Asahiya NY Closes October 31st, 2009

I really regret having to say this, but apparently the NY branch of the Japanese bookstore Asahiya is seeing its final days. Located on 45th St in Manhattan between Madison and 5th Ave, Asahiya for many years provided a smaller, yet less expensive alternative to Kinokuniya for buying new Japanese manga and books (Book Off is of course still the king for used material). When I came back from Japan, I used Asahiya to continue purchasing issues of Monthly Afternoon and buying volumes of Genshiken, and just recently I used it to purchase Tonari no 801-chan Volume 4. While Kinokuniya will still be around, I’m really sad to see Asahiya go.

They’ll be having a sale between October 1st and October 31st, so if you get the chance, I suggest stopping by before it’s all gone for good.

The “Anime Canon,” You Say? -The Anime Canon Project

Back in May of this year, I wrote about an idea to create “A Comprehensive Guide to Essential Episodes.” What it basically entailed was a desire to create a database of some sort to archive which episodes in a series could be skipped, and which episodes should be watched to really understand what makes these shows good or at least memorable. I came up with this idea in response to the anime fans I’ve seen and talked to whom have complained about the difficulty of getting into a show as long as, say, One Piece.

Alex Leavitt, in turn, has decided to utilize my original idea and convert to a much greater task, that of creating a true Anime Canon Project, or at least leading anime fans to understand why certain shows are “essential”—not that you need to watch them, necessarily (though Alex may disagree with me here), but that you need to understand how and why these specific titles have effected a great influence on anime fans and society beyond that.

Just to be safe, the canon here refers not to whether Naruto officially loves Hinata or not, but rather to a list of works which are deemed most influential to a given medium. In the canon of classical music for example, you would find names such as Beethoven and Mozart.

I’m not sure if Alex here is the first to try and tackle this monster, but the idea of an “Anime Canon” is in itself a precarious one (though not without merit). Not only would there be big differences between the Anime Canon of different countries (Golion was just another robot show in Japan, but Voltron is integral to the giant robot fanbase in American culture, just as Gloizer X is apparently an influential show in Brazil), but the last thing anime fans want is to be told what they should watch and that they are somehow inferior as fans should they choose not to watch these things. I am confident that this is not the message either Alex or myself are sending; as I have said in the past, the path to true fandom is not how much you know but how much you want to learn, and if done correctly this would be a valuable learning tool for everyone, including myself.

The Anime Canon should be not about what shows you should watch to truly understand anime, but rather about what shows you should watch if you want to see the degree to which trends in anime and the cultures that both stem from and are influenced by it. And the only way that this can happen is if enough people are willing to help while still keeping their heads on.

Give him a reply over at (alexleavitt @ gmail . com) if you’re interested, because I sure am. Alex: you have my e-mail address, so feel free to send anything you want over.

Am I “Qualified?”

This is one of those weird blogging about blogging posts. If you have no interest in waxing philosophy on such matters, then I suggest you go watch some anime (because anime is awesome).

If you look at the way in which I form ideas and write them out here at Ogiue Maniax, you will see that I have a tendency to qualify statements, taking simple sentences and complicating them in order to fully explain what I mean. Generally my goal is to remove as much ambiguity as I can (unless intended), but it can be a dangerous habit that can lead to strong assertions being weighed down by too many technicalities.

It’s not so much that I dislike the fact that I qualify statements so often(ah, there it goes!), but rather that I think it’s a good thing for me and other writers to be aware of. We can then know when it is appropriate to try and clarify in great detail what we’ve said previously, and when it is best to let something just stand on its own merits (in my case, this usually takes the form of a bad pun). In a manner of speaking, it all comes down to “how much should you say?”

The other major pitfall of over-qualifying statements is that if done incorrectly it can make your words seem as if they are constantly contradicting themselves in order to keep your opinion “correct.” That’s something to really watch out for.

A City’s Entire Public Library System Being Shut Down Isn’t the End of the World But…

I’ve recently been informed that the Free Library of Philadelphia, the public library for that city, is being forced to shut down due to a complete lack of government funding. It’s not just a few libraries that are closing, but the entirety of the Philadelphia public library system. This is a Big Deal.

