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It’s the aftermath of a love scandal in Kimi Nakare Chapter 5. How will Hayato and the rest of his band mates deal with it?
Jirou, one of Hayato’s fellow members in the idol group WARP, was discovered with a girl. In this chapter, we learn that it isn’t just any girl, but the love of Jirou’s life. Resolving to choose love over his career, Jirou decides to quit WARP and marry his longtime girlfriend.
Hayato in the meantime finds that his school has now become a target for paparazzi, specifically so that they can catch him in the act. Ironically, Nobuko’s “ugly but passionate admirer” gimmick works out in their favor, as she’s able to chase off a gossip mongerer.
However, despite Hayato’s protests and even his own threat of quitting the band to chase love himself, it turns out not to be necessary. WARP is disbanding.
Young vs. Old Idols
The topic that I found most fascinating in this chapter is the distinction between younger and older idols. At one point, Hayato points out that there are idols that have gotten married without any backlash, and their manager responds that only established idols can do that. As a group, you have to reach a point where you basically become a fan’s first love, so even as those fans grow and perhaps get married themselves, the idol will always have a special place in a woman’s heart (and the woman in the idol’s). In other words, a relatively new group like WARP hasn’t built up the cache.
Most of the time, the thought over idols is that love is forbidden because they must forever be locked away as long as they indeed hold the status of “idol.” However, this implies that idols are a kind of evolving phenomenon that can choose to either stay as they are or grow with their audience. At the same time, the path to the “married idol” is fraught with danger, and appears to be only the domain of the true veteran.
It’s still kind of weird that Japan’s most famous idol manager ended up marrying one of his idols, but I digress. I’m also perhaps being unfair; if Celine Dion could find happiness with her manager, why not?
Not Enough Hayato and Nobuko?
While I previously mentioned being curious over the side characters, and Hayato’s scene with Nobuko protecting him from a prying photographer is rather charming, I do feel like I didn’t get enough of the two of them this chapter. I think that speaks a lot to how appealing they are as main characters, but perhaps I’m not giving the rest of the cast a fair shake. Jirou being a sweet guy is a welcome surprise, as is his decision to choose his girlfriend over his job. Not to say that it would be the right decision in every case, but I was convinced that it was what he personally should have done.
It also made me aware that there are two different love conundrums at work in this series: the career-based one, and the psychological one. Even this brief interaction lets the two sides play out beautifully.
I wonder if the loss of WARP might spur Hayato to begin a full-fledged career as a comedian, so that he can stand by Nobuko’s side. Wouldn’t that be nice?
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In case you haven’t heard, Genshiken Nidaime ends next month (!!!). Nevertheless, we haven’t reached the finish line quite yet.
After a bit of haranguing, Kasukabe and Ogiue finally manage to get Madarame and Sue on the phone together. At that moment, Madarame confesses his feelings for Sue in the one language she truly understands: internet memes and anime references. Deftly avoiding his statements, Sue finally gives pause when Madarame says the magic words—”I think you’re ridiculously moe.” Madarame explains that, while moe, love, and sexual attraction aren’t necessarily the same thing, he wants to believe in moe as an important facet of being an otaku, and Sue is basically the manifestation of his 2D interests in 3D. Finally, Sue agrees, and the two officially become a couple.
That same day, Madarame reveals that he’s finalized the deal on his new apartment, and is moving away, further from the university than he’s ever been. With a new home, and a new girlfriend, Madarame finally moves on from the past but without abandoning his otaku pride.
A Bit of Hindsight
Is this the true nail in the coffin for the canonicity of Spotted Flower? Maybe, maybe not.
I’m pretty shocked that Genshiken is coming to a close once more. Given this sudden news, it makes me think a bit differently about these past few chapters. While I’ve seen complaints that the Madarame harem story took too long to reach its conclusion, I was okay with that length while under the assumption that we’d get to see a lot more. Now, however, we won’t even get to witness the younger Yoshitake sister’s college debut. We won’t get to see how Madarame and Sue’s relationship grows. We won’t get excited as new members of Genshiken are made. Because of this, a part of me now wishes that the harem arc would’ve finished sooner so that we’d have room for more stories. I know manga publishing doesn’t necessarily work that way, but a guy can dream, right?
The Case for Susanna Hopkins
Moving onto Chapter 126, this one hits with the force of a battering ram. Where once we thought Madarame’s romantic life would fall back into stasis for the time being, here it is, pried wide open by the power of Kasukabe Saki. Seeing as the series is ending so soon, Kasukabe’s actions might be construed as a kind of deus ex machina. However, can a character be simultaneously a deus ex machina and a realistic character at the same time that all of her actions are perfectly in-character? In Genshiken, it seems, anything is possible.
The lines that Madarame uses this chapter are as follows: “The moon is pretty,” which is an indirect way of saying, “I love you”; “About Sue, Madarame- !”, which is the romance manga standard for many interrupted confessions, and finally, “Sue makes me pig out! Oink oink oink!” All of these are varying forms of otaku communication, and it shows what about Madarame and Sue makes sense as a couple. Madarame is an otaku, through and through, and Sue is the only one truly capable of matching him in terms of power level. That’s not to say that none of the other potential partners would not have made sense, and I think this is in the manga’s favor. We’re left with one of four possibilities, and when looking at the outcome, a particular set of messages is conveyed.
