Kio Shimoku Twitter Highlights May 2026

Kio read the first volume of Kuroda Iou’s new manga, Sendou Yasugorou, and loved the realism and sense of tension. (Incidentally, Kuroda is one of my favorite manga artists stylistically, so I gotta check it out!)

Kio also loves Kuroda’s manga Nasu: Summer in Andalusia, as well as the film based on it. (I didn’t realize the movie was based on a work by Kuroda Iou!)

I’m including some replies to this that I haven’t translated or summarized so I can go back to them once I have proper context.

The sound of Kio’s tortoise walking around is distracting him as he tries to work on a manuscript.

Kio drew supportive fanart for the series Prince Sun Wanna Be a Wife, which is an otoko no ko/femboy series.

A quote tweet of someone who’s correcting a mistaken assumption about an old Animage cover featuring Kiki from Kiki’s Delivery Service. The erroneous belief is that the cover depicts Kiki three years after the events of the film, but it’s actually supposed to be how she looks and dresses before the events of the film.

Kio recalls reading this issue in middle school, and that it showed how Kiki looks when riding a broom in this outfit.

Kio watched The Sheep Detectives after getting a good impression from the previews. Apparently it’s quite the emotional rollercoaster.

Kio tried Blender for the first time in a long while, and his brain is exhausted.

He watched the new Patlabor EZY File 01, and felt that it was very much a modern-day Yuki Masami series and very Patlabor. Cognizant of the old OVAs, Kio is anticipating some major storylines to develop.

Kio’s tortoise was showing some bravery by stepping outside their home, but quickly came back because it was too cold.

In a Twitter discussion about works people expect might never get a real ending, one title that popped up is Pandora in the Crimson Shell by Shirow Masamune and Koshi Rikudo, which was expected to never conclude but then suddenly came back with a proper conclusion.

In response to the initial tweet, another person talks about how those who criticize Shirow’s works for not having endings do not understand the world of Shirow and the entertainment his manga provide. Kio in turn says that when it comes to incomplete Shirow stuff, he mainly thinks of Appleseed rather than Ghost in the Shell, but that he’s grateful for getting a complete series in the form of Pandora in the Crimson Shell.

Kio makes a pun here, basically saying he feels grateful with all his “ghost,” playing off of the Japanese zenshin zenrei (with all my body and soul) and the idea of the “ghost” as one’s soul/consciousness from Ghost in the Shell.

Kio upgraded to Clip Studio Paint 5.0. He’s normally not so comfortable with new features, but he thinks he might be able to make good use of Smart Shape.

He wants to play Forza Horizon 6.

Kio Shimoku Twitter Highlights February 2025

In response to a fan hoping that Kio will release his 18+ doujinshi in print format, the man says he’s considering it because of all the credit card payment issues as of late. 

Kio cut his finger with a design knife while building a garage kit.

Zenbu Sensei no Sei. 2, Part 1 has sold over 5,000 digital copies on FAFSA and over 2,000 on DLSite. Good numbers, but Kio can’t help but be impressed by the really big sellers.

New chapter of Spotted Flower in Rakuen: Le Paradise. Print edition 2/28, digital in March.

Kio put up manuscript pages of Zenbu Sensei no Sei. 2, Part 1 on Pixiv.

“The wind is strong!”

Kio had a slight headache, but it got better after reading Shibata Yokusaru’s manga Toma Tonzaburo Wants to Become a Masked Rider. (Shibata is the author of Air Master and one of my favorite manga, 81 Diver).

He recalls a similar thing happening back in college, and he even got a CT scan that turned up nothing. But what fixed his headache then was the manga Shakariki! by Soda Masahito (author of Change!!, Firefighter Daigo, Capeta). Apparently, there’s nothing quite like a devastating loss by a main character to let out some of brain fluid, whether it’s in Shakariki (a bicycle manga) or Air Master (a fighting manga).

Kio recalls Shirow Masamune (author of Ghost in the Shell) once saying, “Amphibious assault ships sure are nice.” When shown the Albion, a real-life example from seven years ago that was near Summer Comiket, Kio responds that he thought it looked like a wooden horse. This is a reference to Gundam 0083: Stardust Memory, which features a Federation ship called the Albion.

A short comic about building the OurTreasure Z.A.P. model kit from The Five Star Stories.

