Not many Kio tweets in September, so this is a pretty sparse entry this month. That said, there are some drawings that notably use Kozue from Hashikko Ensemble as Kio’s avatar. It’s interesting that he regards her (or at least her design) so fondly.
Kio retweeted an image describing an idea from a Tokyo University professor, who says that motivation comes from a specific part of the brain, but in order to activate it, you have to actually start doing it. Kio comments that even if he knows this, he’s still not able to work up the motivation. He then mentions drinking the energy drink Lipovitan D, and that he seems to be putting a lot of faith in it.
A drawing of Not-Kohsaka dressed as Not-Hato from Spotted Flower. Kio comments that sometimes he does have the motivation to do a big, high-quality drawing to his satisfaction.
His right wrist hurts, but he can’t figure out what’s the matter. It doesn’t seem to be tendonitis. Kio ends up wondering if it might be that he’s using a different mouse.
This past summer, Kio’s pet tortoise started leaking some kind of snot-like liquid. To take the tortoise to the vet, he placed it in a cooler bag filled with ice, and also carried a sun umbrella. Kio remarks that this made him look like an ice cream vendor.
Apparently, the tortoise is 21 years old!! While it’s doing better, Kio thinks the issue might be a change in environment, as Kio recently moved to a place with no yard.
Kio realizes he promoted a sale for Spotted Flower too late…
48 chapters later, friends compete for the first time in this conclusion to Hashikko Ensemble.
It’s shortly after the start of the new school year at Hashimoto Tech, and all the clubs are presenting to recruit first-years. While the freshmen predictably look a little too rough-and-tumble to sing chorus/glee-style, Jin declares his confidence that they’ll find new members.
The chapter jumps back one month in time to White Day, where the last chapter left off. Akira and Jin both sing “Kanade” by Sukima Switch, but unlike the previous two times they’ve done this song together, this time they’re in a one-on-one “exhibition match.” For those familiar with Jin, especially Yumerun, it’s highly uncharacteristic to see Jin singing against someone rather than with them. At the end, with no clear victor, Jin proudly announces that he’s going to apply for music college just like Akira. Smiling, Jin calls Akira his rival, to which Akira happily agrees.
Then, Jin reciprocates Kozue’s romantic Valentine’s chocolate with a White Day chocolate of his own, and says he likes her too. Kozue is happy, but notices Yumerun staring daggers into her, leading to a bit of off-panel comedic fury.
The story then shifts forward again to the recruitment, and the group is going to be next on stage. Shion is nervous because all of her work to pass her classes has made her extremely competent at all that vocational work, but made her forget how to play. Kousei just says that she has to play decently, and it’ll be fine. The other members notice that they’ve gotten a bit closer, while Mai wishes she had the courage to give Akira chocolate.
As the announcer calls for them, Akira and the others come out to the audience as the official, full-fledged Chorus Club. The freshmen notice that there are an unusual number of delinquents in it—as well as girls—before the club starts their song.
Concluded or Canceled?
Having Hashikko Ensemble all end here feels both well-timed and abrupt, and the actual answer is that it’s a little bit of both. On Twitter, Kio Shimoku said that he was told to begin wrapping up at the start of the Culture Festival arc, and he was able to get enough time to finish that arc and wrap things up, ending the series at Volume 8. It’s not quite the same, but it reminds me a bit of what happened to the original Mobile Suit Gundam: It was slated to be a 52-episode series, only to be canceled early and revised to be a 39-episode show, but the staff managed to convince the higher-ups to at least make it 43.
That, in turn, makes me think of that old Genshiken anime episode preview where the characters talk about how so many great series got canceled early—like Gungal (Gundam) and Dizner (Layzner). Madarame turns it around and says that maybe it’s the opposite, and a series is only truly great if it gets canceled.
I feel that Hashikko Ensemble is a story that had plenty more room to grow, and I would have enjoyed seeing them at least get to the end of high school, if not further beyond that. Still, there was at least enough room to resolve things well enough, and the main thrust of the relationship between Akira and Jin ends at an interesting and uplifting point.
Unrequited or Unseen?
Of the many romantic threads in the series, It’s funny that Jin x Kozue was the only one that resulted in a definitive couple. Hashikko Ensemble largely didn’t dwell on their relationship, and a lot of their interactions didn’t even indirectly hint at the subject. This can be chalked up to their personalities—Kozue is not prone to flights of fancy, and oblivious Jin probably didn’t even think about romantic love at any point in his life until Kozue’s confession. Giving the least prominent romance closure but not the others feels like a troll of sorts, but one I welcome for it’s unexpectedness.