Liberty, Equality, and Moe
I think it’s very telling that Madarame’s explanation about his attraction to her revolves around the idea of “moe,” and how he contrasts it with erotic attraction. While he doesn’t position them in a dichotomy—moe can lead to sexual attraction and vice versa, as was the case with his feelings towards Kasukabe—Madarame’s decision to go with the “moe” one is an embracing of his continued desire to be an otaku. Madarame feels like he needs to grow up. Times are changing, but that doesn’t mean that Madarame has to “graduate” from being exactly the kind of otaku he is, which is an old-school geek with old-school geek tastes.
In other words, Sue lets Madarame be himself in a way the others wouldn’t, even if they would have made nice couples anyway. Sue not only possesses all of the features that Madarame loves in anime characters, being a “blonde loli with a rude attitude,” but she’s also his equal where it counts for Madarame: as a fan of anime and manga. Because of this, Madarame is moving on with one aspect of his life by separating himself from Shiiou University as the anchor he could not (or did not want to) escape, but he is still projecting his core being as he moves ahead. Where once Madarame was an otaku tied to the past, now he is an otaku looking ahead to the future. Also, Sue still attends the university so he’ll probably be around sometimes anyway.
Madarame’s decision to go where the moe is doesn’t have all that much in common with the other couples in Genshiken. Ogiue projects her BL version of Sasahara onto the real person, but this acts more as a kind of intimate bonding (and implied foreplay). and she increasingly shows how much she loves the actual Sasahara. Ohno and Tanaka came together over their shared hobbies, but it’s in the space of passion and community. Kohsaka and Kaminaga both have non-otaku partners who are fairly different from each other. And even though it doesn’t really count, Kugayama wants to get to know his beloved Cabaret Club girl Rino better. To put it differently, Genshiken presents many possible avenues of romance for otaku. There is no one size fits all, whether the significant other is an otaku or not, and so Madarame’s choice to embrace moe (and Sue in the process), is the path he, as an individual, takes, and his way of navigating the nebulous border between 2D and 3D.
I know the Madarame/Hato dynamic and the end of that possibility leaves a bitter taste in many fans’ mouths, but I do want to point out something very noteworthy in this chapter. When Madarame is comparing his prospective partners in terms of moe, he mentions that everyone but Sue would better be categorized as “sexy.” When asked about whether that includes Hato, Madarame says, “Hato too.” In other words, Madarame feels sexual attraction towards Hato (though whether it’s Hato the boy or Hato the boy dressed as a girl isn’t clear), and his decision for going with Sue is something that almost transcends the flesh. Madarame being very quite possibly bisexual is something I don’t think anyone expected from Genshiken originally, and it’s kind of amazing to say at all now that it’s come to this.
Sue’s Meta Powers
Before I bring this review home, I want to talk more about Sue as an entity of fiction. Though it isn’t ever explicitly stated who the most popular character in Genshiken Nidaime is, many signs point to either Hato or Sue. It’s Sue who was made into a DLC costume for the game Akiba’s Trip, who was made into a hug pillow, and who is increasingly prominent on the store-exclusive bonuses for buying new volumes of the manga in Japanese. Could this popularity have been a factor in deciding the final couple?
Another aspect of Sue that bears mentioning is the fact that she’s able to make not just anime and manga references, but references to Genshiken itself. Sue’s way of saying, “Yes, I will go out with you Madarame!” in this chapter comes from twisting a quote from Zenigata from Lupin III: Castle of Cagliostro: “He stole something quite precious: your heart.” Except, Sue replaces “your heart” with “my panties.” One might think she’s just being weird, but this is actually the very line that Ogiue thinks when Sue flies back to the US in the first series while still wearing the underwear she borrowed from Ogiue. As one might remember from early on in Nidaime‘s life, Sue was somehow even able to reference Ogiue’s self-introduction (in spite of her not even being there at the time!). Sue actually might just be some kind of metatextual alien.
One more chapter, and next month is Kuchiki’s graduation. In the meantime, enjoy these Ogiue moments. Though it’s a Sue-centric chapter, it was actually rife with Ogiue goodness.
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While there are a lot of unique and unusual aspects to Kimi Nakare, this chapter brings something I thought I’d never see: a charming scene of a bishounen masturbating in a non-pornographic title.
Returning to the end of Chapter 2, we see Hayato confronting Nobuko and asking her about her feelings. Nobuko (still dressed in a monkey suit) says it can’t happen, and Hayato reflects on how cute her blushing face is… while in the bathroom. After finding “relief” and profusely apologizing to Nobuko in his mind, he goes to continue his work.
