I forgot to mention it last month, but the series has a Twitter account @hashikko_music. Also, Volume 3 is coming out September 20th!
With that out of the way, on to Chapter 19 of Hashikko Ensemble, titled “God is Dead.”
(I was thinking of adding the chapter title in these reviews. What do you think?)
The Hashimoto Chorus Appreciation Society has left Nishigafuchi, and they’ve taken away different lessons. Mimi-sensei discovers that the M-Con doesn’t require conductors, so her training and practice were unnecessary. Shinji finds out that extensive singing can really work out the stomach muscles to the point of pain. And Shion is reminded of how the memory of squeezing Mimi-sensei’s boobs is the key to her keeping her grip soft when playing piano.
In the clubroom, as Jin explains to everyone Nishigafuchi’s ability to minimize the amount of noise in their singing, Himari makes an appearance to deliver Orihara’s earphones, which she’s finally repaired. However, Himari is shocked to see the number of girls there, and after some awkward fumbling while handing over the earphones to Akira, the sheer amount of blushing going on triggers Hasegawa’s romance radar.
Meanwhile, as Mimi-sensei is advising the Volleyball (she wears many hats at school), we’re introduced to a kind of unofficial Mimi-sensei fan club. Its four members hold a grudge against the Chorus Appreciation Society because they’ve heard a rumor that one of the members has squeezed Mimi-sensei’s breasts, though they assume it’s one of the guys. They confront Akira and threaten him to tell them their target’s identity, but Akira, not wanting Shion to get hurt, decides to pretend that he’s the culprit.
However, Hasegawa interrupts and claims that Orihara is the one they’re looking for, even exaggerating the story to be extra obscene and extra gropey to troll them. Hasegawa reasons that they wouldn’t mess with Orihara, and this would end their whole endeavor. Unfortunately, she turns out to be very wrong, and one of the members tries to get into a fight with Orihara. Not long after, a teacher bursts into the faculty office and informs Mimi-sensei of a rumor that she was raped by Orihara, which causes her to do a literal spit take.
The Mimi-sensei Fan Club
The four members–Muro, Naga, Ouga, and Tsuyama–all seem to resemble animals, but I can’t for the life of me figure out if it’s supposed to be a specific reference. They don’t seem to fit Journey to the West, Momotaro, or the Four Symbols. If anyone knows what they could be, I’d be interested to know.
In addition, I like that the chapter points out how this little quartet is viewed with some disdain by other members of the school. They kind of come off as creeps, and you can practically hear the utter loathing in the voices of the Volleyball Club members when the four visit the club’s practice just to see Mimi-sensei. One of the members even calls Mimi “Mimi-kami-sama,” and they’re all obsessed with her large breasts, even more than the rest of the boys in the school. For some reason, they like to compare her boobs to different insect-like creatures, including pillbugs and large crustaceans known as Bathynomus giganteus. Doesn’t exactly sound hot, but…
Shion is the closest thing Hashikko Ensemble has had to antagonists thus far, so I have to wonder if they’ll somehow fulfill that function. Knowing the manga, though, I bet at least one or two (if not all of them) will somehow end up joining the main cast.
Another New Character! What Could It Mean?
The reason why Hasegawa is able to rescue Akira in time is because another classmate, Kurotaki Mai, mentioned the incident. Apparently, she relates to Akira because she also has an unusually deep voice, though Hasegawa thinks it might be something more. In fact, between Mai and Himari, Hasegawa has the impression that Akira is some kind of unrealized Casanova.
Speaking of Himari, I was wondering when she would show up again. The fact that she reacts with such shock at the amount of girls in their clubroom makes me wonder if she’s more nervous around other girls than guys. There’s a lot we still don’t know about her, but she does come across as shy and reticent.
There’s an amusing gag where both Hasegawa and Himari think of the other as looking mean, despite or perhaps because the two have different personalities. Is that another friendship in the making? And could Mai’s deep voice somehow land her in the Chorus Appreciation Society?
Deep Breath Languages and Non-Integer Overtones
I wonder what languages count as ones that require deep breaths. I only speak a few languages myself, and I can’t seem to think of any of them as requiring extensive use of deep breaths or strong use of stomach muscles. It’s a topic I’m fascinated to learn more about–I just wish I knew where to start!
Jin also explains that the key to the beautiful harmony that Nishigafuchi is capable of has to do with “non-integer overtones,” a term I don’t fully understand, but seems to imply an unusual harmonics of some kind. As Shion comments, it’s a difficult word even in Japanese (非整数次倍音, hiseisuujibaion). It appears to be more common of a term in audio engineering, which also speaks to Jin being the biggest sound nerd there is. I guess you could describe him as an audiophile, but that word doesn’t quite fit all the way, as he cares less about audio equipment and more about the science of sound and its interactions with the art of singing.
There’s a weird gag in this chapter where the word “Wonder Coooore” keeps getting censored. It turns out that Wonder Core is an exercise machine promoted on Japanese TV.
It’s advertised around the world, including in the US through the Home Shopping Network, but it’s not nearly as funny or interesting.
No songs this month. Only conflict!!!
It’s a minefield to touch on the topic of rape in a joking matter, even if it all comes out of an elaborate misunderstanding (plus intentional obfuscation). I have faith that Kio won’t do anything truly in poor taste, but I still wanted to express some concern. We’ll have to see with the next chapter.
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