And even then, others are somewhat open-ended. Kousei and Shion appear to be closer, and that development is likely a direct response to Shion proving that she can successfully perform the physical labor tasks involved in passing her classes—and by extension someday live the kind of life Kousei envisions for himself. Mai regrets not confessing to Akira, but it’s not like there was any sort of rejection. In the world of the story, they’ve still got at least another couple of years. If this were a series that had people writing fanfiction about it, this would probably be a prime topic.
Learning to Be Selflessly Selfish
It feels appropriate that things would essentially boil back down to Akira and Jin. What’s fascinating is the journey they both took to get here.
The lesson Jin learns in the end is one that runs almost opposite of what is typical in anime and manga. Stories are often about someone discovering the power of teamwork, but what Jin needs in order to grow is the capacity to individually compete and outperform. His match against Akira isn’t about trying to win, but to see if he can actually use his singing as a tool to raise himself rather than support another. To go from “teammates” to “rivals” is, again, sort of counter to the standard narrative of manga about high school clubs.
As Akira states in his thoughts, he’s grateful for all he’s gained thanks to Jin. He originally was woefully self-conscious about the deep voice he suddenly developed in middle school, and it was something he sought to hide and minimize. But Jin encouraged him to go out of his comfort zone and embrace the bass in his voice, and here, Akira brings not only his gratitude but everything Jin ever taught him.
Poetically, Jin himself turns out to have been forced outside his comfort zone by Akira’s rapid progress, which is how we get to their relationship in the final chapter. Rather than the student becoming the master, the two recognize each other as true equals.
As stated, the last and only song for Chapter 48 is “Kanade” by Sukima Switch. As with every time “Kanade” appears, I’ve linked the official music video above, but there’s a very special treat this time as well.
Kio actually uploaded a version of “Kanade” that’s supposed to be an approximation of how the song would sound as a duet performed by Akira and Jin! According to his tweets, Kio stated that he made it himself because it didn’t exist, and that he accomplished it with the help of a couple music programs.
One thing I never really did with all these Hashikko Ensemble reviews over the years is provide analyses of the lyrics for the various songs used in the manga. This was partly for space and time reasons, but they often add meaning to each chapter, so it has been a bit of a glaring omission.
For this final chapter, I think it’s worth looking at “Kanade” and what the song is saying. The lyrics are largely about someone getting close to a person and guiding them, only to see them growing into an adult and changing. But even though things aren’t going to be the same, they’ll use their voice to protect the other.
How fitting for Akira and JIn, and perhaps the entirety of Hashikko Ensemble. So much of the series is about the characters finding support in one another, and watching them grow beyond what anyone expected.
The series is ending literally one month short of its fourth anniversary, and looking back, there are many questions about Hashikko Ensemble left unanswered and open to exploration. Mai, who ended up becoming my favorite character, never got enough time to fully shine, but I appreciate the fact that she ended up becoming a more prominent character towards the end. I also have to wonder if Jin’s mom was introduced during the Culture Festival because Kio knew the manga was set to finish. It feels somewhat like an appearance that resulted from things having to wrap up, and a longer series might have had her shadow (rather than her physical self) loom in the background for a greater amount of chapters. Would Jin ever learn that his mom thinks highly of his singing ability? I could see it going either way.
Hashikko Ensemble is notably different from pretty much all of Kio’s previous works in the way that there’s a concrete underlying goal for its cast. Whether it’s Genshiken or any of the series that have preceded or followed it, Kio’s stories have always been more about exploring character relationships in spaces devoid of strong ambition. Hashikko Ensemble is very much about the characters and how they connect with one another, but the theme of music and an in-story goal of forming a proper club (and a proper chorus) means that there’s a good deal of forward momentum that’s absent in Kio’s other manga—with the arguable exception of Kujibiki Unbalance. Seeing that relatively more “focused” Kio Shimoku manga makes me wonder how things would go if he took it a step further, maybe even into a more adventure-type work, or something like palace intrigue.
