Super Robot Wars NEO for the Wii ~Real Robots are for Suckers~

Weekly Famitsu has announced a new Super Robot Wars for the Nintendo Wii, and boy is the cast something. I don’t care who you are, there’s no way you could have possibly guessed this list. It is craziness incarnate.

Series new to SRW in bold.

Mazinger Z
Great Mazinger
Juushin Liger
New Getter Robo

Sengoku Majin Goshogun
NG Knight Lamune & 40
Ginga Senpuu (Galaxy Gale) Braiger
Zettai Muteki Raijinoh
Genki Bakuhatsu Ganbaruger
Nekketsu Saikyou Gosaurer
Kanzen Shouri Daiteioh
Shippuu! Iron Leaguer
Mobile Fighter G Gundam
Lord of Lords Ryu Knight

THIS LINEUP IS BONKERS!

Also, as you can see, there’s a bunch of super robots, and then a bunch of robots which may or may not qualify as real robots. This isn’t the land of sissy whiny boys, my friends!

For those unfamiliar, Raijinoh, Ganbaruger, Gosaurer, and Daiteioh are from the same “series” called the Eldran series, similar to how Exkaiser, Might Gaine, Gaogaigar, etc. are the “Brave” series.

It’ll be 3D instead of the normal 2D sprites, which some say is a death sentence for SRW games, but you know what? I LIKED SRWGC. And really, I will take 3D graphics because they gave us this psychocrazy series lineup.

What I find most hilarious of all is that on the Anime 3000 Giant Robot podcast that I participated in, I had a brief discussion with Mike Dent from R5 Central about whether or not Juushin Liger was a giant robot. I was like, “Naaaaahhhhh…!” and Mike Dent said that it was possibly a Powered Armor or a Bio Armor, but I think we agreed that we couldn’t really call it a giant robot per se.

WELL I GUESS YOU PROVED ME WRONG BANPRESTO/BANDAI/NAMCO.

What I’m looking forward to is Great Mazinger channeling a Thunder Break through Liger and creating-

Nah, too easy.

I’m also wondering if I’ve accidentally stumbled onto some terrible power where my offhanded comments actually affect the SRW series…

Catch Me Talking About Giant Robots on the Anime 3000 Podcast

I was a guest on the Anime 3000 podcast on a topic very near and dear to my heart: giant, monster-punching, war-fighting robots.

I was on there along with Gerald from Anime World Order, John-Paul from Fight Bait, and Mike Dent from R5 Central.

Sadly, due to personal obligations I was not around for the whole podcast, and came in starting at the section about Nagai and Ishikawa. If you want to hear me talk you can skip to that part of the podcast, but I highly recommend that you DO NOT, as the discussions concerning Imagawa and Tomino are also important.

Looking back at my picks for recommend giant robot anime for beginners, I realize my list has many flaws, such as Shows that are Too Long, Old-Looking Animation, and No Super Robots. I’m not sure how I would solve any of these though, so you’re stuck with what I gave you.

Download is available here.

Imagawa and the Pile of Money in Eternity Island – A Dilemma in Anime Direction

Imagawa Yasuhiro does not have very many works tied to his name in a directorial capacity, but mention the ones that he has worked on and you will tend to get very positive reactions from some very loyal fans. His most prestigious work is probably the Giant Robo: The Animation OVA series, an intense labor of love that took many years and many more delays to complete, while his most famous work in America is probably Mobile Fighter G Gundam. And in my personal opinion, he is an astounding director. Possibly more than any other director, he has the ability to take the endless dreams of childhood and translate them into something mature and complex while still remaining faithful to those childhood notions. So why does he get so little work?

We have his latest work, Shin Mazinger. You look at this series, and see a lot of areas that seem to suffer budget-wise. The opening consists entirely of reused footage. Scenes are repeated over and over, and a lot of shortcuts are used. However, the show is still amazing, and still coming out without too many hitches. Sub suggested to me that Imagawa is so much of a perfectionist that the more money you give him, the more likely your anime will never see the light of day because he’ll be too busy making his animators re-do everything to get that one moment just right. As mentioned above, he took practically forever to finish Giant Robo OVA, but he was also kicked off of Shin Getter Robo Armageddon for taking too long. But with Shin Mazinger, where his spending power is limited, Imagawa is forced to make decisions and the result is something that is both Great and On Time.