I am in no way privy to the workings of the Pennsylvania state government, nor do I have any experiences with the Free Library, but what I do know is that closing down so many libraries that you leave some people with no alternatives sends some of the worst possible messages to kids that I can think of.

I don’t think anyone will disagree with the fact that reading is important. However, what happens when those kids eager to get away from the boring books they’ve read in class want to find something they’d enjoy on their own, perhaps…manga? Yes, there are possible alternatives to getting books. You can borrow them from friends, your own school might have its own limited library, and you can even buy them new or used, but think about the message being sent to these kids. “Books aren’t that important. They’re so unimportant that the state couldn’t even provide sufficient funding for its own libraries.”

The library is a noble institution whose purpose is to provide knowledge for all, and as much as I can understand that nothing can ever live up to an ideal, it still saddens me that an entire city will lose the majority of its libraries and restrict the ability for people young and old to learn and to read. I worry about the kids especially, because generally adults can at the very least use their regular income to purchase books. On top of that, educational programs run by the Free Library are being canceled as a result of all this, giving people even fewer opportunities. Perhaps this can be made up for if most of the funding that would have gone into the public library went into public education, but even then I worry about what these actions are really saying.

Who needs a library, really?

Ishiguro and Pals’ Otakon Press Conference Full Audio at Ani-Gamers

In my Otakon 2009 review, I mentioned a highly informative press conference with guests Maruyama Masao, Ishiguro Noboru, Kikukawa Yukio, and Matsubara Hidenori, and I implored you to listen to the full interview once it was released by some noble citizen. Well it turns out Evan Minto from Ani-Gamers is that Good Samaritan, as he has posted the entirety of the audio on his blog.

Click the link, download the mp3, and be enlightened.

Ogiue: Definitive Fujoshi Icon

Mousou Shoujo Otakukei Volume 3 has been out in America for a number of months now (under the name Fujoshi Rumi), and in the back of the book the author Konjoh Natsumi describes her experience meeting the guys who played her manga’s characters in the live-action Mousou Shoujo adaptation. In one of the panels, she talks about the fact that her “Yaoi Antenna” went off as a result of seeing these guys together, and I think it’s quite telling just how she decided to portray this Yaoi Antenna.

Interesting, no? Konjoh could have chosen plenty of other icons to portray the tingling of her Yaoi Sense. Ohno’s mole, a pair of glasses, a wheeled suitcase, a furry ball of a creature emerging from the back of her skull are all valid choices, but it is the Ogiue fude which immediately brings to mind the image of the “fujoshi.”

Now, Konjoh is not against making obscure references because she does so pretty regularly, but I wouldn’t count this as among the “obscure.” This is a clear sign that in terms of fujoshi characters, Ogiue is pretty much #1 no matter how you slice it, even if a million pretenders to the throne should appear.

If Terry Man from Kinnikuman Made a Doujinshi, What Would He Call It?

“Spinning Touhou.”

Vertical Vednesday August 26, 2009: 4-Panel Manga

I may be sounding like a broken record by now, but it’s totally worth having that reputation so that I can tell you about Vertical Inc Marketing Director Ed Chavez’s periodic talks on the various genres of manga and other related topics. This Wednesday, Ed will be holding a discussion on the topic of four-panel comics in manga, a genre which includes titles such as Azumanga Daioh, Hidamari Sketch, Lucky Star and K-On! Though I am not privy to any specific conversation topics, often times the discussion includes the history of a particular genre, how it does in Japan, any theories on what makes it work or not work, and then discussion on how it could work better in America.

I’ll be attending once again, and we’ll be meeting at Kinokuniya NYC, located on 6th Ave in Manhattan between 40th and 41st St at 6:30pm until 8pm.

Really, check it out, and contact Ed Chavez to say you’re coming.

Let’s Talk WCG USA Starcraft Finals Again (They’re at an Anime Con!)

