Kio Shimoku Twitter Highlights January 2023

In amazing news for people who run blogs called Ogiue Maniax, Kio actually retweeted one of my blog posts this month! He also drew a bunch of Year of the Rabbit bunny girl art and went to an Animage exhibit at the Ghibli Museum.

Kio’s 2022 included the end of Hashikko Ensemble at the beginning of the year, which resulted in him taking it fairly easily for the remainder. In the morning, he’d wake up and notice no dark circles under his eyes. But because he’s been doing stuff like practicing ero manga, he’s itching to get back into things.

Kio asks if it’s okay to draw “bunnies” (for the New Year), and then follows up with drawings of people in bunny outfits.

Unnamed bunny girl. (I wonder if she has any connection to the “ero manga” practice Kio’s been putting in.)

Not-Ohno from Spotted Flower. Not-Saki is saying, “Uh, mom with two kids.”

Mimi-sensei from Hashikko Ensemble.

Jin from Hashikko Ensemble.

Kio says that the Year of the Rabbit is cruel (This looks like a reference to all the bunny girl art).

Kio was into the Horizon in the Middle of Nowhere anime, but wasn’t interested in the original light novels at first. However, a few years ago he bought all of them and became a fan.

Someone replies that the books look intimidating even without opening them, to which Kio agrees. (Note that the Horizon novels get very lengthy, with my some exceeding 1,000 pages in Japanese.)

Something that appeals to Kio about Horizon is that it’s a world without any knowledge of its own history—an idea that has always appealed to him. He recalls the author being a huge history buff too, to the point that he read history books every day prior to starting Horizon. It’s something Kio wants to try but has never done.

He’s also done Horizon art for a comic anthology book, but nothing beyond that.

Kio wishes there was more Horizon anime, and his favorite character is Kimi. He admits to liking “cheat characters” as a rule.

Kio realizes that Spotted Flower Volume 6 has been announced.

Kio excitedly decided to go to a Ghibli Museum exhibit on Animage magazine from 1978 to the 1980s. 

Painting his The Five Star Stories model kit using the Citadel Colour system. Replies congratulates him for finishing, and he says Citadel is great for small details like this.

An inconsistency in terms of left and right armor. The KOG looks like it’s gonna be a pain to build as a result of such warping.

Kio getting overwhelmed with nostalgia seeing the Animage Ghibli Museum exhibit, pointing out that these are exactly the magazine issues he remembers from that time. (The Nausicaa manga started in Animage and the time Kio got into drawing because of Miyazaki, per his interview with Luis Cammy.)

A comparison between the initial paint job on the Empress vs. now.

Kio (and Rakuen magazine) retweeting one of my blog posts!!! “Hmm? Oh, what’s this?” Except he’s making a pun based on oya (parent) and oya (oh?) because it’s about Not-Keiko from Spotted Flower being a mom.

It might be obvious, but I’m very happy that this happened.

Kio bought the March 2023 issue of Weekly Model Graphix, which has a cover drawn by the manga artist Kusada. Kio mentions to Kusada that the magazine definitely stood out in the store.

After seeing a demonstration of how 3D graphics can be used to create background and reference images in manga, Kio laments that he’s gonna have to learn 3D if he wants to keep drawing alone.

Someone in the replies points out that Clip Studio Paint has 3D reference objects as part of the program, and Kio thanks him while saying that he’s only just started using ko it.

​​https://twitter.com/kioshimoku1/status/1619329291694768132

Kio talks about how great it would have been to be able to use 3DCG models for Genshiken, and for anything involving Tokyo Big Sight (the venue for Comic Market). That said, Kio has collected tons of reference photos of Big Sight, so he can draw the place relatively easily. 

Some fans talk about how they love Kio’s analog background work (with one person calling it his bathroom reading material as a compliment), and Kio thanks them for their compliments. Kio does enjoy drawing analog backgrounds, and he used to be able to draw Genshiken backgrounds from memory (but not anymore).

After reading a tweet from an anatomy account, Kio has to fix a drawing to make a stomach crease go above the belly button.

Kio’s tortoise! In the first photo, it just leapt.

The Lolicon of 1982

Kransom recently showed me this image from a 1982 issue of Animage Magazine. The image is a chart which is designed for you the reader to figure out your lolicon level. The further down the list your preferences go, the more of a lolicon you are.

I don’t expect people to recognize every character. I certainly didn’t, which is why I’m including this handy guide. From left to right:

Top Row (You’re Normal): Fiolina (Dagli Appennini alle Ande), Clara (Heidi), Monsley (Future Boy Conan), Hilda (Hols: Prince of the Sun), Lana (Future Boy Conan), Clarisse (Lupin III: Castle of Cagliostro)
Middle Row (Serious Symptoms): Aloise (A Dog of Flanders), Diana (Anne of Green Gables), Megu (Majokko Megu-chan), Becky (Tom Sawyer), Angie (Her Majesty’s Petite Angie), Heidi (Heidi)
Bottom Row (Already Sick): Lighthouse Keeper Girl (Wanwan Chuushingura), Princess of the Purple Star (Gulliver’s Space Travels), Shizuka (Doraemon), Makiko (Tetsujin 28 (1980)), Ulala (Robokko Beaton), Mayu (Space Pirate Captain Harlock)

Though it might seem unnecessary for me to repeat it, I have to restate that this comes from 1982 and a very different era of anime. This is not the modern-age pandering lolicon of Kodomo no Jikan and other similar shows. Looking at this list, the majority includes characters from shows that were produced by future Studio Ghibli staff such as Miyazaki and Takahata, as well as characters from famous children’s literature around the world such as Tom Sawyer and Anne of Green Gables, and I don’t think anyone would accuse Diana Barry of being a one-dimensional character.

Though moe is not lolicon, the generally youthful look of moe characters means that the two ideas are often associated with each other. And aside from the idea that Miyazaki and children’s literature created the lolita complex in anime fans, accusations which are not new, I think the real implication is that as much as we decry lolicon and the like for being shallow, vapid, and creepy, this shows that it came from a real source consisting of strong storytelling and visual quality. Though I might be reaching a little, I really think that the people who realized their own lolicon-ness as the result of these shows were taken in by the excellent characterization of the young girl characters present in these anime, and not because these characters hit any specific buttons. This sentiment was then carried over, becoming reduced and simplified in the same manner that resulted in the current understanding of moe, and also in a fashion to how the people who fell in love with Gundam would go on to work on their own giant robot anime years later.

It’s not my goal to defend or condemn lolicon, but rather to say that this aspect of anime fandom, like it or not, appears to be born from high-quality Japanese Animation from some of the greatest masters in the industry. In other words, even though there are shows that pander to lolicon, it was not lolicon-pandering shows which created the market in the first place.