The Final Smash Ultimate Direct and the Cost of Following Leaks

For the past month or so, much of the online Smash Community was consumed by the so-called “Grinch Leak,” whose promises of revealing new characters dominated conversation. Then the November 1 Smash Bros Nintendo Direct revealed the last tidbits of information before launch (new playable characters, DLC on the way, a story mode, etc.), dashing the hopes of many of the leak’s believers. Given the sadness and rage expressed by those who trusted the leak, it makes me wonder about why people continue to set themselves up for disappointment through following Smash leaks, and the only answer I can think of is that they consider it worthwhile. In a way, researching leaks and getting invested in them is almost a form of emotional gambling.

I understand that people are different when it comes to spoilers—some even readily welcome them. But the Grinch Leak interacted with the Smash community in an odd way that goes beyond just knowing something in advance. First, it came at a time when some fans felt starved for information, despite Isabelle from Animal Crossing being announced less than two months ago. It was as if people were so desperate for news that they’d glom onto anything convincing, and to spice it up, the Grinch Leak dropped a bunch of “reveals” for characters with very vocal and loyal fanbases. It’s not just that people thought the leak to be believable—many clearly wanted to believe.

And then the Direct hit, and the characters shown were not what Grinch supporters were expecting. In came the comments. “How could the final Smash Direct be this anticlimactic? Ken? Incineroar?! PIRANHA PLANT??!!” The Smash community has always had problems with getting excessively overhyped, and this was no exception. But I also wonder about the way fans seem to actively trying to to hit these dramatic emotional highs at the possible risk of plummeting into equally drastic lows. After all, one doesn’t necessarily need to pay attention to these leaks, and one can simply hope for their favorite character to be added to the roster without the additional backup of some “inside scoop.” That’s what makes it feel akin to gambling, albeit a much safer, cost-free form. There’s a risk and a payoff for wanting to believe.

It also reminds me of how popular conspiracy theories can be. “Some employee leaked information about a game that’s not out yet” is nowhere close to “the United States government faked the moon landing,” but there is a similar idea at play here: there’s inside information they don’t want you to know about, and by having the real info, you have the edge over the others. And much like conspiracy theories, the fact that some leaks actually turn out to be true only adds fuel to the fire.

In a certain sense, following leaks and getting into arguments over them is another form of community interaction, and it’s largely harmless fun. Even so, because of how they monopolized the Smash community’s general consciousness, I do have to wonder if there might be a better use of people’s time and emotional energy.

Advertisements

VOTE NOVEMBER 6!: Ogiue Maniax Status Update for November 2018

The blog is doing just swell, and I’m grateful as always for my supporters on Patreon and ko-fi, who are below:

General:

Johnny Trovato

Ko Ransom

Diogo Prado

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

But the more important thing, namely for any United States citizen 18 and up, is to vote. People might think their votes don’t matter, but over and over we see how apathy lets those with more extreme agendas weasel their way. We have literal killers who feel motivated by our current political climate to emerge out of whatever sewers they crawled out of. I will be at the polls, and I hope you’ll decided to go too.

My favorite posts from October:

Can-Do Candy: Dagashi Kashi Full Manga Review

At long last, a full look at everyone’s favorite candy comic.

Beyond Expectations: Planet With

A review of a fantastic anime from the past season.

The Significance of the Classic Anime Devilman in Devilman Crybaby

How does the uniquely insightful, uniquely horny Galko-chan handle one of the classic romance tropes?

Hashikko Ensemble

Chapter 9 finally starts to pull the veil back on the life of Orihara.

Patreon-Sponsored

Aikatsu Friends! Choreography Has Won Me Over

The dancing has improved in Aikatsu! and notably so.

Closing

See you next month. I’m hopeful for a better tomorrow. Remember: November 6.