Told by his manager that his image as both an idol an an innocent guy means dating is out of the picture for him, Hayato goes on-set to do a comedy skit with Nobuko, but finds that their humorous roughhousing is giving him a stiffy. Also, despite his best attempts to hide his attraction to Nobuko, the others quickly figure it out, and one of his fellow WARP members reminds him how important not being in a relationship is for idols.
However, the next morning they discover that one of the other members of WARP was caught leaving a girl’s apartment, and that it’s going to be a PR nightmare. Now, Hayato knows exactly the danger he’s in should he pursue something with Nobuko.
Hayato’s O-Face is Something Special
While Tonari no Young Jump is no stranger to fanservice or even sexually charged situations in its series, I think what makes this all the more unusual is the combination of Hayato’s appearance and the subject of the series itself. Kimi Nakare thus far has been sweet and innocent enough that seeing a panel literally devoted to him orgasming is a pretty big shocker. While plenty of good-looking guys show up in shoujo and josei titles and do far more, the fact that Hayato has on his mind a character who’s traditionally unattractive transforms the moment into something more memorable and perhaps even impossible to forget.
Still Romantic, Though
In a sense, however, the fact that it’s masturbation and not full-on sex actually makes it both more intense and somehow also sweeter. He is actually so in love with Nobuko both physically and mentally that she can turn him on even while wearing a dumb monkey costume. The manga does such a great job of showing how Hayato perceives her, and moments like the aforementioned orgasm and the hard-on he gets while performing just add to the idea that this attraction to Nobuko is not only genuine but derived from a special place that normal folks who’ve never experienced such passion can even relate to. That’s impressive, both in terms of how this sort of thing has been portrayed in a manga format, and for Hayato as a character.
Did I spend this entire chapter review talking about a guy in manga masturbating? I sure did! Then again, I once reviewed an entire series where the theme was jacking off.
Kimi Nakare is still a great romance manga.
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In this month’s chapter of Genshiken Nidaime, the old boys are back.
Madarame, Tanaka, and Kugayama meet up for drinks. While they start talking about how things have changed now that Madarame’s finally not going back to the old university, the conversation eventually shifts to girls. As Madarame realizes how the boys of Genshiken have at some point started talking about girls instead of anime, he swears to bring himself back to his original mega otaku self. However, just as he successfully tempts the rest of the guys to pull out some 18+ doujinshi, Kohsaka shows up with Saki, who seems unfazed by Madarame’s attempts to creep her out. Not long after, they reveal to the guys that Saki is pregnant.
This causes Madarame to flip and exclaim that he should’ve just picked someone and ended his virginity, but then Saki reveals that it was all a lie orchestrated by her and Kohsaka to get Madarame to confront his true feelings. She then tells Madarame straight up that he should go out with Sue on account of his reasoning for rejecting her being total BS, and even gets Sasahara to call Ogiue and get Sue on the phone. Saki says to Madarame that, if Sue’s not interested anymore then it’s fine, but otherwise…
Straight Shooter Saki
Ah, Kasukabe Saki. While Keiko kind of fulfills her role as the no-nonsense outsider, she doesn’t quite capture Kasukabe’s ability to just cut straight to the point. Quite a few of the readers on this blog have commented that Madarame’s reasoning for rejecting Sue was incredibly weak, and I find it interesting that Kio Shimoku would purposely set that up as a sticking point. While I do still think that Madarame’s reasoning wasn’t solely to run away from the situation, it was pretty flimsy on the surface.
It’s also revealed that Saki set her ploy up because Kohsaka and her suspected that Madarame’s real reason for not choosing a girl was that he was still pining after he deep down inside. While I think this was pretty clear, especially given his reason for rejecting Keiko (she reminds Madarame too much of Kasukabe), this really shows just how much that’s actually the case. Somewhere in all of this is the idea that the other girls are maybe too otaku to get to the heart of the matter. Ogiue might be blunt and Yoshitake might be a schemer, but their anime and manga-oriented minds inadverently allowed the harem to flourish, and thus allowed Madarame to remain wishy-washy about the whole thing. Saki really is amazing.
As for the fake pregnancy, before Saki revealed the truth my immediate reaction was that this basically would have marked off Spotted Flower as a possibility. Now, it’s back to being in this nebulous space of pseudo-canon/alternate universe, and it’s a very intentional move by Kio to mess with his readership. Maybe, somehow, we’re all Madarame. What this also means, based on all of the talk of girls and sex (or in some cases lack thereof), is that the thematic gap between Genshiken and Spotted Flower is ever-shrinking.
By the way, the named of the chapter is “High-Slope Flower,” which is a parody of Spotted Flower, only with a reference to Kohsaka instead of Madarame; the saka in Kohsaka means “hill.”
Kio you troll.
Though it’s one of the main jokes of the chapter, it really is crazy that the boys of Genshiken have been having varying degrees of success with the ladies, not least of which is Madarame’s recent harem adventures.
It’s unclear if Rino the Cabaret girl is actually interested in Kugayama or is basically doing her job and manipulating her client for more pay (remember, Cabaret Clubs are all about talking with girls as opposed to being a sex service), but it’s very likely that the latter is a factor. Kugayama himself acknowledges this, but just the fact that he is making some kind of vague move towards fulfilling his desire for real-life women, and that he’s gone from visiting Cabaret ladies to just one in particular, is itself a kind of change or progression.