Akira, Jin, and the rest are so charming and authentic as characters. Their personalities contain both simplicities and complexities, and as they grow, they gain new dimensions while remaining true to their cores. It reminds me of past Kio series to be sure, but there’s a kind of enthusiasm that I think is indicative of the high school setting—a mark of youth and the potential that lies ahead. Yet, with all the adult figures in the background, there are characters even those who feel far removed from their younger days can relate to. The fact that Kio actually joined Twitter as this serialization was happening even lends an air of trying to communicate with an audience that’s both younger and older. It’s not TikTok, but maybe that’d be a step too far.
Hashikko Ensemble ends up feeling like it has the perspectives of both teens in the midst of their days and adults looking at youth in action, and that interaction has been a joy to read.
Jin has a breakthrough and Kozue reveals another side of herself in Hashikko Ensemble, Chapter 47.
Kozue catches up to Jin, who has left the clubroom because he’s lost the music inside of him. As the two walk and talk, Kozue helps Jin put words to what’s been bothering him: He’s frustrated over what he hasn’t been able to do, and it’s eating him up inside. In particular, Jin is frustrated over Akira being putting on such powerful performances despite being so inexperienced, and over Akira being recognized by Jin’s mom before Jin himself.
As Kozue leaves, however, she nonchalantly gives Jin a romantic (as opposed to platonic) Valentine’s chocolate before walking off with a flushed face and singing “Haru yo, Koi.” The lyrics seem to trigger something in Jin, but rather than it being a realization about his potential romantic feelings, it helps him clarify why exactly he’s so frustrated when it comes to Akira. He both wants to acknowledge and deny Akira’s accomplishments—a contradiction has stopped his heart from moving and by extension, stopped the music within Jin.
Jin rushes past Kozue while loudly declaring that he needs to “tell everyone,” which Kozue assumes is about her confession. Beet-red, she chases after Jin to stop him, only for the thing he wants to tell everyone about is his desire to put on that Whie Day concert in response to the girls’ Valentine’s Day performance. In addition, Jin has a special request for Akira.
The story skips ahead to White Day, where all the guys put on a show while dressed in bright and shiny tuxedos. However, the real event is a special “exhibition match” between Akira and Jin—the request Jin wanted. As Jin prepares to unleash his full singing might for the first time, the chapter ends…and reveals that the next chapter will be the end of Hashikko Ensemble!
So here we are at what turns out to be the penultimate chapter. I knew that the story was getting to a major point, but I didn’t expect it to be leading to the finale! Thematically, the story has come full circle with Jin going from recruiting Akira to competing against him, but I thought they’d overcome this and then move on to the next challenge. If this is really it, though (and there’s no sequel being announced), I think the manga is ending with at least some closure.
Got a Feeling So Complicated
Jin’s mix of pride in Akira and jealousy towards him is profound. They’re both such powerful feelings, and the dimensions they add to Jin turn him from a fascinatingly eccentric character to a truly human one. This is all the more the case because it’s kind of unsurprising given where the story has been going over the past six months or so. Jin wants to both love and hate Akira, but he can’t bring himself to do either.
It makes sense that Jin has never gone all-out when singing. He chafes at the idea of competition and comparison that his mother, Reika, values so much, and he has rebelled in his own way by eschewing such notions. But perhaps this is also why Jin has never been verbally acknowledged by her, even though we know she thinks he has talent. To be able to not just cooperate but also fight could be the difference. The capacity to do both (and to know which is the right choice) might be even more valuable.
I don’t think this friendship will end on bad terms, but I think there are a few more twists and turns left.
To All the Boys I’ve Loved Before
One thing I’ve enjoyed in this series is that characters are attracted to multiple people. It’s often the case in manga that only major characters (or harem leads) have feelings towards more than one character at a time. Here, though, you can see all these potential connections abound. Kozue previously showed at least a small interest in that judo club boy, but she also expresses a crush on Jin here. At the same time, Kozue is not the only one who likes Jin, seeing as Yumerun just confessed in the last chapter—and Kozue also feels at odds with herself knowing that. I just keep thinking about how affection can be a spectrum.
They’re the kind of romances that one is more likely to see in an actual high school (and probably beyond), and the fact that it’s a significant but not major part of the story also lends itself to this sense of authenticity. Multiply this across the whole cast, and you get Hashikko Ensemble. I love seeing the dramady of these singing fools, and even if none of these relationships actually resolve.