New York Comic Con 2018 and Thoughts on the Asian-American Experience

New York Comic Con is the only non-explicitly Japan-focused convention I typically attend. In that respect, it gives me an opportunity to explore in greater detail the aspects of comics and media fandom that I normally prioritize less. This year, while I did my fair share of anime and manga-related activities—namely see Son Goku’s esteemed voice actress Nozawa Masako—my main takeaway from NYCC 2018 was that the shifting cultural landscape beneath the United States at this moment is of the utmost importance in comics and entertainment.

I went to many events during the convention, but the main stand-out was Super Asian America. A Q&A and discussion about Asian-Americans in comics, animation, and related media, the panel featured a bevy of guests: comics writer Marjorie Liu (Monstress), actor Ryan Potter (Hiro in Big Hero 6), comics writer Greg Pak (creator of Amadeus Cho), Kickstarter publishing’s Camilla Zhang, comics creator Nidhi Chanani, and host Mike Le. Much of the discussion was about the surprisingly good year that Asian-Americans have experienced in the entertainment industry between the successes of Crazy Rich Asians, To All The Boys I’ve Ever Loved, and Searching. The main takeaway was that this is a good step, but that convincing the Hollywood machine that falling back on its old racist and conservative mindset for “safety” reasons is going to take a lot more. Moreover, the United States as it currently stands is a troubling place for non-white ethnic groups, and this fight extends to more than just movies and TV shows.

I’ve long struggled with an unfortunate truth: many Asians, especially from older generations, are extremely racist. Readers might be wondering what this has to do with New York Comic Con, but my view of my fellow Asian-Americans is not always charitable. It always saddens me to see a kind of “we Asians need to get ahead” mindset that seems to come at the expense of others, the kind of attitude that encourages ingratiating ourselves to white people and avoiding association with other ethnic groups. So for years, I’ve seen those struggles for better representation in Hollywood and such, and felt myself being a bit skeptical. “How many of these people are really thinking about equality and opportunities for all?” Now I realize I’ve been conflating more than a few things that should be considered separate yet loosely related.

It is true that many Asians living in the US have been racist, and have tried to emulate “white success” to some degree. It’s also true that the Asian communities often focus on themselves to almost a deleterious degree, ignoring the reality of the politics surrounding us. However, the fight for better representation of Asians and Asian-Americans on screens and pages big and small is itself a fight against the racism that lingers within our communities among fellow Asians. There are generations of stereotypes that Asians have to fight against, like being weak and ineffectual compared to rugged European folk (unless we’re doing martial arts), and the sooner we remove the seeming need to graft the problematic elements of white privilege onto our own identities, the sooner we can make all Asian-Americans feel like they don’t have to conform to others’ ideas of who we can be.

Good Harems vs. Bad Harems: Morality in Polyamorous Manga

The term “harem” gets thrown around often in anime and manga, but series considered to be part of the harem genre rarely feature actual polyamorous or polygamous relationships. Instead, the purpose of many of these series is pure, carnal power fantasy. However, I’ve noticed that a few series make a distinction being “good harems” and “bad harems.”

Case 1: Tales of Wedding Rings

For the most part, Tales of Wedding Rings is a fairly orthodox harem fantasy series about a boy who gets transported to another world and must wed powerful princesses across the land to defeat an evil entity revived. The girls are all beautiful in different ways, and unlike those works which tend towards having the hero choose a true partner, the implication is that none of the heroines mind a polygamous relationship. It’s no strings attached. Or is it?

More recent chapters have revealed an interesting wrinkle. The hero, Satou, is the new “Ring King,” and for most of the series, his predecessor has been spoken of as a legend savior. But one of his former wives reveals a dark secret: as he continued in his role as the first Ring King, his thirst for for power grew in more than one sense. Knowing that his might relied on his physical and emotional bonds with his wives, he began to abuse and even rape them. The wives endured all they could, but ultimately they worked together to take revenge and kill the Ring King.

