then again he did have a girlfriend once upon a time). At the same time, their mildly venomous conversation has a lot of grains of truth being sifted. Kuchiki mentions the appeal of the girl-boy, which is that you have the physical attraction of a female without the seeming mystery of trying to figure out how they think and feel. This actually isn’t far off from what I’ve read about the appeal of certain, shall we say, “alternative” forms of adult entertainment in anime and manga, and it even reflects something I’ve seen before in an old Ann Landers/Dear Abby, which had to do with a wife questioning if her husband was gay. Long story short, that aspect of being able to directly understand the feelings of another, whether that’s more spiritual or more physical, is something that’s understandable when you think about it. As for Kuchiki almost figuring out Yajima’s feelings for Hato, that probably has less to do with Kuchiki being perceptive and more that Yajima is often an open book (see her first meeting with Yoshitake’s “brother”).
Hato and Keiko
It’s been established that the two don’t really get along, and this chapter I think really shows the foundation of why that’s the case. Essentially, both Hato and Keiko believe that the other is somehow manipulating Madarame. Hato believes Keiko is just stringing him along, while Keiko sees Hato’s personality as an ideal construct, pleasing but artificial. Together, they both open up to each other in an antagonistic manner, giving details as to what transpired in each of their respective close encounters with Madarame. Now they both know the approximate truth, and while it can’t be said that Madarame is a two-timer, I do think Hato and Keiko have bonded in a rather bizarre yet understandable manner. That said, I think their lowered opinion of him comes from somewhat different places; with Hato it’s because of how easily Madarame was enticed, and Keiko because it connects to the whole thing about Madarame being happy about Hato’s chocolates.
I think there’s something to be said about the way that the characters of Genshiken try to exert their wills in this chapter. Yoshitake temporarily dons the role of a fawning admirer to mess with Madarame, Keiko intentionally withholds the fact that Kugayama was at her club too to make Hato think that Madarame came of his own accord, and Hato throws the events of the previous night in Keiko’s face. Nowhere is this clearer than with the fact that Angela’s time has arrived, and she’s come prepared for bear, so to speak. As soon as she finds out she’s pairing with Madarame, out come her noble familiars, barely constrained and ready to serve their master.
I’m not sure if it’s clear from my previous posts, but I love the idea of Madarame and Angela, if only because to me it’s the most hilarious. This chapter begins to prove why that’s the case, even if she probably has the slimmest chance out of the four. Will next month be the most fanservicey chapter of Genshiken ever?
Speaking of Angela and Madarame, or rather the renewed kujibiki drawing, I do find it interesting that Yoshitake’s plan to see the temple Youmeimon, the culmination of her trip to Nikkou, is derailed by construction much in the same way that her original plan to mix the group up into new and exciting pairings also backfired in terms of its original intent. It makes me wonder if this second lottery is going to also be reflected in Yoshitake somehow encountering an even more amazing sight.
Last thing of note: as seen in the first image in this post, this chapter clearly used photo references for its color pages that lend a greater amount of realism to the backgrounds, to the extent that it feels like the chapter is actually promoting tourism for Nikkou. I don’t think that’s actually the case, but Genshiken rarely goes for that look.