I have to admit that the world feels overwhelming. If it’s not COVID rates ticking up, it’s deadly shootings and war and racism and the fact that these things are all tied together. As an anime blogger, I also think about these things in relation to entertainment, and in light of recent events, we’re seeing old boogeymen like “violent video games” being brought up. I remember those conversations from two decades ago, and though my perspective has changed from childhood to adulthood, I’m not so naive as to think that the root cause is violent entertainment. Rather, it’s at best a symptom of a deeper problem—that power is conflated with self worth, and that gun lobbyists want men to feel that threat of emasculation so badly that they’re willing to go to extremes.
I’m not someone who believes that glorifying violence in entertainment is inherently a problem. I like my action series plenty, and even if something like sports can be argued to be a conduit for aggression, I don’t think that it’s automatically going to lead to the kind of mind-poisoning we’re seeing from cultures that refuse to confront their own pasts. As long as media can be media and not propaganda, even the most depraved depictions of human behavior can have a place. If fiction is the only alternative for someone to find themselves comfort, that’s not the fault of the fiction.
On a less somber note, I’d like to thank the following Patreon subscribers:
Sue Hopkins fans:
Hato Kenjirou fans:
Yajima Mirei fans:
Blog highlights from May:
Lots of Brain with a Bit of Heart: Combat in Girls und Panzer das Finale
A review of sorts for GIrls und Panzer das Finale, especially Part 2, but more of an analysis of how combat is portrayed in the series.
Ultimate Dancouga in Super Robot Wars 30 Is Quintessential Obari Masami
How this particular SRW30 DLC captures the essence of its original creator.
The Tools to Express Yourself: Blue Period
Thoughts on the moving story of a guy who’s suddenly inspired to become an artist.
Why Zhong Lanzhu makes Love Live! better by being a heel.
Looking at the way the English translation of Spy x Family adapts Anya’s kid speech.
Kio Shimoku’s Twitter was full of design drawings for Hashkko Ensemble. There’s a lot of insight into his early decisions for the manga.
I’m going to leave off on a nicer and more personal not: I finally beat Super Robot Wars 30! It only took…200 hours. I want to write an overall review of it, but part of me wonders if all the existing posts might be enough.