Another month of Kio Shimoku tweets is here! The guy has finally learned how to thread tweets, which makes things easier for me. A lot of the month was promoting his books, as well as other titles in Rakuen: Le Paradis, where Spotted Flower runs.
Crossover Images Featuring Genshiken, Hashikko Ensemble, and Spotted Flower
Also, it turns out that teenage Madarame, Tanaka, and Kugayama doppelgangers (in an actual Genshiken club) actually did make a cameo in Hashikko Ensemble!
Old drawings from the @hashikko_music Twitter. In the first, Hasegawa is commenting that Sue has a nasty expression. In the second, Himari is about to make the same comment about Ogino-sensei, but is struck by their similarities.
More old drawings from the other account. This time, it’s Not-Sue holding Himari, only to realize it’s not Ogino-sensei.
Ohno and Mimi-sensei…and also Shion, who wants a grab.
Sleeping Tortoise Pose Series. Pose: Manji
Kio recalls a moment from 10 years ago, where a stray cat was curiously poking at the tortoise as the latter slowly tried to scuttle away. He remarks that, amazingly, this is the same tortoise who now actively rams the window asking to be let in.
Here’s how the turtle crawls in.
Thanking Taniguchi Jun’ichirou for his animation work on Genshiken. This includes Nidaime and the original series, where Taniguchi and Mizushima Tsutomu (who would later go on to direct Nidaime) worked on the infamous “nose hair” episode.
And another old drawing about washing your hands. I believe this was from early on in the COVID-19 pandemic.
Kio bought an L-Gaim model kit!
Kurotaki Mai from Hashikko Ensemble with extremely realistic bunny ears.
In one of the biggest pieces of Genshiken-related news to come out in a long time, author Kio Shimoku finally has a Twitter account, @kioshimoku1!
He’s genuinely new to the platform, as he seems to not even understand how to thread tweets. He also doesn’t really respond to fan tweets. Even so, it’s become a great place to learn things about the man that were previously unknown. But in recent years, he’s been willing to open up more (and has even done a coupleinterviews), and now he’s providing valuable creator insight and even a bit of personal history.
While I would love to translate everything, I don’t have the time for such a time-consuming endeavor. Instead, what I’m thinking of doing is just sharing some highlights from Kio’s account once a month or so.
Here’s one group of noteworthy tweets, as well as a summary below.
After having watched the Professional episode on Anno Hideaki, Kio reminisces about past Anno works, like Nausicaa of the Valley of the Wind [where he was an animator] and Nadia: Secret of Blue Water. Aim for the Top! he couldn’t watch as it was coming out because it was an OVA, and his family only had Betamax, so he couldn’t rent tapes. Years later, after winning the Afternoon Four Seasons Award for manga while in college, he used his prize money to buy a VCR.
Kio believes he first heard of Nadia from the very first info about it in Animage, and thinks (but isn’t certain) that he knew Anno’s name at that point. Kio was all about Miyazaki Hayao’s anime at that time, and believed anime should be all about big adventures, so he recorded Nadia on Betamax every week. He certainly did notice the production issues that anime faced, though.
After trying to remember if he drew any Nadia fan works at the time, he remembers that one of his drawing submissions was actually published in Animage. [Note: I wonder if we could find his drawing…] He’s also pretty sure he drew some Nadia doujinshi, but can’t remember what it was about (other than it was not pornographic).
Kio is reminded by his Twitter followers that he not only drew a Nadia fan comic in 2012 as part of an anthology, but that he made the exact same response of having drawn doujin but having no recollection of the contents.
Finally, Kio drew this picture of Nadia in a plugsuit.
Speaking of drawings, it’s one of the best reasons to follow Kio on Twitter.
Sue vs. Hasegawa
Sue vs. Hasegawa aftermath
People have been saying she reminds them of Yajima from Genshiken, so Kio provided these notes.
Hasegawa Kozue, first-year Architecture and Construction major at Hashimoto Technical High School.
She was introduced unceremoniously to Hashikko Ensemble, but she has such a powerful presence that she became one of the central characters. She became the group’s conductor so easily that she feels broken.
She’s the only one who can fight Sue toe-to-toe.
Despite being only a 1-dan in Judo, she can toss her 2-dan older brothers (and others of that level) around with ease.
She sometimes acts as the author’s avatar.
Ogiue! Kio practiced drawing Ogiue in an older stylefor the Twitter introduction image at the top of this post.
Kio Shimoku has a pet turtle.
Orihara and Shion
And that’s all for this time. Look forward to next month, maybe?
