Everyone gets hit by a Minmay Attack in Hashikko Ensemble, Chapter 36.
The next round is on, and the Chorus Appreciation Society takes the stage once again. Before that, though, Kozue asks Kousei why he doesn’t try to cheer Shion up after his rejection of her, and he replies that they’re just from different worlds: a safe rich girl vs. a delinquent with a lot of baggage.
This time, it’s “Do You Remember Love?” from the anime film Macross: Do You Remember Love. Akira and the others deliver a powerful performance that doesn’t just wow the audience, it seems to actually bond the members (and those close to them) together in a way that only music can. As they finish, Kousei seems to have Shion on his mind as he thinks, “Maybe our worlds aren’t so far apart after all.”
Elsewhere, Yumerun is pacing frantically, when finally the person she’s waiting for arrives: Jin’s mother, Kimura Reika, who turns out to be a highly eccentric 31-year-old soprano. The chapter ends as the two head out to Hashimoto Tech (Reika reluctantly so) in order to see Jin and the others sing.
Darkness and Light
Hashikko Ensemble is a series that’s high on levity, but the glimpses of darkness are astoundingly brutal. As Kousei is talking about his past, the first image shown is what appears to be a first-person perspective of one of his abusers (his mom’s lover, I think) rearing for a punch. This then transitions into Kousei throwing a punch at someone on the street in a fight. There’s a lot of trauma in his life, and the manga conveys a link between the violence inflicted on him and his rough attitude.
That’s also what makes the portrayal of the society’s “Do You Remember Love?” all the more powerful. You can see in Kousei all this internalized fear, anger, and self-loathing, and it seems to just wash away as he sings. During the performance, Yukina (the arm wrestling champ who has a thing for Kousei) suddenly begins to cry during his performance, and she isn’t sure why. The way I see it, what she’s sensing is how strongly Kousei’s feelings are reaching out to Shion, and she’s realizing they’re not for her. Only in song is Kousei able to be honest.
I Love You So
I’m not well-versed in music, let alone the sheer breadth of what’s thus far been presented in Hashikko Ensemble. Many times, what this means is that outside of seeing the lyrics on the pages, I don’t always fully internalize what the songs are conveying in a chapter. This is not the case with “Do You Remember Love?”—it’s a song I know all too well, and it’s a staple of my karaoke sessions. In other words, I can really “feel” this chapter in ways that I haven’t been able to before.
“Do You Remember Love?” is indeed a love song, but it’s also about reaching out to others and connecting. “I hear you calling out to me.” “I’m no longer alone, because you’re here.” Characters make mention of how well Akira and Kousei are harmonizing, as if they’re on the same page emotionally; most likely, it’s because they’re both singing to Shion.
Questions are asked throughout the chorus of the song: “Do you remember when our eyes met?” “Do you remember when we held hands?” And while these lyrics are more romantic, their juxtaposition against Kousei’s traumatic memories makes me think that he’s actually, in a sense, remembering what it’s like to love The contrast between the beauty of the song and the violence of Kousei’s past is very fitting for a song played during the climactic battle of the Macross movie.
Jin’s Mom Is a Surprise
Kimura Reika is very different from what I pictured. When Jin described her in previous chapters, I was expecting an older strict woman—perhaps an unforgiving taskmaster with many years of experience and even a few wrinkles. In contrast, we get this weirdly aggressive and intense ball of energy who’s similar enough to Jin that you can see the familial relation, but also different to the point that you wouldn’t mistake the two. During her introduction, Yumerun asks why in the world Reika isn’t wearing her contacts, and she responds that she forgot them but also thinks it’s too much of a hassle to go back to retrieve them. When asked why she won’t just wear glasses, Reika claims that when she has them on, it makes her feel like her voice won’t fly out properly. That’s the sort of person Jin has to deal with in his home life.
And I have to point out the elephant in the room: Assuming that Reika is Jin’s biological mother, it also means she got teen pregnant! This isn’t the first time that the author, Kio Shimoku, has explored that topic (see his two-volume baby-raising manga Jigopuri), but I’m still surprised to see it pop up here. Just what kind of life has Reika gone through?
It’s noted that most of the groups only prepared one or two songs for the competition, so there are a number of repeats from previous chapters.
Basso Masters: “Daichi Kinshou” (Hymn of the Earth) from the cantata “Tsuchi no Uta” (Song of the Land)
Team “Promise” (a bunch of otaku): “Yakusoku” (Promise) from The iDOLM@STER
Yukio feat. Mayomyon: “Shibuya at 5 o’clock” by Suzuki Masuyuki and Kikuchi Momoko (You might recognize Suzuki as the singer of the opening to Kaguya-sama: Love Is War)
Noi Majo (Kurotaki Mai’s quartet): “Hakujitsu” (“White Day”) by King Gnu
Chorus Appreciation Society: “Do You Remember Love?”
You can find the above songs, along with previous references, in my Hashikko Ensemble Youtube playlist.
I’m really looking forward to seeing more of Jin’s mom. I feel like we’ve only scratched the surface of what she’s really like.
Mai’s group, Noi Majo, has moved on in the competition as well. I wonder if the groups will end up against each other.
I named a previous chapter review “More Like ‘Protoculture Festival,’” and I wished I saved it for this one. Oh well.
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