Hashikko Ensemble always looks good, but there’s just something about this chapter’s artwork and paneling that’s downright amazing. Kio’s just an ace at portraying cascades of emotions, and the simultaneous sense of heaviness and humorous frivolity that comes from his artwork and composition really puts his talents on display. In the pages above, Kozue’s rollercoaster of emotions jumps right off the page, and the way Jin takes her for a ride with this earnest denseness makes me feel a kind yet pained smile form on my face.
And when Jin shows that he’s going to get serious for his “exhibition match” with Akira, the way the panels build up to such sheer intensity actually startled me a bit. Kio has never really done a competitive manga—in fact, Hashikko Ensemble is the closest he’s ever gotten—but it makes me genuinely wonder what he could pull off if he decided to do a sports or fighting manga.
If this is what Kio has pulled off before the conclusion, I can’t wait to see what he’s got up his sleeve for the final chapter.
“Haru yo, Koi” (“Come, Spring”) by Matsutouya Yumi. This is one of the songs the girls sang in the last chapter.
“Yakusoku” (Promise) from The iDOLM@STER. This was one of the songs performed by the otaku group during the big competition.
“Kanade” by Sukima Switch. This song is what brought Akira and Jin together all the way back in Chapter 1!
I still feel that there’s so much more story that could be told. They haven’t even entered another M-Con yet! I don’t know if the story was made to end early or if Kio thinks this is the right time, but I could keep reading about these characters living their lives for a long time. To Kio’s credit, that’s part of his magic as a manga creator.
As for predictions, the safe bet is that they’ll finally become an official club. I’m also still rooting for an Akira x Mai ending.
And who knows? Maybe we’ll see their doppelgangers show up in Spotted Flower…
Kio Shimoku claims at the beginning of October that there won’t be as much tweeting, but that turns out not to be so much the case. This month also features (?) Kio drunk tweeting for the first time!
Kio felt he did a good job with the linework in this “pencil” layer for some extra art for Spotted Flower Volume 5, but laments that he inevitably has to cover it with ink lines.
Kio explains that he had all this energy doing collaborative illustrations and tweeting a bunch because of the double-release, and apologizes that it won’t be the same once September is over.
Kio thanks readers of Spotted Flower, and mentions that he has no idea where the story will go.
Working on a choir-themed manga, Kio is extremely grateful to all the talented musical composers involved.
Kio talks about how he used a technical high school as reference for Hashikko Ensemble, and that he basically drew it in Volume 2.
Kio links to a couple of songs that have shown up in Hashikko Ensemble. In turn, the composer of those songs retweeted him and expresses how happy she is about them appearing in Hashikko Ensemble, which Kio finds to be a good thing.
After all the endless work from doing two collected releases and more, Kio finally relaxes at a nice spa and massage place. But when he went to take a nap in the nap room, there was an old man snoring there. Though, overall, it was the first time in a long while that he had no trouble waking up early.
Hashikko Ensemble vs. Spotted Flower.
Kozue: “A forced growth spurt?!”
Kio struggles all night to work on the final page of his manuscript for the recent chapter of Hashikko Ensemble, while at the same time being aware that he’s probably going to make corrections to it in the morning anyway.
People could win Spotted Flower stickers!
Kio wonders if they still make ekranoplans, and finds himself wanting one when he thinks about them.
Kio is tempted to get a small apartment very close to Akihabara.
“I escaped from reality.” Whether this is related to the previous tweet is unclear.
Kio buys Five Star Stories Volume 16, as well as a Newtype Magazine with Five Star Stories on the cover. He also has a model of the VOLKS Arsculs, but hasn’t built it yet because the binders are pretty daunting. (At this point, it’s pretty clear he’s a huge fan.)
Kio looks at his Speed Mirage Five Star Stories kit. It took him ten years to finish it.
Kio retweets a model kit site’s tweet featuring the Kettengrad, the namesake (?) of Ritsuko from Kujibiki Unbalance.
Kio and Drinking
Kio worries about the fact that he likes himself best when he’s drunk, to which others reply. Artist Ikuhana Niro says “Yep, I like you!” to which Kio says, “Thanks!” Another individual mentions that communication skills get stronger after drinking, which Kio agrees with.
Kio drunk tweeting. It’s mostly about him heading home, having trouble getting through his door, and asking if people like Drunk Kio. Ikuhana inevitably replies with a yes, but asks him to take care of himself.
Kio later thinks he drank a hangover supplement on the way back, but can’t actually remember it.
Kio successfully makes a phone call, and then reminisces about when he was a kid. He hated talking on the phone, sometimes to the point of tears.
