His Master’s Voice: Hashikko Ensemble, Chapter 17

We learn a lot—maybe too much—about Nishigafuchi’s students in Chapter 17 of Hashikko Ensemble.

Summary

Nishigafuchi lead tenor Saiga (first name Shinnosuke) is in a funk, and the reason is that Shindou Yui, the lead soprano. Shindou mentioned that she sometimes doesn’t want to thing about how they’re breathing in the same space, and that with the way he keeps panting, he should just run around outside like a dog. To prove himself, he plans on challenging Jin to a competition, but gets punched in the mouth by Orihara instead. Shinji wonders if Orihara did it to defend Jin, but Orihara claims it was because he wanted to sing more Brahms. The punch actually makes Saiga want more because it reminds him of Shindou’s sadistic behavior.

Instead of competing, Jin actually helps Saiga with his singing and breathing (so he didn’t have to breathe the same air as her!), and the results are noticeable. Even Shindou is impressed, though she’s no slouch herself. Afterwards, Saiga goes up to Shindou and asks her…if she can be his master. Shindou happily gives him commands like a dog, everyone is confused (especially Kurata), and the Nishigafuchi adviser awkwardly comments that there are all kinds of relationships these days.

As they’re singing, however, Akira doesn’t, and his old middle school classmate Sadamoto notices again. But before he could say anything, Jin asks if the Hashimoto Chorus Club could perform for everyone on their own. Will Shinji finally sing here?

All Kinds

In the last chapter, Nishigafuchi student Andou described Shindou as appearing gentle but actually having a nasty tongue, and she certainly lives up to reputation. I figured that would be the case, but she far exceeds my expectations. I have to wonder if it’s like an entire club of masochists who enjoy the verbal lashing.

Meanwhile, Orihara’s punching Saiga (potentially) in defense of Jin is kind of a serious tsundere move by way of delinquent behavior. Maybe Orihara really does see him as a friend.

Great Teacher Kimura

According to Jin, Saiga tries too hard to keep his head from lifting up and tries to create too much space in his mouth—things that are generally considered good form in singing, but an area where Saiga overcompensates. The consequence is that the surrounding throat muscles to be overly tense and rigid, and this results in him breathing oddly while performing. To Jin, this might be why Shindou made her dog comment.

To help all of the tenors with this, Jin has everyone do an exercise where they “play catch” with their voices. The idea is that they breathe out like you’re trying to form a parabola, and like it’s coming out the top of your head—like they’re “throwing” their voice to the other team.

Jin is thus portrayed as someone who can teach even an elite singer from an elite school, and it furthers the idea that he’s on another level when it comes to understanding sound and music. It’s not clear what his power level is, but when Saiga challenges him, I was expecting a shounen manga moment where Jin can show his stuff and make clear the size of the disparity between them, but it didn’t happen. Yet.

 

Songs

Referenced last chapter too, they sing Johannes Brahms’s “O Heiland, reiß die Himmel auf, Op. 74, No. 2.”

Final Thoughts

Is Jin purposely requesting a Hashimoto-only performance so that Akira will feel more comfortable singing, or does he have a different motivation?

Also, Kurata’s utter bewilderment over the Saiga-Shindou thing is the cutest thing.

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2 thoughts on “His Master’s Voice: Hashikko Ensemble, Chapter 17

  1. Pingback: Adhering to Conventions: Ogiue Maniax Status Update for July 2019 | OGIUE MANIAX

  2. Pingback: Kyoto Animation: Ogiue Maniax Status Update for August 2019 | OGIUE MANIAX

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