One of the more notable aspects of this chapter is that Tanaka and Sasahara reveal quite a few details about their sex lives. Tanaka mentions that he “only” gets to have sex with Ohno about once a week, while Sasahara says that his rate is about once a month, much to Madarame’s consternation. Tanaka even mentions to Kugayama about how asking for a girl’s three sizes in order to get a cosplay outfit made for her (Kugayama’s current plan for a gift to Rino) can turn into dirty talk.
References to the characters having sex is nothing new to Genshiken. Way back, Saki talked about her and Kohsaka doing it doggy-style. Ogiue started drawing more realistic penises in her doujinshi after she began her relationship with Sasahara. I think this situation might feel different because it’s the guys, the ones who are supposed to be the “losers,” doing it, and so the dissonance in Madarame is understandable. I also believe that this dissonance was a huge factor when it came to Madarame’s decision to abstain from choosing a partner. This candidness contrasts with the younger characters that comprise the main cast now as well, because they are for the most part are still very shy about this sort of thing.
It’s easy to tell that the conversations are causing Madarame’s imagination to go wild, and that too is understandable.
They Just Keep Pulling Me Back In!
If Madarame does indeed end up with Sue after all, does it matter that it happens after the harem arc concluded rather than it being a direct result of Madarame’s decision? After all, choosing a partner would have, by definition, ended the arc anyway.
This is all speculation at this point, but I do think there is a difference between having Sue the winner of a competition versus her and Madarame potentially building something up together on their own. I think the harem itself put a lot of pressure on Madarame that a simpler one-to-one relationship wouldn’t carry, even if it doesn’t work out.
As for Sue essentially being Madarame’s 2D complex ideal given flesh and how this might mean that Madarame loses the last vestiges of his realistic otaku self, there are two points to take into consideration. First, guys can have many different ideals to the point that arguably any of the other partners could be considered an “ideal,” but the way the story has portrayed them shows a lot of interesting facets to their characters. Sue still seems a bit otherworldly, but this might be the start to opening her up more. Second, Sue really is the only one at Madarame’s otaku power level.
No Ogiue Image This Month
They do mention her, though.
Sasahara: Basically, Sue’s at Ogiue’s apartment, which means I can’t visit. Do something about it, please.
Madarame: Wha? What do ya mean? Wait… You just want to have sex with her!
Sasahara: ……That’s right! What’s wrong with that?!
I realized that I’ve been giving the wrong name for the main guy. It’s Hayato, not Shuuto, and I somehow missed that despite it being written clearly in the very beginning of Chapter 1. Sorry about that.
I’ve since gone back and changed the previous chapter review. I hope this hasn’t impacted your enjoyment of this series or my reviews!
Also, a better translation of this title might be Thou Shalt Not xxx. It’s the same structure used in Yosano Akiko’s “Thou Shalt Not Die” power in Bungou Stray Dogs. Maybe I’ll call it that from now on, maybe not. What do you think?
In Chapter 1 we got to see the world from Hayato’s point of view, and Chapter 2 was a Nobuko’s-eye view. This time, it’s primarily from their other close friend that we’ve seen in previous chapters, Natsumi.
Chapter 3 mainly takes place in the past, when Hayato and Natsumi were classmates in elementary school. They’re putting on a play about a prince (Hayato) and multiple princesses, but Natsumi gets picked on by the other girls for being poor and not very “princess-like.” Hayato, being the naturally good guy, defends Natsumi, including being wiling to not participate in the play. Natsumi develops a crush on Hayato, and is inspired to start acting thanks to him, but learns the painful truth from day 1 that his heart belongs to Nobuko.
Back in the present of the main narrative, it’s revealed that this chapter takes place between Chapters 1 and 2, after Hayato first confessed to Nobuko. Natsumi quietly asks if Hayato’s feelings could possibly be love, given how young he was at the time. However, Natsumi senses her younger self telling her something important: Natsumi was only a kid when she first noticed Hayato, and she knows those emotions are genuine.
A Slowly Expanding Cast
I wondered last month to what extent Kimi Nakare would begin to fill in its side characters, and the process has already begun. What I perhaps didn’t expect (though in hindsight maybe I should have) is that there would be a love triangle. I guess it’s maybe technically not a triangle depending on how you define it (Hayato only has eyes for Nobuko), though it’s also looking not to be as much about the exclusive world between Hayato and Nobuko as I first thought. I am a little apprehensive because I know how heavy and meandering love triangle manga can get, but I have faith in the creator Ohachimachi Hato’s ability to weave an interesting tale with endearing characters.
Who Will You Kiss? Me or That Girl?