The competitive escalates in an unexpected way in Hashikko Ensemble, Chapter 34.
After the Rugby Club’s surprisingly strong rendition of a Radwimps tune in the high school’s cultural festival singing competition, the Chorus Appreciation Society fires back with a performance of their own. They win handily, showing the fruits of their training camp. However, even though the Rugby Club captain accepts the results, he has one last request as a third-year soon to graduate: he wants to challenge Jin to an arm wrestling competition!
Jin accepts, but thinks it should be a best-of-three. Sora (the guy who confessed to Kozue) immediately challenges Kousei, and Yukina (who was last year’s school-wide arm wrestling champion) jumps in to be the third participant for the Chorus Appreciation Society. The impromptu matchup ends with a 2-1 victory for the Chorus Appreciation Society, with Jin putting in an impressive but ultimately losing effort against the Rugby Club captain. Reactions differ among the crowd, ranging from hype to Yumerun’s utter disinterest.
As Yukina is celebrating the win and talking with Kousei, Shion can’t help but think that they look great together. Suddenly, she sticks her arm between them and confesses directly to Kousei: “I like you. Go out with me?” Kousei’s response: “What? No.” That rejection is also the title of the chapter.
Yukina’s Turbo Controller
I genuinely thought that Yukina’s arm wrestling prowess wouldn’t really factor into the story beyond some displays of strengths, but here we are, with a sudden arm wrestling match. It almost makes regret making an Over the Top reference already. The surprise is welcome, however, and it adds to something I really enjoy about Hashikko Ensemble: the series is somehow both extremely predictable and unpredictable at the same time, and where those cards fall seems to just make for a more enjoyable manga most of the time.
All this arm wrestling talk also makes me think of my childhood playing the Track & Field II arm wrestling minigame. Whenever any arm wrestling happens in media, I just think of the background music and the grunting faces.
As the guys are singing, Takano-sensei makes mention of how much they’ve all improved (as well as Kozue’s excellent conducting). In particular, she remarks about their successful balancing of both the lyrics-heavy nature of J-pop with getting the right musical accents. She also uses a couple terms that I think are worth noting—mostly for my sake, as someone who’s not musically inclined.
The first is legato, which is singing in a smooth and connected way; the opposite of staccato. It is not, in fact, simply a Trigun villain.
The second is syncopation, which is singing on the weak beats.
The general idea, from what I can tell, is that they’ve managed to adapt a J-pop tune into something that utilizes the musical training they’ve all been going through. I wonder if the goal is to strike a middle ground between doing appealing songs to get more members and doing something technically impressive for Jin’s mom and her high standards.
It’s poetic that Akira has these dramatic nightmares about Kousei and Shion, but to Shion, Kousei and Yukina are the picture-perfect couple. There’s a self-consciousness at work in each case, where one sees themselves as somehow not looking “right” for their love interest.
I feel like this is a fear that Kio Shimoku tends to express and explore in his works. In Gonensei (The Fifth-Year), one of the core conflicts is how the boyfriend feels a level of inadequacy because he couldn’t graduate at the same time as his girlfriend, and the two drift further apart. In Spotted Flower, the husband similarly panics when he just lays eyes on his wife interacting with her ex-boyfriend, believing that he pales in comparison, despite the fact that he and his wife just had a daughter. I don’t think it’ll be anywhere near as dark and ugly in Hashikko Ensemble, but I’m interested in seeing how the love web continues to get tangled.
The chapter further contrasts how Shion and Yukina each see Kousei—the former as a strong hero and the latter as an adorable underclassman. As Yukina watches the performances, she recalls happening upon Kousei practicing his singing in private. Unbeknownst to Kousei, Yukina actually sat hidden behind a staircase, listening to him the whole time. It’s as if both girls have feelings because they’ve managed to see what’s on the inside, only it’s two different aspects of the “real Kousei.” If I had to give a preference, I like Kousei/Yukina, only because it’s more hilarious.
When the Tsun and the Dere are Indistinguishable
Right before the arm wrestling match begins, Kozue tells Sora to do his best. When he gets trounced by Kousei, she thinks, “Ah. Figures it was impossible.” While I originally thought that there was a possibility that Kozue might end up on a date with Sora reluctantly, it now looks like she might actually feel something for him after all. I don’t know if you’d call this tsundere, as I think that Kozue doesn’t have that characteristic loss of control of her own emotions, but maybe the childhood friend connection is real. Also, we haven’t seen what Sora looks like shirtless, but maybe he has the buffness she looks for in guys.
