Sunday vs Magazine, or WAKE UP ATTACK, JOOOEEEEEE!

Posted on by

A while back we heard news from the land of the rising run that the Jump Stars series of fighting games was getting a rival. Not only would it be comprised of heroes from manga serials that are decidedly not Shounen Jump, but they would even appear on the Nintendo DS’s rival handheld gaming device, the PSP. Well now the trailer’s been released, and I don’t think I gotta say this but I will anyway: Game looks DYNAMITE ON FIRE.

So here we have Sunday vs Magazine Shuuketsu! Choujou Daikessen! or roughly, The Sunday vs Magazine Gathering! The Greatest Ultimate Battle, and it looks to be a very different fighting game from Jump Ultimate Stars. It uses 3d graphics, seems to be more of a traditional 1-on-1 fighter, and of course the roster is way different.

Yeah they announced some characters a while back, and most of them are really awesome, particularly Ippo and Mechazawa, but then they started pulling out the big guns: Yabuki Joe! Devilman! Tiger Mask! CYBORG 009! This game means serious business, and is reaching hard and deep to fulfill its destiny.

There’s definitely going to be hidden characters, mark my word. There’s no way a game as big as this would forget everyone’s favorite age-regressed bowtie-wearing detective.

I’ve talked about how important it is for a crossover to FEEL like a crossover even if a person has never heard of most or any of the properties involved, and this trailer pulls it off with astounding success. Who would not be stoked, really? And even if you hate a character, then here’s your opportunity to Cross Counter their face in!

Hey Ladies, Check Me Out I’m the Pitcher

Posted on by

So ladies who read Ogiue Maniax, I have a question for you: Has the One Outs opening worked on any of you or any girls you know?

So we have this show whose full title is One Outs – Nobody wins, but I! It is, to sum it up, “Akagi + Baseball.” And it’s a rad show full of tests of will and strategy with an indomitable central character. It’s the kind of show made for guys.

But try to convince someone to watch the show based on the opening, and some people, generally the kind that are weak to the girlier aspects of anime, are likely to shy away. A similar thing happens with Ouran High School Host Club.

Clearly the opening to One Outs – Nobody wins, but I! (it entertains me to use the full title) is some kind of girl or fujoshi eye candy designed to draw them into watching a show they might normally avoid.

So once again I ask, any girls who’ve been taken in by Tokuchi Toua’s smooth abs and beady eyes?

The Target Audience is Me

Posted on by

Recently when in the manga section of a bookstore, be it Japanese or English, I find myself gravitating towards the seinen series. “This isn’t so unusual,” I think to myself, seeing as I am exactly in the target age for seinen, but what alarms me is that I seem to be checking out shounen and shoujo less than I used to. I don’t think this has much to do with my tastes in manga changing; many shounen and perhaps many more shoujo titles still rank as among my absolute favorites. So what’s the deal?

I considered that perhaps what’s holding me back is a lack of desire to start new series, especially long ones. Once I buy a first volume, there tends to be a strong desire to keep getting them if only to quench the completionist fire within me. The fact that my most recent truly blind purchase was La Sommelière Volume 1 may be what gets me to approach the seinen section in Kinokuniya, which inevitably leads me to the Monthly Afternoon titles situated nearby. I have a fondness for Afternoon, as it’s where Genshiken was published.

Shounen series, especially successful ones, tend to go on for very long, riding their success as hard as possible, and understandably so. Shoujo series can be similar, though they tend not to be as crazy long as the most popular shounen series. Maybe it’s the fact that I’m ultimately a guy and while I enjoy shoujo immensely it might be always as a guy. Who has the hots for Oscar.

Dragon Ball Kai and the “Sacred Original”

Posted on by

Dragon Ball Kai, if you haven’t heard, is the newly redone, newly voiced, high-definition re-airing of the Dragon Ball Z anime starting April 5, 2009. And this time, according to Toei, they’re going to cut out the filler to make it more like the original manga.

There’s a certain level of importance placed on the “original” in anime, manga, and of course art and entertainment in general. Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction” discussed the changes mass production could influence upon art and the concept and authenticity of an “original.”Star Wars is already a massed-produced work, but fans cry foul whenever George Lucas decides to revise the original trilogy, whether it’s deciding who shot who first, who appears in the sky as a ghost, or whether the Death Star should meet its end with many tiny explosions or one giant shock wave. Fans will argue that the plastic, rubbery look and the decisions made then, seen perhaps as weaknesses by some, are actually strengths of the movie. Originals, for better or worse, are often considered to be “sacred.” But what does one consider the “original?”