The weather’s getting colder, so Kio is bringing his pet tortoise back indoors.
The Chorus Appreciation Society bolsters its ranks, but not all is smooth sailing.
In a small change of pace, this chapter is largely from the point of view of Kanon. Despite the big win and Kozue’s fiery speech, the only students who have decided to join the Chorus Appreciation Society are Tsuyama’s crew (aka the Tsuyamars) because Mimi-sensei is their advisor. And right as Kanon is resigned to not participating more actively because this Appreciation Society is guy-focused, Kurotaki Mai shows up both asking to join and clearly having her eyes on Akira.
After some exercise (during which Kozue explains that theirs is basically an athletics club in terms of physical conditioning), things escalate into a competition between the current guys and the Tsuyamars to see who will be part leaders. In particular, Tsuyama and Kousei have a particularly fiery rivalry, on account of their both being baritones and delinquents quick to violence. Thanks to the conditioning of the veteran members, they all retain their spots, but within the little conversations happening, Kanon senses an increased awkwardness from Jin to Akira.
I’m appreciative of the fact that Kio was willing to switch things up and give Kanon a spotlight of sorts. So far, she’s largely been the relatively normal friend of Shion and Kozue, and one might uncharitably call her “boring.” But in addition to the manga emphasizing that she’s feeling a greater desire to participate more actively in some way, Kanon is also shown to have the keenest eye when it comes to social dynamics. She immediately recognizes Mai as the girl with a huge crush on Akira. She notices a greater closeness between Shion and Kousei, as well as Jin and Kozue. And, as mentioned, she can tell that Jin’s viewing Akira differently—though it’s not certain if she’s making the connection to Jin’s mom publicly recognizing Akira’s talent in front of her son.
I’ve compared Kozue a bit to Kasukabe Saki from Genshiken because of their no-nonsense attitudes, but because of Kanon’s ability to recognize shifting relationships, I think she might fit that role better in certain respects. The fact that Kozue is kind of an oddball in her own right also means that she can’t play the straight man the way Saki would. Perhaps Kanon is more like a less abrasive Sasahara Keiko? In any case, I’d like to see at least a few more Kanon-centric chapters in the future—perhaps even one where she’s the actual center instead of just the POV character.
Mai Joins the Party!
Ever since her introduction, I have been hoping and predicting that Kurotaki Mai would eventually join the club, and now it’s finally happened. But while she’s been a potential love interest for Akira from the get-go, I really did not expect her to be waging an active campaign for his affections! As Kanon notices, not only does Mai enter the clubroom with a clear intent and purpose (even making a beeline straight for Akira), but she went as far as shortening her skirt. I think a part of me might be a little too used to a certain greater level of old-fashioned indirectness in these story situations, but I welcome whatever this is.
Kanon is surprised to see Akira react so casually and obliviously to Mai turning up the charm, to which she begins to wonder if Akira is into “bratty” girls like Shion and Himari. Kanon is portrayed as being especially observant, but I’m not certain she has an accurate peg on him, and I still believe Mai has a chance. Also, I like how right towards the end of the chapter, we get a little glimpse into more of Mai’s personality when she urges Akira and Ogawa to keep competing. While Ogawa is willing to forfeit because he has no particular desire to be the part leader for the bass section, Mai responds with, “Huh…? But there’s no point if this isn’t a serious competition?” It’s as if she wants Akira to live up to her lofty and romantic expectations of him. In other words, we’ve got another weirdo in the group, and that means my fondness for Mai only grows stronger.
This month’s sole song is “Sora mo Toberu hazu” by Spitz. It’s only natural, because of Mimi-sensei’s love of the band and, in turn, the Tsuyamars’ worship of Mimi-sensei.
First, I think this manga is going to get even better now that we’ll be seeing more Mai. I might be biased, though.
Second, while it barely got mentioned in this chapter, I’m really expecting a greater exploration of Jin’s new tension when it comes to Akira. The idea of intra-club volatility is new to Hashikko Ensemble—not only with Jin and Akira or Tsuyama and Kousei, but also Mai and Shion—and I’m looking forward to seeing what kinds of drama and silliness arise.
The end of the current arc paves the way for the next!
As the Chorus Appreciation Society’s finals’ performance continues, the boys pour everything they have into their singing, Kozue has actually begun conducting the audience more than the singers on stage. With a strong finish, the Chorus Appreciation Society is declared the winner of the Culture Festival’s singing competition.
