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Maury Povich Nidaime: Genshiken II, Chapter 108

In Chapter 108 of Genshiken II, Yajima’s mom plays “Are you a Man or a Woman,” Yajima tries to get closer to Hato, and the club meets Yajima’s dad. As Kuchiki has a surprisingly heartfelt moment.

I think Genshiken in general has a knack for conversations that feel natural while reflecting the awkwardness of its characters, and nowhere is this more evident than in the scene between Hato and Yajima this chapter. As Hato and Yajima are going to pick up Madarame and Kuchiki from the nearby hotel (motel?), Yajima begins to talk to him about his comic. It’s the one subject where she believes that they’re on roughly even ground and that they can both relate to in a way that the others (sans Ogiue) cannot, so she’s going to use it for all that it’s worth. It’s a moment that really says, “Yes, this is what Yajima is about.” What makes this scene really work for showcasing Yajima’s feelings, though, is the artwork itself, where Yajima is trying her best to work through her own awkwardness and continue conversation.

Obviously that scene references the previous chapters where Yajima and Hato have been working on their manga, but there are actually quite a few callbacks to events much further back in Genshiken as well. The first one worth mentioning is Yajima’s mom trying to guess which of the girls is in fact a boy. You might recall that this happened in Chapter 56, the very first chapter of Nidaime, when Madarame predictably couldn’t figure it out and Saki was able to with one look. Looking back, it’s kind of amazing how that was Madarame and Hato’s first meeting, and now it’s gotten to this crazy stage. Also, the logic Yajima’s mom uses to single out Keiko is clear, even if she’s off the mark: all of that effort put into her makeup and appearance has to be for something, right?

Poor Keiko. Poor Yajima. Speaking of Yajima, she really does look like the halfway point between her parents.

Speaking of Yajima’s mom, I do find it interesting that the chapter goes out of its way to point out her similarities to Yoshitake in terms of personality. I think we’re supposed to interpret that comparison in two ways, the first being that she has a kind of subtly aggressive personality as she questions everyone’s gender (including her own daughter’s!), and the second being that she gives off a warm, inviting personality. One could even argue that Yajima, who takes after her father in terms of temperament, would get along with someone who’s just like her mother. That’s probably a stretch, though.

The second callback comes from the bath scenes. Recalling the Karuizawa trip, it’s quite telling that Keiko treated the disparity in chest size between her and Ohno back then not as an attack on her confidence, but in the case of Angela she sees the American character’s body as more of a threat. No doubt this is done to show that Keiko views Angela as the most dangerous rival of all for Madarame, reinforcing also her initial view of Angela upon finding out that Angela has a thing for Madarame. I’ve talked about this before, but the friendly antagonism that exists between Keiko and Angela is something you don’t see in a lot of manga, let alone manga about a group of otaku. Both clearly have a lot of sexual experience, both are aware of this fact, and thus both see each other in a different light compared to the rest.

To a lesser extent, Ogiue and Sue’s bath scene also references Karuizawa, but it’s not as significant. It’s mostly just an opportunity to make a joke at Ogiue’s expense, though in this case it’s her own self-deprecation. Actually, when I think about it, most of the time when the subject of Ogiue’s chest comes up, it’s usually her putting words into another person’s mouth. “Now you’re going to say… I’m a small-chested tsundere!” exclaims Ogiue “Joseph Joestar” Chika, as Sasahara or Sue or whoever denies her accusation.

The last reference to the past is the most obvious, as Kuchiki is told to recount how he became a member of Genshiken in the first place. Between his initial club visit, his running away upon seeing the lovey-dovey interactions between Kousaka and Saki, his re-joining the club and causing trouble from the get-go, the scene for the most part reinforces Kuchiki’s role in the story as that annoying guy in the club you just can’t get rid of. However, Kio takes the time to put a bit of a twist on all of that when he has Kuchiki reminds everyone of Genshiken’s origins as a home for misfit otaku (the rejects of the rejects).