Nevertheless, the chain of emotions is established, but one interesting wrinkle to this tried-and-true formula is that Natsumi is clearly the more attractive of the two girls. Whether she’s supposed to be relatively plain in the mold of the typical shoujo protagonist, or she’s supposed to be extremely beautiful isn’t entirely clear (were the girls who picked on her jealous or just snotty brats?), but she has all the features typically desired in a girl in manga. Natsumi is quiet, has a good heart, and just comes across as “better girlfriend” material. And yet, she’s the one on the backfoot, because Hayato is just enraptured with Nobuko.
It’s not unusual for the third girl in the love triangle to be at a disadvantage because of personality or because there’s some kind of charisma that the main girl possesses, but it’s also usually not to this extent. There might be some similarities to Kimi ni Todoke, but Natsumi is no Kurumizawa Ume, and Nobuko is two steps beyond the eccentricities of Kuronouma Sawako. Just the fact that Nobuko’s only appearance in this chapter is in the form of a comical rendering just pushes home the idea that Natsumi is competing with a force perhaps unlike any other in romance manga.
This is definitely not the Chapter 3 I was expecting. While I worry about love triangles a bit, I’m also looking forward to where the manga goes from here.
I recently appeared on the Veef Show podcast, where I talked briefly about chapter reviewing Kimi xxxru Koto Nakare. However, I realized, upon trying to say the name of the series, that I didn’t know how I’m supposed to pronounce “xxxru.” It’s not like XXXHolic or Hunter x Hunter where the x is silent, because it’s supposed to be a variable verb. “You shall not ______.” In any case, for future reference, I’ll probably refer to it as its official shortened name, Kimi Nakare, when speaking from now on.
Chapter 2 of Kimi xxxru Koto Nakare picks up right where Chapter 1 left off. Nobuko is a young celebrity comedian, known more for her ability to get a laugh than her homely looks. Hayato, a childhood friend and classmate, is a popular idol who’s in love with Nobuko. Upon hearing Hayato’s confession, Nobuko tells him that it can’t happen and runs away, clearly flustered. As Nobuko goes home early we’re introduced to Nobuko’s mother, who’s a famous actress known for her beauty.
On a variety show where both she and Hayato appear, Hayato talks about how Nobuko is cute, but because Nobuko is not considered beautiful the host reacts incredulously. Nobuko takes advantage of this and takes on the role of the “ugly pursuer,” who comically keeps chasing after Hayato, which becomes a popular gag over multiple shows. Nobuko claims that it’s because Hayato has to remember the fact that he’s an idol (and idols can’t date), but it’s clearly a way for her to ignore her feelings. Eventually, though, Hayato finally gets to be alone with her, and asks Nobuko about how she feels, and her face says it all.
Nobuko’s View of Herself
One of the most pleasant surprises of this chapter happens right at the beginning, with the story being primarily told from Nobuko’s side. The first chapter concentrated on Hayato, and I had to wonder if this trend would continue, but it’s clear now that they’re basically sharing top billing in this manga.
Nobuko’s mother, and the fact that Nobuko herself has not inherited her looks, appears to be one of the main reasons that Nobuko lacks such confidence in her appearance. While her mother adores her and is shown dressing a young Nobuko up in a flashback, Nobuko is being judged not only by the fact that she looks more like her father but through comparison with her mom. Alone, Nobuko remarks that “Something must be wrong with Hayato’s eyes,” which is basically a self-deprecating statement.
In this respect, I can’t help but feel for her. Having grown up in the world of entertainment where looks can be paramount, Nobuko is made hyper aware of how she does not fit traditional images of beauty. What should have been an unrequited love due to the contrast between her appearance and handsome Hayato’s is made reality by Hayato and it scares her. The sense I get from Nobuko is that she feels that this isn’t supposed to be happening, that it’s a fantasy that she wasn’t meant to be a part of.
Comedy as a Tool
The fact that Nobuko purposely takes on the role of the unattractive admirer, a kind of Steve Urkel to Hayato’s Laura Winslow, showcases not only Nobuko’s talent for comedy, but also how Nobuko is using humor to lighten the load that her heart has inflicted upon her. At home, Nobuko says to herself, “If I can’t pull away to deal with the situation, then I’ll push,” meaning that by trivializing the idea of a relationship between the two of them, by turning it into fodder for comedy, she can cope with it. This gives great insight into how Nobuko thinks, and how flexible and adaptive she can be.The way that Hayato once again cuts through Nobuko’s defenses, then, is why I think the last scene of this chapter is so good. Nobuko, who’s dressed like a monkey to continue her on-screen obsession with Hayato, ends up alone with him in her dressing room. Hayato uses the classic “kabe don” of shoujo manga fame, and Nobuko’s facade cracks, as shown previously. The fact that all of this happens while Nobuko’s still wearing that monkey suit makes the scene somehow more poignant. The monkey suit is supposed to make the idea of a romance between them nonsense, but Hayto isn’t having any of that.