Soon after, Jin and the other members confront his mom, Reika. After a brief pause, Reika goes up to the group…only to focus on Akira, rather than her son. She remarks that Akira has talent, and that he should contact her because she knows a good music teacher for him. Jin is stunned into silence.
Later, as Reika and Yumerun are leaving by car, Yumerun comments that she thinks Jin has actually improved a lot. She asks why Reika thinks Jin has no talent, to which Reika responds that she never said any such thing. Rather, what she has meant to say is, why would someone with his talent join a chorus or choir, where people go to hide their lack of ability? When asked why she’s never said this outright, Reika answers that calling your own kid talented is embarrassing.
The way Jin’s mom really feels about him is something of a revelation, and like the characters themselves, I completely misinterpreted the situation. But I had also previously wondered about whether Jin truly is “untalented” or if he’s just holding himself to a ridiculously high benchmark in Reika, and I believe we have our answer here. Simply because Jin has to study and learn what comes intuitively to his mom, he perceives himself as needing to make up for some deficiency.
On some level, Jin might be what you call a Larry Hemsworth—an exceptional individual who assumes they’re unexceptional because he constantly compares himself to others close to him who arguably shine even more. But also like Larry, who believes his being a pediatric surgeon pales in comparison to his three brothers’ acting skills, the question of who’s more talented between Jin and Reika is subjective. Jin’s ability to break music down, analyze it scientifically, and put it into practice is amazing in its own right, but he seems to be unable to see it from that perspective.
It remains to be seen whether Reika’s glowing words about Akira create a rift between him and Jin, but I doubt that it’s going to result in any sort of high drama. Perhaps like his mom, though, Jin might be surprisingly indirect in specific situations—as in her conversation with Yumerun in the car.
Yumerun and Jin
The chapter has a moment where Yumerun is looking at Jin perform, and she seems to be quite taken by him. They’re childhood friends, and she seems to have some sort of unusual fondness for the guy, but given that everyone is blushing all the time in Hashikko Ensemble, it can be kind of hard to tell what’s romance and what’s not. However, given their history, I feel like something may develop…or at least turn into some Boa Hancock and Monkey D. Luffy situation like in One Piece: a comedically one-sided love where the lack of reciprocation is more due to empty-headedness than incompatibility.
To the Next Story
The image of Akira wowing the audience with his powerful bass feels like a turning point of some kind. His classmates already knew he had a deep voice, and he’s sung in public on multiple occasions at this point, but I predict that he’s gonna gain a whole new reputation after this.
The likely thing is that we’re going to see enough new members join them for the Chorus Appreciation Society to gain proper Chorus Club status, and I expect there to be familiar and unfamiliar faces alike. In my view, Mai is the most likely one, but I think there are probably going to be some real curveballs in there. Might there be any unnamed audience members from this even who will end up as recurring characters?
“The Wings of Mind” continues and concludes from the previous chapter.
Great artwork in this chapter. I continue to enjoy the fact that the portrayals of singing feel intense but don’t go deep into the realm of exaggeration. Not that I mind it in general, but I think it works well for the relatively subdued quality of Hashikko Ensemble.
Also, I don’t think I recall this event being called the “Hashi High Acapella King/Anything-Goes Decisive-Battle Tournament,” but maybe I just glossed over it. In any case, I give props to Kio Shimoku’s first-ever tournament arc.
This past month saw the unfortunate passing of Miura Kentaro, author of Berserk.
“I can’t believe it…Berserk is actually…”
“Whether it was his art, his storytelling, or his characters, he poured his overwhelming passion into everything. I’m trying to find the right words, but I don’t have them…My deepest and heartfelt condolences for Miura-sensei in his passing.”
Shin Evangelion Reaction
“I saw Shin Eva. It wasn’t an illusion. It wasn’t, right…?”
Kio watched a recording of The Professional: Anno Hideaki where Anno says, “I’m okay with dying for my creations.” This made Kio’s head spin. (Having come so soon after Miura’s death, it seems to have hit Kio extra hard.)
A rough nude sketch of Ogino-sensei from Spotted Flower and a preview of the next chapter out.
Kio’s first drawing of first-generation Kasukabe Saki from Genshiken in many years.
Kurotaki Mai from Hashikko Ensemble.