Imagawa is thus the kind of director to whom you could give 25 cents and he would make the most astounding animation ever that will challenge your very ways of thinking. Imagawa would take those 25 cents, create GEORGE WASHINGTON AND THE LEGENDARY EAGLE, and when the show reveals that WASHINGTON AND THE EAGLE WERE THE SAME FIGURE ALL ALONG (like two sides of the same coin one might say!!), you will notice that your ass is no longer in your chair.

Money is to Imagawa as Time is to Tomino Yoshiyuki and No Editors is to Kawamori Shouji.

The Silent Ogiue

Every so often I have to check that my fondness for Ogiue has not simply become a formality, that she is my obsession just because I say she is. It’s also the case where without new material, it can sometimes be difficult to maintain such a fandom unless one goes deep into, say, writing fanfiction, which I have no intentions of doing in regards to Ogiue.

And so I thought of the many reasons why I’m so into Ogiue, and I realized that there are a few things I’ve never talked about despite the fact that, well, I’ve talked so much about her. One in particular stood out, quite appropriately I might add, and that is the strength of Ogiue’s silence.

I’ve previously talked about how Ogiue’s words are always weighted with all of her inner conflict and that it came through very strongly especially when she tries to be succinct. This is taken to its logical extreme when Ogiue says nothing; she really, really exhibits her tension whenever she leaves her mouth closed. This effect is mostly achieved by her facial expressions, including the one we see so frequently coming from her, this kind of surly restraint.

It’s effective because you know she wants to say something, but is actively avoiding it. And even as she gets more comfortable with Genshiken and Sasahara, this never goes away completely.

Further True Karaoke Tips

Actually, it’s just one tip but it’s a big one.

By “True Karaoke” I am referring to the singing of anime songs, preferrably the manlier the better, but keep in mind a lot of shoujo-esque songs can be pretty manly.

No matter your level of Japanese fluency, no matter if you have the songs memorized or you read them off the screen or if you have to print out a sheet with the romaji, the following tip is going to be very important to your karaoke endeavors.

ALL ANIME SERIES ARE LISTED UNDER THEIR FULL JAPANESE TITLES.

The reason I am pointing this out is that I and others I know have had trouble with this, looking for a song without remembering what the full title is and thus having a very hard time pinpointing it.

It’s not “Evangelion” under E, it’s “Shinseiki Evangelion” under “Shi.”

It’s not “Voltes V” under “Bo,” it’s “Choudenji Machine Voltes V” under “Chi.”

Akagi Mahjong Densetsu Akagi, Votoms Soukou Kihei Votoms, Utena Shoujo Kakumei Utena.

It’s something easy to forget, even if you’ve watched every episode of a series and you’re a really huge fan, so keep this in mind next time you’re with friends and feel like tearing the roof down with your impassioned version of the Otokojuku opening.

And remember, that’s “Sakigake! Otokojuku.”

The Deception of Hirasawa Ui

This is Hirasawa Ui. She is the younger sister of the Light Music Club’s lead guitarist Hirasawa Yui. She is also a TRICK designed to pull in otaku and leave them with more than they anticipated!

Yes Ui is a little sister, and in that sense many fans may be drawn in by her “little sister” appeal. However, that imouto moe is only on the surface, and what lies underneath is a beast from yesteryear, ready to reclaim the throne of fandom, away from the tsundere, away from the “Onii-chan!” spouting imouto, away from the maids, away from the tsundere imouto maids.

Hirasawa Ui is actually a 1980s Childhood Friend Shounen Heroine in the guise of a little sister. She bears few similarites to Kyon’s sister from Haruhi or Cardcaptor Sakura, while her personality is closer to that of Yuria from Hokuto no Ken or Minami from Touch! Closer to her is Mikan from ToLoveRu but Mikan still leans closer to the imouto moe side. Capable, smart, responsible, and always in a position to help those close to her, Ui is the start of a secret plan to bring back the 80s Shounen Heroine, or at the very least the To Heart’s Akari-style childhood friend (as opposed to the To Heart 2 Konomi-style childhood friend).

“Oh!” you might say, “But she’s not the most popular character!” But that’s where they get you. Because she’s not in the main cast, because she’s not at the forefront of her show, she can slowly build up momentum. She is the first of many. She is avantgarde.

Now that you know the truth, you have two choices: embrace it or fight it. Just know that Hirasawa Ui will be there to serve you tea and make sure you’re comfortable.