I bet a lot of people are fine with editing down Dragon Ball Z to remove a lot of the filler which bogged down the pacing of the series, and I am among them. In one sense, it is not the “original” because there’s a manga to base it on, a vision of what should have been. But what if Dragon Ball Kai was not a revision of Dragon Ball Z but the entire original manga retraced and made to look better than ever with “unnecessary filler” cut out? We know that Toriyama originally wanted to end the series at multiple junctures: the defeat of Piccolo, Jr. at the Tenkaichi Budokai; the death of Freeza; the death of Cell. Is the original his intended plan which never was carried out due to Shounen Jump editors wanting to keep making money hand over fist? If so, then surely the manga would have a huge chunk of its content cut out.

Now I’m not arguing against the concept of Dragon Ball Kai and its desire to tighten up the anime and remove the excess. I’ve established myself as being in support of the idea. However, when you sit down and try to consider what the “original” could be, it opens up a whole can of worms.

Today’s homework assignment is that I want you to think over the following two things. First, is the idea that the original creator(s) may not necessarily know what’s best for his own story, and that external factors which seem like limitations may sometimes produce better results (see First Gundam). Second, is taking the concept of “cutting out the boring and unncessary” parts and comparing it to dubbing practices of the 80s and 90s.

Have fun, though. That’s what’s most important.

Nowhere to Go But Everywhere: Kinnikuman

Posted on by

I’ve recently been reading the Shounen Jump classic Kinnikuman (literally “Muscleman”) by the creative duo known as Yudetamago. If I had to describe it in one word, it would be “transparent.” A transparent work, as I’m using the term, describes something where you, as a reader, are able to see the creative process used in creating the series, and in that sense Kinnikuman is the most transparent manga I have ever seen. Plot points and important climaxes are revealed with little prior warning, and the reader isn’t given much time to parse any logic, which is good because there never is any.

The basic premise of Kinnikuman is that it’s about a bumbling oaf named Kinniku Suguru trying to be a superhero. It starts off as an Ultraman parody, but as the comic progressed the creators got into pro wrestling so, “Hey why not!” they said. “Let’s turn the whole comic into a wild and crazy version of pro wrestling where people wear hats on their feet and hamburgers eat people!”

One of the later villains in the series is named Sneagator. His name is a portmanteau of the words “sneaker” and “alligator,” and that’s exactly what he looks like. But he also reveals that he has the ability to shed his skin and turn into different reptiles, such as snakes and lizards, and according to Sneagator he can turn into the most terrifying reptile of all, a frilled-neck lizard! Except this frilled-neck lizard can SPIN ITS FRILLS LIKE A BUZZSAW.

But that’s not even Sneagator’s true form! In fact, I think I’ll let the images do the talking.

Yes, his true form is THE FOOT OF A TYRANNOSAURUS REX. Now consider that the whole series is like this. You can pretty much tell that every single moment in Kinnikuman had its creation preceded by at least one of its authors saying, “Wouldn’t it be cool if _________.” Repeat this for 36 volumes.

You might think I’m complaining about its lack of structure but I’m really doing quite the opposite. This transparency is the charm and primary strength of Kinnikuman. Oda (One Piece) and Toriyama (Dragon Ball) have both been lauded for understanding what boys like and want, and appealing to their senses, but they both have a level of self-control and an idea of what would happen at least as far as the current arc. Series such as Pyuu! to Fuku Jaguar are crazy and frenetic, but you can tell that the jokes are planned out well, that there’s a method to the madness. Kinnikuman has none of that sophistication and doesn’t really need it. On top of that, it’s about as extreme as a series like Violence Hero Riki-Oh but unlike Riki-Oh it’s still definitely meant for children. Kinnikuman is unique among its peers.

Seriously, check it out if you want to see the kind of wonderful Shounen comic that just can’t survive these days.

Emotional Investment: An Introspective Un-Rant

Posted on by

Tell me if you’ve heard this one before. Maybe from even your own mouth.

“Yeah the show seemed like it was well done, but I didn’t feel emotionally invested in it.”

Emotional investment, by nature of the words used in it, should be and is always a very personal thing, and yet the entertainment we read is supposed to do this for not just one person but many people.