Otaku moments with Hasegawa, previously posted on the @hashikko_music account. She worries about having accidentally outed herself as an otaku, but when asked if she’s a fujoshi, Hasegawa responds, “That isn’t the setting this time.” Also, when Shion expresses interest in Miyazaki anime, Hasegawa considers going into the deep end: Horus: Prince of the Sun, Panda Go Panda, Heidi, 3,000 Leagues in Search of Mother, Anne of Green Gables.
More previous art. Orihara loves the “AMEN”s, and Hasegawa does a pose from what I believe is Hellsing?
The pet tortoise
Kio explains that the “broken Gouf leg joint” incident from Genshiken wasn’t exactly based on reality, but he had a similar experience as a kid. In a later tweet, though, he realizes that the reason it happened to him is because model kits in those days didn’t use polycaps on ball joints, which made for a less maneuverable limb.
Kio quit his habit of downing energy drinks before starting his work.
It’s time for the Chorus Appreciation Society to sing in their last song of the School Culture Festival, and Jin is nervous about being onstage in front of his mom. Fortunately, Kozue delivers a confident speech about their happiness spreading music through the school, which calms Jin down—though she then turns it into a taunting preemptive declaration of victory.
Their performance of “The Wings of Mind” begins, and the four guys harmonize perfectly, the beauty of the song causing emotions to well up in nearly everyone listening. The LED display Himari programmed displays the lyrics, and before everyone realizes it, the entire audience is doing the same as she is: singing along and being drawn into the performance. However, the chapter ends with Reika with an ambiguous expression that seems to read as her not being terribly impressed.
This month, there’s only one song, and it’s the centerpiece of the entire chapter. The power of “The Wings of Mind” seems to be its ability to resonate on a very personal level with everyone listening to it. The song brings about a range of emotions: hope and disappointment, nostalgia and discovery, past and future. The two flashbacks indicate this strongly: Akira remembers meeting Jin in the classroom and being introduced to the world of music, while the senior members of the Rugby Club recall looking at the younger teammates as they themselves have to move on to the next phase of life.
This potentially ties into a previous conversation Akira had with Jin about individual interpretations of a song’s meaning. It’s something Jin has trouble with, and to see “The Wings of Heart” hitting people in different places highlights the notion that we bring a part of ourselves into the songs we hear. “Art is how you interpret it,” or something like that.
Perhaps this is why the audience gets swept on in singing. As explained in the chapter, it’s not just that the lyrics are visible, but that it’s as if everyone is being compelled to follow along by the song. Everyone, that is, except Reika.
1v1 Me, Son
The bit of nervousness (or self-consciousness) Jin feels before the performance is not just understandable—it speaks to the core of Jin’s internal conflict. His mom thinks he’s not trying to prove that talent doesn’t matter so much as he’s hiding his own lack of, and Jin is afraid that she’s right. In this respect, I think the whole “sing-along” plan he thought up might actually backfire, as I suspect Reika sees it all as a gimmick: more camouflage for Jin’s comparatively mediocre vocals.
Reika and Jin’s contrasting priorities reminds me of arguments made about competitive games. Players of 1v1 games will point to the fact that in a 1v1 scenario, you own all your wins and losses, whereas team games soften the blow of failure by giving players the excuse of blaming their teammates. At the same time, there are impressive things achieved through the group cooperation of team games that 1v1 games can’t touch. All of it is true at the same time, making it so that neither side is inherently correct.
The Hasegawa Kozue Show
Kozue carries such power in this manga, being a kind of motivational force that can redirect the inertia of the other members, not unlike Saki from Genshiken. The confidence in her speech, the way she sets Jin back on course, she’s proving more and more how invaluable her friendship can be.
Even if he never said so outright, it’s clear at this point that Kozue is one of Kio’s favorite characters. One thing I like about her character and the emphasis given to her is that she’s nowhere near a traditional “bishoujo” by manga standards, and I like that it bucks expectations and stereotypes. Even her romance (of sorts) with poor Sora from the Rugby Club feels refreshing and new.
She gets thanked by Kousei and blushes a bit, but I don’t yet see it as anything special. It feels more like Kozue is unaccustomed to such direct gratitude, especially from a guy like Kousei.
This sort of feels like the series could end soon, but I really hope it doesn’t. I want to see the club officially form, and for some new faces to give opportunities for more interesting storytelling and drama.
Another month of Kio Shimoku tweets is here! The guy has finally learned how to thread tweets, which makes things easier for me. A lot of the month was promoting his books, as well as other titles in Rakuen: Le Paradis, where Spotted Flower runs.