Serious and Silly Artwork
I love how so many of the moments in this manga can be both serious and silly at the same time. Okamichachi’s style captures this seeming contradiction very well, because she has a shoujo (and I think BL?)-influenced style that still leaves plenty of room for exaggerated expressions and a willingness to not have her characters look perfect. While this is less the case for Hayato, who’s supposed to be naturally handsome, seeing him with a relatively serious expression as Nobuko makes kissy faces only enhances the sense that the two are entering this weird space where their feelings for each other are enhanced yet also diminished by being on-screen. Hayato’s reactions show that the situations portrayed in front of the camera, even if they are weird, still land in the realm of what he really wants, and he can’t help but blush himself as a result.
Right now, the cast is fairly small, and there aren’t any romances happening between the few side characters that exist. I have to wonder if this will change, as that’s pretty much the fate of all romance manga.
Of all the fujoshi-themed manga I’ve encountered (and I’ve read a lot), Okachimachi Hato’s Fujoshissu! is one of my absolute favorites. So, having recently found out that Okachimachi is starting up a new manga, I was immediately thrilled. While my search for fujoshi protagonists is why I first discovered her work, it’s Okachimachi’s expressive art style and subtle, considerate explorations of her characters that turned me into a fan.
Her new work, Kimi xxxru Koto Nakare (“You Shall Not xxx”) shows signs of being just as strong from the very first chapter, which is why I’ve decided to start writing monthly chapter reviews for it. This is only the third time I’ve ever done the “episodic review” thing (both previous instances were Genshiken anime and manga), so I hope you enjoy it.
Kimi xxxru Koto Nakare is the story of a budding teenage romance between Hayato, a male idol, and Nobuko, a female celebrity comedian. When the manga begins, we see that Hayato first discovers Nobuko at a very young age while watching television. Nobuko is the daughter of a famous comedian as well, and to Hayato, it’s love at first sight. He thinks she’s the cutest girl ever, and it inspires him to get into the entertainment industry as a child model.
Years later, the two are now classmates, and while Hayato is adored by legions of female fans for his handsome appearance and cool demeanor, his real aspiration is comedy. Hayato asks Nobuko for help, and after some important lessons (namely that Hayato can’t be serious about comedy if he’s afraid of being laughed at), Hayato finally succeeds in getting some laughs. Grateful to Nobuko, Hayato finally confesses his feelings to her and even gives her a kiss, but while Nobuko is shown to secretly feel the same way as Hayato, she backs away and tells him that he can’t do that.
There is so much to talk about in this first chapter, but I think what stands out most is Nobuko’s appearance. While Tonari no Young Jump, the website on which Kimi Nakare is published, can ostensibly be called “shounen” or “seinen,” it’s clear that Okachimachi comes from a very different background in terms of art style and approach to manga. Kimi Nakare is very much in a shoujo vein, but very rarely do shoujo manga feature a main female character as plain-looking as Nobuko. Generally speaking, they tend to be not the most beautiful but still thin and pretty in a conventional sense. In contrast, Nobuko is larger, has a rather masculine face with big bushy eyebrows, and is just noticeably less attractive than Hayato.
Even the story draws attention to the fact that Nobuko is not supposed to be good-looking. When a young Hayato is telling his parents that Nobuko is the cutest girl he’s ever seen, they react with puzzlement. “Cute? I would call her interesting…but cute?” Hayato “shouldn’t” be attracted to her to such an extent, but he is.
What’s amazing about this contrast is that it doesn’t feel simply like wish fulfillment that a handsome idol like Hayato would fall in love with Nobuko. Putting aside his love of comedy and the fact that she’s mentioned as being incredibly talented at getting laughs, Nobuko is strong, supportive, cheerful, and isn’t afraid to take someone down a peg. As the chapter progresses, it becomes evident that these qualities are what continuously draws Hayato to her. Okachimachi never draws Nobuko in a way implied to be Hayato’s “perspective” with the requisite that she then appears to be more beautiful than she is, but by just seeing them together, I could understand just how attractive Nobuko’s personality could be.
Suffice it to say, I already love this manga. I believe that Nobuko’s negative reaction to Hayato’s kiss and confession comes from the fact that he’s an idol and therefore isn’t allowed to date. Whether that means they have a clandestine romance or they have to constantly resist their own feelings, I can’t wait to see what happens next.
Recently, it’s come to my attention that a translation of Genshiken Chapter 122, aka the “Madarame Harem Arc Conclusion” chapter, has been going around that have some serious inaccuracies as to what is being said by Madarame. This seems to have created a good deal of outrage, with people believing that Madarame and Hato are both claiming that Hato isn’t really attracted to men.
That is completely wrong, and I’m here to correct that mistake.
SPOILER WARNING, of course.
First, here’s pages 130-132 from the serialization, when Madarame is explaining his reason for not dating Hato.
Yoshitake: Rame-senpai, you didn’t deny the possibility of Hato x Mada, so what’s the problem with Hato?
Madarame: Well I wouldn’t call it a problem… Let’s see. If we were together, I get the feeling that he would think about it too much and become a wreck in the process.
Yoshitake: …Aahhh… I think I understand…
Yajima: (That’s exactly what would happen.)
Madarame: Let’s say we started dating and hit it off. Even if that happened, I feel that he would be torment himself, believing there was some other pretext for our relationship.