Awesome Manga Artist Autographs: Comic Store Wonderland in Osaka

wonderland-shoujofight

In many big anime/manga stores in Japan, there are signed images from notable manga authors. Often times, you’re not allowed to photograph them, so they can’t really be shared with the rest of the world. One notable exception is Wonderland in Osaka’s Den Den Town (sort of the Kansai equivalent of Akihabara), where employees gave me free rein.

This gallery includes a number of highlights from Wonderland, so see if you can spot your favorites. However, it doesn’t show all of the ones at the store. If you have the chance, go there in person to see the rest!

By the way, the image above is by Nihonbashi Yoko, who I recently discovered through the manga Shoujo Fight. What a coincidence!

If you liked this post, consider becoming a sponsor of Ogiue Maniax through Patreon. You can get rewards for higher pledges, including a chance to request topics for the blog.

Thick with Cyberpunk: Real Drive

I’m here today to review the show Real Drive, also known as RD Sennou Chousatshitsu. While I started on the show years ago, early on in the life of this blog, I never got around to finishing it until recently. Even now that I have, I’m not entirely sure what to make of it (other than that I think it’s a good show overall), but I still want to draw attention to it because it is quite an unusual work, and I think it’s worth a look, if only for that.

Probably the most peculiar thing about Real Drive is that it’s an eclectic mix of elements that you normally wouldn’t associate together. While you might find other anime which are designed to appeal to as wide a number of fanbases as possible, the focuses here are so specific that their combined coverage only makes things more confusing. I’m going to group these elements into five basic categories.

Cyberpunk

The centerpiece of Real Drive is an advanced form of internet-like shared space called “The Metal,” portrayed as a kind of “ocean” into which characters must “dive.” Most of the characters in the story have replaced their organic brains with cybernetic ones which allow easier access to The Metal, while some have prosthetic bodies to slow aging, and others have androids to help out with a variety of tasks. As might be expected, the system isn’t perfect, and all of the stories involve The Metal in one way or another, and by extension things like human perception in a possibly post-human world.

Chubby Girls

Quite different from just about most visual entertainment out there (let alone anime and manga), the female characters in Real Drive, particularly the ones seen most frequently, range from athletic to voluptuous to legitimately overweight. Definitely meant to be cute, sexy, or both depending on the character, the presence of such portrayals of the female body is a constant in this show. Perceptions of sexual attraction plays a role in the story as well, but there is also a kind of slice-of-life feel, particularly with the high school girls in the cast but also even with the male characters.

Environmentalism

The ocean-like design of The Metal ties into the actual oceans, and the cyberpunk world of Real Drive is in part due to an environmental disaster which occurred many years prior to the main story. The sunny skies and constant presence of water make for a far cry from the Blade Runner visuals which people associate with terms like “cyberpunk” and “post-apocalypse.” The politics between technology and environment also come into play.

A Geriatric Protagonist

Real Drive is one of the few anime where you will find an octogenarian main character, and his age does play a role in the show and the overall story. A man who loved to dive (in the real ocean), only to have an accident and wake up about 50 years later, the unusual world of real drive is experienced largely through the eyes Haru Masamichi.

Episodic Format

While the show has some on-going plot lines, most of the show involves incidents that resolve after one or two episodes. These can range from people losing their consciousness in The Metal to the dreams of a musician to a lost dog, but even the “everyday comedy” stories will involve some aspect of the science fictional world in which Real Drive takes place. Overall, the approach enriches the scenario portrayed by the show, making it possibly better than a more focused on-going narrative.

Once I develop my thoughts on the themes, messages, and ideas presented by Real Drive I might write something more substantial, but for now I just want to think about its potential as a “gateway” anime, not so much for anime in general but for the various genres/aspects that are in this show. Could someone who comes to this show for the science fiction start to understand the appeal of girls talking over lunch? Could the converse also happen? I’m not entirely sure myself, and I think the combination has just as much potential to drive people away as it does to draw them in, but that is precisely why I think Real Drive is worth a look.

Oh, why here are the fat chicks!

I had once asked where all the fat chicks are in anime, and it turns out that someone has answered my inquiry. It turns out they’re all in a show created by Shirow Masamune, Real Drive.

*Ahem*

Their waists are still a bit tapered, but their faces, waists, and thighs are all greater than average for anime characters, so all that’s left to say is…

Good work, Shirow. Good work, Japan.

Oh, and I’ll actually review this show at some point.