VOTE NOVEMBER 6!: Ogiue Maniax Status Update for November 2018

The blog is doing just swell, and I’m grateful as always for my supporters on Patreon and ko-fi, who are below:

General:

Johnny Trovato

Ko Ransom

Diogo Prado

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

But the more important thing, namely for any United States citizen 18 and up, is to vote. People might think their votes don’t matter, but over and over we see how apathy lets those with more extreme agendas weasel their way. We have literal killers who feel motivated by our current political climate to emerge out of whatever sewers they crawled out of. I will be at the polls, and I hope you’ll decided to go too.

My favorite posts from October:

Can-Do Candy: Dagashi Kashi Full Manga Review

At long last, a full look at everyone’s favorite candy comic.

Beyond Expectations: Planet With

A review of a fantastic anime from the past season.

The Significance of the Classic Anime Devilman in Devilman Crybaby

How does the uniquely insightful, uniquely horny Galko-chan handle one of the classic romance tropes?

Hashikko Ensemble

Chapter 9 finally starts to pull the veil back on the life of Orihara.

Patreon-Sponsored

Aikatsu Friends! Choreography Has Won Me Over

The dancing has improved in Aikatsu! and notably so.

Closing

See you next month. I’m hopeful for a better tomorrow. Remember: November 6.

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A Look Back at an Aikatsu! Halloween

In the spirit of the month, I was asked by Patreon sponsor Johnny Trovato to look at one of the Halloween episodes of Aikatsu! I chose episode 106 of the original series, which takes place after Akari has become the new main character. It’s a fun episode characteristic of all that is good and enjoyable in Aikatsu!, though a few elements stood out in particular.

Whenever the characters say, “Trick or treat!” they immediately follow by explaining in Japanese what exactly that means: “If you don’t give me candy, I’m going to play a trick on you!” It’s a redundancy that not only has to make up for the language barrier—a little kid might not know the English words—but also speaks to the fact that Halloween as a concept is still relatively new in Japan. If you look online, you’ll find articles talking about how it didn’t get any traction until the 21st century, and now it’s featured in multiple anime.

I wouldn’t read too deeply Aikatsu!‘s interpretation of Halloween—I reckon it’s as much tinged with the Idol Activities spirit as anything else. If the episode didn’t feature some wacky game that highlights all of the characters lovable quirks, then I would’ve been shocked. That’s where Aikatsu! consistently shines, though. You just know that if they’re doing a Halloween episode, vampire-style Idol Toudou Yurika is going to have a moment. They even make the expected (and desired) joke that Yurika wearing a cape and fangs while exclaiming that she’ll suck your blood isn’t that different from how she normally behaves.

“The day Yurika visited your Halloween party was the most important day of your life. But to me, it was Tuesday.”

I watched this episode semi-isolated from the rest of the series, so I don’t know exactly what has transpired beforehand. However, it reinforces something I’ve felt about Aikatsu! in general, which is that the first season’s characters seem to have the most clear-cut personalities, which makes it easier to do these silly one-off episodes. I still don’t always quite get what Akari and her friends are supposed to be like. They seem a tad more subdued, which can work better over the long term but maybe isn’t as attention-grabbing at first sight. https://www.youtube.com/watch?v=sOnqjkJTMaA#t=9m5s

It would be remiss of me to end this post without mentioning the teacher, Johnny Bepp, and his unnamed homage to Michael Jackson. With a vaguely “Thriller”-esque piece playing in the background, Johnny-sensei encourages the students to do the famous zombie dance (or whatever it’s called), which exhausts every student around—except Akari. I would think that a dance sequence from one of the finest performers ever would be absolutely grueling for even the girls at an idol academy, though in hindsight I guess this is actually a bit of characterization for Akari as a girl with immense stamina. In this case, I don’t know if it’s the “obvious” gag per se, but the payoff is again reliably satisfying. Kudos, Aikatsu!

Given that this episode is quite a few years old at this point, I am curious to see how the Aikatsu! Halloween episodes have evolved as the holiday itself has become more popular in Japan. Maybe that’ll be something for next year!

 

Darling in the NYCCs: Ogiue Maniax Status Update for October 2018

New York Comic Con is this week. I’m hoping to see Nozawa Masako (the legendary voice of Goku) at the Dragon Ball Super: Broly film showing. I wish she had a signing—she plays Tetsurou in my favorite anime ever, Galaxy Express 999—but alas.

Thank you as always to my supporters on Patreon and Ko-fi, especially the following!

General:

Johnny Trovato

Ko Ransom

Diogo Prado

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

My favorite posts from September:

On Loli Vampires, Fiction, and Morality

A complicated topic I’d been wanting to write about for a while: the complexities of morality when it comes to large age gaps in fiction.