A few months back I made a post mentioning the fact that the World Cyber Games USA finals would be held at the New York Anime Festival from September 25-27. A few weeks ago, the finalists were all decided via online tournaments, and there’s quite a few recognizable names. I’ll be there to watch for sure (unless it interferes with, say, a Tomino interview or press conference), as not only am I interested in seeing who gets to fly to the WCG finals, but also because this is a rare opportunity to combine two interests into one exciting event.

Anyway, the finalists.

Jacob “LzGaMeR” Winstead
Made it to the Valor Tournament Round of 16.

Adrian “KawaiiRice” Kwong
First-time WCG USA finalist.

David “Louder” Fells
3rd Place Winner at WCG USA 2008.

Geoff “iNcontroL” Robinson
WCG USA 2007 champion and moderator for Team Liquid, iNcontroL also appeared as a contestant on WCG Ultimate Gamer.

Greg “IdrA” Fields
The ESWC Asia Masters of Cheonan 2009 Champion, Idra is the only active Non-Korean professional Starcraft player in Korea and is known for his strong Terran vs Zerg.

Daniel “Nyoken” Eidson
WCG USA 2007 2nd place finisher.

Sean “Day[9]” Plott
2005 WCG USA champion and considered by many to be the best Zerg in the United States, as well as the younger brother of Nick “Tasteless” Plott, the English caster for Gom TV.

Bryce “Machine” Bates
Former WCG USA Finalist.

David “KingDino” Kent
Former WCG USA Finalist. A former hacker who has since managed to redeem himself.

Dan “Artosis” Stemkoski
WCG 2007 3rd Place Winner and frequent WCG USA finalist, Artosis runs  SCforALL, a site dedicated to bridging the gap between American and Korean Starcraft fanbases. Known for his strong Terran vs Terran and Terran v Protoss.

I know that watching Starcraft is not every anime nerd’s cup of tea, but I hope at least some of you take the chance to watch some high-level gaming in one of the most intense games ever. And for those of you cosplaying, I will implore you to take a look, just so that when they film the audience pans will be that much more interesting.

Don’t forget to cover your faces.

“Liking Less” vs “Disliking”

While not something I see as often as of late, I remember for a while noticing how people’s tastes in anime shift, particularly in their transition from new fan to fairly hardcore. What may sometimes accompany this transition is a desire to do away with the past and to deny how one used to be, specifically by ridiculing one’s former self for liking certain specific anime titles. The most common form of this is, “I used to like Anime X, but now I like Anime Y, and so Anime X sucks.” It’s that mindset I want to specifically address.

Obviously people’s tastes change over time, and the things you may have been in love with at one point may not hold your fancy years down the line. This applies to many things beyond anime, from food to relationships. I just find it funny though that people, in this case anime fans, would be so quick to divorce themselves from their pasts, to say that liking certain titles is not something they should be doing once they’ve discovered finer entertainment. Again, I’m not saying you can’t end up disliking something you used to like, but that to do so actively only leads to an endless cycle of dissatisfaction.

To this end, I was considering the life of a manga artist. Manga artists in general get better over time. Their art and their ability to tell a story via visuals improve or at the very least might change. Sometimes the shift is so subtle that you don’t notice how different the artwork’s become until you compare Volume 1 with Volume 20. Now let’s say a person fell in love with a manga at Volume 1 and kept reading throughout, and arrived at Volume 20 and then looked at the artwork in both. To his surprise, Volume 20 looks much, much better and by comparison Volume 1 looks unrefined, perhaps almost amateurish.

Then let’s say the fan, having been exposed to the quality of Volume 20, went and read another manga with art on the level of Volume 1, he would reject it because his tastes have become “better.” Which is all well and good, but what happens when he reaches the superior artwork of Volume 40? Or Volume 60? Does Volume 20 no longer meet his or her criteria? When will this ever end?

I’d like to believe that there’s a distinct difference between liking something less and disliking it altogether, but I know that people’s emotions, even my own, are not so easy to bottle and tame and act as if everything and everyone can get along. Even one of my heroes, Megaman creator Inafune Keiji, said that if one of his artists today brought artwork on the level of what he himself drew for Megaman 1, Inafune would call it terrible and reject it immediately. That’s the way it goes.