This isn’t a topic that is terribly complex, the idea that people will enjoy shows that resonate with them better, but it always feels like such a dangerous thing to say that a show lacks that emotional connection. Is it your fault? Is it the fault of the show? Is it a fault at all? If not, how can any production compensate for something like this? Is this why in the end, art is art and science is science, and while there’s plenty of overlap some things are “just because?”

And then you have the other side, where people feel emotionally invested in a story. The setting, the characters, something about this piece of fiction you’re looking at strikes a chord deep down inside of you and you wonder how anyone could not like it. So when that story is attacked or trivialized by another, it feels like a personal slight, and saying that a show was unable to pull you in emotionally can sometimes sound like the ultimate insult to a show even if it isn’t meant to be.

There’s no real conclusion to this, no grand point I’m trying to make, I’m just using this post to collect my thoughts and record them as they are.

(SUNSHINE)^2

Posted on by

There’s some spoilers here, so I recommend those of you with an investment in Naruto and don’t want to ruin your experience turn around immediately.

Continue reading →

Mazin is Go

Posted on by

2ch rumors abounded a while back that Imagawa Yasuhiro, famous for his work on the Giant Robo OVA, was being taken off of the upcoming Mazinger anime. It’s now been proven otherwise, but with the new announcement also comes a new title for this update to Nagai Go’s most famous giant robot: Shin Mazinger Shougeki! Z-Hen or True Mazinger Impact!! Z-Arc. The “Shin” by the way stands for “True,” so like the Shin Getter in Armageddon and not the Shin as in New Getter.

Now, prior to this announcement, we all thought that the new Mazinger anime was gonna be based on Z-Mazinger, i.e. Mazinger with a Greek mythological influence, and it was touted as such. And even before then, there were interviews with Nagai where he talked about how he wanted to finish off the Mazinger saga he never could back in the 70s due to various difficulties. And now we have what looks to be a total original Mazinger Z remake. What a crazy journey for this show!

But then you notice that last crucial part of the title, “Z-Hen.” Hen means volume or compilation, I translated it as (story) arc, so I think the potential implication is that after these 26 episodes are up, we might get a 26-episode Great Mazinger series, and then possibly more and it actually might finally close out the Mazingers forever. Or until the next remake.

Also, Kabuto Kouji has a new voice actor. Much as I wish the great Ishimaru Hiroya to take the title role again, I’m fine with getting newer blood as well.


You’re Looking at a Man with BUSINESS – LEVEL Japanese

Posted on by

Seriously

Test results for the JLPT came in yesterday.

I passed, barely.

But I still passed!

What this says to me is that I did just the right amount of hard work, not so much that it took away from other activities, but not so little that I couldn’t make it. In a way, I’m lucky, but I also know that those months of reading little kanji cards on the train and studying with friends was validated.

And I thank you all for letting me talk about my trials and tribulations of learning Japanese, and not asking me to just talk more about anime.

I guess for now the jlpt category will lay dormant, unless I am insane enough to go for the level 1.

Maybe I am. Who knows?

The Otaku Diaries: Helping Otaku Learn About Themselves

Posted on by

Hisui and Narutaki over at the Reverse Thieves have an interesting project going, which they’ve called the Otaku Diaries. They basically want you, John Q. Otaku, to fill out their anonymous survey so that we can learn things about otaku beyond the trappings of anime and fandom. And you know me, I’m always a fan of these sorts of projects. Hisui and Narutaki introduce their own project better than I could, so I’ll let them do the rest of the talking.

We at Reverse Thieves are looking to do something a little different.

We are proposing a project called the Otaku Diaries. We are looking for people who consider themselves anime fans to participate in an anonymous survey. It will be profiling the lives, loves, and losses of these individuals and how their hobby has related to shaping them. We will also be looking for patterns as well as differences in the cases. We are looking for diverse people who are not afraid to get personal, questions will include topics like prior relationships, profession, and sexuality.

This survey is about a story, not about numbers.

If you are interested here is how it is going to work. Send us an email at otakudiary@gmail.com with a brief description of yourself include your age, sex, and location. No names need be exchanged and your anonymity will be protected, create a separate e-mail account just for this survey if you wish. If you are selected to participate, you will be given a case # to which all your answers will be attributed. After all the data is collected we will be doing several blog posts about the results.

We hope to start at the end of February, depending on the number of responses.

Thanks!

I’ve already filled out and sent in my survey! And you want to be cool like me, right?