Akira Yuki (Virtua Fighter) for Super Smash Bros.

My interpretation of how Akira would work in Smash!

Please Tell Me! Galko-chan and Portrayals of the Nerd/Bombshell Romance

How does the uniquely insightful, uniquely horny Galko-chan handle one of the classic romance tropes?

Hashikko Ensemble

Chapter 8 puts the spotlight on Koizumi Himari, a childhood friend who’s more than meets the eye.

Patreon-Sponsored

Aikatsu Friends! Choreography Has Won Me Over

The dancing has improved in Aikatsu! and notably so.

Closing

This month is actually my first ever wedding anniversary! It’s crazy to think that I’ll have been married for one whole year. Here’s to love.

Aikatsu Friends! Choreography Has Won Me Over

I generally enjoy the AIkatsu! idol anime, but one aspect of it that never really hits me the way I think it’s supposed to is the idol performances at the end of each episode. As I watch Aikatsu Friends!, however, I feel like that’s finally changed for me.

I’m no expert in song and dance choreography, but the impression I get is that Aikatsu Friends is better at integrating those performances into the show itself. To some extent, I think this has to do with the improvements to the 3DCG that have happened to the franchise over time, but I don’t think it’s just about technical progress. Instead, I find that the performances themselves give a far better sense of who each character is, and what makes them tick.

Yuuki Aine

Protagonist Yuuki Aine is new to being an idol, and it shows. She’s not the best singer, and her dance moves are pretty simple, but they highlight her natural authenticity, and the friendliness that is her most outstanding quality.

Minato Mio

Minato Mio, her partner, is known for a kind of perfectionism that isn’t overly obsessive, which is reflected in the subdued music that accompanies her performances, as well as her simple yet graceful movements.

Asuka Mirai

Where it stands out to me most is the fact that Asuka Mirai, one of the top idols in the series, performs differently alone compared to when she’s a part of the duo Love Me Tear. As one half of a whole, she and her partner Kamishiro Karen exude elegance and maturity. When she’s by herself, however, Mirai is all about a kind of wry playfulness—the quality she exhibits when she’s trying to help Aine get comfortable acting for television.

The song and dance routines in Aikatsu Friends! encapsulate what we’ve learned about the character, or what the characters themselves have learned during the episode. Somewhat similar to how a different kind of show might take all the lessons presented during the episode and boil them down to a conclusion by the end, these performances leave a lasting impression about who these individuals are and why they strive to be idols.

This post was sponsored by Johnny Trovato. If you’re interested in submitting topics for the blog, or just like my writing and want to support Ogiue Maniax, check out my Patreon.

 
 

Gangplank Galleon All Day Every Day: Ogiue Maniax Status Update for September 2018

The summer is coming to an end, but here I am still feeling jitters from the August Super Smash Bros. Ultimate Nintendo Direct. I was stoked when they announced King K. Rool, especially because the official version matches my fan concept version pretty closely!

As for my Patreon and Ko-fi, I’m thankful to all those who continue to support Ogiue Maniax. Thanks to the following!

Thank you to…

General:

Johnny Trovato

Ko Ransom

Alex

Diogo Prado

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

The past month has been quite comfortable overall for Ogiue Maniax; even the strange Patreon non-payment issue didn’t affect me too much. Instead, what I’m struggling with (though “struggle” is a bit over-exaggerating) is trying to strike the right balance between how much I write about anime and manga and how much I actually engage with the stuff. I’ve been spending a lot of time recently watching and reading more than blogging, and it’s helped to refresh my mind and inspire new ideas. However, if I write less than I usually do in a given week, I can feel myself getting a bit lazier, and wanting to put things off more and more. It’s as if there’s a groove that I can ride to putting out lots of good content, but staying with it for too long can wear me down.

That said, here are my favorite posts from August.

Kio Shimoku’s Kagerowic Diary and Its Influence on Genshiken and Spotted Flower

Some of Kio’s old manga is getting new special-edition releases! Here’s a look at an early work of his, and the footprints it has in his more recent titles.

Otakon 2018 Interview: Kawamori Shoji

My one-on-one interview with the creator of Macross, Aquarion, and more!

Tatanga for Super Smash Bros.

After about a two-year hiatus, I’ve gotten back to drawing Smash Bros. character concepts in celebration of Super Smash Bros. Ultimate! So far, I’ve done Tatanga and Turrican.

Hashikko Ensemble

Chapter 7 of Kio’s new manga has some introducing new characters. Among them, one awesome mom. 

Patreon-Sponsored

The Big O and Loving Robots

A look at artificial intelligence, love, and agency.

Closing

I of course am also stoked for Castlevania being in Smash. Let us celebrate with some fine tunes:

The Big O and Loving Robots

Warning: Spoilers for The Big O.