At some point, he would think, Madarame has to feel reluctant about dating a man, right? Hato would think too much, and suffer for it. It should be simpler than that. “Hey I’m just a fudanshi who loves to crossdress, that’s all. No more, no less.” Wouldn’t that be a much better way to live?
With the above, I think you can see that Madarame is not claiming that Hato isn’t gay or bisexual. Rather, what he’s saying is that he wants Hato to find a relationship where he can feel comfortable being himself.
Now, here’s Hato’s later reaction and conversation with Yajima, on pages 143-145.
Yajima: You look better off than I was expecting.
Hato: I’m just really feeling the fact that it’s all over and done. I said everything I wanted to say, and if that’s the case…
Besides, it was a relief to be rejected. It was just as senpai said. Between my appearance and my love of BL I’m going to run into problems eventually.
I understood that, no matter how much I might like someone, it wouldn’t work out with a guy. Even knowing that, I still fell for senpai. Even now my feelings haven’t changed. I’ll probably go on loving him forever. That’s why I think Madarame senpai will be the first and last man I ever love.
Here, Hato does not deny that he was genuinely attracted to Madarame, nor is he going for the, “I don’t love men but I love you!” What he’s saying is that he thinks his feelings for Madarame are never going away, and that no one will take his place. Is he exaggerating? Maybe? Where he is feeling conflicted is the idea that a relationship can’t work with a guy, but that seems to be for other reasons, perhaps owing to society.
I hope this cleared things up for you Genshiken fans. In the end, Hato still isn’t with Madarame, but I think it’s clear that they both think well of each other.
The trip to Nikkou winds down with a final stay at Yajima’s family home. Yoshitake presses Madarame to make a decision about who to date, but as each potential partner makes their case (or has their case made for them), Madarame is still hesitant to pick. However, when Kuchiki suggests that it be done by lottery if Madarame doesn’t care one way or another, Madarame chooses not to leave it in fate’s hands and declares that he will make his decision…next chapter.
Is it at long last the end of the Madarame harem arc? Will he end up with anyone or perhaps no one at all? Will Genshiken actually have Madarame choose, or will it be a Naruto-esque string of chapter titles each more final than the last?
Personally speaking, the harem aspect itself, the fact that four individuals are attracted to Madarame to varying degrees, is less interesting in terms of who ends up with who, and more in terms of its opportunities for characterization. This includes characters both inside and outside of the harem.
One of Yoshitake’s recurring traits is that she always has the group dynamic in mind. Much of the reason she wants Madarame to just choose already is because she’s worried about the relationships, the friendships, that exist among the members of Genshiken. The longer Madarame takes, the more these threads get frayed, but at the same time she wants the decision to be a real one, not a spur of the moment fancy. That’s why she arranged the whole Nikkou kujibiki dating scheme in the first place.
Angela is an impossibly attractive blonde American who encourages polygamy, having the least to lose due to the distance between the US and Japan. She has an interest in Madarame, but is more about having a good time. Sue, as Ogiue puts it, is Madarame’s ideal character: a blonde loli who’s also fluent in both “Japanese” and “otaku.” However, even after her confession it’s clear she still isn’t entirely sure what she wants their relationship to be. Hato is a “girl-boy” straight out of a visual novel, but interestingly enough is still espousing the potential pitfalls of a homosexual relationship to ground Madarame in reality. They all carry some element of wish fulfillment that borders the realm of perverted imagination with some counter-balance in the fact that they’re all actually human.
In contrast, Keiko’s points out that she’s the most similar to Saki out of all of them, and this hits Madarame like a ton of bricks. While that makes Keiko in a way the most “realistic choice,” her words also carry an element of fantasy to them. She is the closest to fulfilling Madarame’s unrequited love for Saki, the most profoundly grounded woman he has ever met. The fact that Madarame reacts so intensely to Keiko’s words shows that he still holds a torch for Saki, and perhaps even suggests that his indecisiveness towards both accepting and rejecting others is a product of a desire to be wanted but also to want someone like Saki.
It’s surprising that Keiko of all people objects to Angela’s “harem ending” suggestion, stating that she’d rather not be involved at all if that’s how it’s going to end up. She wants to try a monogamous relationship, and she’d rather be single than deal with some fantasy otaku arrangement. Given that Keiko is not above seeing more than one guy at a time, I think it might say something about how Keiko sees Madarame as an opportunity for some stability, and further puts into relief the differences between her and the rest. At the same time, being an approximation of Saki isn’t actually being Saki, so in a sense Keiko becomes the most “ideal” choice of all. Of course, she certainly doesn’t see it that way, and I wonder if she in fact sees herself as what Madarame ultimately needs.
Madarame, as much as he acts like anyone would do because he’s just a dorky, desperate otaku, is suddenly against the idea when it’s suggested that he pick randomly when Kuchiki brings it up. Madarame is neither totally noble nor utterly selfish, and the realization that he cannot just keep the harem in stasis as is common in long anime and manga series ultimately forces him to try and choose on his terms rather than leave it up to luck. I think somewhere in his decision is the belief that having the choice made for him is utterly irresponsible and would lead to more harm than good, while also clarifying that he clearly does not see all of them the exact same way. In the end, actions have consequences, and I look forward to seeing how this plays out.