Suddenly, a manga about an ideal male power fantasy, the harem of hot and powerful babes, carries a lesson that there’s a difference between genuine love and the desire for control and power that leads to abusive relationships. It’s not enough to have all the women, but to treat them with respect as well. Otherwise, the fate that the first Ring King brought upon himself through his violent behavior might very well befall Satou as well.

Case 2: Mobile Suit Gundam: Iron-Blooded Orphans

The Gundam franchise traditionally doesn’t stray too far from heteronormative relationships, at best teasing about the prospect of other types of attraction and love through its characters. Mobile Suit Gundam: Iron-Blooded Orphans is a major exception to this rule. Its romances feature homosexuality, major age gaps, and yes, actual harems.

The character Naze Turbine commands a ship piloted by his many wives. But while he might appear to be a dubious personality at first, his real goal in marrying so many women is to take them out of dangerous, dead-end situations. He makes them his wives so as to afford them the protection of his yakuza-esque organization, Teiwaz, and he provides training and education for them so they have the skills to survive in their own. He doesn’t even require his wives to actually sleep with him, so some are spouses in name only. Of course, he won’t refuse a physical relationship either, and has fathered many offspring as a result.

Like first Ring King in Tales of Wedding Rings, there is a character who represents the “bad harem” in Iron-Blooded Orphans: Jasley Donomikols. Another member of Teiwaz, he constantly tries to bribe Naze’s wives to his side with gifts of money and power with no success, failing to realize that what they value most in Naze is not riches but love and caring. Eventually, Jasley is murdered out of revenge by Naze’s wives.

Naze’s approach to love ends up influencing even the main love triangle of Iron-Blooded Orphans. At one point, Amida (Naze’s #1) says to a young Atra Mixta that a true man has enough love to go around, a lesson Atra takes to heart.

So What’s the Difference?

In both Tales of Wedding Rings and Iron-Blooded Orphans, a clear distinction is made between a healthy harem and an unhealthy one. The former is based on caring and generosity, while the latter is founded in greed, selfish desire, and the treatment of women like objects. Both the first Ring King and Jasley make this mistake, and end up paying the price for it.

This notion of the “selfless harem” is fairly idealistic and at odds with how harems are generally envisioned. Normally, they are wish fulfillment fantasy for boys and men filled with lust and eyes for many, or for those who don’t want to choose. Institutionalized polygamy (like the kind found among Fundamentalist Mormons) can become a dangerous source of power imbalances in communities, harming both men and women. The irony is that according to the series which champion selfless harems, they can only be truly obtained when one does not greedily desire for them, like some kind of Zen or Taoist riddle.

Darling in the NYCCs: Ogiue Maniax Status Update for October 2018

New York Comic Con is this week. I’m hoping to see Nozawa Masako (the legendary voice of Goku) at the Dragon Ball Super: Broly film showing. I wish she had a signing—she plays Tetsurou in my favorite anime ever, Galaxy Express 999—but alas.

Thank you as always to my supporters on Patreon and Ko-fi, especially the following!

General:

Johnny Trovato

Ko Ransom

Diogo Prado

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

My favorite posts from September:

On Loli Vampires, Fiction, and Morality

A complicated topic I’d been wanting to write about for a while: the complexities of morality when it comes to large age gaps in fiction.

Akira Yuki (Virtua Fighter) for Super Smash Bros.

My interpretation of how Akira would work in Smash!

Please Tell Me! Galko-chan and Portrayals of the Nerd/Bombshell Romance

How does the uniquely insightful, uniquely horny Galko-chan handle one of the classic romance tropes?

Hashikko Ensemble

Chapter 8 puts the spotlight on Koizumi Himari, a childhood friend who’s more than meets the eye.

Patreon-Sponsored

Aikatsu Friends! Choreography Has Won Me Over

The dancing has improved in Aikatsu! and notably so.

Closing

This month is actually my first ever wedding anniversary! It’s crazy to think that I’ll have been married for one whole year. Here’s to love.