Or maybe being into musclemen is more of a fantasy fetish and not something she necessarily wants in a partner.
This month’s song is “March 9” by Remioromen, which the Chorus Appreciation Society performs against the Rugby Club.
During their performance, Akira’s mom is in the crowd. I don’t know why exactly, but seeing her cheer her son on and react like such a doting parent really sticks with me. Perhaps it’s just the way she seems so wholeheartedly excited about her Akira doing this new and different thing by getting into singing. I can sense the love in their relationship.
Fierce (?) competitors lie in wait in Chapter 34 of Hashikko Ensemble!
The school’s cultural festival has suddenly turned into a battle of the bands, and the Chorus Appreciation Society is in a 16-band bracket to see who comes out on top. Among the groups participating are a number of familiar faces: Kurotaki Mai (the deep-voiced girl who once saved Akira), Tsuyama’s crew, Mimi-sensei and a group of teachers (with Takano-sensei on piano), and even the Rugby Club that tried to recruit Kousei.
During this, Shion is visibly bothered by Yukina’s presence and closeness with Kousei, all but confirming her having romantic feelings for him. But when Kozue asks why Yukina’s into Kousei, her answer absolutely flabbergasts Shion: “Cuz he’s cute.”
Mai’s band wins, and the teachers forfeit their match because all they really wanted to do was put on a single performance. The Rugby Club is going directly against the Chorus Appreciation Society in the first round, and to everyone’s surprise, one of the players, Sora, asks Kozue to go out with him if the Rugby Club wins. She agrees but only as a form of rejection—she actively encourages the audience to reject their opponents and Sora’s convenient love story in the making. However, the Rugby Club turns out to be better singers than she anticipated, meaning it might not be such an easy win after all.
A School Tournament?!
It’s not surprising to see tournaments happen in Hashikko Ensemble. After all, if they’re going to eventually be in bigger events, the Chorus Appreciation Society is going to have to see some long competitions. However, this is quite different from the more refined environment and structure of the M-Con, the inter-school event they had previously they participated in as an exhibition.
I really like this direction, particularly that the series has suddenly become more about music in an interesting way by having music fever take over the school and generate all this excitement and energy. Also, while it’s indeed looking to be a tournament arc after all, “winning” seems less important than having all the characters reach their personal goals. Looming overhead is the powerful shadow of Jin’s mom (despite the fact that she hasn’t even shown up yet), and in a sense, she’s the real boss fight.
The increasing presence of romance in Hashikko Ensemble is all but undeniable. It’s not even that Shion’s interest in Kousei is clear as day now, but also the strange love polygon that now exists between her, Akira, Kousei, Yukina, and maybe even Mai. What’s more, there’s also the lovey dovey couple team (Yukio feat. Mayomyon) metaphorically tossing hearts into the air, and a public confession to Kozue from the kid who tried to warn his classmates about her judo skills?! And the latter’s going to be the most pressing plot point leading into Chapter 34?!
It’s not nearly as messy a relationship web as good ol’ Spotted Flower, but it sure is getting increasingly complicated.
Knowing this manga, I could see Kio swerving the readers by having the Chorus Appreciation Society lose in Round 1, and having Kozue reluctantly start dating Sora. There’s maybe one path of hope for the rugby player, which is that a person can earn Kozue’s respect through skill and power. In this chapter, she basically gushes over Yukina’s high proficiency in a huge array of industrial skills (including gas and arc welding, crane operating, etc.), so if the poor guy can show similar prowess (in singing or otherwise), maybe he can impress her. That said, it’s probably more realistic to see Kozue be into Yukina.
I was thrilled to see Mai show up again in this chapter—doubly so to see her singing. All signs have pointed to her becoming a more important character as the series went on, and while it’s still uncertain that she’s going to join the Chorus Appreciation Society, I’m still rooting for it. There’s also the matter of her previous interactions with Akira, and while he has Shion on the brain currently, I could see a future where these two get together instead.
I think Hashikko Ensemble has been emphasizing how different potential relationships can potentially end up being in terms of interpersonal dynamics. Chapter 33 highlights this by the ways that Shion and Yukina each view Kousei; the former sees him as brave, cool, and strong, while the latter looks at him like a cute underclassman. When picturing those two possible couples, they’re just so fundamentally different. But this is also the case imagining Akira with Shion versus Akira with Mai, which has a similar dynamic of two very different individuals on the one hand, and two very similar people on the other.
This time, I’ve included each of the groups participating in the tournament this chapter, followed by what song they perform.