To end off, this month’s Ogiue moment is more of an Ogiue focus than anything in a long while. As briefly alluded to above, Ogiue gets really invested in presenting Sue as the best possible choice for Madarame, even going so far as to say that this is Madarame’s once in a lifetime chance to be with this girl of his dreams. What’s really notable about her behavior in this instance is that Ogiue has never really come across as being particularly invested in the Madarame/Sue combination even if she does believe it’s the right choice. It feels like there’s something more at stake here. Is it being able to finally get Sue to abandon the “Ogiue is my wife” joke (probably wouldn’t happen)? Does she truly believe that Madarame and Sue are best for each other? Does she want to give Sue some happiness? Whatever the case may be, I quite enjoyed seeing Ogiue’s fire.
This month’s chapter of Genshiken Nidaime is about anal sex. No, I’m not kidding. Yes, my title for this post is awful.
Last chapter, after an emotional discussion between Hato and Madarame, Hato runs away. At the advice of Ogiue (who knows a thing or two about a situation like this), Madarame goes after him. As the two talk once more, Madarame explains that he does feel something for Hato (especially after that incident at the hotel), but as he goes into detail about the idea of being with a fudanshi, Hato brings up an important question. Is Madarame truly ready for what “Hato x Mada” really means? After discovering that the rest of the club was eavesdropping (a Genshiken tradition!), Madarame decides that he’ll have to “think about it,” and their date continues.
You can see my immediate reaction to this chapter in the tweet above. While Genshiken has gone many places, I never quite expected it to arrive at this point. Suffice it to say, I’m both surprised and impressed in a multitude of ways. I have to compliment Kio for being willing to take the story this far, and to do so in a way that makes sense for the characters of Genshiken. What also stands out to me about Chapter 120 is the way in which clarifies the conversation between Madarame and Hato in Chapter 119, whereby Madarame finally and much more clearly understands Hato’s concerns. In Hato’s own words, being with Hato consists of having to encounter a series of “landmines.”
Last chapter, Hato expressed the idea that Madarame doesn’t seem to understand what it means to be in a homosexual relationship. This chapter, Hato lays it out. First, Madarame mentions how he’d have to get used to the idea of being seen as a “sou-uke,” a total bottom, as is the trend among Genshiken’s BL fans. Second, Hato reminds Madarame that Hato is not like Ogiue: he’s not a fujoshi but a fudanshi, a guy. Third, he brings up the idea of Mada x Hato, and how he’s prepared for the possibility, which fazes Madarame a bit. Then, finally, he brings up “Hato x Mada.” As realization slowly dawns upon Madarame, the impact of that epiphany on Madarame is, in my opinion, a prime example of what I love about Kio’s storytelling through manga.
Madarame confesses that he hadn’t even thought about “Hato x Mada.” Right there, it becomes clear that Madarame hasn’t actually contemplated the prospect of being with Hato all the way through. Not only that, but it makes perfect sense given just how Madarame has approached the idea. In Chapter 72, Madarame mentions having played games with “girl-boy” characters, and that, because of the censorship and the effeminate appearances of the characters in those games, it’s not that different from heterosexual fare. In other words, Madarame has always seen himself in the “man’s role” so to speak, and the sticky, naked realities of having a mutually satisfying relationship with Hato was just completely outside his realm of imagination until now.
I don’t read very much BL or gay manga, but I get the feeling that these sorts of nitty-gritty details aren’t so common in stories unless they’re particularly explicit or raunchy. Not only that, but given the purpose of those stories, I believe the end result is usually what is expected. In contrast, it’s not clear where Madarame will end up. Of course, correct me if I’m wrong.
The fact that Madarame doesn’t just completely shut down and break away from Hato might say just as much in favor of Hato’s chances, as does Madarame asking the question of whether Hato x Mada would involve Hato in women’s clothes. However, I suspect that the story might actually be heading in a direction where, although the two have a kind of emotional or spiritual connection, Madarame might ultimately not want a physical one. Keiko even brings this up at the end, saying that the body itself will ultimately be the deciding factor (which she believes is in her favor, even with Angela around). In a way, this might be even more ideal for the fujoshi of Genshiken, just because it could be interpreted as a love beyond the trappings of flesh.
I have two more things to say about this chapter. First, we finally learned just what happened when Hato’s other selves, the BL fangirl floating in the sky as well as the Kaminaga version, “merged” with Hato. Obviously he didn’t really have magic ghosts with him. Rather, it was symbolic of him accepting all of his passions, that he can be into both “Mada x Hato” and “Hato x Mada.”
Second, at the beginning of the chapter when Ogiue is talking to Madarame, she mentions how Sasahara accepted everything about her. Just that one gag panel where she ends her sentence in a heart as she blushes profusely is actually one of Ogiue’s most adorable moments ever. As an Ogiue fan, it is quite satisfying.