Highlight Clips and the Loss of Context

On the internet in the early 2000s, the short, 5-second-at-most animated gif reigned. Before high-speed internet became ubiquitous, the gif was a low-commitment way to share snippets of your favorite show. While gifs are still used frequently, things have changed with the advent of YouTube, Twitter, the webm format, and more. Where once gifs were ideally super short, super-optimized for size, and often made to loop smoothly, now clips can go for minutes on end to showcase exactly what’s necessary to impress and astound. But as fandom and even online cultures in general have grown into an environment of instant gratification and moving snapshots, I find that it can influence how people view a given work or performance.

Highlight reels are nothing new, and I think they fulfill a useful role. Speaking from personal experience, they help me understand things that I can’t quite make time to fully delve into. For example, I’ve never been a big basketball fan, but seeing highlights of Michael Jordan’s famous “flu game” (where he managed to lead the Chicago Bulls to victory despite being incredibly ill) helps to drive home to a novice like me the sheer significance of Jordan’s feat. However, not everything boils down easily to small, digestible clips, and there’s increasingly a risk that people will judge the clipped version as if it speaks for the whole product.

Here are three examples that I think encapsulate this dilemma:

On the wrestling subreddit /r/squaredcircle, one fairly common topic is the WWE wrestler Finn Bálor. In multiple instances, Bálor is criticized for being a boring wrestler whose offense lacks weight and pizzazz. However, I’ve seen another sentiment in response: Finn Bálor is impressive when viewed over the course of an entire match. His moves might not leave a deep impression individually, but he weaves them together into a story. Every dropkick, every stomp from the top rope means something, and viewing the moves in isolation fails to tell the whole story.

Starcraft is a series of competitive video games known for pushing players to the limits. Occupying the real-time strategy genre, it will have the occasional flashes of brilliance that can be captured in highlight clips, but more often what makes people fans are the stories told over 20-60 minutes of adversaries trying to outwit and out-muscle each other. It’s often the case that written essays more accurately capture the strength and tactical brilliance of a player than a minute-long Twitch clip. As a result, games that are conducive to highlight reels, like fighting games or MOBAs, tend to go viral much more often.

On a personal note, when creating the “Precure Party” panel for AnimeNEXT 2015 with Alain from Reverse Thieves, I tried to find the best clip to convey the quality of my favorite, Heartcatch Precure! In my opinion, the show’s greatest strength is how it delivers very profound and considerate messages using the depths and quirks of its characters. What I ultimately decided on was to combine two clips: one showing Kurumi Erika (Cure Marine) being jealous of her older sister, and then another showing her older sister Momoka being jealous of Erika in contrast. The point was to show how it threads together those two episodes two make a stronger point about how Erika’s sense of inferiority isn’t the entire story, but the short highlight reel didn’t hit as effectively as I’d hoped. It just wasn’t as effective as showing transformation sequences, dramatic character development scenes, or easy-to-understand gag scenes. If I were to do it over, I would pick something with a lot more impact, but I’d still be a bit sad that I couldn’t properly convey in that instance the X-factor of Heartcatch.

I care little for complaints about shrinking attention spans; I’ve been hearing them since I was a kid. While there is a lot of desire out there for immediate satisfaction (see commenters online who write gigantic replies based purely on the title of a video or article), I can only put so much blame on the viewers and readers when it’s the people making the ads and videos to exploit their customers’ tendencies. What’s more important to me is that I hope people who see short clips or highlight reels for more complex subjects understand it’s just a taste of whatever they’re looking at, and that it’s not always the best or most ideal representation.

On Loli Vampires, Morality, and Fiction

Anime and manga are full of relationships with large age disparities, ones that would assuredly get people arrested in real life. While fiction isn’t reality, and therefore doesn’t necessarily reflect what people desire or are willing to do in their actual lives, the fear of harm is founded in a simple and important value: adults having physical and romantic relationships with kids is wrong and impossible to justify in reality.

