Having heard Akira’s deal—if we repair your earphones, you’ll have to join the Chorus Club—Orihara responds with disgust and tries to take a swing. Jin blocks Orihara’s fist, inadvertently breaking his finger (but not seeming terribly bothered by it). Jin wants to fix the earphones regardless of any deal, but he can’t find anyone in class who’s up to the task.
Some days later, however, Himari (Akira’s next-door neighbor) is actually in school for the first time in a while, and she turns out to be (for reasons unknown) a deft hand at soldering. Jin, who’s in the same class as Himari, tries to convince her to help repair the earphones, but she hesitates. After some conversation, mostly revolving around how she hates Akira’s puberty-induced ultra-bass voice, Jin convinces Himari to a deal: if he can show the appeal of Akira’s new voice through song, she’ll help them out.
Shinji sees this scenario as many might: a path to romance between Akira and Himari, but Himari’s initial response to Akira and Jin’s duet is to pull out an old picture book from Akira’s collection instead and apologize. Apparently, she stole it when they were young, and it’s the reason she avoided him for so long. In fact, it turns out that Himari’s really, really good at swiping things in general, which she reveals by showing off the resistors she took from class. She agrees to help, all while showing subtle hints that she might not be so unmoved by Akira’s singing after all…
The Himari Show
As the latest character to join the main cast, Himari is a major part of Chapter 8. Frankly, I think she’s fantastic, but awkward, surly girls drawn by Kio Shimoku are my aesthetic. I find that she bounces off all of the other characters quite well, and it makes me look forward to future interactions involving her.
Himari blushes a lot, but it can be hard to tell what exactly it means at any given moment. Because she seems to have a non-stop chip on her shoulder on top of being socially standoffish, her red face seems to shift from displaying embarrassment towards herself, embarrassment towards others, and maybe some feelings for Akira himself. Based on the brief glimpses of her memories, she appears to treasure her childhood with Akira—though she appears at first glance to not be especially different personality-wise back then.
One aspect of her that intrigues me is her proclivity for five-fingered discounts. It’s such an expected personality trait that she’s instantly memorable in my eyes. Also, I get the feeling that her talents in this area are related to her adeptness with a soldering iron. Something she does outside of class might make her a dexterous girl in more ways than one.
Akira’s First “Concert”
While it’s in a stairwell instead of a hall, and the audience is one childhood friend instead of an audience of many, this chapter’s performance is a huge step for Akira. We may not be seeing every single step of Akira’s development, but it’s clear that Jin’s training has been paying off. The pacing of his progress feels right.
Two previous songs are mentioned this month, specifically because Himari forbade Jin and Akira from singing them: “Believe” and “Kanade.” The song they do pick is1982’s “Tooi Hi no Uta” [Song of a Far-Off Day] by Iwasawa Chihaya. The song is actually based on Johann Pachelbel’s Canon, with Japanese lyrics added.
This is more a personal note, but when Himari pulls out the resistors she swiped, I recognized them from a digital engineering class I took back in high school. Their authenticity makes me feel that Kio is putting his best foot forward researching all aspects for Hashikko Ensemble.
Next chapter is going to focus on the school sports festival, and I’m curious to see how this shakes out at a technical high school. How much of mechanics and engineering is brain and how much of it is brawn? Whatever the case may be, it’s implied that something crazy is going to happen.