Nighttime Festival Club 2.1:“Itoshii no Ellie” (“Beloved Ellie”) by Southern All Stars
Noi Majo (Kurotaki Mai’s quartet):“Hakujitsu” (“White Day”) by King Gnu
Yukio feat. Mayomyon: “Shibuya at 5 o’clock” by Suzuki Masuyuki and Kikuchi Momoko (You might recognize Suzuki as the singer of the opening to Kaguya-sama: Love Is War)
Teachers’ Angel (Mimi-sensei + other faculty): “Boku no Koto” (“About Me”) by Mrs. Green Apple
Rugby Club A Capella Group: “Zenzenzense” (“Past Past Past Life”) by RADWIMPS (as heard in Your Name)
Back in the pre-pandemic times, I used to go karaoke somewhat often. One of the most common songs among one of the groups was actually “Zenzenzense.” This chapter makes me want to learn all these other songs and bring them out someday. May there be a future where we can karaoke to our hearts’ content.
The path to a full Chorus Club is revealed, and the super-intense Kurata Shion gets center stage in this month’s chapter of Hashikko Ensemble.
Orihara is now a part of the Chorus Club, and Jin needs just one more member and a faculty advisor to get formal “Appreciation Society” status. If he can, he wants someone who plays piano.
Meanwhile, Kurata is getting advice from Oumi-sensei (the gray-haired one), who suggests that she join the woodworking club to improve her skills and to relax a little. However, the over-serious Kurata (who’s also revealed to be quite the spaz) refuses, seeing it as frivolous fun that gets in the way of Hashimoto Technical’s purpose as a vocational school. Both shy towards her fellow female classmates and frustrated at her lack of talent, she runs away, only to accidentally bump into Akira and the Chorus Club. Curiously, instead of making a typical startled noise, she lets out an F♯2 note.
In judo class (apparently a staple of Hashimoto Technical), Kurata is participating along with Hasegawa and her friend. Hasegawa, it turns out, is actually the daughter of a prominent judo family, and tosses around both one of the school’s judo club members and Orihara effortlessly (while also simultaneously ogling the latter). Kurata and Hasegawa’s friend are practicing against each other, but when a sudden pain in Kurata’s hand causes her to fall over, she reveals that her tendonitis is flaring up—as a result of her piano-playing!
Kurata doesn’t know how to crack eggs, and can’t seem to even run on a school racetrack without going off-course. If there’s any character she reminds me of, it’s Mio from Nichijou, who can’t seem to follow rules of any kind when it comes to sports or competition. I also love the way they reveal her music background, with her unusually melodic yelp.
I might be sounding like a broken record, but Kurata’s the latest in a long line of interesting characters in Hashikko Ensemble. First, there’s the fact that her antagonism towards the Chorus Club is kept mostly to herself—in fact, Jin and Akira don’t even really recognize her. Second, is that her dislike of the Chorus Club had seemed personal on some level, but the hints we get as to why this is the case make her and her story all the more intriguing.
It’s clear that Kurata has a musical background of some kind and that it’s limited by her tendonitis. Was a potential piano career derailed by health issues, leading her to lose faith in putting her future in something as fragile as musical performance? Is it perhaps pressure from parents? How much does she actually believe what she’s saying when she declares her preference for the pragmatic, and how much is she forcing herself to think this way? I’m really looking forward to finding out more.
As for what she’ll do as a potential Chorus Club member, one would think piano, but the fact that she has trouble playing might mean she’ll be another singer instead.
Hasegawa’s Unusual Friendship
Hasegawa and the other girl who’s always with her (whose name might not even have been mentioned yet) are so different from each other that you wouldn’t necessarily expect them to be close, but they say outright that it’s just a natural product of there being so few girls at the school. From what I can tell, while it likely began out of convenience, it transformed into a genuine friendship at some point. Now, they’re trying to get closer to Kurata too, but she’s as nervous and unsocial as they come.
I really enjoy how it doesn’t take much to portray Hasegawa and her friend as fleshed-out characters with an authentic-feeling history. This feeling of realism is one of Kio Shimoku’s greatest strengths.
As for Hasegawa’s judo background, I got a good chuckle out of how she actively eggs on the judo club. Also, i wonder if her love of beefy dudes is because of her family or not.
No music this chapter, aside from some basic voice lessons.
In a flashback, Kurata asks why the Japanese shorthand for “smartphone” is sumaho and not sumafo, as if it doesn’t make sense. I AGREE. IT’S ALWAYS BOTHERED ME.