“But why is it wrong?” Generally, when presented with this question, people react that it is just morally repugnant, that it should cause disgust in all people. But what often isn’t taken into account is that there are two components to this answer that are conflated into a single response: the physical disgust and the moral disgust.

The Power of Fiction for Breaking Down Ideas

Before getting into the subject at hand, I want to emphasize some of the strengths of fiction: it can introduce ideas not easily found in reality, working alongside imagination to help people envision a world different from their own. It can also dissect and decouple concepts we believe to be either inextricably tied together, even those multifaceted ideas thought to be a single entity. This aspect of fiction enables people to reflect on its assumptions, and to further clarify how we think as human beings.

Take the example of being transgender, that one can potentially appear as one sex on the outside, but feel they are truly another gender on the inside. Thousands of years of social reinforcement emphasizes that the outer appearance dictates the inner mind, so for many someone being transgender is still a difficult concept to grasp. They cannot divorce sex from gender.

Yet fiction helps make this comprehensible. For instance, the old manga and anime Ranma 1/2 stars a boy who, due to a curse, changes physically into a girl every time he’s hit by cold water (hot water reverses the transformation). The more recent and wildly successful anime film, your name., features a boy and a girl who switch minds and have to live in each other’s bodies. In both works, the idea of “a girl on the outside but a boy on the inside” becomes more easily relatable. One need only watch these works, then think, “If I was in their shoes, how would I think? How would I feel?”

Physical vs. Logical Morality

Adults having relationships with minors is morally wrong, but in order to illustrate the complexities of this idea, I’m going to reference two characters from the company Arc System Works’, which specializes in fighting games. First is Dizzy from the Guilty Gear series. Second is Rachel Alucard from the BlazBlue series.

Visually, Dizzy appears as a fully-grown adult. Tall and voluptuous, she holds zero physical appeal for anyone who would be into much younger characters. However, in her first appearance in Guilty Gear X, she’s stated as being a mere three years old. While it’s more the case that she emerged fully grown like the goddess Athena, the conceptual contrast is still there: young in age, but old in appearance.

Rachel Alucard is the opposite. Having the appearance of a child, Rachel is actually an ageless vampire with the maturity and wisdom to go along with it. She’s very intentionally designed to follow that old lolicon trope of “she looks 10 but she’s 1,000 years old!” that often comes across as the flimsiest of excuses.

If you were to apply real-world laws to Dizzy and Rachel, you’d get two different results. If an adult had a sexual relationship with Dizzy, they’d be breaking the law 100%, but at first glance no one would find anything amiss. If an adult had something with Rachel, it would be legally justified but they would get pulled over by the cops every day for the rest of their lives.

Being bothered by Rachel’s design reflects a physical, visceral disgust—that one should not perceive her appearance as sexually attractive. On the other hand, being disturbed by Dizzy’s situation has more to do with the logic of morality. Even if someone appears fully mature, that does not mean they are mentally or emotionally ready. Age of consent laws are designed to protect minors from the inherent power imbalances that exist in adult-child interactions, even if she “looks like an adult.” The two sides of this argument can and do join together, but they’re fundamentally separate ideas.

So What About Those Stories?

While there is a clear immorality to having an underage relationship in reality, I do not believe that fiction is beholden to the same rules. Putting aside the fact that fiction, in and of itself, causes no harm, what ultimately makes those large age gaps morally problematic is the power dynamic. Adults inherently hold authority over children, even if those kids could pass for adults themselves, and the excuse that “she looked 18” doesn’t take into account the psychological harm that can occur. In stories, however, “power” comes in many different forms, and a story can be all about seeing how two individual characters can join together as equals. This doesn’t mean that people should never feel disgust at what’s depicted in fiction, especially because what goes on can potentially be used as an excuse or justification for bad behavior in real life. But it still, in the end, highlights how we perceive equality (or lack thereof) in fictional portrayals of romance.