Correction to AnimeNEXT 2009 Panel Information

It turns out that due to a mistake on the side of AnimeNEXT that my panel proposal was never submitted and so my panel did not go through and my previous information is somewhat incorrect. The anime blogging panel you will see was the one proposed by Omo. The good news is that I will be taking part in this panel along side Omo, Super Rats, and Moy in what is sure to be a fun and informative panel.

Again, that’s Sunday June 14th at AnimeNEXT from 2-3pm.

And I will still be doing the “I Can’t Believe You Haven’t Seen This!” panel alongside the Reverse Thieves on Saturday June 13th from 9am-10am. I highly recommend you wake up for this one, especially if you’re itching for titles to expand your interests.

Saki’s Comment and Ogiue’s Transformed Wardrobe

At the beginning of Volume 5 of Genshiken, Saki comments on Ogiue’s clothing, telling her that if she wore clothing that fit better Ogiue would look much cuter. While we know that at the end of the chapter Ogiue made one failed attempt to revise her wardrobe, what we can see in later chapters is that Ogiue did indeed take Saki’s advice to heart. It’s something not immediately noticeable, but her clothes do start to fit better and become a little more feminine (though still boyish most of the time), especially after she starts to date Sasahara. This ultimately culminates into the outfit that Ogiue wears to Sasahara’s graduation, one of the few times we ever see her in a skirt (the first time is at dinner celebrating with everyone on a doujinshi well-sold).

Some visuals:

Robo Fashionable

Emotion, Intelligence, and the Comics Ambassador

In writing my two responses to the Christopher Handley case, I worked very much from my own feelings and thoughts on the whole situation. However, when I read Newsarama writer Jeff Trexler’s blog entries about the Handley case, particularly his post titled Handley, Comics and Obscenity, I began to think about my approach to talking and writing about censorship and obscenity in regards to comics.

While I do put emotion into my writings, particularly the two Handley posts, I know that I come across as emphasizing the logical and the intellectual, trying to use my own knowledge in conjunction with my desire to increase my understanding of the situation. However, as Trexler puts it, this can be considered a case where I am seen as a “liberal outsider” who is simply not understanding the fundamental truths as perceived by, say, an Iowa jury. I want to be able to convince not just the people who think in the same fashion as me, but also those whose value systems and deeply rooted beliefs stand much further away. I want to be able to change my writing style accordingly, but I don’t think it’d be a surprise to anyone literate in any language in the history of man to say that changing one’s writing style as well as one’s mode of thinking can be extremely difficult. The way this post is going so far should tell you that already: I’m trying to reason out how to write in a way which appeals to the heart rather than the head; irony in itself.

I’ve mentioned what I’m about to say when I previously talked about the Geek Logical Fallacy, but we as people often run into situations where the values we subscribe to in trying to make sense of the world or convince others of an important truth that are seemingly irreconcilable. No more does this arise than with the topic of religion, especially on the internet. A believer and a non-believer enter into an argument about the existence of a higher power, and both can be dense in their own ways. The believer will quote his religious text, which he deems as the source of Truth with a capital T, and that clearly everything comes from this Truth. However, to the non-believer these are all irrational beliefs full of contradictions and appeals to emotion. The non-believer meanwhile will start trying to use his self-proclaimed intellectual and logical superiority to lord it over the believer and show through this “logical” progression that everything the believer believes is false and wrong. Of course, the believer will take this as a direct attack and will stand his ground. The non-believer is trying to convince the believer using intelligence, while the believer is trying to convince the non-believer using logic, and both parties regard the others’ core value as being less important than the one they themselves emphasize.

This is part of the reason why so-called “Intelligent Design” has been able to make in-roads at all into harming the teaching of Science in public schools. The people in charge of the movement know their target group, and they are able to prey on their fears and prejudices. When Scientists representing Science come in and go, “Well that’s not how Science works you see, I have these facts to support my claim,” it can all come across as white noise, it’s not hitting the people where it matters because Science thinks it can logic its way to victory.

And that may be the situation manga and comics as a whole may find themselves in. Sure, comics are not exactly science, and there is a very emotional aspect of them, but in any future cases similar to Handley’s that may pop up, we may end up in situations where the people we’re trying to convince cannot be convinced in the way that we normally would convince our peers. A scientist can convince another scientist using science, but it takes something more to branch out to the rest of the world.

What we basically need are Ambassador of Comics, Comics versions of Carl Sagan, if you will. Though I would not even begin to presume I can fill this role, I write now to try and see if I can’t help just a little bit.