Jin’s mom continues to be a tour de force in Hashikko Ensemble, Chapter 39.
It’s now the finals of the Culture Festival’s music competition, and the Chorus Appreciation Society is up against the mysterious masked Basso Masters. However, not everything is as it seems. The leader of the Basso Masters isn’t anyone special or known—just a friendly third-year named Satou who was inspired by Jin to follow his interest in music. And even though Jin’s mom, Reika, gave Jin a deal to let him go to music college if they win, Jin himself doesn’t really care about that. In fact, he likes applying his match and science skills in electrical engineering, and simply wants to show Reika the merits of singing as a group.
The Basso Masters go first, but just as they begin their performance, Reika interrupts them to rearrange the singers’ positions to group them according to roles (Bass I, Bass II, Tenor I, Tenor II). She also provides some advice on how to sing from the entire body instead of just from the throat. The difference is so immediately noticeable and significant that even the members of the Chorus Appreciation Society can’t help but applaud by the end.
As Jin, Akira, and the others get ready for their turn, a student from electrical engineering brings to Jin an LED display meant to show the lyrics to their next song, “Kokoro no Tsubasa.” Here, we learn that Himari has been hard at work getting this done, going so far as to learn how to program. Akira, seeing how many people Jin has touched and changed with his passion for music (Akira himself included), encourages Jin to consider music college after all.
The Power of Reika
Once again, Reika steals the show, as she presents an interesting obstacle for Jin. I think the really challenging thing about her from Jin’s perspective is that her talent, as well as her ability to recognize talent, are undeniable. While Reika believes group singing is less important than solo performances, it’s not as if she dismisses it outright. In fact, it’s thanks to her immense understanding of chorus dynamics that the Basso Masters are able to put on an amazing performance. She also specifically tells Satou, the Basso Leader, that he’s actually pretty good at conducting, so it’s not as if she has an ego about it. Reika is simply incredibly unfiltered—another similarity she has with her son, even if they manifest differently. At one point, Reika puts on a spare pair of glasses, and the students at school instantly recognize her as Jin’s mom. The way the Kimura family carry themselves is unmistakable.
Reika’s advice for how to sing better explains a lot as well. Essentially, she says that the common folk breathe from the throat, the experienced breathe from the spine, and the true masters breathe from the heels. So, when you sing, your feelings should erupt forth like magma—through the butt, then the spine, then the throat, then the forehead, then the top of your head. Not only is it a vivid visual metaphor (especially for a song called “Hymn of the Earth”) but it explains why Reika believes that an exposed forehead makes for better singing.
Himari Working Behind the Scenes
I had been wondering about Himari’s lack of presence in recent chapters, and I’m glad that it wasn’t just her being outshone by other characters. The fact that she hasn’t been in the spotlight is also quite fitting for her personality, and in hindsight I think it was the smart move overall. She’s trying to help in her own way, and she doesn’t make a big fuss out of it because she doesn’t want the attention. This likely goes all the way back to Jin leaving Himari’s apartment (and the inevitable misinterpretation of events that occurred): she was probably helping Jin with this LED display. Moreover, Akira points out that Himari has always been fond of picture books and poetry and such, so the lyrics of “Kokoro no Tsubasa” must have resonated with her.
Himari isn’t a writer, as far as we know, but could her appreciation of the written world lead to her eventually joining the Chorus Appreciation Society? Either direction would work, and would indicate where her character has headed.
Basso Masters: “Daichi Kinshou” (Hymn of the Earth) from the cantata “Tsuchi no Uta” (Song of the Land)
“Kokoro no Tsubasa” (“The Wings of Mind”) composed by Kitagawa Noboru
I’m worried that something disastrous is going to happen to Akira and Jin! Something tells me the conflict with Reika isn’t over by a mile.
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