In this regard, I  find that his apology to Ogiue actually says a lot. As he’s giving his speech before the toast, Ogiue jokingly reminds him that in their first meeting he laid her hands on him and that she’d never forget that, and Kuchiki gets down on his knees (“dogeza”), and immediately says sorry. Within this one moment, we can see that, as much as Kuchiki is generally a completely tactless and grating individual, that he cherishes Genshiken as more than just a place where he can fantasize about being a harem lead. Rather, it’s his home, a place that accepted him when nowhere else would, and to lose that connection is to lose a sense of belonging.

A few days ago I posted a translation of Japanese blogger Tamagomago’s latest article on Genshiken, where he asserts that the distinction between otaku and non-otaku, at least as it was in the mid-1990s to early-2000s, no longer really matters or indeed exists in the same capacity. Kuchiki clearly comes from before this time (as does Madarame of course), and I think given how Nidaime has gone it’s easy to forget just how awkward the club used to be. Kuchiki is a refreshing reminder of its origins, of a time that has arguably passed ages ago, and how places like Genshiken can be important for the awkward. On a personal level, as I’ve gotten older myself I’m no longer quite the nervous teenager I once was, and though vestiges of it still exist within me (and I’m still an awkward individual to be sure), it can be easy to forget just how intense it can be to worry that you don’t belong.

In a way, I wonder if Genshiken and its titular club at this point embody not simply the idea of a group of otaku, but the idea of a space to grow.

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7 thoughts on “Maury Povich Nidaime: Genshiken II, Chapter 108

  1. I enjoyed reading this very much as usual with Genshiken.
    I doubt the Otaku or the prejudice against those pre-occupied with the
    visual culture will totally go away.
    Further Genshiken has shown the talented grow and the less talented
    find places in society which Madarame has not done yet. Rame-kun
    remains an awkward otaku, pursued but not finding his place.
    But Genshiken will continue as a place for the awkward and the awkward
    talented youth to find a place and mature or not. But they have fun
    with the visual culture and have some realism.



  2. I was kind of worried Sue had quit the harem, but with her obsession with breasts in the last couple of chapters, I guess she’s worried about what Madarame said, and so, is still part of it.

    Yajima’s mom was so funny. Aside from the fun caused by her search for the girl-who-is-actually-a-boy, her comment on the boys made me tickle: the girls should aim for better boys, right, I’ve already talked about the possibility that Madarame will end up alone… Or at least not with anyone from the harem.
    The teaser for the next chapter as well: someone saying things he shouldn’t? Well, if Keiko or Madarame talk about the little “moment” they had, could that destroy the harem?

    And Kuchiki deserves a comment from me. He has grown from the awkward guy nobody likes to the awkward guy nobody likes but who can at least apologize.

    As usual, waiting eagerly for the next chapter.


  3. The fact that Hato is “pretending” to be a girl in a boy’s body instead of explaining to Yajima’s mom the whole elaborate story about working through being a fudanshi and/or gay really feels like it’s foreshadowing that before this trip is over, Hato will realize they are a girl in a boy’s body.


  4. Psycho Tranny is a double insult. It insults the people with mental problems and the transgendered.
    Hato is merely a manga character whose full development awaits in the
    creator’s mind. S/he is no more mentally problematic than Madarame who has not yet found his societal niche.
    Kuchiki is more societally confused and problematic than Hato but is
    spared much conflict because he is willing to accept his assigned space
    in a company such assignment being made because of his family.

    Just my opinion of course.


    • Hato is so far only dressing as a girl in his social group i.e. other fujoshi and we see no other fudanshi on the horizon. It only indicates his retiring nature
      and if he was an actual transgendered person he would be going to school
      as a girl. If he was predatory, interested in seducing vunerable individuals then s/he would be parading in more seductive clothing and picking up college boys left and right.

      As to whether or not Kuchiki is exhibits Asperger’s is beyond my capability
      to diagnose. In any event we will not be seeing much of him as he is graduating.



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