Artificial intelligence is one of those staples of science fiction, a bridge between the mechanical and the biological. For if an AI can achieve true sentience, it entails a whole host of questions about the meaning of life. In anime, one recurring topic is how artificial intelligence intersects with love—whether AIs are capable of love, and whether it is morally right to love an AI.

While something like Chobits is more (in)famous in its approach to the subject of love and AI, my favorite example is actually the mecha anime The Big O. While not the central narrative, protagonist Roger Smith’s relationship with his robot assistant R. Dorothy Wayneright is an ongoing plot thread that grounds an otherwise stylishly obtuse series.

Throughout The Big O, Roger is often verbally dismissive of Dorothy, bringing up her android qualities as evidence of what makes her unable to compare to humans. However, this is portrayed as a kind of denial defense mechanism, as he gradually finds himself attracted to and more in love with Dorothy. The impression is that Roger believes he’s not supposed to love her, and that perhaps he’s only drawn by her created and manufactured traits. Yet Dorothy, despite exhibiting very “robotic” mannerisms, seems to have an all too human side of her. And while her characteristic monotone is a source of comedy, it also seems to be a defense mechanism of her own—a constant reminder for herself and Roger that there are supposedly limits to how close they can be.

In one episode, Roger and Dorothy are Christmas shopping, and Roger steps into an elevator. He beckons Dorothy to get in as well, and she initially hesitates. When she finally does join Roger, the elevator comes to an emergency stop. Dorothy, weighing many times more than any human, put it over the weight limit. A moment of awkwardness ensues between the two, at least visibly on Roger’s side. Whether or not Dorothy is bothered by it is difficult to discern due to her apparent nature. Still, Roger and Dorothy seem to share a special connection. Nothing says more about their relationship than the iconic shot of Dorothy inside the Big O, her hand over Roger’s as he readies for a fight against three enemy Megadeuses at the end of Season 1.

Underlying all of this is the notion that love comes part and parcel with sentience. If Dorothy is nothing more then an android whose artificial intelligence is nothing more than a highly advanced computer, then that love feels “wrong” for Roger. But if it speaks toward a complexity beyond prediction, then Dorothy is an equal to Roger and therefore just as capable of love and being loved. In that situation, she must possess agency, and cannot be an object merely to be used. She must be her own being to the point that she can love or not love, and then make decisions of her own as to whether or not to follow along. In other words, it is morally right to love an AI if they can truly reciprocate, if human and robot stand on even footing.

This post was sponsored by Johnny Trovato. If you’re interested in submitting topics for the blog, or just like my writing and want to support Ogiue Maniax, check out my Patreon.

Kon Kon Otakon Iroha: Ogiue Maniax Status Update for August 2018

It’s August, and another opportunity to express appreciation for my supporters on Patreon and Ko-fi. I try to live up to your contributions!

Thank you to…

General:

Johnny Trovato

Ko Ransom

Alex

Diogo Prado

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

August means one of my favorite times of the year: Otakon season! Hopefully my wait-listed panel will magically get in, but in the meantime I’ll be on Patz’s Mecha Fight Club panel on Saturday at 9am in Panel room 7. Come by to hear me and others nerd it up about giant robots.

There is a more serious matter when it comes to Otakon, however, and that’s the fact that a white nationalist rally is going to be held the same weekend in Washington, DC. My fellow con attendees, please remain safe, and pity these idiots for putting so much energy into anger and hate.

Speaking of dealing with racists, I’ve recently begun revising my informal policy when it comes to blog comments. It’s not like I receive tons of comments these days, but I’ve come to realize that the concept of “let the ideas do the talking” only really works if the goal of everyone talking is to actually learn something. The alt-right/white nationalist agenda tries to feign actual debate but just wants a podium to posture and look strong. So if I see anyone arguing in bad faith, I’m basically deleting their comments. Simple as that.

But if you want to argue in good faith, here are my favorite posts from July.

Darling in the Franxx: Thoughts on a Divisive Anime

A show that people seemed to either love or hate, I give my own thoughts on a show where viewers can’t even agree what it’s about.

The Important Lesson Nadesico Teaches Us About Entertainment

One of my old favorites has an important message in these current times, about the strengths and pitfalls of pop culture entertainment.

Precure: The Crossroads of Voice Acting

A look at how a 15-year-old franchise brings veteran and newbie seiyuu alike.

Hashikko Ensemble

Chapter 6 sheds new light on Akira, and is in certain respects the most interesting chapter yet. If you didn’t know Kio Shimoku has a new manga, now’s the time to read up on it!

Patreon-Sponsored

The Newest Nekomusume is the Obvious Character Evolution

What began in 2007 continues in 2018.

Closing

Otakon! Whoooooo!