Crossover Images Featuring Genshiken, Hashikko Ensemble, and Spotted Flower
Also, it turns out that teenage Madarame, Tanaka, and Kugayama doppelgangers (in an actual Genshiken club) actually did make a cameo in Hashikko Ensemble!
Old drawings from the @hashikko_music Twitter. In the first, Hasegawa is commenting that Sue has a nasty expression. In the second, Himari is about to make the same comment about Ogino-sensei, but is struck by their similarities.
More old drawings from the other account. This time, it’s Not-Sue holding Himari, only to realize it’s not Ogino-sensei.
Ohno and Mimi-sensei…and also Shion, who wants a grab.
Sleeping Tortoise Pose Series. Pose: Manji
Kio recalls a moment from 10 years ago, where a stray cat was curiously poking at the tortoise as the latter slowly tried to scuttle away. He remarks that, amazingly, this is the same tortoise who now actively rams the window asking to be let in.
Here’s how the turtle crawls in.
Thanking Taniguchi Jun’ichirou for his animation work on Genshiken. This includes Nidaime and the original series, where Taniguchi and Mizushima Tsutomu (who would later go on to direct Nidaime) worked on the infamous “nose hair” episode.
And another old drawing about washing your hands. I believe this was from early on in the COVID-19 pandemic.
Kio bought an L-Gaim model kit!
Kurotaki Mai from Hashikko Ensemble with extremely realistic bunny ears.
In one of the biggest pieces of Genshiken-related news to come out in a long time, author Kio Shimoku finally has a Twitter account, @kioshimoku1!
He’s genuinely new to the platform, as he seems to not even understand how to thread tweets. He also doesn’t really respond to fan tweets. Even so, it’s become a great place to learn things about the man that were previously unknown. But in recent years, he’s been willing to open up more (and has even done a coupleinterviews), and now he’s providing valuable creator insight and even a bit of personal history.
While I would love to translate everything, I don’t have the time for such a time-consuming endeavor. Instead, what I’m thinking of doing is just sharing some highlights from Kio’s account once a month or so.
Here’s one group of noteworthy tweets, as well as a summary below.
After having watched the Professional episode on Anno Hideaki, Kio reminisces about past Anno works, like Nausicaa of the Valley of the Wind [where he was an animator] and Nadia: Secret of Blue Water. Aim for the Top! he couldn’t watch as it was coming out because it was an OVA, and his family only had Betamax, so he couldn’t rent tapes. Years later, after winning the Afternoon Four Seasons Award for manga while in college, he used his prize money to buy a VCR.
Kio believes he first heard of Nadia from the very first info about it in Animage, and thinks (but isn’t certain) that he knew Anno’s name at that point. Kio was all about Miyazaki Hayao’s anime at that time, and believed anime should be all about big adventures, so he recorded Nadia on Betamax every week. He certainly did notice the production issues that anime faced, though.
After trying to remember if he drew any Nadia fan works at the time, he remembers that one of his drawing submissions was actually published in Animage. [Note: I wonder if we could find his drawing…] He’s also pretty sure he drew some Nadia doujinshi, but can’t remember what it was about (other than it was not pornographic).
Kio is reminded by his Twitter followers that he not only drew a Nadia fan comic in 2012 as part of an anthology, but that he made the exact same response of having drawn doujin but having no recollection of the contents.
Finally, Kio drew this picture of Nadia in a plugsuit.
Speaking of drawings, it’s one of the best reasons to follow Kio on Twitter.
Sue vs. Hasegawa
Sue vs. Hasegawa aftermath
People have been saying she reminds them of Yajima from Genshiken, so Kio provided these notes.
Hasegawa Kozue, first-year Architecture and Construction major at Hashimoto Technical High School.
She was introduced unceremoniously to Hashikko Ensemble, but she has such a powerful presence that she became one of the central characters. She became the group’s conductor so easily that she feels broken.
She’s the only one who can fight Sue toe-to-toe.
Despite being only a 1-dan in Judo, she can toss her 2-dan older brothers (and others of that level) around with ease.
She sometimes acts as the author’s avatar.
Ogiue! Kio practiced drawing Ogiue in an older stylefor the Twitter introduction image at the top of this post.
Kio Shimoku has a pet turtle.
Orihara and Shion
And that’s all for this time. Look forward to next month, maybe?